Form and function. Terms that accompany several definitions that belong to architecture, but more is needed to summarize the practice in 2023. Nowadays, building involves understanding the cycles of materials and how each action can be linked to the extraction of natural resources and their damage to the environment. We live in an urgent need to review the way we produce built space. In this search for models that move away from linear systems and provide a constant process of transformation and redistribution of matter, strategies arising from the circular economy emerge as a possible path. Its application in architectural heritage – for maintenance or restoration – can incentive the necessary changes toward a more sustainable society.
No topic permeates more areas of society today than concerns about the global climate in the coming decades. How extreme will it become and above all how can we adapt as quickly as possible to better cope with and manage the situation? Because one thing is certain: The last hundred years could be characterised with the words 'too much' – in relation to emissions, resource consumption and imbalance in nature. Driven by the internationally declared motivation to limit climate change, the industry is reacting with determination and recognising the crisis as an opportunity.
HeartFelt® Linear. Image Courtesy of Hunter Douglas & Inteco
Every day, architects and designers tackle an ambitious task: crafting spaces that not only captivate the eye but that also nurture the health and well-being of those who inhabit them. A key part of this mission involves implementing design strategies that foster a pleasant indoor climate, as temperature, humidity and air quality all have a significant impact on users’ mood, productivity and overall health. Humans simply operate better if they are comfortable and content in their home or working environment. Although air-conditioning, ventilation and heating systems have conventionally served as popular solutions to regulate indoor climate, they often carry with them undesirable consequences –the presence of dust and bacteria, the need for regular maintenance and a cluttered, unappealing look. There is, however, an alternative solution.
Better for sight, better for eyes, better for health, and better for moods, natural light is understandably the majority’s favored method of illumination, but it’s an uncontrollable resource. It can be increased with larger windows, open-plan interiors, and reflective or light-hued surfaces, but ultimately, when those cold winter nights draw in, the majority of our time is spent fumbling around in the dark.
It’s not all doom and gloom, however. Well-thought-out lighting concepts can entirely transform an interior environment. This home in Japan, for example, highlights its architectural features with hidden lighting, bringing them to life at night, while this small-scale showroom cinema also uses indirect lighting strips to graphically define its interior.
The International Placemaking Week, presented by Project for Public Spaces (PPS) is an inspiring and engaging event designed as a global gathering of placemakers from different sectors to discuss thoughts and share strategies in order to push forward the concept of placemaking in the host city and on an international level. Previous editions took place in Vancouver in 2016, Amsterdam in 2017, and Chattanooga, Tennessee in 2019.
PPS, the nonprofit organization behind Placemaking Week, helps people create and sustain public spaces that build strong communities. In 1999, they elaborated “How to turn a place around”, a book that defined the placemaking movement, creating a guideline of 11 principles to follow in order to create vibrant community spaces.
If anyone can be said to know about the wishes and dreams of brides-to-be, surely it's those behind the creation of that mythical matrimonial object, the wedding dress. For more than 30 years, one of Sweden’s most famous fashion designers, Lars Wallin, has created dresses for women about to live, what is for many, the ultimate romantic experience. And with his design for a recently finished bridal suite at Gothenburg's SAS Radisson, Wallin has demonstrated not only his haute couture finesse in realising dreams of glamour and romance, but also an ability to seamlessly transfer his creative talents from the boutique to the bedroom.
Part two of "Stories of Lisbon's Light" takes place in Cascais, a vibrant seaside resort an hour away from Lisbon, hidden on the westernmost tip of the European continent. Right on the Riviera Portuguesa, architect Bruno Novo gave his modern, minimalist touch to a holiday villa where natural light plays the leading part. Focusing on natural elements and minimal touches that open up the spaces inside and outside, the house is made with a family holiday in mind.
Subject to the forces of capital, migrating populations, and political circumstances, our planet’s cities are constantly evolving. This continuous evolution is evident in the built fabric of settlements, as architects and planners build upon layers of the built environment, with some having the strenuous task of having to integrate the historic urban areas of cities successfully with contemporary architectural interventions and systems.
The cities of this category are frequently in an internal conflict — oftentimes having to grapple with the sometimes contradictory aims of both sustaining local populations and welcoming outside investment and national development projects.
Over time, the kitchen has ceased to be considered only as a workspace and became a meeting and leisure area. For many, it is the heart of the home. Therefore, it is necessary to design an ambiance that can help when preparing dishes and also bring comfort during a gathering with friends and family.
In urban centers, houses rarely have a large backyard to create a leisure or living area, that's why we have gathered some examples that have managed to occupy these areas, improving the connection between interior and exterior and enhancing their users' comfort.
Baseball Dream Park / HAEAHN Architecture, Inc.. Image Courtesy of HAEAHN Architecture
Sport plays an important role in the life of every city, yet the buildings housing these activities pose a particular set of challenges to the architects. Scale and dimensions need to be adapted to allow for unrestricted movement, heights are adjusted to the force of an athlete’s throw, and lighting, surface, and finishes require careful consideration. The matter becomes even more complex if these activities become the center of large-scale events. The flow of people becomes an integral part of the design, as different types of users require separate circulation paths.
This week’s curated selection of Best Unbuilt Architecture highlights the design of sports centers submitted by the ArchDaily community. From a tennis stadium in Italy, to a yoga pavilion on the cliffs of Portugal, this selection features projects centered around movement, practicing, following, and enjoying sports, be it tennis, baseball, yoga or football. The article presents projects from various counties, such as South Korea, Canada, Portugal, and Argentina.
Airbnb has long been a reliable way to find a homestay. Since its inception in 2008, the site has hosted more than 7 million homes around the world where travelers can stay in a room, or rent an entire house out for themselves. Recently, many cities have been cracking down on short-term stays, citing safety issues, false listings, and rising property prices which push people out of their homes when housing becomes used just for Airbnb rentals. What are cities doing about these issues? What is Airbnb doing to help remediate them? And will Airbnb be viable for much longer?
To initiate change of any kind, one must first be aware of the problem at hand. In the construction industry –which is responsible for 39% of global greenhouse gas emissions and countless other environmental impacts– mastering and understanding the numbers related to its processes is extremely important. But assessing the impact of a product or a material is much more complex than one might think. It includes the exhaustive collection of data about its inputs (for example, the raw materials, energy, and water used) and outputs (such as emissions and waste) associated with each stage of the life cycle. This allows for the quantification of the embodied carbon and other environmental impacts, the identification of where performance can be improved, and provides real numbers for a comprehensive and unified comparison between materials and products.
The Whole Building Life Cycle Assessment (wbLCA) method studies the totality of products present in a building, providing valuable information for decision-making related to the design, construction, operation, maintenance, and eventual demolition or reuse of a building. In other words, it refers to the totality of the LCA (Life Cycle Assessment) for all of the building's components. Recently, the National Research Council of Canada, in collaboration with the Athena Sustainable Materials Institute, released the national guidelines for wbLCA, which reflect what is practiced in North America. The aim is to harmonize the practice and to aid interpretation and compliance with relevant standards, with the guidelines being updated periodically as it evolves, enabling the calculation of reliable baselines or benchmarks, supporting LCA-based compliance schemes and assisting in the development and use of wbLCA software.
The precast and prefabricated elements made of concrete (such as slabs, pillars, beams and walls) are part of the constructive process known as modular construction. A construction methodology carried out in stages, based on the standardization of the parts that make up the building, with its modules produced on an assembly line, transported and assembled to shape the architecture.
Architectural photographer Marc Goodwin adds one more photo series to his Atlas of Architectural Atmospheres, this time capturing 12 architecture offices in the Austrian capital of Vienna. The series includes the intimate workspaces of AllesWirdGut, Feld72 Architekten, querkraft architekten amongst others.
Goodwin has been working on this project for several years, and the collection holds photographs of work environments of architecture offices in Madrid, Frankfurt, Berlin, Istanbul, Seoul, and many more.
In the late 1960s, Ben Bradlee, the storied executive editor of The Washington Post from 1965 until 1991, confronted making the paper more appealing to younger readers. He ditched Lifestyle as the name of a new, updated section, which he found irksome; instead, he chose Style. As he explained in his memoir: “I liked the word ‘Style’ … I like people with style, with flair, with signature qualities.” After 50 years as Style, and nine years after Bradlee’s death, the section has been renamed Lifestyles. The editorial change notwithstanding, Bradlee used “style” as most non-architects think of it and much in keeping with how Duo Dickinson seems to frame it in a recent Common Edge piece: “Wrestling With Architectural Style in a Post-Style World.” Yet in matters architectural, at least historically, it’s long been another thing altogether.
In recent decades, the industrial style has strongly attracted the attention of architects, designers and homeowners. However, few know its true origin. Following the rise of industrialization in the United States during the 1950s, many old industrial spaces, such as warehouses or factories, were abandoned in areas like New York's Soho. As a consequence, prices fell and became affordable housing alternatives for city dwellers. These new repurposed spaces were characterized by an aesthetic that mixed raw and exposed materials with modern elements and technologies, generating a strong aesthetic identity that was as rustic as it was sophisticated.
Today, industrialized-looking interiors are highly appreciated for the character of their materials, providing different shades, textures, brightness and opacity. There are, however, new materials that blend this weathered aesthetic with innovations that facilitate their installation and maintenance. Let's review the case of Aparici's Corten Tile Collection and its possible applications in different spaces of the home.
The United Nations estimates that the world population will reach 10.4 billion by 2100. Already by 2050, 2 out of 3 people will call cities home, coming in search of the opportunities, services and amenities on offer. That puts even more pressure on urban areas given all these people will need access to water, food, public space, good infrastructure and, above all, housing. In fact, estimates suggest more than two billion homes will need to be built by the end of the 21st century to accommodate this population explosion. As cities grow, so does urban sprawl, which brings its own set of environmental and social challenges. In the face of climate change, sustainable urban development must ensure that future housing solutions –new and renovated– are built to support healthy communities, prioritizing both human and environmental well-being. In turn, cities will need to be built denser and faster, but not without meeting a long list of stringent criteria. Only this way can we avoid the negative, often overlooked, effects of uncontrolled hyper densification that give urban development a bad name.
A24 and Atomic Monster have recently confirmed a movie adaptation of The Backrooms, a Youtube short horror film (expanded to a series) created by 17-year-old director and VFX artist Kane Parsons.
Based on the namesake creepypasta, The Backrooms is set in a seemingly infinite labyrinth of yellow-tinted, carpeted office spaces, bathed in fluorescent indoor lighting, like an abandoned building, in 1996. Its kitsch corporate aesthetic is reinforced by the imitation of the VHS tape recording style that allows Parsons to hide imperfections (or avoid an uncanny valley effect) of a simple 3D scenario created in Blender and edited in Adobe After Effects during the post-production stage.
“Our planet is choking in plastic,” states the United Nations. While the man-made material has many valuable uses, our addiction to single-use plastic products has led to severe economic, health and environmental issues. Roughly one million plastic bottles are purchased every minute, and five trillion plastic bags are used every year worldwide –used just once, then thrown away. Plastics and microplastics have found their way into every corner of our natural environment, from the peaks of the highest mountains to the depths of the deepest oceans. So much so, that they have become part of the Earth’s fossil record and created an entirely new marine microbial habitat known as the “plastisphere.”
When lockdowns first hit and retailers were forced to shut up shop, many took to the digital high street instead, with those investing hardest and quickest in their online personas invariably winning the battle for our bookmarks. As the world opened again, some kept both their physical and digital presence in a hybrid model, while others chose to remove themselves from bricks and mortar altogether.
As we become more accustomed to using both models together, it’s clear that physical retail spaces can offer sensorial experiences that the digital simply can not – yet. These four projects buck the online retail trend and encourage consumers – and therefore other retailers, too – to move back into the physical, by turning the act of shopping into an exciting, invigorating, or relaxing luxury pastime, rather than a chore.
The Brick Award is an internationally established award that presents outstanding brick architecture from all around the world. Independent architecture critics, experts, architects and developers are invited to submit innovative and creative buildings and other construction works made of clay building materials. The spectrum of applications ranges from building solutions using classic clay blocks, facing bricks and roof tiles to the creative application of clay pavers and ceramic façade panels.
Ceilings were once a symbol of grandeur and opulence, adorning grand buildings, churches and palaces with their intricate and elaborate designs. We still find ourselves looking up in awe at these mesmerizing historical buildings, with our eyes drawn to their magnificent vaulted ceilings, remarkable truss structures or distinctive works of art depicting mythology, historical events and landscapes. Contemporary design, on the other hand, has shifted towards a sleek, minimalistic aesthetic; one where plain white ceilings have become the norm in most modern buildings. As Rasmus Wærn and Gert Wingårdh suggest in their book What is Architecture? And 100 Other Questions, “Ceilings have devolved from being the focal point of a room to being a zone for mechanical equipment.” And yet they have extraordinary creative potential.
Architecture is a referential discipline. From ziggurats, machines for living, to contemporary biophilic high-rises designs, it is impossible to know whether ideas are genuinely novel or whether they have been conceptualized before. Artificial intelligence has ignited the conversation on intellectual property (IP) even more. As millions generate unique graphic work by typing keywords, controversies have arisen, specifically concerning protecting creative work and the Copyright of architects in their creations. Therefore, understanding the scope of what is protected helps determine whether licenses are sufficient, whether trademark registration's long road is worth it; or perhaps a graphic piece cannot be protected and belongs to the public domain.
