Founder and Director of the African Futures Institute (AFI) based in Accra, Ghana, Lesley Lokko, is a Ghanaian-Scottish architect, educator, and novelist. With a career that spans Johannesburg, London, Accra, and Edinburgh, she has held several teaching positions and is widely recognized in her field. Professor Lokko was appointed as the curator of the 18th International Architecture Exhibition, La Biennale di Venezia in December 2021, after serving as a jury member for the Golden Lions Awards for the previous edition of the Venice Biennale. In her first interview with ArchDaily, after she was appointed curator of the 2023 Architecture Biennale, Lesley Lokko shares insights about the preparations, the theme, and this 18th edition.
For many, schools and kindergartens represent the first contact with public architecture. They, together with every educational facility, serve as the foundation for learning and knowledge dissemination, playing an important role in shaping the formative years of children and young adults. In consequence, these buildings need to respond to the needs of different age groups, while creating functional and flexible spaces for learning, but also for play and unstructured interaction. Light and ventilation needs contribute to the complexity of these architectural programs. However, designing educational facilities presents opportunities for innovation and creative expression, as they are required to adapt continuously to the changing needs of students and faculty while creating a conductive environment for learning.
This week’s curated selection of Best Unbuilt Architecture highlights designs submitted by the ArchDaily community dedicated to cultural institutions. From a learning center created to offer the girls in Mozambique an equal opportunity to learn, play and connect, to a naval station redesigned as a research center on the coast of Puerto Rico, this selection features projects created to encourage learning, curiosity, and the exchange of knowledge and expertise. The article includes designs from both established and emerging architectural practices, including Moore Ruble Yudell, C+S ARCHITECTS led by Carlo Cappai and Maria Alessandra Segantini, Hello Wood, and snkh studio.
Impressionist artists used the effect of "Optical Mixing" to create the illusion of color. By using short, separate brushstrokes of pure tones directly onto the canvas, the colors visually blended together as the observers moved away from the painting. For example, when painting a body of water, Claude Monet might have applied strokes of pure blue to represent the shadow areas and strokes of yellow to represent the light areas, which created the illusion of a green color, even though the painter had not actually added that particular hue to the canvas. In other words, each brushstroke has its own specific role in a painting, but also works for the whole image that is being created, through a careful choice of the elements present in the artist's palette.
Something similar happens with moodboards for spaces. Like a painter's palette, they are valuable tools for interior designers in the process of creating inspiring and functional spaces, allowing them to combine dissonant and unusual elements in favor of a harmonious whole. As a collage of visual elements, colors, typography, images, and words, carefully selected to represent the overall "mood" of the design, they assist in interior design decisions: materials and colors, coordination of design elements, exploration of concepts, and communication with the client, while also inspiring and directing the designer's creativity.
Contemporary architecture in Portugal is a blend of traditional and modern elements that reflect the country's rich cultural and historical heritage. In addition, it reflects global trends and influences in the discipline. From the aesthetics, functionality, and preservation of stone houses to the richness of Portuguese tiles, projects in this small country serve as a reference for many other cultures because of their careful design and precise action.
One of Paulo Mendes da Rocha's main design gestures in the Pinacoteca renovation project was to create a new longitudinal axis for circulation, moving its entrance to the south face of the building. Metallic walkways, which cross internal courtyards covered by skylights, enable new dynamics of circulation between the rooms, transforming a neoclassical building into a museum with a contemporary program.
The ability to completely renovate a space by demolishing parts, making additions, altering functionality, and improving ambience is one of the most admired functions of the architect. In housing, this significance is even more apparent, since adapting housing to contemporary demands, through a well-thought-out plan, can drastically improve the quality of life of the occupants.
Throughout history, the functional essence of bathrooms has remained unchanged due to their design being shaped by biological parameters. Initially, the function of bathrooms was solely related to hygiene and waste management, resulting in the conception of bathrooms as unhealthy and merely utilitarian spaces. This led to their separation from the rest of the spaces designated for coexistence.
However, the implementation of water supply systems and general drainage networks has vindicated the role of bathrooms in living spaces. They have acquired a primordial role in design proposals for interior design and reflect the user's personality through the combination of colors, coverings, accessories and decorative elements. In the evolution of bathroom design, proposals that stand out for their formal cleanliness, multiple nuances, subtle coexistence of elements, and customization possibilities have emerged. Brands like antoniolupi have developed bathroom furnishings that integrate these proposals and take the limits of design much further by collaborating with renowned architects and designers like Paolo Ulian, Brian Sironi, Luca Galofaro, and Mario Ferrarini, just to mention a few. Continuing with this series of collaborations, Carlo Colombo was in charge of developing Borderline.
https://www.archdaily.com/998711/pushing-the-limits-of-bathroom-furnishing-through-tailor-made-designEnrique Tovar
In Spain, the implementation of integrated kitchens in homes has become increasingly common in contemporary architecture. Although there are various configurations and designs that are applied according to the customs and cultures of societies, as we saw in Argentina or Uruguay, the essence of conceiving the kitchen space as a hub of activities and a gathering space among its inhabitants and visitors is a common factor. This has led architects to try to find innovative ways, technologies, or materials that achieve an aesthetic and harmony capable of providing functionality, spaciousness, and flexibility to homes.
When it comes to forward-thinking interior design, adaptability, and timelessness are two key factors that can guarantee a home will look just as current years from now as it does today. One interior style that makes use of them more than any other is: contemporary. By borrowing elements from several prominent styles and combining them into a harmonic whole, contemporary interiors stay current even as trends move on. But what are the components that remain constant even with this ever-changing fashion? We explore seven evergreen design elements that define contemporary interiors.
As the industry shifts towards a more sustainable model for construction, transparency becomes increasingly important. With a growing emphasis on building greener, architects, planners and other professionals want to make sure that the materials they are using have a minimal impact on the planet. Environmental Product Declarations (EPDs) are an important tool to accurately measure that impact.
In January, Holcim Germany became the first company in Europe to publish EPDs for its entire cement portfolio. It is also the first German company to provide its customers with product-specific ready-mix concrete EPDs.
Library of Muyinga. Image Courtesy of BC Architects
Nowadays, the understanding of our building culture and the application of local construction methods may seem like a distant and obsolete concept given the role of industrialization and globalization in the construction industry. We can now obtain almost any material from around the globe just by searching the internet for a distributor in our region. But this practice has important implications for our society, from the loss of architectural identity to environmental costs related to high CO₂ emissions associated with the processes of extraction, manufacturing, transportation, and disposal of these materials.
The increasing global need to reduce our carbon emissions and use materials in more efficient ways has led us to research and learn about the origin of our region's resources, eventually leading to better understanding their applications within a circular economy approach. But why not look right under our feet? Soil is one of the most common materials on the planet, and when it is locally sourced, it does not generate considerable amounts of embodied CO₂. It seems that after industrialization, we have forgotten that building with earth was for many years a viable construction method for our ancestors in different parts of the world. We spoke with Nicolas Coeckelberghs, one of the four founders of BC Materials, a worker cooperative based in Brussels that has been working with earth, rediscovering its use, and sharing its knowledge on a global scale while working with a local conscience.
https://www.archdaily.com/999074/building-with-waste-transforming-excavated-earth-into-architectureEnrique Tovar
Art Deco is an artistic and design style that emerged in Europe in the late 19th and early 20th centuries, reaching its peak in the 1920s and 1930s. Although it's difficult to identify a single origin for Art Deco, it's believed that the style developed as a reaction against the Arts and Crafts and Art Nouveau movements, which emphasized craftsmanship and naturalistic ornamentation. The style quickly spread throughout the world and had a major influence on architecture, interior design, fashion, and visual arts during the first half of the 20th century.
Designing building control systems for smart, flexible, and sustainable spaces is becoming more complex due to the changing contemporary home requirements. Pushing towards smart homes, electrical engineering has generated numerous advances that have improved performance while enriching aesthetics and lowering environmental impacts. In line with these global trends, JUNG’s systems for modern building technology are continuously delving into new possibilities in all areas of modern electrical installation, such as switching and control. Showcasing smart sustainability, the temporary installation INVISIBLE is a space where electrical engineering explores the hidden advantages of connections.
Kagi Maldives Spa Island / Yuji Yamazaki Architecture. Image Cortesía de Kagi Maldives Spa Island
The Maldives is a sovereign island country located in the Indian Ocean, organized into 26 atolls. It comprises 1,200 islands of which 203 are inhabited; it is located 450 km from India and is considered a micro-state since its extension is only 298 square kilometers. Its capital and most populated city is Malé, with a population of 103,693 inhabitants. It has a tropical and humid climate and is the least populated country in Asia. The archipelago is composed of about 1,190 coral islands grouped in a double chain of 26 atolls, following a north-south direction, occupying an area of about 90,000km, making it one of the most dispersed countries in the world.
City night view of Abu Dhabi business district, United Arab Emirates. Image via Shutterstock | MDXB
Capital city of the United Arab Emirates, the city of Abu Dhabi is located on an island in the Persian Gulf, connected to the mainland by a short bridge. Home to the local and federal government offices, as well as to the President of the UAE, Abu Dhabi was formerly an undeveloped town with only local significance that transformed into a large metropolis, at a record speed of development and urbanization.
Japanese architect Katsuhiko Takahashi created the master plan of the city in 1967, with a target population of 40,000. Encouraged in the Abu Dhabi Plan 2030, tall skyscrapers symbolize nowadays its iconic architecture, as well as new developments of Al Maryah Island, and the Sheikh Zayed mosque initiated and constructed under the administration of the late President Sheikh Zayed, a pivotal figure in the development of the contemporary UAE.
The transparent space in between: as this rendering shows, Proline T from Solarlux can completely surround buildings with glass surfaces, with modules unfolding variably to save space. Image Courtesy of Solarlux
For city dwellers, balconies can be a real blessing. They mediate between space-saving stacked domiciles and the vastness and liveliness of the surrounding neighbourhood. They can be landscaped into small oases, and you can even take a holiday on a ‘balcony’. And for architects, they offer a welcome element for structuring the facade. They also, however, pose a challenge, because not every balcony faces a garden or a quiet side street.
Residential architecture in India is a direct reflection of the ethnic practices and lifestyles led by its diverse citizens. The earliest houses were developed as units of larger community-centric settlements. The architecture of Indian residences is deeply enmeshed with cultural values - usually centering on the ideas of family and community relationships. A single home often shelters a large joint family and meets the needs of various age groups under one roof. Multigenerational living demands a unique spatial syntax to foster connections.
One of the most common decorative objects in projects, mirrors have existed since the Badarian civilization, around 4,000 BC. With several transformations in its material and manufacture, the mirror is a decorative object and can also serve as a design strategy.
Humans are hard-wired to respond positively to nature; the crackling sound of fire, the smell of fresh rain on soil, the healing characteristics of plants and the color green, being in proximity to animals, etc. That, along with today’s critical environmental conditions and rapid urbanization, shifted architects' focus towards eco-conscious projects to bring people closer to nature. Architects explored numerous approaches: rammed earth structures, recycled materials and furnishing, designing around the site's sun orientation... The practice was so driven by green architecture that the lines became blurred between what is truly sustainable and ecological and what is "greenwashed". But what proved to bring about the most innate biological connection with nature was biophilia, and "bringing the outdoors in" through design.
Near the center of Helsinki, Finland, in the Töölö neighborhood, one can find the Temppeliaukio Church, an unusual-looking Lutheran church nestled between granite rocks. Approaching the square from Fredrikinkatu street, the church appears subtly, a flat dome barely rising above its surrounding landscape. An unassuming entrance, flanked by concrete walls, leads visitors through a dark hallway, and into the light-filled sanctuary carved directly into the bedrock. The exposed rock walls earned it the alternative name “The Church of the Rock.” To contrast the heaviness of the materials, skylights surrounding the dome create a play of light and shadows and a feeling of airiness.
The church is the result of an architectural competition won by the architect brothers Timo and Tuomo Suomalainen in 1961. Their original solution was recognized not only for its creativity but also for the respect it showed to the competition’s goal: “to include the organization plan for the whole Temppeliaukio Square, taking into attention that as great part as possible of the rock outcrop of the square to be preserved.” The winning proposal achieves this by embedding the church inside the rock and placing parish facilities on the edges of the hillock. This article explores the story behind the Temppeliaukio Church both narratively and visually, through the lens of Aleksandra Kostadinovska, a professional photographer from Skopje.
Do you remember seeing images of designers leaning over large sheets of paper, usually in spaces that resemble warehouses, concentrating on their own technical drawings? While some may view these images with nostalgia for a simpler time as a sign of working passionately in the architecture, engineering and construction industry, many others might shudder at the thought of doing an entire project with an India ink pen, and especially without the convenience of the Undo tool (CTRL+ Z or command + Z). From the first CAD programs to the powerful modeling programs we have today, computing technology has radically transformed the landscape of AECO offices. In the past, integrating multiple designs required overlapping sheets of tracing paper; but today, we have a variety of software that produce files with numerous extensions, saved versions, sizes, and which often require powerful machines to run. With the growing adoption of remote and hybrid work in AEC organizations, implementing the right computer systems can be a major challenge.
How narrow can a space become without losing its habitability? What are the minimum dimensions that a dwelling must have to ensure the comfort of its inhabitants and the correct performance of their daily activities?
The city block is a typically urban element that, historically, has appeared in different forms and designs, structurally shaping city planning guidelines. When observing urban fabrics in cities such as Barcelona, Paris and Copenhagen, one can see significant variation between block models. This defines their landscapes and dynamics in countless ways. Style and format alterations, volumetric changes in the relationship between full and empty spaces, and modifications in connections to the surroundings are some examples of typological particularities that differentiate them. Blocks, therefore, are often emblematic and representative not only of certain urban planning models developed throughout history but also of their cities.
Cities need to prepare for a wave of declining houses of worship. While faith institutions, at least the Christian ones, have been asking WWJD (What would Jesus do?), municipalities need to get them to ask another question: WWJJD (What would Jane Jacobs do?). Doing so might lead to a new model for true community houses of worship.
Dwellings can be understood as the most significant and primary form of architecture, as the house is intimately related to the idea of shelter, one of humanity’s basic needs. In the words of architect Mario Botta, “As long as there is a man who needs a house, architecture will still exist.” Yet, in spite of its ubiquity, or perhaps because of it, an exact definition of a home is difficult to find. Throughout history, different functions and spaces have been added and subtracted from this unit, reflecting directly the character of the society that produced it.
The list of expectations that a house has to fulfill is long and ever-evolving: to provide intimate and safe spaces where one can recharge their energy, but at the same time to allow for interaction, welcoming friends and family to join in; it is the purveyor of leisure and relaxation, but also the site of most labors of care, while also providing a small incubator for starting entrepreneurs. This tendency to demand a residential unit to fulfill multiple roles was heightened to unprecedented levels during the pandemic. Health concerns led to the closing of most workspaces, the second place where people spent most of their time, and of cafes, restaurants, cinemas, and malls, the “third places.” Suddenly, the home had to become an all-purpose space.
