The gas station is an architectural typology that has undergone significant transformations since its inception. Initially, these structures were simple roadside refueling points designed for functionality rather than aesthetics. As automobile culture expanded, gas stations evolved to accommodate new technologies, shifting urban landscapes and changing consumer behaviors. Over time, they became more than just utilitarian stops — they developed into service hubs, integrating restaurants, motels, and leisure spaces, responding to contemporary transportation increasing demands.

By the late 20th century, however, the widespread standardization of gas stations led them to be perceived as "non-places", a concept defined by anthropologist Marc Augé to describe transient spaces that lack social or cultural significance. With uniform designs and a focus on efficiency, gas stations became interchangeable, reinforcing their role as purely functional infrastructure rather than meaningful architectural interventions. This standardization also departed from the era when fuel stations served as recognizable landmarks, contributing to a homogenized landscape devoid of local identity.

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The spaces where artists create their work reveal a great deal about their creative journey—their techniques, themes, and inspirations. These places hold memories, intimacy, and emotional connections. For some artists, the studio is a secluded space, free from distractions. For others, it is a place for openness and freedom. Often, the studio becomes the home—or the home becomes the studio—blending function, desire, and necessity. Positioned at the crossroads of living and creating, leisure and work, these spaces fascinate art lovers. Many are later recreated in galleries or transformed into museums. Regardless of the artist’s fame, these spaces offer a unique look into the creative process, the artwork, and the artist's identity.

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Tucked away between the majestic peaks of the Caucasus and the enchanting landscapes of the Near East, Armenia is a small yet fiercely proud nation, shaped by rugged mountains and ancient volcanoes. One of the world's oldest countries, its roots stretch back to the 6th century BCE, standing at the crossroads of empires—Persian, Roman, Byzantine, and Ottoman. Yet, through centuries of upheaval, Armenia has held onto its distinctive identity, carved into its language, architecture, and rich cultural traditions—earning it the evocative title, "the land of stones."

In contemporary urban development, the concept of Privately Owned Public Space (POPS) has gained increasing prominence. These are spaces that, while built, owned, and maintained by private developers, are legally required to remain publicly accessible. Often the result of negotiated planning incentives—such as zoning bonuses or increased floor area—POPS have become especially prevalent in dense urban environments where land is limited and demand for public amenities is high.

New York City remains the most thoroughly documented example, with over 500 such spaces—ranging from plazas to atriums—cataloged in Jerold Kayden's book, Privately Owned Public Space: The New York City Experience. Although originally conceived to supplement the city's public realm, POPS have long drawn criticism for favoring private interests over public benefit. Many of these spaces, critics argue, are carefully curated to serve developers and select their users, often falling short of their civic promise. Yet, despite their shortcomings, might there be ways in which POPS—when thoughtfully designed and equitably managed—can foster environments of wellness, reflection, and healing? Can they navigate the delicate balance between private gain and genuine public value?

In recent years, similar models have emerged across the globe, including in cities throughout Asia. In some cases, private developers may not directly own the public space, but are instead required—often as part of planning conditions tied to nearby developments—to design, build, or maintain public areas such as parks or plazas. These evolving arrangements prompt important questions: Can privately managed public spaces in Asian cities offer new perspectives on integrating accessibility, community engagement, and inclusivity? And how do local design approaches, governance structures, and cultural attitudes toward public space shape their outcomes?

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Integrating natural elements into architectural design has long been a fundamental pursuit in creating comfortable, sustainable environments that enhance both individual well-being and the relationship between buildings and their surrounding context. In areas with vast landscapes, incorporating natural elements is essential for seamlessly connecting architecture with its site. Conversely, in dense urban environments dominated by built structures, introducing greenery becomes also increasingly vital, reintroducing nature into the so-called "concrete jungle."

However, beyond conventional landscape features—such as water fountains, green walls, gardens, or courtyards—architects are redefining what it means to build with nature. The focus has shifted toward deeply integrating architecture with its natural surroundings, creating immersive spatial experiences that blur the boundaries between the built and the organic - in a way, "taming" nature. When successfully executed, these designs go beyond fostering well-being or promoting a healthy lifestyle; they evoke a profound sense of tranquility, power, and harmony, transforming the way we perceive and inhabit space.

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It shouldn't be too surprising that architectural concepts were traveling around the globe long before the online spread of information. While many regions share certain historical events and hence references (such as colonization and the mid-20th-century independence movement/ turn of political systems), others might have simply developed parallel solutions to similar climates and material availability. Additionally, it was only natural that with the dissemination of a more uniform architectural pedagogy acquired while studying abroad, followed by the internet boom, we would find almost twin projects from every corner of the world. While these might look nearly identical from some angles, they might bear different layers and stories. Then again, they might also display the same reasoning and prompts shared by counterparts from across the seas.

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The city of Buenos Aires is vast in its area and has a heterogeneous and variable urban fabric in terms of scale. Much of the residential neighborhoods are made up of a mixed-use fabric, where the predominant constructions from several decades ago are the so-called "casa chorizo" and horizontally owned houses, commonly known as PH (Propiedad Horizontal). It is interesting to review how, over the years, these constructions have been modified due to changes in building regulations, which allowed the creation of new typologies, mainly responding to new ways of living within the city. The renovation of these constructions, many of which are used for residential purposes, has also been a conscious response to avoid overbuilding in an already densely populated city. While these projects have been a recurring practice in Buenos Aires for several years now, many young architects of new generations are taking on these challenges, thus generating a trend that seems to have no end and where we find new solutions in each renovation.

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The intersection of architecture and medicine profoundly shaped modernist design, where transparency, light, and air became essential tools in the pursuit of health. Emerging from the tuberculosis crisis of the late 19th and early 20th centuries, the sanatorium evolved beyond a medical facility into a testing ground for architectural innovation. The necessity of fresh air, sunlight, and sterility transformed these spaces into prototypes for modernist principles, influencing spatial organization, material choices, and design philosophies that extended far beyond healthcare.

More than sites of treatment, sanatoriums embodied contemporary medical theories in built form. At a time when tuberculosis — often called the white plague — devastated populations worldwide, medical professionals prescribed environmental exposure as the primary therapy. Architecture adapted accordingly, producing buildings with expansive terraces, large windows, and streamlined interiors designed to optimize ventilation and maximize natural light.

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Between silence and chaos, we shape our world. Every space we inhabit tells a story, evokes emotions, and influences our thoughts. Minimalism, with its lightness and purpose, invites serenity. Maximalism, exuberant and vibrant, celebrates personality in every detail. But how do these philosophies affect our minds? Understanding their psychological impact can be key to creating environments that enhance well-being and bring harmony to life.

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