If ancient Hellenic sources are to be believed, hanging gardens have existed at least since antiquity when the famous Hanging Gardens of Babylon were described by writers such as Herodotus and Philo of Byzantium. Today, vertical gardens have proliferated alongside the interest in indoor plants and gardens, especially in suitable climates. This trend in architecture reflects a simultaneous uptick in interest toward sustainability and a more pastoral, back-to-nature lifestyle. In the projects listed below, several of the architects mention moving forward from an industrial past—with its concomitant environmental effects—toward a better future, or at least a secluded, fresh, and natural outpost amidst the chaos of modern city life. Indoor gardens, and the visual allure of hanging plants and climbing vines, provide the setting for such a life. These vertical designs simultaneously conserve space and embed the plants within the atmosphere of the house, ensuring the space feels as much like a garden as it does a comfortable home.

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Of all arts, there is one that is truly capable of embracing architecture, and that is the cinema. The ability to represent spaces, moving in the course of time, brings cinema closer to architecture in a way that goes beyond the limitations of painting, sculpture, music - for a long time considered to be the art closest to ours - and even of dance. Both in cinema and in architecture space is a key subject, and although they deal with it in different ways, they converge by providing a bodily - and not only visual - experience of the built environment.

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From the 19th century onwards, with the Industrial Revolution, the growing population, and the ever-more pressing demands for urban space in Europe, the first reflections on the city emerged. More than that, the process of disciplinary structuring of urban design begins as a theory and practice inherent to the new historical moment that was being consolidated and would have its product, concerning cities, as an attribute of the 20th century. Within this disciplinary logic, configured from a social or political demand linked to militaristic pretensions of order and urban control, the 20th century was the stage for the entire development of this industrial society, which had the city as its horizon.

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A metal façade introduces a visually appealing architectural element on top of a built insulation system, such as a vapor barrier, insulation board, and structural supports. Known for their versatility, durability and elegant, clean finishes, metal claddings can be used for both roofing and walls to deliver a long-lasting and eye-catching finished product made from natural materials such as aluminum, copper, zinc and steel. Regardless of which system is used to fix the panels (concealed clip system or exposed fastener system), a façade can be made from a variety of profiles and colors for unlimited design options.

At a historical moment when industrialization and urbanization are continuing at a fast and predatory pace, we need to design and produce spaces that can adapt to new realities. Based on this need, concepts that can guide the transformation and production of future cities emerge.

Recent surveys have revealed the average frequency of daily baths in some countries. While in Latin America, led by Brazil, Mexico and Colombia, people take 8 to 12 baths a week, in the vast majority of countries affected, the average is around 6 to 8. Bathing, throughout human history, involves health, religious, spiritual and even social aspects.

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Using only natural light to document English cathedrals can turn into a logistical and technical challenge. However, Peter Marlow's photography has resulted in a remarkable series of iconic spiritual sites whose contemplative atmosphere is rarely accessible to others. Looking east with the camera towards the nave as the dawn light streamed through the main window opens a purist and mystical perspective to the time when these sacred structures were erected. 

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As human beings we cannot live without stories, we need them to fill those gaps in our reality, to live in our imagination those thousands of lives that are different from ours and, in some cases, impossible.

Could we qualify as "good architecture" that which has a story, or several stories, to tell us? That which is a story in itself? Such a subjective question undoubtedly generates different answers, but one possible answer is "yes". And one example is the Brion Tomb project, one of Venetian architect Carlo Scarpa's major masterpieces.

Green corridors, or biodiversity corridors, are large portions of land that receive coordinated actions to protect biological diversity. According to Brazil’s National System of Nature Conservation Units, they strengthen and connect protected areas, encouraging low-impact use by implementing a more comprehensive, decentralized and participatory conservation alternative.

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Mexico City-based architecture firm Tatiana Bilbao ESTUDIO presented its design for the Casa Dragones Tequila Tasting Room, which took place at Art Basel Miami Beach from December 1st to 3rd in the second year of its multi-year partnership. Founded in 2009 by Bertha Gonzalez Nieves to create tasting tequilas produced with the utmost care and expertise, Casa Dragones has become the first tequila brand to be an Official Partner of Art Basel Miami.

Biennales, exhibitions, and architecture focused festivals provide a platform for opening debates, conducting research, and driving innovation, but they can also contribute to the incremental changes that shape the image and the character of a city. Through temporary installations and experiments, this type of events have the opportunity to open lines on inquiry into the quality of urban spaces, inviting visitors and residents to slow down, break away from their daily routine and interrogate their local environments. The effects might not be immediate, but by cumulating these impressions and moments of contemplation, architecture and design festivals can have a long-lasting impact on the cities that welcome them.

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Videos

Keen to shape buildings and cities in Southern Europe, BIG has opened its latest office in Barcelona, Spain. Led by partner, João Albuquerque, the studio is seeking to create positive change and integrate into the city and the Spanish community. With a couple of projects spanning from the west to the east of the Mediterranean region, most notably Farfetch, and Fuse Valley campus in Portugal, the Joint Research Center in Sevilla for the European Commission, and the Gastronomy Open Ecosystem for Basque Culinary Center, BIG Barcelona is in constant evolution.

ArchDaily had the chance to talk to BIG Barcelona Partner João Albuquerque about the inception of the Barcelona office, his journey at BIG, and the firm's upcoming projects and involvement within the Spanish and Southern European markets.

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Chile has a rich and vast heritage architecture, which is gradually gaining relevance through different initiatives that seek to renovate these buildings to give them a second life. The buildings and infrastructures were in disrepair, disused, or damaged, but have great architectural value, being an important contribution to the reconstruction of the history of Chilean cities.

In hospitality, first impressions count. Corian® Solid Surface – an exclusive product of Corian® Design, a division of DuPont company – has become a more and more regular guest in hotels over the past decades as designers and architects look to create highly hygienic and adaptable interior designs. designboom and ArchDaily concluded its three-part webinar series with the material producer, this time to explore the future of hospitality design. Leading architectural and design experts joined the live conversation, including TBI Architecture & Engineering, JOI-Design and Ultraspace – watch above.

Architects play an important role in creating healthy, functional and aesthetically pleasing environments. Interior design represents a natural continuation of the same prerogative, and its importance has been accentuated in recent years, from the lockdown forcing many people to remain indoors for extended periods of time, to the rise of remote work. The task of the interior designer is not decorating spaces, but planning for an effective use of space, understanding the needs of the user and highlighting the intrinsic qualities of a space. Acoustics, lighting, material properties and proportions all play a role in achieving a coherent and enjoyable interior space.

This week’s curated selection of Best Unbuilt Architecture highlights interior design projects submitted by the ArchDaily community. From a pastel-colored library in Turkey to a renovated symphony hall in San Diego, US, this selection of unbuilt projects showcases how architects design interior spaces by integrating textures, materials, light, and color in well-proportioned spaces. The article includes projects from Turkey, US, Switzerland, Indonesia, UK, and Denmark.

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This article was originally published on Common Edge.

While approaching Wainscott Beach on Long Island’s South Fork in early December, one could see the most tangible aspect of offshore wind’s New York progress even before hearing the crash of waves: three pillars, each about as tall as the Statue of Liberty, jutting up from the ocean. They were the legs of the Jill, a liftboat from the Gulf of Mexico stationed about a third of a mile off the coast of Long Island’s South Fork.

Scale is a term that has dominated the architectural profession for as long as built structures have existed. In the literal sense, scale defines the measurable standards that we have come to know and accept —the widths of door frames, a car turn radius, and of course, a means of producing measurable drawings. In a more abstract and figurative representation, scale describes a feeling of individual experiences when comparing themselves or a familiar object to something unfamiliar.

Nowadays, much is said about the importance of collaborative design processes that involve joint creation, affirming a context in which there is less and less room for individual work and much more for the logic of collective and co-creation. Therefore, the idea that the work is created exclusively by the architect is already understood as a distortion of the complex reality of designing a project, going beyond the technical staff and also adding the community and its users.