The era of petrol cars is coming to an end with the advent of batteries and electric cars – and so is the era of gas stations and the pollution they bring to communities.
Gas stations, by their very nature, are environmental hazards. Of the 450,000 hazardous locations in the US alone, half are contaminated by oil, with much of it coming from underground tanks leaking from former gas stations, creating risks of leaks and explosions.
Contrary to what some people mistakenly say, half-timber is not a style, but a building technique. Brought to Brazil by German immigrants, it was used mainly in regions of Espírito Santo, Santa Catarina and Rio Grande do Sul. The technique has now become a strong attraction for tourists. But after all, what defines it?
By re-energising the existing building’s meeting floors, the EY Melbourne Project takes a step forward towards collaborative spaces and the way to reinvent workplaces. Within an architectural layout that combines adaptive reuse with the incorporation of featured products, Gensler designs a flexible space which has been selected among the five winners of the 2022 Best of Globe Winner.
In an age where we have been going from hyperrealistic renders to digital models to the realm of the metaverse, physical architectural models have almost become a thing of the past. Nonetheless, whether it's to showcase the final project or to be used as a tool to explore different solutions to the same problem during the design phase, some architects still consider physical models part of their design process.
With the end of 2022 just around the corner, we have decided to look back at all the architectural models from the projects published this year on ArchDaily. The following selection, grouped into section models, abstract models, intricate models, interactive models, and models that use unconventional materials, lists the best of this year's physical models by our community.
As we wrap up 2022, we take a look back at how this year introduced new adaptations to the way we live, work, and interact with our built environment, especially after emerging from years of unprecedented changes. One way to describe this year's design identity is that there isn't one. Going through this transitional period, inspiration came from foreign travels, immersive virtual worlds, being one with the planet and the serenity that came with it, platforms that promote expressionism and individuality, and a trend-setting generation known for its bold perspectives.
Across Europe, more and more companies are investing in refurbishment. Hoteliers are increasingly seeking out creative design solutions to develop more creative, unique offerings. Airports and train stations are hiring passenger experience experts to create more human centric design solutions. Companies are downsizing physical offices, while exploring ways to enhance remote workplace culture. Employees are prioritizing meaningful work, smaller teams, and opportunities to collaborate, coach, develop skills and get inspired.
And as the line between the physical and digital world is increasingly blurred, a future of interacting in virtual spaces like the Metaverse is quickly becoming a reality.
Equal Saree is an architecture studio based in Barcelona, led by three young architects: Helena Cardona Tamayo, Julia Goula Mejón, and Dafne Saldaña Blasco. All three studied at the Escuela Técnica Superior de Arquitectura de Barcelona (ETSAB), Universidad Politécnica de Cataluña, where they met while taking the subject "Architecture and Politics", taught by Zaida Muxí and Josep María Montaner. The studio is composed of 15 other women architects, in addition to the founding partners.
Largely driven by rural migration to cities and overall population growth, 68% of people worldwide will live in urban areas by 2050. By doing so, many will benefit from greater access to basic services, proximity to public transportation, and better education and employment opportunities. But the pursuit of living urbanized lives also leads to isolation from the outdoors –be it a forest, a meadow or the mountains– that can negatively impact our physical and mental health. Exposure to nature has long been proven to reduce stress levels, boost mood, foster productivity and, above all, enhance well-being. So, considering we typically spend around 93% of our time indoors (and that the pandemic has magnified that statistic), now more than ever we find ourselves seeking a connection with the outdoors and all its inherent benefits. Architects thus face the important challenge of bringing nature in, which is precisely where biophilic design comes into play.
As expressed by 2023 Venice Architecture Biennale curator and architect Leslie Lokko, "after two of the most difficult and divisive years in living memory, architects have a unique opportunity to show the world what we do best: put forward ambitious and creative ideas that help us imagine a more equitable and optimistic future in common."
From Venice's approach to Africa as the lab for the future to Seoul's road to its next 100 years as a megapolis; from Chicago's art-meets-architecture-meets-civic-participation to Sharjah's "beauty of impermanence" in the Global South motto, 2023 will witness a series of architectural events trying to embody those forward ambitious and creative ideas, as explained by Lokko.
This year saw another round of amazing submissions for the FritsJurgens Best Pivot Doors 2022, with an astonishing amount of high-end pivot doors collected – both for interior and exterior doors, movable walls, hidden passages, and more. After a period of deliberation, the jury has made their decision: take a look below at the winners of FritsJurgens Best Pivot Doors of 2022.
Cities concentrate opportunities and exchanges, culture and business, while, at the same time are a key contributor to climate change. They are highly complex organisms, with multiple actors involved, that bring to light underlying social interests and conflicts present in society. In 2007, the world's urban population surpassed the rural and this difference has been increasing ever since. According to the 2018 Revision of World Urbanization Prospects report, 55% of the world's current population lives in urban areas, rising to 68% by 2050. This will represent an increase of 2.5 billion people in urban areas, with almost 90% of this increase occurring in Asia and Africa. The Smart Sustainable Cities: Reconnaissance Study also points out that urban centers account for 67% of global energy demand, emit 70% of greenhouse gases and, on top of it all, buildings consume 40% of all energy worldwide. The prospect of a mostly urban world, along with the alarming onset of climate change, both raise challenges regarding living conditions in the coming decades and centuries, and all the implications that will accompany these changes.
For some time now, roofs have become leisure spaces, whether in large luxurious buildings or houses on the outskirts. This condition, however, is not limited to our times. Different cultures at different times used flat roofs in their architecture, in different ways.
Annually, 13% of the waste generated by humans is recycled, but where does the remaining 87% go? The combination of different types of waste is gradually filling the Earth’s oceans and landfills, leading to a negative impact on wildlife, the natural environment and human health. Within the large amounts of solid waste produced in developed cities, used electronics are a clear example of how materials can be efficiently managed after their life cycle ends. Understanding the behavior of these materials and resources before, during and after their useful life cycle has guided the search for new solutions, such as the Cradle to Cradle (C2C) methodology.
C2C proposes the design of products or processes that function as a healthy ecological system, where resources are efficiently managed in a cyclical way. By applying this methodology to electric appliances, JUNG has developed circular design strategies for their most-used switches and plugs for conventional and smart building technology, allowing them to be dismantled and reused when the product is no longer fit for use.
For nearly a century, the areas of urban sprawl where every single-family home has its own yard, garage, and white picket fence represented the peak of life aspiration. Homeownership and the idea of claiming space away from the hustle and bustle of the city core was once considered the ideal lifestyle and the pinnacle of the American Dream. But as time went on, and socio-economic conditions shifted, cities that were once filled with these single-family homes realized that perhaps these zoning regulations were outdated, and new solutions needed to be created to prevent the current housing crisis from growing even more out of control.
According to a survey by the Brazilian Association for Recycling of Construction and Demolition Waste (ABRECON), there has been an increase in the recycling of construction and demolition waste (C&D) in Brazil in recent years. According to the 2015 report, 21% of the total C&D was recycled in the country that year, while in 2013 the rate was 19%.
The outlook is promising but not yet ideal, and the growth of recycled C&D materials is still considered small. In Brazil, construction waste can represent between 50% and 70% of the total municipal solid waste. This means, we still need to advocate for a more common practice of material recycling and reuse in architecture, especially in Brazil.
What is good architecture? More than two thousand years ago, Vitruvius would have answered that good architecture is that which contemplates three basic principles: firmitas (firmness), utilitas (utility), and venustas (beauty), as he described in his treatise De Architectura, and probably no one would have questioned it. Today, this broad question is capable of eliciting hundreds of answers, all personal and subjective, which have to do with the experience of each person.
“All the physical spaces that we (architects) design – buildings, interiors and cities are born as metaspaces, and we call them 3D models”. With this statement Brian Jencek, director of planning at San Francisco-based architecture firm HOK, narrows the boundaries between the current way of designing and the future of architecture in the metaverse. According to him, we are not that far from this technology, since we already use the same tools that visual designers use to create realistic environments, such as Unity, Twin motion and Blender.
Talking to architect Marta Maccaglia about her work is not just talking about architecture. Each of her projects derives from a participatory way of working, based on the approach and deep understanding of its users in their social and local context, their needs, the territory and the available resources, resulting in works that acquire a meaning beyond that of the function itself.
Unlike classical architecture, characterized by a series of rooms with very defined functions and spaces, the current architectural design seeks to integrate spaces to achieve high degrees of adaptability and flexibility. In this way, the boundaries of the enclosures are blurred and new solutions appear that are worth analyzing. In the case of bedrooms, bathrooms are often no longer a small and secluded adjoining room – instead, they are now integrated to form a multifunctional space that is subtly concealed. Just like Mies van der Rohe, who used to group services in strategic areas to create open floors, let's review some cases that have adopted the specific solution of the hidden bathroom just behind the bed.
"Life, space, buildings - in that order". This phrase, from the Danish urban architect Jan Gehl, sums up the changes that Copenhagen has undergone in the last 50 years. Currently known as one of the cities with the highest levels of quality of life satisfaction, the way its public spaces and buildings were and are designed have inspired architects, government authorities and urban planners around the world. What we see today, however, is the result of courageous decision-making, much observation and, above all, designs that put people first. Copenhagen will be the UNESCO-UIA World Capital of Architecture in 2023 as well as host of the UIA World Congress of Architects due to its strong legacy in innovative architecture and urban development, along with its concerted efforts in matters of climate, sustainability solutions and livability.
In recent years hair salons and barbershops have begun to incorporate different activities - a programmatic hybridization almost necessary in today's service economy.
Several architects have been commissioned to propose alternatives to the standard beauty salon/barbershop to not only address an efficient configuration but stunning interior aesthetics.
Take a look at 10 barbershops and beauty salons with their plan and section.
This article was originally published on Common Edge.
Authenticity seems impossible today, with places and the buildings in them assembled with products from the Industrial Development Complex that could be assembled almost anywhere else on Earth in a debauchery of placelessness, disharmony with nature, and meaninglessness that doesn’t age well. So how is authenticity in the built environment achieved?
Windows serve multiple essential functions in any project, from framing views to providing daylight and natural ventilation. As human needs have shifted and technology has advanced significantly throughout the years, these have evolved in character, shape, and use of materials. What began as small arrow loops used for defense in medieval fortifications later transformed into wider openings that exemplified status and wealth. The Romans were the first to use glass, but it was considered a precious commodity for centuries. Intricate stained-glass panels adorned countless of medieval churches and cathedrals, while most home dwellers had to settle for covering their “windows” with wood, fur and other materials.
As a starting point for architectural projects, the terrain and its topography point out the directions that the distribution of the program can follow. Among them, one solution stands out for the continuity between topography and architecture: lowering the level of construction and advancing the land over the roof. From this roof garden created with the same characteristics as the surroundings, the result gives the impression of an almost non-existent intervention.
The incorporation of the land as an architectural element takes up, in a certain way, the concept of caves, reinforcing an idea of shelter and reception from a hybrid between the initial and natural configuration and the architectural intervention.
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