This article is part of "Eastern Bloc Architecture: 50 Buildings that Defined an Era", a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Monolithic Housing Blocks.
Mortality defines both architecture and human experience. Throughout time, funerary structures have been designed across societies and civilizations to ground personal and shared beliefs. The idea of the afterlife shapes how these buildings are made, from symbolic monuments to vast tombs and crypts. Now a new range of modern architecture has been designed for remembrance and reflection.
From its starting to point as a tree to its product form as a beam or piece of furniture, wood used in architecture and interior design goes through several stages and processes. A renewable resource and popular traditional building material, wood is also often cited as a promising construction material of the future, one that is suitable for the new demands of sustainability. But unlike concrete, whose molds can create even the most complex curves, wooden architecture most commonly uses straight beams and panels. In this article, we will cover some techniques that allow for the creation of curved pieces of wood at different scales, some of which are handmade and others of which seek to make the process more efficient and intelligent at a larger scale.
In the 20th Century, New York City became an epicenter of newly constructed buildings that quickly gained an iconic status. While they greatly influenced new ways that we think about aesthetics and space, many of them met their demise less than 60 years after their commissioning. It seems that in the modern age of mass development, and where a wrecking ball symbolizes progress forward, no building is safe. The tenacity to tear down even these structures deemed to be culturally significant speaks to how architects are quick to dismiss ideas about how long we plan for buildings to live and how we decide when its time for them to come down.
Now more than ever, architecture is in need of innovation. The pandemic has made us fundamentally rethink the functioning of our cities, public spaces, buildings, and homes. Meanwhile, the recent Black Lives Matter and racial justice protests have us questioning architecture’s complicity in broader socioeconomic issues. These challenges are pressing, and we cannot put off changing architecture any longer.
Between the late 1940s to the 1980s, Toronto, Canada, experienced a high rate of growth and development, resulting in a wealth of modernist-style buildings. Due to an increasing population, parishes were also outgrowing their spaces and found themselves in need of new facilities. Consequently, many well-designed modernist churches began to pop up throughout Toronto. This black and white photography series, titled Fifty/50 by Amanda Large, is an ode to these churches, and a celebration of their enduring importance to the city more than fifty years after their construction.
The series of articles developed by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit researches the peculiarities of social housing in Latin America. This time, the authors focus on the role of participation in design processes and in the construction of a healthy urban fabric based on the experience of Christopher Alexander.
Like most functions in recent months, this year’s Digital FUTURES, which is held annually since 2011 at Tongji University in Shanghai, had to move online due to the pandemic. The organizers took this as an opportunity to give the event a global dimension, turning the festival into what they rightfully call the most significant worldwide event for architectural education ever staged, with a 24/7 display of workshops, lectures and panel discussions involving some of the most prominent architects and educators. Here is an overview of the festival, together with a selection of lectures from Digital FUTURES World.
When Jane Jacobs famously said, “Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody,” she might as well have been foreshadowing the successful partnership formed between SHoP Architects, James Corner Field Operations, and Two Trees Management. The team, who collaborated on the 11-acre Domino Park master plan in Williamsburg, Brooklyn, has been hailed for creating a benchmark standard in perfecting the process for designing and understanding what it means to maintain a park that actively participates in a two-way dialogue with the community.
By 2025, Frost and Sullivan, a market research company, has predicted that there will be at least 26 fully-fledged major smart cities around the world. While some still think that as our cities get more intelligent, they will resemble sci-fi futuristic movies, the reality is that the quality of life in these cities will drastically improve. Cities are set to become more efficient with better services. Nevertheless, before reaching these ideals, let us go back on the process itself, and evaluate the challenges that we might face.
Because the concept of smart cities is still very new, with rare finalized and implemented projects, the topic is still unclear. Although big titles and strategies are well defined, the on-ground application is still uncertain, giving us the opportunity to question its planning process. In fact, how can we go wrong when designing smart cities? What key element are we failing to address in the planning phase?
As lockdown provided architects with the opportunity to reflect on their design processes, it prompted Morris + Company founder, Joe Morris, to create On reflection, a series of short films discussing the fundamentals of the practice, centring the conversation around model making as a critical element of design thinking and a wide-ranging architectural tool.
With the aim of supporting architects to become active agents of sustainable design, this week we present a selection of facades that incorporate different recycled materials. Beyond the typical uses of plastic and glass, in this article, you will find innovative materials such as mattress springs, ice cream containers, plastic chairs, and recycled waste from agricultural and industrial products. A look at 21 remarkable projects using recycled materials to create an attractive facade.
In some cases, a roof can become the shining centerpiece in a work of architecture. Catalan vault, also known as Valencian timbrel vault, became a fixture in Spanish architecture in the 19th century, popularized thanks to its low cost and ease of sourcing and assembly. With the ability to span over 30m per module, this technique is currently making a comeback, establishing itself as a go-to construction method in industrial architecture and can be seen in everything including workshops, factories, and warehouses.
Aquatic centers are defined by activity. Making space for focused exercise and leisure alike, they are designed to support different scales of movement. At their core, they center on swimming pools. These structures explore ideas of light and space spanning millennia, from Pakistan's "Great Bath" at the site of Mohenjo-Daro and Ancient Greek palaestras to contemporary swimming complexes.
A lot of prejudice and contradictions surround the history of Cannabis sativa around the world. It is estimated that hemp was one of the first plants to be cultivated by mankind. Archaeologists have found remnants of hemp fabrics from ancient Mesopotamia (now Iran and Iraq) that date back to 8,000 BC [1]. There are similar records in China documenting the consumption of hemp seeds and oils, dating between 6 and 4 thousand BC. Upon its arrival in Europe, its main use was for the manufacture of ship ropes and fabrics: even the sails and ropes of Christopher Columbus' ships were made of this material. Likewise, the first books after Gutenberg's invention of the printing press [2] and many paintings by Rembrandt and Van Gogh were made of hemp.
The use of hemp for civil construction is not new either. Mortar made of hemp was discovered on the pillars of bridges built by the Merovingians in the 6th century, in what is now France. It is also well known that the Romans used hemp fiber to reinforce the mortar in their buildings. Nowadays, although there are legal barriers in many countries, the use of hemp as a construction material has had encouraging results, with research demonstrating its strong thermoacoustic and sustainable qualities. Hemp can be shaped into fibrous panels, coverings, sheets, and even bricks.
While not all plastics are being recycled, even the ones that display the recycling sign, the global plastic waste problem is nowhere close to being resolved. Recycling, generally determined by factors like demand, legislations, and economy, takes on arguably around 20% of the annual production of plastics, leaving a large quantity unattended, doomed to last forever in our environment. In addition, competing with newly-produced materials, recycled plastics need to meet standards of quality and price, and undergo a sustainable, efficient, and economically viable transformation.
ROGP or Rejects of Glass & Plastics Technology is an innovative approach that repurposes plastics, once labeled as non-recyclable materials due to technical complexity or economy-related issues.
Brick is one of the most popular materials for architects designing with a vintage or rustic aesthetic: exposed brick walls are often touted as highly desirable for apartments, restaurants, and stores, and exterior brick facades can make a building or home feel warmer and more inviting. However, the color and cut of the brick can greatly influence the atmosphere it emanates, with white brick lending itself to more minimalist design and tan brick tending to feel more rustic and earthy. In this article, we will explore some of the most popular brick colors, ways to artificially color brick, and recent projects that use brick facades or interior brick elements effectively.
This article is part of "Eastern Bloc Architecture: 50 Buildings that Defined an Era", a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Monumental Museums and Memorials.
Text by Reutov Design. I was inspired to create this project by the nature of the island of Lanzarote in the Canary archipelago. Inspired by the extraterrestrial landscapes of this island combined with the bright colors of the nature of the island of Ibiza, we managed to create a light futuristic interior.
This essay is a summary of the book “The Multi-Skilled Designer: Cognitive Foundation for Inclusive Architectural Thinking.” Using the theory of multiple intelligences from cognitive psychology, and developments in psychometric research, the book advocates eight skills to incorporate skill diversity in design. Design problems of 21st Century vary far too greatly—in terms of their content, scale, and complexity, and demand a repertoire of skills. To consider multiple skillsets is to recognize the presence of individual differences, representations, and approaches in design. This allows a shift from formalist practices of architecture that emphasize graphical and formal logic skills, that tend to produce the same type of designers and privilege a narrow section of designer thinkers.
The concept of “decarbonization” has been in vogue recently in political speeches and global environmental events, but it has not yet gained enough attention in the field of architecture to profoundly change the way we design and construct the world of tomorrow. Buildings are currently responsible for 33% of global energy consumption and 39% of greenhouse gas emissions, indicating that architects must play a significant role if we are to stop or reverse climate change. With carbon acting as a universally agreed upon metric with which the greenhouse gas emissions of a building can be tracked [1], one of the most important ways through which this goal can be achieved is therefore the decarbonization of buildings.
In the last few decades, architecture and interior design have experienced a dramatic shift in the workflows that professionals consider standard. Hand-drafting is long gone; for many it’s nostalgic, and many more embrace the power incumbent to digital drafting tools. Some take it even further with BIM, embracing the process to lead their businesses into lasting success.
Constrained by a lack of transportation and resources, vernacular architecture has started adapting the distinct strategy of utilizing local materials. By analyzing projects which have successfully incorporated these features into their design, this article gives an overview of how traditional materials, such as tiles, metal, rocks, bamboo, wooden sticks, timber, rammed earth and bricks are being transformed through vernacular architecture in China.
As many Americans tentatively ease back into their museum- and park-going routines, numerous cultural institutions and public spaces are slowly coming back to life on a limited/adjusted basis after months of hibernation to greet them, with coronavirus precautions firmly in place. Meanwhile, large, indoor gallery-centered museums continue to plot their eventual returns. The Metropolitan Museum of Art in New York, for example, plans to reopen in late August while the Getty Center in Los Angeles has still not announced its phased re-opening dates.
In many locales, a trickle of small but positive re-openings has taken place in recent weeks and/or are slated for mid-to-late July. With an eye toward public landscapes, open-air museums, and multifaceted art spaces with room to spread out, here’s a small sampling of places across the country that have reopened or expanded public access or are due to allow visitors in the very near future.
.jpg?1596025638 "© Charbel Tannous, courtesy of Development Inc.")
