Somewhere between 1914 and 1915, Le Corbusier designed the Maison Dom-Ino, a groundbreaking modular structure that replaced the heavy load-bearing walls with reinforced concrete columns and slabs. The open floor plan with minimal thin elements, coupled with large glass facades, would ensure healthy natural daylight for the interior spaces as well as desirable architectural transparency that could blur the boundaries between interior and exterior —at least metaphorically.
The 9th edition of the Urbanism\Architecture Bi-City Biennale (UABB) of Shenzhen and Hong Kong opened on December 10, 2022. Curated by Lu Andong, Prince Gong, and Aric Chen, the exhibition features hundreds of artists, designers, and architects from fifteen countries. The exhibition will last for three months.
The Biennale's theme, "Urban Cosmologies," encompasses both spatial symbiosis and the temporal rhythms of life. It is a source of ancient Chinese wisdom as well as a cosmology that looks to the future. The "Cosmology of the City" is a field of symbiosis, a part of the "community of life between man and nature".
The rationality of orthogonal shapes dominates architecture, despite grand gestures that have sought to oppose themselves throughout history. In large-scale production, the right angles, repetition and modularity of the block or grid of pillars help in the efficiency of construction, despite reproducing the same spatial solutions. Unlike buildings, interior architecture can propose alternatives to break this rationality, whether from partitions or decorative objects.
Las Vegas, sometimes known as Sin City, is perhaps the most famous desert metropolis where people gamble, and indulge in entertainment, and other vices. Each year, the city is visited by hundreds of millions of tourists who come to see its flashing lights and round-the-clock nightlife. Las Vegas has garnered so much attention that even Robert Venturi and Denise Scott Brown sought to study its urbanism, concluding with their theories on duck and decorated shed buildings in the early 1970s. But 50 years later, Vegas is still a city that constantly reinvents its architectural identity.
As populations continue to migrate from rural to urban areas, space is at a premium. Many settlements are becoming ever-more congested – with adequate, affordable housing in short supply and transport systems struggling to serve their respective residents. But as much the conversation about urbanization is about people, it is sometimes also about the animals that come with those people – urban livestock that play a key role at providing sustenance on an individual level, in addition to becoming an avenue for communal trade.
The threat of climate change is looming before us. Sea level rise concerns over 410 million people at risk of losing their livelihoods. Coastal cities are choked with high-rise buildings and traffic-laden roads, consuming land insufficiently. Synthesizing these problems, architects across the world have proposed a potential answer - floating cities. A future of living on water seems like a radical shift from how people live, work, and play. Vernacular precedents prove otherwise, offering inspiration for what our cities could morph into. As world leaders discuss courses of action to tackle climate change at the COP27 climate summit in Egypt, ArchDaily dives into the concept of radical water-based settlements.
Imagine that you have scheduled a visit to an important building for the history of architecture, a reference work for all enthusiasts. Probably you would equip yourself with a camera or a good cell phone, take a pencil, notebook and even a measuring tape to record all its aspects.
However, this is not the only way to “visit” a building of historical importance nowadays or, at least, that is what some researchers are trying to show. The metaverse is being explored for its role in architecture and culture preservation, embracing different generations.
In recent years, the term “co-creation,” a buzzword in the business and management sector, has made its way into the architecture and urban planning discourse. The term is used to define a large concept that describes working intentionally with others to create something jointly. But architecture is already the result of a collaboration between multiple actors, architects, clients, investors, developers, and local administration, to name a few. Can the term still apply to this field, can it bring forth new forms of knowledge, and does it differ from the concept of participatory design?
Simultaneously gripping, disconcerting, and chaotic, Djibril Diop Mambéty’s Touki Bouki is an exhilarating cinematic ride. The 1973 drama — the first full-length film by the Senegalese director — is the fantastical narration of a young couple in Dakar, eager to escape the Senegalese capital for the allure of Paris. It’s a character-driven film in many ways, primarily centered on the couple’s adventures, but it is also a subtle visual examination of the urbanism of post-independence Dakar, where the city and its architecture are essential fixtures in a surreal storyline.
In the past, in a less densely populated urban context, houses and buildings were built with a direct connection to the street, with no need for walls and front fences. Over time, the urban fabric was transformed, and the division between public and private spaces became increasingly evident and — under the argument of public safety — necessary. Although this division occurs in different ways in Brazilian cities, in general, walls, fences and railings are used on the facades, creating a transitional space between the building and the street, transforming the relationship between them.
A home is one of the most significant architectural typologies that we experience throughout our lives. Largely serving as a significant private space, a home represents safety, ownership, and a sense of respite away from the rest of the world. It’s also historically been a place of routine, where we both begin and end our day, following the same patterns through different rooms of a home that we utilize. We can expect to sleep in our bedrooms, relax in a living room, cook in a kitchen, and eat in a dining room.
This article was originally published on Common Edge.
About 50 years ago, the renowned architect, educator, and author Charles Moore was hired by Frederick and Dorothy Rudolph to design a vacation house on Captiva Island, Florida, and about a decade later, in the late 1970s, they hired him again to design their permanent residence in Williamstown, Massachusetts.
Moore was often called the father of Postmodernism and was a prolific proponent through such books as The Place of Houses. With the exception of his small houses, however, I was never a big fan of his work. But I still have a tattered copy of that book, because when I read it, it was the first time that someone had articulated the process of designing a house, including a programmatic checklist to follow.
A new platform launched by 3D Agora is looking to revolutionize the architectural visualization industry by sweeping out all of its cluttered corners. Finding the most suitable 3D Artist for a project, exchanging large files of various kinds with them and keeping track of all versions, requests and changes are said to become much easier with 3D Agora's worldwide database, smart filtering system, feedback panel and the industry-specific project collaboration board.
"The flat floor is an invention of architects. It suits machines, not humans." Inspired by the Viennese Secessionists and Austrian artists Egon Schiele and Gustav Klimt, as well as bold Gaudinian forms, the author of this phrase, Friedensreich Hundertwasser (1928-2000), was a prolific painter, sculptor and architect. His works are marked by the dualities between discipline and indiscipline, the predictable and the unexpected, rational and irrational. In his creative adventure, Hundertwasser was not just an enemy of the straight line. He despised architectural rationalism, claiming fluid forms and striking colors.
The construction industry is one of the largest in the world, and cement and concrete are literally the building blocks of its success. Evolving from prehistoric caves to today’s towering skyscrapers, concrete structures have and will continue to be vital components of modern civilization, providing long-lasting, reliable support for buildings, roads, bridges, tunnels and dams. So much so that concrete is the most consumed material on Earth, second only to water, while the steel used to reinforce it is by far the most commonly used metal. But this doesn’t come without high environmental costs: concrete accounts for 8% of global CO2 emissions, much of which come from the extraction and transportation of aggregate materials such as sand, gravel and crushed stone.
Ljubljana is Europe’s little secret. This small capital city (less than 300,000 inhabitants) is perhaps surprisingly big in terms of architecture, and the variety of its built history makes it a mandatory stop in your architectural journey. From richly painted churches to sobering Brutalism. From classical Baroque and Habsburg-inspired architecture to delightful Art Nouveau façades and interiors. And of course, abundant greenery (Ljubljana is Slovenia’s – and now Europe’s – green capital) and food.
Ljubljana is a city that has many layers. Its beginnings as a Roman city are still visible (a wall, the world’s oldest wooden wheel, and the roads in and out of the city to name a few). Its contemporary vestiges might have aged, but their meaning hasn’t – think of the Republic Square or Brutalist petrol stations. It’s when we visit in person that we are able to truly feel these places and understand these layers.
Imagine walking into a hospital and being greeted by greenery, views, natural light streaming in through large windows and open spaces that promote calmness and serenity. These favorable conditions play a crucial role in shaping patients’ experience, making their days a little bit easier while promoting healing. In fact, good healthcare design has been shown to reduce patient stays, infection rates, medication and medical errors, as well as improve staff attraction and performance. A well-designed facility can ultimately transport patients from a sterile, clinical environment to one that is warm, inviting and even uplifting. Such is the case of the Crystal Clinic Orthopaedic Center by HGA Architects, which has been selected among the five winners of the 2022 Shaw Contract Design Awards “Best of Globe” for its innovative approach to healthcare.
With the exception of some areas, within the three principal regions of Peru--coastal, mountain, and rainforest--the climate is characterized as tropical or subtropical and the differences in summer and winter temperatures is minimal, rarely reaching beyond 15 °C and 27 °C. This mild climate has thinned the line between exterior and interior spaces, a fact evident in the region's architecture.
Architecture is never an accident. It is a carefully planned out scheme of patterns and styles that respond to natural surroundings, celebrate materiality, and/or are referential of stylistic movements throughout history- all a means of understanding why things are the way that they are. There are different ways to understand how to analyze architecture, through the use of diagrams, patterns, relationships, and proportions to name a few. To both architects and laypeople alike, there’s a subconscious desire for a decision-making structure in design. As a result, architecture has become an exercise in self-positioning- a microcosmic reflection of the world around us as seen in the designs we build.
Despite the initially slow and arduous process of molding glass into shape, mankind has used the material for thousands of years. According to archaeological evidence, the first human-made glass tools and jewelry were found in Eastern Mesopotamia and Egypt around 3500BC — and after the invention of the blowpipe in Syria in the 1st century BC and the Western Industrial Revolution made mass production easier, the material's signature traits of transparency and durability could finally be applied on a large scale in architecture and design.
Fast forward to the present day, and the use of glass for building facades and windows is well documented. But what about once we move inside? By treating glass for different levels of transparency, cleverly positioning it within a room, or employing its reflective surface to their advantage, interiors can benefit just as much from the material as exteriors.
In the heyday of high modernism, architects such as Le Corbusier and Mies van der Rohe extolled the aesthetic value of whiteness, which they viewed as connoting purity and simplicity. Mies van der Rohe’s Farnsworth House, for example, paired the stripped-down whiteness of its structural skeleton with expansive floor-to-ceiling windows, using the enveloping natural light to further elevate the already heavenly aspirations of the space. Today, some contemporary architects and designers have evolved the sublime aesthetics of white high modern architecture by using translucent fabric partitions, complementing the purity of the white walls with the fabrics’ ethereal play of light and shadow. Below, we discuss different design strategies for working with white fabrics in this way, and include two examples of projects that have used translucent fabrics in soothing but innovative ways.
Add cabbage leaves, orange peels, onions, bananas and a few slices of pumpkin to get... cement. That's right, researchers from the University of Tokyo in Japan have developed a technique through which it is possible to produce cement from food waste. Besides being used in construction, the innovative initiative is edible as well. You can make boiled cement into a delicious meal by adjusting flavors, adding seasonings, and breaking it into pieces.
Designing the interior of an apartment when you have very little space to work with is certainly a challenge. We all know that a home should be as comfortable as possible for its inhabitants, but when we have only a few square meters to work with and the essential functions of the home to distribute, finding an efficient layout is not easy. Following our popular selection of houses under 100 square meters, we've gone one better: a selection of 30 floor plans between 20 and 50 square meters to inspire you in your own spatially-challenged designs.
Architecture has the power to emotionally engage with its occupants. Tactfully crafted spatial moments extend architecture into experience design - a growing need in the experience economy. Through sensorial and intellectual stimulation, spaces can deeply connect with their occupants to result in memorable instances. The orchestration of an experience requires not only an understanding of spatial principles but also how the service of the space is designed.
