Carpa Itinerante / Fabrizio Pugliese + Gabriel Huarte. Image Cortesía de Fabrizio Pugliese + Gabriel Huarte
Spanning over 20 million square kilometers and featuring nearly all the climates of the world, the Latin American region is home to endemic biological wealth and geographical diversity that ranges from some of the most significant rivers in the world to the mountain range of the Andes, the Amazon rainforests, the plains of Patagonia, the coasts of the Caribbean Sea, and more. In light of a collective effort involving local communities and new generations, the construction of installations and structures in these natural environments is aimed not only at meeting functional needs but also at educational, research, and environmental conservation purposes.
Contemporary architecture in UNESCO World Heritage contexts presents a unique challenge: revitalizing historically significant sites while adhering to strict preservation guidelines. From urban centers to natural landscapes and intangible cultural traditions, these projects demonstrate the delicate balance between innovation and heritage conservation. Whether working in a mega city, a protected landscape, or a culturally rich rural area, architects are tasked with reimagining these spaces without compromising their historical value. Each project offers a fresh perspective on how heritage sites can evolve and remain relevant in modern times.
Robert Wilson embodies the roles of director, set designer, scenographer, lighting designer, and architect in a single figure. Internationally celebrated as a pioneer of stage lighting and honored with numerous prestigious awards, including the Golden Lion of the Venice Biennale and the Praemium Imperiale, Wilson, now in his eighties, continues to travel the world, staging remarkable productions. His use of light and color is marked by precision and minimalism, creating scenes that skillfully oscillate between stillness and drama. During rehearsals at the Düsseldorf Schauspielhaus, he elaborates on the interplay between stage and architecture, his creative process, and the profound impact of light on darkness.
Balancing functional and aesthetic elements in building design is a crucial but often complex task. This is because a built structure encompasses multiple functions, systems, materials, products, and requirements of all kinds. One critical aspect of spaces is acoustics, which can significantly influence usability and comfort and should never be neglected, especially in common areas like restaurants, convention centers, museums, and sports facilities. Good acoustics contribute to the well-being and productivity of occupants, while poor acoustics can cause stress, fatigue, and hearing damage. These issues can be caused by external noise, various sound sources, or impacts (such as footsteps, jumps, or furniture movements), as well as the reflection of sound waves within the environment itself, creating echoes and reverberations that compromise speech intelligibility.
Vernacular construction technologies are based on centuries of practical wisdom, refined through countless trials and errors. This process eliminates all irrelevant aspects, creating highly efficient and simple systems that are intrinsically adapted to the local climate and resources. These methods demonstrate how to conserve heat with minimal energy, offering valuable insights for modern buildings, promoting energy efficiency, and environmental harmony. In this article, we have already covered traditional passive cooling techniques, such as Persian wind towers and Arab mashrabiya. Now, we turn our focus to strategies applicable to cold climates, exploring effective solutions for heat retention and space heating.
For those seeking the refined look of low-iron glass, Guardian CrystalClear™ glass offers an advanced option for various architectural applications. With improved clarity and color neutrality that outperform standard clear glass, and a more affordable price than conventional low-iron glass, this substrate is designed to meet both aesthetic and functional aspirations in design.
The mid-twentieth century marked a transformative period for Africa as 29 countries achieved independence between 1956 and 1964, signaling the dawn of the nation-state across the continent. This era resonated with a spirit of liberation and progress, paralleling the global movements of that time, such as the establishment of international organizations like the United Nations (1945) and the Organization of African Unity (1963). Within this context, Modernist architecture emerged as a powerful symbol of national identity, ambition, and the collective aspiration for a brighter future. As newly independent nations sought to define themselves apart from their colonial pasts, the adoption of Modern Movement principles facilitated the construction of key infrastructures, such as convention centers, parliament buildings, and hotels, as well as the development of architectural education, as native-trained architects begun to either replace or cooperate with foreign-born professionals.
This article inaugurates a new series titled Rediscovering Modernism in Africa, aiming to explore the architectural legacy of the Modern Movement in Africa, highlighting its role in nation-building and the evolution of architectural education, while shedding light on the architects and movements that shaped this transformative era.
It's that time of year again: students and their families are busy preparing for the start of school, while some of us are gearing up to step in front of the classroom. While preparing to teach an intro course on climate, I'm reminded of why we use the term climate change and not global warming.
Yes, the Earth is warming from a thickening layer of greenhouse gases in the atmosphere caused by us. But climate changes range from sea level rise to increasing storms, floods, fires, and drought, which are all negatively impacting biodiversity as well. So, not just warming. Recent storms that battered the eastern U.S. coast and Bermuda remind us of this difference. While some communities face extreme heat, others brace for storms and rising waters, and many face multiple impacts.
Urban expansion and increasing population density have fuelled a growing demand for outdoor areas in multi-story apartments, as residents seek to stay connected with nature without leaving home. This trend reflects the challenges of modern urban life, where access to nature is often limited, and public green spaces are increasingly scarce. In this context, features like balconies, loggias, and winter gardens stand out as attractive solutions, offering private spaces for relaxation and enjoyment amidst the hustle of city life. In addition to enriching the urban experience, these spaces enhance the quality of life, providing a personal refuge amidst the urban landscape.
As record-breaking temperatures sweep across European cities, practitioners have recognized that existing infrastructure is poorly equipped to address the impacts of climate change. In response to this concern Roofscapes, a startup emerging from the MIT School of Architecture and Planning, has developed innovative solutions to amplify urban climate resilience. Their approach focuses on the strategic adaptation of underutilized spaces such as rooftops. By tackling the immediate challenges posed by extreme heat, the startup's work epitomizes how architectural innovation can directly contribute to addressing climate adaptation needs in cities. The company was recognized as one of ArchDaily's 2024 Best New Practices for their innovative approach to tackling urban issues such as affordability, lack of biodiversity, rising urban temperatures and repurposing.
There is growing awareness of the importance of developing pedestrian infrastructure.Bridges and elevated structures enhance the quality of cities by connecting spaces and reducing distances. Their use benefits pedestrians and the thousands of cyclists seeking a more sustainable mode of transportation.
Pedestrian infrastructures, such as bridges, walkways, and widened sidewalks, not only promote sustainable mobility but also contribute to the revitalization of urban areas. Their design can transform underused spaces into active, safe, and accessible places for everyone, enhancing social cohesion and fostering community. By incorporating elements such as greenery, smart lighting, and urban furniture, these structures become more than just thoroughfares: they transform into meeting points and spaces for social interaction.
With escalating land values in urban centers, there has been a growing trend to float public spaces from ground level to elevated locations, such as rooftops or podiums between buildings. From a development perspective, maximizing floor area has become crucial as urban environments expand. Ground-level spaces are highly sought after for retail use due to their strategic location, which attracts foot traffic and potential customers and drives city development and economics.
This financial consideration, which often guides building activities and directions in urban centers, contradicts design principles advocated during the modernist era for the benefits of better outdoor space for the public, such as the concept of 'Freeing the Ground'. Architects like Le Corbusier championed this concept through projects like Villa Savoye and Unite d' Habitation. These modernist designs envisioned a future where buildings were elevated to restore open, accessible outdoor ground-level spaces for its users. However, for the reasons above, many contemporary projects instead seek to replicate the function of public grounds within the building's structure.
Large-scale infrastructure projects often aim to connect distant locations within urban areas, facilitating quicker transportation, logistics, and commercial activities along their routes. However, while these projects link distant destinations, their substantial physical presence can significantly affect local communities. This may result in the disconnection and disengagement of previously connected neighborhoods, the disruption of public spaces, and generally negative outdoor experiences caused by noise, pollution, and lack of attention and maintenance to these infrastructures.
Nevertheless, several successful built environment projects have re-integrated contentious infrastructure into the community through thoughtful design of outdoor spaces, with Paris' Coulée verte René-Dumont being one of the first examples and New York's High Line being one of the most prominent examples. The High Line demonstrates how well-conceived outdoor projects can address the alienation caused by extensive infrastructure, foster community reconnection, serve as cultural and economic hubs, and even spur further economic redevelopment, as in Hudson Yards.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design are joined by Michael Tyre, President-Elect and Design Director of Amenta Emma Architects to discuss his childhood interests; education and early career; neurodiversity in design; the Smith College Young Classroom project; fixed variation vs segregation design model; the shift from ego-driven design to co-creation; reframing social discourse to create inclusive spaces; and more.
https://www.archdaily.com/1021219/the-second-studio-podcast-an-interview-with-michael-tyre-of-amenta-emma-architectsThe Second Studio Podcast
How does floating architecture relate to nature? How are wellness spaces connected to natural environments? Living in spaces around water continues to be one of the greatest interests and attractions for a large portion of the global population. Beyond the fact that designing on water requires consideration of various structural, economic, construction, material, and technological variables, understanding the region's climate aspects—such as rainfall, currents, winds, temperatures, and more—is essential for creating architectures that coexist with the natural world and do not cause severe damage to ecosystems.
Selected as one of ArchDaily's Best New Practices 2024, Estudio Rare defines itself as an interdisciplinary experimental space. Based in Córdoba, Argentina, its three founding partners, Agustín Willnecker, Iván Ferrero, and Mateo Unamuno, met while studying at the Faculty of Architecture of the National University of Córdoba. With a young but notable trajectory, the Rare team offers a free and dynamic perspective on design, architecture, and construction. Their works, regardless of scale or commission, demonstrate a close relationship with art, reflecting the diverse interests and personal backgrounds of each team member and their collaborators.
From the 1930s to the 1990s, Burle Marx's work anticipated many of today's concerns about sustainability and urban well-being. Long before terms like "sustainable design" or "green infrastructure" became commonplace, Burle Marx was already advocating for the use of native plants, recognizing their role in creating self-sustaining ecosystems that required minimal intervention. His projects often transformed neglected urban areas into vibrant, ecologically balanced spaces that not only improved the environment but also enhanced the quality of life for city dwellers.
The vast majority of practitioners I've known over the years seek well-trained graduates who are ready on Day One to be productive employees. But that's not all an architectural education needs to deliver. Michael Monti—who for the past 20 years has served as executive director of the Association of Collegiate Schools of Architecture (ACSA), which represents 5,000 architecture faculty teaching more than 30,000 students—stresses that architectural education needs to rest on strong foundation of shared values and ethics in order for graduates to make meaningful contributions to what he describes as a "civilized life," promoting the dignity, freedom, health, and well-being of the people who interact with architecture every day.
https://www.archdaily.com/1021154/architecture-schools-are-responsible-for-educating-the-whole-studentMichael J. Crosbie
Proposal for the Roof of the Málaga Cathedral. Image Courtesy of Marina Uno Arquitectos
Like a musical composition, there is a particular category of buildings whose history might be compared to an unfinished symphony. Alternating between high notes and moments of silence, these structures are intermittent narratives that have spanned centuries. One of the most emblematic cases is the Sagrada Familia, which has been under construction for over a century and is on track to be completed this decade. While a hundred years of construction is no small feat, another building in this group surpasses that range: the Cathedral of Málaga, located in southern Spain, has been in the making for over five centuries.
Driven by Renaissance influences, the cathedral began construction in 1528. Since then, it has experienced periods of interruption throughout its history, resulting in an unfinished landmark. The cathedral is still missing one of its towers, has incomplete elements on its facade, and its vaults are exposed to the weather due to the absence of a covering structure. Over the years, various works have been undertaken—including the recent adaptation of tourist access to the domes—but one major task remains: the gable roof. Originally proposed in 1764 by Ventura Rodríguez, its design has been reimagined and will now be executed using contemporary wooden construction techniques.
https://www.archdaily.com/1020754/track-to-completing-malaga-cathedral-the-role-of-timber-in-designing-the-new-gable-roofEnrique Tovar
As a landmark of contemporary religious architecture in Portugal, the Church of the Sacred Heart of Jesus stands in contrast to traditional models, representing a work free from historicist stigmas. Resulting from a design competition organized in 1960, the church is notable for its civic dimension, urban role, and its anti-monumental and social significance. Integrated into the regular grid of the Avenidas Novas neighborhood, this example of the Movement for the Renewal of Sacred Art is part of a larger parish complex that often goes unnoticed by passersby. Its external street creates an unexpected public space, inviting people to enter and engage in a courtyard where architecture and the city merge. Finely crafted in terms of spatiality, detail, and light, the church holds many surprises for those who venture inside.
Resisting an adverse context and navigating its restrictions, Grupo Finca emerges, a collective that explores the practice of architecture from an artistic and pedagogical dimension in Havana, Cuba. Given the complexity of the country's political and social situation, informal architecture is common: low resources, difficulty in obtaining materials, high costs, and a lack of skilled labor, among other challenges, are some of the obstacles faced by independent architecture professionals. Coupled with the absence of a regulatory legal framework that would allow them to work formally in the labor market or acquire materials and supplies, the construction of contemporary architecture in Cuba is relegated to independent processes that can somehow overcome these barriers.
Cheongye Stream, known as Cheonggyecheon (청계천) in Korean, runs eastward through the heart of Seoul, passing through 13 neighborhoods in four districts of the capital of South Korea. Throughout its history, the stream played different roles in the city until it was covered by an elevated highway in the 1970s. For over 30 years, this natural artery remained hidden. It was not until 2003 that the city government launched a restoration project to reintegrate this urban waterway into the city fabric, revitalize the local economy, and revive the area's history and culture. The revitalization efforts were led by Mikyoung Kim Design. Since the project's completion in 2005, it quickly became one of Seoul's most visited tourist attractions. Moreover, it has become a focal point for ample urban research, with many studies offering positive assessments of the impact it had on Seoul's urban, economic, and ecological context.
