Located 108 kilometers to the south of Tel Aviv, Beersheba (Be'er Sheva) is one of Israel's oldest cities. Although in existence since biblical times, military campaigns and occupations have seen it destroyed and rebuilt throughout the centuries, resulting in the juxtaposition of various time periods and cultures that can be seen throughout the city. One of Beersheba's principal transformations happened during the population boom of the 1950s sparked by the formation of the State of Israel in 1948. To keep up with the need for housing, the government rebuilt and expanded the city, which soon transformed from a small military outpost of 4,000 people to a vibrant urban center in the middle of the Negev Desert.
Countries around the world have urban, suburban, and rural problems- and it’s all connected by the problem itself. There are too many highway systems. In some cities that are notoriously known for their traffic jams, like Los Angeles, Minneapolis, and Atlanta, there are almost five miles of road per every 1000 residents. This has also impacted how some forms of public transit, like rail cars and busses, operate, significantly reducing their efficiency. So why do we build these superhighways, and how can we fix their congestion?
There is not enough that can be said about the benefits of incorporating plants in interiors or Plantscaping. Integrating vegetation indoors serves many purposes whether practical, aesthetic or psychological. Although there are basic requirements for incorporating greenery into Homes, well thought out plant selections and placements are characteristically different across the world. By going over recent interior works, a few recurrent plantscaping design patterns arose, each reflective of distinctive climates, building styles and traditional building techniques.
While the type of the chosen plants varies depending on favorable conditions for growth and local availability, the main distinctions are related to the direct environment and display method in which the vegetation is set, as well as its intended purpose. While plants are there to offer mental wellness to some, they are essential for cooling to other or could even be meant for small scale farming.
When you come to think of it, most of the food on your plate has a history behind it - a long journey that we are unable to describe. In her book Food Routes: Growing Bananas in Iceland and Other Tales from the Logistics of Eating (2019), Robyn Shotwell Metcalfe refers to the paradox of fish being caught in New England, exported to Japan, and then shipped back as sushi, revealing a large and complex network that nobody can see when they buy takeout Japanese food at the local grocery store.
Architectural education has always been fundamentally influenced by whichever styles are popular at a given time, but that relationship flows in the opposite direction as well. All styles must originate somewhere, after all, and revolutionary schools throughout centuries past have functioned as the influencers and generators of their own architectural movements. These schools, progressive in their times, are often founded by discontented experimental minds, looking for something not previously nor currently offered in architectural output or education. Instead, they forge their own way and bring their students along with them. As those students graduate and continue on to practice or become teachers themselves, the school’s influence spreads and a new movement is born.
Light — how we perceive the world around us — is an integral, emotive architectural element. Access to light is enhanced and limited in an architectural capacity globally, with architects of expensive tropical dwellings celebrating sunny vistas with expansive glazing, while a wide range of art galleries reject light in its natural form, eliminating it in adherence to the sensitive exhibit requirements of art pieces. Light in an architectural and urban sense is also highly symbolic, evident in the many metropolises of our world, but where this symbolism takes on an interesting dimension is in the archipelago of Zanzibar.
Gender is an undeniable layer of inequality in cities, which distinctly and effectively marks the experience and daily life of men and women in urban environments. Public lighting is crucial to ensure more inclusive and equal spaces, and often it is not planned from a gender perspective.
Poorly lit public spaces reinforce feelings of fear in these environments and must be rethought to promote safer cities, especially for women. With more than half of the world's population living in urban areas – a scenario expected to increase – how can we make public spaces safer and more comfortable so that they can be fully enjoyed and accessed by everyone?
“How to give your home: Dark Academia vibes” reads the title of a popular YouTube video targeted at homeowners fascinated by the aesthetics relating to liberal education and the arts. A subculture born in the age of social media, Dark Academia is one of many internet aesthetics that have gained prevalence in the last decade. Image-based platforms like Tumblr, Instagram, Pinterest, and TikTok have amplified internet aesthetics, especially during the COVID-19 pandemic. Social media allows users to support and create their own trends that rapidly amass a following. Today, the creation of aesthetic trends lies in the hands of the general public and will dictate the way interior design trends develop.
George Smart is an unlikely preservationist, almost an accidental one. The founder and executive director of USModernist, a nonprofit dedicated to the preservation and documentation of modern houses, Smart worked for 30 years as a management consultant. “I was doing strategic planning and organization training,” he says. “My wife refers to this whole other project as a 16-year seizure.” Recently I spoke with Smart about his two websites, the podcast, the house tours his organization conducts, and why documentation is such a power preservation tool.
While the city of Berlin has a long history, dating back to the 13th century, its architecture and urban fabric has undergone the most significant changes during the last century, reflecting the impact of major historical events that took place in the German capital. During the early 20th century, Berlin transformed into a modern metropolis, marked through the construction of grand buildings and imposing structures to demonstrate the city’s growing economic and political power. The 1920s and 1930s saw the emergence of the Modernist movement, which, together with the Bauhaus school of architecture founded in 1919, influenced the image and urban fabric of Berlin.
During the Second World War the city was heavily bombed, resulting in the destruction of many historical buildings. During the post-war period, reconstruction efforts focused on rebuilding infrastructure and housing, while the city remained divided until 1989, with the fall of the Berlin wall. After this period, Berlin witnessed a renewed interest in architecture and urban design. Interventions such as David Chipperfield’s Neues Museum aimed to rebuild historical monuments without erasing the markings of their difficult past. Other projects such as the renovation of the Reichstag had a different purpose. Norman Foster’s intervention intended to keep the image of this building but change its symbolism from a structure representative for the Nazi regime to one embracing the ideals of democracy and equality.
For those considering a career in environmental design –as an architect, landscape architect, urban designer, or city planner–, an immersive summer program in architecture and sustainable design might be the way to go before making a more long term commitment. Intensive summer programs are a great way to explore a career interest in architecture and environmental design. The College of Environmental Design at the University of California, Berkeley offers a variety of immersive summer courses, emphasizing hands-on studio design and teaching a multitude of relevant foundational design skills. By attending these programs, students gain professional clarity, competency, an increased network of peers and experts, and an empowering experience.
Within various - if not all - architectural programs, there is a function that is an essential and common requirement: the bathroom. A residence, office, commercial space, theater, museum, religious space, park, or school can only be designed with it. In some countries, public toilets are part of urban infrastructure like public transport or waste collection. A fundamental human right, although denied to a considerable portion of the global population, the toilet follows a historical evolution. Modernity brought with it the separation between public and private, and the room became increasingly reserved in Western society.
As part of a new initiative of the multidisciplinary laboratory based in Mexico, dérive LAB presents "Shared Streets", a project with a focus on urban design that seeks to spatially transform the street so that it is governed by human relations, rather than using traffic control devices; this suggests that the street is not only a space for transportation and mobility but one in which many other social, economic and cultural activities take place.
Exposed pipes highlighted in architecture are not a novelty. Classics like Centre Pompidou and Sesc Pompeia already adopted infrastructure elements as objects that helped compose the building's aesthetics. Solutions inspired by the industrial architecture of the 50s, urging to remodel industrial sheds for other uses, made their facilities apparent to make the work more cost-effective and less complex. After a few decades, we find this idea at different scales.
Boston City Hall. Image Courtesy of Reed Hilderbrand
It’s true that all trends are circular, and what was once seen as old and outdated becomes new and modern again- in fashion, music, art, and especially architecture. From the mid 20th century, brutalist architecture rose in popularity before reaching its peak in the mid-1970s, when it was disregarded for being too stylistic and non-conforming to the needs of clients who wanted their buildings to feel timeless. But the love for these concrete beasts is facing a resurgence, and a renewed appreciation for this architectural style is on the rise.
Laminates combine look, feel and function in a practical way. Image Courtesy of Egger
Playing with the balance between form and function, laminates enable architecture to perform a variety of tasks at the same time, being robust, flame-retardant, stain-resistant and antibacterial. With a wide range of applications in architecture, Egger has developed a range of products that can be applied to many of the spaces we inhabit daily, such as kitchens, bathrooms, offices, hotels and shops. Diving into the specifics of laminates and how they can be applied in architecture, we showcase how these materials are an ideal coating material with extra-wide format alternatives.
Not all projects seek a constant connection with the outside, at least not in their front façade. Despite not being a usual appearance, there are several reasons for creating an opaque façade: privacy, security, reduced energy consumption, and protection against inclement weather. More common in government, cultural or religious buildings, this solution is also found in some residential cases.
Popping down to a high-street bank branch to pay in a cheque, get out some cash or even open an account are to-do list tasks of the past. With almost all financial services now available online and digital transactions taking more of the market share (up from 28% to 41% from 2019 to 2022), more and more retail branches are shutting up shop.
The complicated worlds of both technology and finance, however, continue to fill many customers with confusion and dread, so perhaps the friendly face of a physical bank storefront with actual humans still has a place. These evolved retail banking interiors hark back to a longed-for time when we knew our local bank manager’s name, but work in conjunction with technology to offer hybrid financial services alongside more personal advice, in comfortable and comforting surroundings.
Natural light is one of the most critical elements in architecture. Although unbuilt and difficult to control, it plays a crucial part in defining how space is perceived in terms of scale, textures, materiality, and overall atmosphere. Natural light also impacts the emotions people feel in a space, whether lack of light makes us feel fear and anxiety or ample light makes us feel safe and ethereal. As much as light impacts architecture, architecture also impacts light. Through framing vistas, creating 3D massings that cast sculptural shadows, and carving voids from solids that create unique light projections, many architects have mastered design techniques that utilize light in a way that seamlessly integrates it within a building- and perhaps one of the best to do this was the Venetian architect, Carlo Scarpa.
Ascension Paysagère, designed by Dutch office MVRDV, is a mixed-use development that combines residential, commercial, and community spaces in the French city of Rennes. It stands out from its surroundings through a series of stepped terraces inspired by geological formations such as gorges and mountain ranges, with terraces designed to provide a variety of living and communal spaces, as well as tree-lined gardens and public squares. To amplify the effects desired by the designers, the chosen ceramic tile resembles the rock colors of the region, and changes its appearance with every change in climate, reflecting the environment and the light.
Although there is no exact record of the specific moment in which Puerto Escondido began to become a reference of contemporary Mexican architecture, various waves have been experienced. Perhaps the first one started in 2016 when the construction of Casa Wabi began, a Tadao Ando project where the Mexican office BAAQ´ collaborated as associates to develop the executive project and coordinate its construction. However, in 2019 another wave was experienced that was later reinforced by the beginning of the COVID-19 pandemic and remote work, which radically aroused interest in returning to the provinces and costs where there was less population and overcrowding.
Videos
House in Restelo / Pedro Domingos Arquitectos. Image Courtesy of FritsJurgens
The third and final part of "Stories of Lisbon's Light" focuses on a robust and daringly contrasting family home between the seven rolling hills of ‘the city of light’, Lisbon. Discover how architect Pedro Domingos designed a home where daylight and the river Tagus play the leading roles. With the residence facing the south, radical architectural choices had to be made to allow the light to flow through the entire residence.
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Jenny Holzer, installation at Guggenheim New York. Image: fluido & franz, CC BY-NC-SA 2.0 via Flickr
Light has been present in art for centuries. To think of the Baroque or Gothic without this element would be impossible. However, in the 20th century, artists began to explore light qualities and transformed them into a means of materializing art. Sculptures, immersive installations, and ways of shaping the environment through light, its colors and intensities brought new spatial perceptions by establishing a unique relationship with architecture.
Sunlight has proven to be an excellent formgiver, with which architecture can create dynamic environments. The lighting design pioneer William M.C. Lam (1924-2012) emphasized in his book “Sunlighting as Formgiver” that the consideration of daylight is about much more than energy efficiency. Architects have now found numerous ways of implementing sunlight and the questions arises whether a coherent daylight typology could be a valuable target during the design process. However, many daylight analyses focus mainly on energy consumption.
Siobhan Rockcastle and Marilyne Andersen, though, have developed a thrilling qualitative approach at EPFL in Lausanne. Their interest was driven by the spatial and temporal diversity of daylight, introducing a matrix with 10 shades of daylight.
