Following findings from a study published in the Nature Ecology & Evolution journal this April, it has become public knowledge that the phenomenon dubbed the Great Pacific Garbage Patch (an area of 620,000 square miles between California and Hawaii) is serving as host to an entire coastal ecosystem. Marine wildlife is using the massive area compiled of human plastic waste as a floating habitat, and scientists are shocked at the number of species that have managed to establish life in this otherwise hostile environment.
The news once again brings into sharp focus not only pressing issues of climate change and ocean pollution but also the question of environmentally-induced migration, even at a microbial level. Architecture is moving into more and more experimental realms when it comes to considering locations for the communities of our future – and rising sea levels have promoted water to the top of the list. But these deliberations are not as recent as one might think: floating cities have been around for centuries and individual homes on water are common in areas of Benin, Peru or Iraq, among others.
It is the contrast between the beach and forest walks that are so important, and the vibrant city with its multicultural influences that informs Nathalie Deboel's style. The interior designer lives in Ukkel, just outside Brussels, but runs her studio in the Belgian seaside town of Knokke – where she finds the tranquility that's reflected in her projects. "Comforting Homes" is the title of her monograph, published by Stockmans Art Books, which features some of her well balanced projects. To understand how she does it, Markus Hieke and Bette interviewed the designer on perpetuating stories of buildings and making them –with a view towards the sustainability of bathroom spaces– their inhabitants' favorite place.
Towers, walkways, decks, cabins and tree houses. Since 2010, the Hello Wood Festival has erected dozens of temporary constructions, with one common denominator: wood. The initiative aims to make knowledge about this material more accessible to everyone, as it has immense potential for the future. However, despite its potential, wood still faces various prejudices within the construction industry. Through the connection between designers and artists from different cultural, academic and professional backgrounds, the event uses construction as a platform for innovation, discussion and knowledge. It offers participants the unique opportunity to experiment with sustainable design and construction methods, encouraging learning through experience, held in a forested area near Budapest, Hungary.
Verticality in architecture conveys aesthetic, symbolic and cultural meanings, representing concepts such as elegance, sophistication, modernity, progress and technological advancement. In religious buildings, for example, it symbolizes greatness and a connection with the divine. These strategies are very common in Gothic architecture, as well as Art déco buildings or even the skyscrapers of Mies van der Rohe. But these elements need not be restricted to grandiose constructions. Even in single-family homes, working with elements that refer to verticality can be just as useful, playing with volumes and facades or working with openings, such as windows and doors.
The use of light in religious constructions as an element of association with the divine has been present throughout the history of humanity. Historically, a series of temples from various religions have used this technique as an attempt to visually and perceptibly approach humans to a sacred and intangible dimension. Light is often given a spiritual connotation and significant symbolic force, capable of modifying people's relationships, perceptions, and experiences with their surroundings. Thus, it is an element that has been, and still is, used by architecture to create scenarios and effects in many religious spaces, especially churches.
In the world of contemporary architecture and design trends, the topic of biophilia is ruthlessly spreading itself across floor plans, mood boards, and finished interiors like butter on hot toast. So talk of outdoor spaces with natural materials, fresh air, natural light, and expansive views may seem like a broken record, but sometimes you just want to keep on pressing repeat. Also like butter on hot toast, you can never have too much of a good thing.
These outdoor bathroom spaces open themselves up, both figuratively and literally, to outdoor environments in a variety of worldwide climates, without forgetting their main purpose: to provide a sanctuary of comfortable calm, in a stressful world.
“Can you help me design my residential tower? It's 30 stories and located in Brooklyn, New York.” ChatGPT’s response may be surprising. Given that the bot has no architectural experience, and is certainly not a licensed architect, it was quick to rattle off a list of considerations for my building. Zoning codes, floor plan functionality, building codes, materiality, structural design, amenity spaces, and sustainable measures were just a few of the topics ChatGPT shared information about.
Visualization and technology have long gone hand in hand. It is, after all, a means of representing architecture that has relied on technological developments to keep up with the demands of a growing audience across multiple industries. But the fact that the two are inseparable does not mean that technology should dictate the way in which visualization is used. As technology advances, so too does its ability to become less obtrusive, allowing technological know-how to take a back seat in favor of the creative process and design exploration.
The new version of Lumion has entered into a visualization landscape that has changed dramatically over the past decade. The pursuit of photorealism that dominated much of visualization’s technological development has, for the vast majority of its users, been largely accomplished. Effective visualization is now no longer an exception to the norm, but increasingly an expectation. As Remko Jacobs, Lumion Founder and Chief Technical Officer, explains, “photorealism is there, particularly when it comes to imaging the exterior of buildings. It’s much easier to make something that looks good.”
Rising living costs are relevant hurdles to young people, seeking a place to live, while much older generations might find it more difficult to settle into comfortable post-retirement settings. These general issues have been pushing forth a recurring solution, namely a return to multigenerational family living.
While communal living concepts and developments had been adopted in recent years, familial involvement is proving to be a financially, legally, and emotionally viable alternative.
Playful cities promote play, leisure, and creativity in their public spaces and architecture. It offers opportunities for gatherings that help develop communities socially and culturally, improving the quality of life and providing essential elements for healthier and more balanced habits. They directly influence citizens' cognitive and emotional development by stimulating creativity and imagination through spaces designed for fun.
Temporary pavilions and installations, such as those used in events, exhibitions, or festivals, present themselves as a great challenge when addressing the circular economy in architecture due to their ephemeral condition. It seems contradictory to address resource management and try to extract the maximum value from the materials and minimize waste and pollution while designing a structure that is meant to be used for a limited period of time. However, there are several strategies to rethink the way we are designing these structures in order to promote circularity.
Architecture has the power to transform cities. Whether through the innovative use of materials, collaboration with other architecture firms to realize neighborhood master plans, or transforming public transportation for an entire population, design can significantly influence and impact how we interact with the places we live. In an exclusive interview with ArchDaily, Alan Pullman of Studio One Eleven talks about his firm’s vision for the future of Los Angeles and its approach to architecture and urban planning.
The interior design of gastronomic premises is becoming increasingly important due to the demand for improvement in the areas of competition, customer experience, and brand identity. The ability to adapt to current trends and needs is a point that Argentinian architecture and interior design professionals have been facing with innovation and flexibility in the use of materials, colors, and textures.
Commerce is a human activity practiced by societies since the beginning of evolution. Exchanges were made between products negotiated by entire communities at first. They began to be based on a common currency and practiced individually over time, from family to family. In one way or another, this activity is a characteristic of civilization and even influences our territorial organization. Historically practiced in outdoor spaces, commercial activity defined many spatial configurations.
African cities are expected to experience a significant increase in population over the next 30 years. According to United Nations projections, these cities will welcome an additional 900 million inhabitants by 2050. This demographic shift will create both opportunities and challenges that will reshape the nature and structure of these cities. These challenges include the need for economic growth, increased demand for housing and infrastructure, and the development of supplementary transportation systems. So far, most African cities have responded to this rapid population growth with sprawling horizontal development patterns that expand the fringes of the city, increase social fragmentation, and ultimately lead to greater car dependency.
The winners of the German Design Awards 2023 approach design in ways that are both clever and sustainable, with a focus on ground-breaking product solutions and visionary ideas. The cradle-to-cradle principle, modular construction methods, sustainable use of materials and energy efficiency have long been mainstays in manufacturing and the construction process. But real estate branding is also increasingly coming into focus and becoming an important instrument in architectural communication and marketing.
Of the 4,200 submissions that the German Design Awards 2023 received, 98 projects in total were honored with the highest ‘Gold’ distinction. The German Design Awards are one of the most well-recognized international design awards, distinguished by its diversity and the quality of the projects. The awards are given to companies whose products stand out in the categories of ‘Excellent Product Design’, ‘Excellent Communications Design’, and ‘Excellent Architecture’. In the three different design disciplines, this year’s winners include companies such as Duravit, Mono and WMF, as well as the architecture firm MVRDV and start-ups such as nevi and X Shore AB.
March 9 marks the birthday of one of the most important Mexican architects worldwide. A pioneer of the Modern Movement in Mexico whose work has transcended geographical limits to be studied by different generations of architects who have rewritten his teaching to make it their own. Every year, this date represents the perfect excuse to rethink Barragan's legacy to architecture not only in Mexico but also in the world, and different projects have been carried out with this intention, awakening the interest of new generations. However, until a few years ago, the record of the architect's work was not very accessible since more than 50% of the projects he built remained anonymous due to the lack of a proper archive of his work.
These days, the architecture industry cannot disregard how significant the challenge of sustainability has become. One strategy for achieving sustainable development is a circular economy, based on a sustainable life cycle. This strategy minimizes resource usage and extends the useful life of buildings from a design perspective. Moreover, another challenge is how to increase the usability of the building itself, in addition to how we've incorporated building disassembly into the cycle. This requires that designers take the future into account when making design decisions, integrating the requirements of the present with the potential outcomes of what has not yet happened.
There’s no shortage of slippery slopes in the architectural lexicon: “architectural” and “architectonic” hover near the top of the list. Problems invariably arise when the modifier supplants the modified. This happens more than you’d think, especially of late. A wholly separate issue arises when owing partly to a linguistic slight of tongue, architecture is understood as something distinct from the building, eschewing physical inhabitation.
Milan Design Week represents one of the biggest annual design events in the world, bringing together Salone del Mobile.Milan, the largest furniture and design trade fair worldwide, and Furiosalone, along with many other exhibitions, product launches, conferences, and design-related events. This year’s edition, held between April 17th, 2023 and April 21st, 2023, brought together architects, designers, manufacturers and enthusiasts, both Italian and international. Many architectural offices contributed by collaborating with various brands to develop architect-designed products and to create architectural installations to highlight not only furniture and object design but also the larger context of Milanese architecture and culture.
Featuring designs from internationally recognized architecture offices such as OMA, MAD Architects, Stefano Boeri Interiors and CRA-Carlo Ratti Associati, the following selection showcases temporary interventions in both historical and contemporary contexts. The designs present several recurring themes, such as the interest and fascination with the properties of water, be it contained within man-made structures or in its natural state. Many of the participating companies chose to showcase not only their products but also the historical architecture of Milan, by using buildings such as Pinacoteca di Brera, Casa Maveri, or the deconsecrated church of San Vittore e 40 Martiri as a backdrop for their installations.
"I am tolerant. But I revolt. I accuse. It is my obligation. I am alone. Behind me there's no dictatorship, no party, no group, nor any mafia — neither a collective intellectual scheme nor an ideology. The green revolution is not a political revolution. The base sustains it and is neither minority nor elitist. It is a creative evolution in harmony with nature and the universe's organic course."
The above paragraph was said in the mid-20th century by Friedensreich Hundertwasser, an Austrian artist, and architect born in 1928. Hundertwasser marked architecture history with his distinct style of irregular and vibrant forms. His projects were a manifesto against rational and repetitive architecture. In them, there was a right to intervene in windows, irregular floors, green roofs, and spontaneous vegetation. As an architect, he always put diversity before monotony, believing in the right of each individual to modify their home and express their creativity. Above all, Hundertwasser believed in the importance of man's identification with nature and the world around him, addressing concepts related to community life and respect for the environment.
How are contemporary homes pushing the boundaries of innovation for the future? Currently, these spaces tend towards clean lines, neutral colors and flexible spaces, with the integration of technological features and automation. But even though there are certain timeless features that define neutral contemporary interiors, we can begin to identify future trends by analyzing architectural projects that differ from the traditional, recognizing disruptive interior materials and finishes guided by technological advances that are shaping complex and changing homes of the future. The selection of these innovative materials conveys a meticulous decision process in building the structure and identity of a space. Depending on the context and typology of a space, there is a growing awareness of how materials impact an environment, and how new technologies are creating smart solutions that can mitigate their effects indoors.
Artificial intelligence (AI) is playing a key role in visualizing the interiors of the homes of the future, and together with the exploration of biophilic, intelligent and 3D-printed materials, is stimulating new ways of approaching how we will live indoors moving forward.
The First Islamic Arts Biennale, artistically directed by Sumayya Vally, opened on January 2023 and is still ongoing until May 23, 2023, in Jeddah, Saudi Arabia. The inaugural event was commissioned and produced by the Diriyah Biennale Foundation and was curated by Vally alongside Dr. Julian Raby, Dr. Omniya Abdel Barr, and Dr. Saad Al-Rashid. The biennale re-imagines the Western Hajj Terminal at King Abdulaziz Airport, designed by Skidmore, Owings & Merrill and winner of the 1983 Aga Khan Award, as a cultural space to redefine Islamic Arts from "within, in a way, that connects some of these art forms and forms of artistic expression to the experience and rituals" of those that live it.
Sumayya Vally is a South African architect, founder, and director of the Johannesburg-based collaborative architectural studio Counterspace. Designer of the Serpentine Pavilion in 2020/2021, she was the youngest architect to get this commission. Part of Time’s 100 emerging leaders who are shaping the future, in 2021, the only architect to make the list at that time, Sumayya started her career as a curator and teacher, and recently she was appointed as artistic director of the first Islamic Arts Biennale in Jeddah. ArchDaily had the chance to talk with Vally about her contribution to this biennale, her vision of the exhibition, the venue, the scenography, and the participating architects. Sumayya also shared some exclusive info about her entry for the 2023 Venice Architecture Biennale, starting on May 20th, in Venice, Italy.
Providing an overview of the profession and discipline of architecture can be a complex task given the diversity of people's backgrounds, personal interests, and experimentation techniques. Therefore, many processes related to architecture are based on speculation and innovation, taking the initiative to reimagine established limits. Architecture schools, such as École des Beaux-Arts, Vkhutemas, and Paulista School, were progressive schools of their time that developed their style led by experimental and curious minds. Thanks to these experimental processes, each developed its architectural style, characterized by factors such as philosophy, location, and the era in which the school was born.
Since its creation in Santa Monica in 1972, the Southern California Institute of Architecture (SCI-Arc) has been a world-renowned center of innovation and one of the few independent schools of architecture in the United States. It excels in challenging its students through various programs to stretch their imaginations by experimenting with non-traditional materials and approaches. Through the renowned Making+Meaning program, SCI-Arc provides an immersive introduction to students and creative professionals from diverse disciplines, who have the opportunity to explore the field of design and emphasize the fundamentals of experimentation and architecture. The return to face-to-face teaching this year infuses new energy into the program for both students and instructors, given the value of collaborating in a physical space for the development of studio-based projects.
https://www.archdaily.com/999398/immersive-learning-from-novice-to-designer-at-sci-arcs-architecture-programEnrique Tovar