Research by the Science Museum Group based on objects from different periods of UK history shows how their colors have transformed over time, leaving vibrant tones behind and becoming grayer every day.
Cat Sleeman examined more than seven thousand photographs of everyday objects from the Science Museum Group Collection in research funded by the Creative Industries Policy and Evidence Center (PEC). From cameras to lamps and other household objects, they were organized into 21 different categories according to their use. The analysis was carried out based on counting pixels of different colors and also addressed the shape of the objects.
Munich – Bavaria’s capital since 1506 – is a city with layers and layers of history. Its many years as a rising architectural epicenter have left an interesting and unique mix of buildings. From Middle Age churches and cathedrals to contemporary synagogues. From skyscrapers to small pavilions. Brutalism to Art Nouveau. Munich’s architecture is truly extensive and marvelous.
Though not acknowledging Munich’s beer wonders would be wrong, the only mention of this substance would be in the stunning buildings (like the new Paulaner HQ by Hierl Architekten) that contain them. Yes, other aspects of the city are grandiose, but let’s focus on Munich’s top attraction: its architecture.
Known as the state house, the presidential palace, and an assortment of other terms — the building that hosts a country’s seat of government is usually quite architecturally striking. Frequently opulent, grand, and sometimes imposing, the state house is intended to function as a visually distinct marker of a nation — an extension of a state’s identity. In the African continent, a landmass that had seen a significant part of it colonized by European nations, this identity of statehood, in an architectural sense, is complex.
LANO FRUITS Office / Laura Ortín. Image Courtesy of Laura Ortín
From assigned cubicles to open plan coworks, workspaces have been transforming their design strategies following society’s changing lifestyles. While traditional layouts encouraged more independent work (avoiding social distractions), adjusting to new technologies and ways of thinking has enhanced productivity while respecting communication, wellness consciousness and the benefits of feeling comfortable at work.
Architects have followed these changing trends, proposing diverse workspace typologies, adapting to multiple working styles, and organizing them to create optimal productive spaces. Among them, Spanish women-led architecture offices from different backgrounds and styles stand out for introducing layouts that redefine what is commonly known as a workspace. Below we present a selection of innovative refurbishment projects, all of which showcase flexible and dynamic workspace design.
Light is an essential element to perceive architecture and to live and work in buildings. Therefore architects, lighting designers, teachers, and researchers have written inspirational books about light. They have shared their valuable theories and turned their experience into guidelines to improve daylight design and the art of illumination.
This collection offers a useful source of the best lighting design books for students, professionals, and academics. The book list is grouped into categories: Daylight, illumination, urban lighting, media facades, landscape lighting, light collections, culture, monography, history, stage lighting, and light art. In each section, the volumes appear in alphabetical order with recent books in the beginning followed by classic publications. Discover fascinating publications that will enlighten your perception and understanding of light and space.
What is the 15-Minute City? It’s every city ever built by humans on this planet until a century ago, but with a catchy new name. If a city’s old parts haven’t been destroyed in the past century, it’s the areas that attract the most tourists. And people will travel across continents and oceans to experience the best of them.
Forty years ago, a few pioneers decided to start building 15-Minute Cities again. Actually, they built 5-minute cities because they didn’t think people would walk for 15 minutes—and, in the early 1980s, they were right, because people were so conditioned to driving everywhere back then. Seaside, Florida, is where it all began. Time magazine called it “the little town that changed the world.” For the first time in the modern history of sprawl, people could toss their car keys in a drawer or hang them on the wall and leave them there for days. When people returned from Seaside vacations, they came back asking, “Why can’t we build this way at home?” And soon, the New Urbanism was born.
Sir David Chipperfield has been awarded with the 2023 Pritzker Prize, the highest distinction in the architectural profession. Known for his well-crafted, precise, and sensible response to complex environments, the architect became initially recognized for the skillful restoration and renovation of existing buildings, often cultural institutions, before expanding the range of projects to include new structures. While his built body of works demonstrates many of the core principles of good architecture, the ongoing projects reveal an equally relevant narrative: that of his direction moving forward and the way in which his approach to these principles evolves.
Many of the ongoing projects continue Chipperfield’s interest in museological and cultural institutions, yet he continues to work across a wide array of building types. The latest major project announced tackles one of the most prominent institutions in Greece, the National Archeological Museum. This represents yet another opportunity for the architect to present museums as institutions that offer a transformation of the urban life of the cities where they are located, while also bringing forward the historical layers that define its architecture. Other projects, such as the Santa Giulia Arena in Milano or the Elbtower in Hamburg, expand the range of programs and typologies addressed by Chipperfield.
Culture reflected in a material. Portuguese tiles narrate historical themes, from the religious to the profane. They shape the Portuguese landscape and scenery when covering buildings, interiors and public spaces. In this way, its expression continues in constant change and adaptation to weave the Moorish ancestry with contemporaneity.
After the interruption of the 2019 edition due to the Social crisis in Chile, the Chilean Architecture Biennial returned to Santiago in January 2023 under the theme of 'Vulnerable Habitats', addressing issues such as "the emergence of the housing deficit in a context in which slums, informality, and illegal land takeovers have increased in recent years" and "the vulnerability and deterioration of public spaces; the urgent protection of tangible heritage; and environmental vulnerability in a context of a climate crisis."
The bed, as an indispensable element, is an essential consideration in these experiments. Its functions can be fulfilled without completely losing the valuable space it occupies, and the bedroom experience can be enriched with careful thought. How can we reinvent and take advantage of the opportunities of the traditional bed?
In both cases, the reduced area, simple materials and modest budget were not impediments to a virtuous architectural project that took full advantage of the qualities of the surroundings and the terrain's orientation, proving that limitations can serve as an impetus for higher quality projects.
March 8th is celebrated as International Women's Day, a date remembered for years as a symbol of the fight for their rights. However, although many countries have laws establishing equal rights for men and women, gender inequality and all its consequences are still experienced every day by girls and women all around the world. The patriarchal system, rooted in many societies over the centuries, has been responsible for inequality of power between the genders which, in the most extreme cases, results in violence and femicide.
Lighting is often a numbers game — too much, and interiors lose their edge (literally), too little, and the dim atmosphere can make a space seem bland. Its importance in interior design cannot be overstated: done right, it not only accentuates a space's architectural features but also makes inhabitants feel at ease. As Carmelo Zappulla of Lighting Studio External Reference explains in a recent interview with Architonic, light is a crucial tool to add an emotional element and "animate a space." It follows that a lighting concept gone wrong can have catastrophic consequences for an otherwise perfectly designed room.
Data Feminism, as conceptualized by D’Ignazio & Klein (2020), introduces intersectional feminism in data science and invites us to examine power relations and dynamics of oppression that are built into data infrastructures that underpin society today.
Few architects in history have had the honor and privilege of intervening in the famous St. Mark's Square in Venice — a tourist landmark of incomparable historical value to humanity. Sir David Chipperfield is one of them. As if that was not enough, he also left his mark on another project of inestimable value: the Neue Nationalgalerie, designed originally by Mies van der Rohe in Berlin. The four centuries that separate the design from its restoration seem to pose no difficulties for the 2023 Pritzker Prize winner, who rejects an international style of architecture in search of a trait that highlights local qualities.
The 2023 Pritzker Prize has been awarded to Sir David Chipperfield, London-born, architect, urban planner, and activist. David Chipperfield, founded his architectural practice in 1985 in London under the name of David Chipperfield Architects, after shaping his career working with renowned architects such as Norman Foster, Richard Rogers, and Douglas Stephen. He studied art and architecture at the Kingston School of Art, graduating in 1976, and continued his studies at the Architectural Association School of Architecture in London, concluding in 1980. Today, David Chipperfield Architects has expanded to include offices in Berlin, Shanghai, Milan, and the latest office opened in Santiago de Compostela.
By emulating manual manufacturing techniques, 3D printing utilizes digital models to create customized three-dimensional objects through an additive production process. This tool enables architecture to explore innovative forms, structures, and materialities, providing new paths for creative thinking. Progressively expanding its limits, 3D printing is integrating other existing technologies to unlock new uses and typologies. Such is the case with the work of Philipp Aduatz, which combines 3D printed textured structures with LED lighting, adding a new layer of complexity to enable the creation of the world's first 3D printed film studio.
Villa Peer / UAU Collectiv Architects. Image Courtesy of Randers Tegl
Identified as small rectangular blocks made of fired or sun-dried clay, bricks have traditionally been used for building pavements, walls and other elements of masonry construction. Laid in courses or rows and joined together with mortar, bricks are known for their strong structural strength and durability. But beyond their basic functional purposes, their multiple patterns, sizes and shapes allow for a distinctive aesthetic with an infinite design versatility, becoming a design feature themselves. Showcasing an example of aesthetic brickwork, we will take a closer look of Villa Peer, an architecture project in Belgium that uses Randers Tegl’s long format waterstruck bricks as the main design feature for the whole building’s facade.
Despite not being found in nature, right angles are the most used by architects. In the search for more functionality and practicality in construction, squares and rectangles emerge as the main option when designing. On the other hand, several vernacular and ancestral architectures adopted arches and circular plans as a solution. The game of geometric shapes in the architectural composition is vast, but we cannot forget a polygon that also stands out: the hexagon.
With frames and surrounding waterproof panels in any colour to match or contrast the surrounding decor, shower enclosures like Eterna from Samo are a useful tool in bathroom design. Image Courtesy of Samo
I’ve written before about my preference for showers over baths in the sanitation stakes. An instant hit of hygiene therapy, they’re quicker, cleaner, more energy efficient, and use less water than their horizontal siblings.
Thankfully, I’m not in the minority. Shower popularity means there’s a huge range of shapes, sizes, and types on the market. However, bathroom planning can be exhausting with so many to choose from. Here are six simple questions to ask when looking for the perfect shower enclosure to fit any type of space, lifestyle, or preference.
When people describe the modernist movement as a whole, they broadly reference the steel and glass skyscrapers which dot many of our cities’ skylines, or more specifically, the International Style that once emerged from Europe after World War I. The International Style represented technological and industrial progress and a renaissance of social constructs that would forever influence the way that we think about the use of space across all scales. Often designed as politically charged buildings seeking to make a statement towards totalitarian governments, many architects who influenced the style moved to the United States after World War II, paving the way for some of the most iconic buildings and skyscrapers to be built in the 20th century.
As farmers water crops by moonlight, undocumented children head to school and villagers scan the sky for surveillance airplanes—these are glimpses of a complex culture that emerges in south Lebanon after dark. In collecting some of these nightly practices, Mohamad Nahleh—lecturer in architecture and urbanism at MIT—journeyed across the landscapes of Jabal ‘Amil hoping to build a new alliance between architecture and the night. His "Path of Nightrise" research has turned into a construction to revive a forgotten river path and was published by Places Journal. The interview with Nahleh argues for a new nocturnal imagination in design and reveals, not only how the night has changed in Lebanon over time, but also how he has changed alongside it.
