The world certainly looks different through the eyes of a young child; enormous, intriguing, and somewhat overwhelming, and it has long been believed that what we encounter as children shapes our perspective of the world. When asked about his childhood memories in Switzerland, Peter Zumthor shared that the memories of his youth contain the deepest architectural experience, which has become reservoirs of the architectural atmospheres and images that he explores in his work as an architect today.
Having a complete understanding of how children change and grow physically and psychologically throughout their childhood requires an in-depth observation of different factors, such as their hereditary traits and genetics, the interactions they have with other children and adults, as well as the environment they are living, playing, and learning in. In celebration of World Children's Day on November 20th, we look at how architects and designers stimulated children's autonomy and promoted their mental and physical well-being through architecture and interior design. This initiative aligns with the theme of World Architecture Day 2024: "Mobilizing the Next Generation for Urban Transformation," emphasizing the crucial role that thoughtful design plays in shaping a sustainable and inclusive future for our cities and the communities within them.
Who would think that a freshly painted wall, so smooth and glossy, could hide such a serious problem? Paint is one of the finishing touches that brings beauty and protection to both indoor and outdoor spaces. But beneath this layer of color, there’s an invisible coat that, silently, accumulates in our ecosystems and even in our bodies. Recent research from Switzerland identifies construction paint as one of the largest sources of microplastic pollution in oceans, rivers, and other environments. These microplastics, less than 5 mm in size, enter ecosystems through weathering, accumulating in marine and terrestrial animal bodies — and ultimately, in humans. Although the long-term effects on human health are still under study, evidence so far indicates that continuous exposure may contribute to various physical and metabolic health issues. Yet, sustainable alternatives are emerging, offering a way to create healthier spaces while minimizing environmental impact.
Over the past two decades, the Holcim Foundation Awards has committed USD 20M to spotlight transformative projects by architects, designers, and engineers who pioneer sustainable design and construction practices. To capture these stories, the Foundation launched a short film series titled Words withWinners.
Lydia Kallipoliti is a recognized architect, author, and educator whose pioneering research has transformed the way architecture engages with the pressing challenges of sustainability, technology, and environmental politics. As an Associate Professor at Columbia University's Graduate School of Architecture, Planning, and Preservation (GSAPP), Kallipoliti's approach to architectural education encourages students to confront critical issues such as waste, reuse, and closed-loop systems. Her pedagogical philosophy empowers students to see design not only as an aesthetic or functional pursuit but as a powerful tool for addressing global ecological crises, urging them to think systemically and creatively about the future of the built environment.
In addition to her role in academia, Kallipoliti has authored influential works such as The Architecture of Closed Worlds and Histories of Ecological Design: an Unfinished Cyclopedia, which delve deeply into the relationship between architecture and environmental politics. Her research and writings have sparked discourse on methods for architects to reconsider traditional design paradigms and embrace sustainability as a core tenet of architectural practice.
Amid a significant global housing shortage and an increase in urban growth, the residential phenomenon of co-living is expanding, fostering a community-based lifestyle where socialization becomes a fundamental principle. Resources, values, interests, and experiences are shared, creating new ways of living. While co-living buildings also incorporate spaces for individuality, this new form of communal domesticity emerges as a viable alternative suitable for diverse users, not only students or young adults but also older residents, promoting efficient space utilization and intergenerational interaction.
The Buildner Unbuilt Award is an exciting new annual competition offering a 100,000 EUR prize fund, designed to highlight architectural design that hasn't yet been brought to life.
With an upcoming registration deadline at the end of October, the 2024 Unbuilt Award presents a unique opportunity for architects and designers to submit their best unbuilt work—whether published, unpublished, fully developed, or still in concept form. This year's competition is divided into three categories based on project scale: small, medium, and large. This structure allows participants to showcase their work on an equal footing, ensuring that every vision, regardless of size, has a chance to be celebrated.
Choosing the right method to install interior decorative wall panels can mean the difference between a flawless and a protracted affair. In today's design landscape, wall panels are lauded for their transformative powers–bringing depth, texture, and character to any room. These panels have a storied history, evolving through centuries to reflect the spirit of each era: from the opulence of Renaissance carving to the refined elegance of Rococco boiserie, with each style defined by the craftsmanship of its time.
But when it comes to installing these panels, today's designers and architects have a veritable toolkit of techniques at their disposal. Each method has its own advantages, whether traditional or cutting-edge, and choosing the right approach is as much about aesthetics as it is about practicality. In this guide, we'll take a close look at the spectrum of methods available, from classic fixtures to modern innovations–each ready to help bring design vision to life.
Kenzo Tange's 1960 Tokyo Bay Plan reflected the zeitgeist of a society enamored by rapid technological advancement and post-war optimism. Buckminster Fuller's 1959 dome concept over Manhattan was developed on a belief in humanity's ability to shape its environment on an unprecedented scale. All throughout the mid-20th century, utopian urban planning ideas sprouted in various parts of the world, driven by a unique combination of societal factors and psychological motivations.
While these visions were often marked by hope and ambition, they also reflected the broader economic growth and technological innovation of the time—factors that contributed to the bold fantasies of architects and urban designers eager to transform the urban landscape. Many saw an opportunity to redesign cities from the ground up, often bypassing the complexities of existing urban fabrics in favor of futuristic ideals. However, while these visions provoked forward-thinking practices, they often surprised the public and seemed distant or unattainable. How might these concepts have evolved if shaped by today's participatory planning, which prioritizes public engagement and community input?
For a while now, ArchDaily has been striving to enhance your experience – exploring how to dive deeper into its content and reshape the ways in which it is delivered. What additional value can be brought to both new and established members of the community that enhances what ArchDaily represents?
The result: ArchDaily Plus – a membership plan offering a completely fresh user interface and exclusive new features while simultaneously supporting the continued delivery of tools and knowledge essential for everyone involved in creating a better-built environment. It provides even more daily inspiration while keeping critical information freely accessible (projects, news, in-house articles not older than six months).
The evolution of new technologies, innovative applications, and a shift towards sustainable solutions are central to contemporary hotel architecture. These developments aim to raise awareness about environmental care while enhancing indoor comfort and well-being. From expansive resorts and tourist complexes to cabins and remote retreats, the design of common areas incorporates essential furniture for effective activities, proper climate control equipments, and wall and floor finishes that align with specific needs.
Pavilions offer architects a unique opportunity to experiment, serving as compact spaces that push the boundaries of design and spatial concepts. Free from many conventional functional constraints, these structures allow for artistic expression and the testing of new technologies. Pavilions often act as living laboratories of architecture, positioned in public or cultural contexts. They transform their surroundings into interactive, memorable experiences, providing a stage for architects to showcase their most innovative ideas. In recent years, climate responsiveness has emerged as a crucial focus in pavilion design. By using temporary structures as a testing ground for more sustainable practices, architects can experiment with alternative materials and environmentally conscious approaches that address the climate crisis.
The design of public bathrooms and changing facilities has historically catered to a generalized notion of user needs, often oversimplifying the complexities of gender-specific requirements and falling short of supporting the unique needs of women. These needs extend beyond biological differences—such as the necessity for more stall privacy and differences in height and body posture—to include cultural factors that influence restroom use and expectations over time.
For instance, women's contemporary clothing often lacks adequate pocket space, resulting in the need to carry a handbag, even for simple essentials like phones and wallets. Despite efforts in recent architectural designs to address these disparities, the layered nuances of biological, cultural, and gender identity factors present a multifaceted challenge that defies a one-size-fits-all solution.
The Summer House in Højby by Jeppe Utzon & Camille Pincemin. Image Courtesy of VELUX
In architecture, it's often the finer details that make the grandest impact. Across the ages, architects have carefully oriented buildings to balance function and aesthetics, with light as their guiding principle. The pursuit of perfect lighting in buildings dates back to medieval times—and the search continues. It turns out that simply allowing light into a space isn't enough; it's the direction and quality of that light that truly elevates the environment.
This year, the VELUX Nordic Architecture Competition—aptly titled "Daylight from Above"—invited architects from Denmark, Sweden, and Norway to explore the nuances of natural light in residential design. The competition urged them to craft spaces where light plays a starring role, sculpting interiors that shift and change with the hours and seasons. The aim? To create homes where light doesn't just brighten a space but elevates the experience of living in it..
In the heart of Tallinn, where history weaves through cobblestone streets and ancient towers, stands the Ungern-Sternberg Palace — a monument that bridges the opulent past of Estonia's aristocracy with the vibrant world of contemporary academia. Now home to the Estonian Academy of Sciences, this historic building embodies Estonia's enduring dedication to knowledge and cultural preservation. Through Open House Tallinn, which highlights the city's architectural heritage, the palace's significant history, and remarkable architectural details are brought to a wider audience, offering unique insight into Estonia's cultural resilience.
Constructed in the 19th century as a symbol of aristocratic power, the palace has transformed from a private residence into a national hub of intellectual life. Its grand halls, once the scene of lavish gatherings, now foster scientific and academic pursuits, illustrating how heritage architecture can evolve alongside societal change.
Art has long been perceived as elitist, an image solidified by its deep ties to power and wealth. In ancient times, works of art were status symbols reserved for rulers and religious figures, while the Renaissance marked a period in which wealthy patrons like the Medici family promoted art as a tool of social and political prestige. In the 17th century, with the rise of art academies, strict standards were established for what was considered "high culture," further distancing art from the masses.
By the 19th century, the art market had become shaped by private collectors and commercial galleries who viewed art as a luxury product, accentuating its exclusivity and making accessibility a secondary issue. Artistic movements like Impressionism, Modernism, and street art challenged the elitism of art, broadening its reach and questioning its institutional exclusivity. While the contemporary system remains dominated by wealthy collectors and a market that prioritizes profit over accessibility, there are still initiatives aiming to change this dynamic.
Throughout their relatively recent history, museums have evolved to condense particular aspects of a culture and present them in a coherent and unified manner. This makes the connection between the architecture and the exhibit a crucial matter, as the architect is tasked with designing not only the framework and background of the exhibited arts or artifacts but also taking charge of the journey undertaken by the visitor, harmonizing the cultural gain with the lived spatial experience of walking the exhibition halls. However, not all museums have been purposely built for this task.
Across Europe, museums are being organized within or expanding upon historical monuments and buildings that have lost their original purpose. Then in a state of decay, this decision to reorganize them as cultural venues stops the decay and preserves the historical material, adding a new layer of complexity to the intended exhibits. The architect's role becomes that of introducing order and a system that can balance the heritage of the place with the needs of modern functionality, ensuring that the essence of the original structure is preserved while meeting the needs of contemporary exhibitions and public engagement.
In Canada, the tradition of owning a secondary home in the countryside is a deeply rooted aspect of the national culture. In Ontario and parts of the Maritimes, these nature-surrounded secondary homes are often called "cottages". In British Columbia, Alberta, and Saskatchewan, the term "cabin" is more common, while in Quebec, they are known as "chalets." Regardless of what they are called, these rural retreats offer Canadians an escape from urban life, a place to gather with friends and family, reconnect with nature and enjoy outdoor activities throughout the year.
Not all people share the same routines, habits, or customs, yet we all have the same fundamental needs, regardless of age, social class, gender, culture, or religion. Designing bathroom spaces involves considering parameters of accessibility, technology, cleanliness, comfort, and durability, while offering efficient and sustainable solutions that ensure optimal performance. But what does functionality in architecture really mean? How do usage patterns evolve over time? Geberit products showcase various design proposals through their Mix and Match approach that blend furniture, sinks, and other bathroom accessories, all conceived to meet the diverse requirements of their users.
Beach houses along the Caribbean coast perfectly blend comfort, nature, and tranquility. With landscapes of white sands and crystal-clear waters, the Caribbean is home to some of the world’s most enchanting seaside retreats. Whether situated on popular islands like the Dominican Republic and Cozumel in Mexico or secluded spots like the untouched beaches of Costa Rica, these homes are designed to fully immerse guests in the lush natural surroundings, providing a uniquely serene experience.
Can academic projects explore new directions and contribute to public discourse on global and local issues? The 2024 Politecnico di Torino Students Award aimed to address these questions, showcasing how architectural research, training, and experimentation can be integrated into a school curriculum.
Politecnico di Torino is ranked among the top 10 architecture schools in Europe (QS World University Rankings by Subject 2024 - Architecture and Built Environment). With over 3,000 students, the Department of Architecture and Design offers a Bachelor's degree in Architecture and three Master's programs—Architecture for Sustainability, Architecture Construction City, and Architecture for Heritage—all featuring dedicated English tracks. The Department offers also two Bachelor's and one Master's programmes in Design.
On January 21, 1958, three women sat down as contestants for an episode of the popular television show "To Tell the Truth", a quiz game in which a panel tries to guess which of the three contestants is who they say they are by asking them a series of questions. The announcer reveals the true identity of the person is a registered architect, has so far designed a Hilton hotel, and is a married mother of four. Each of the women, dressed formally in pencil skirts and blouses, introduces themselves as Natalie De Blois. As the panelists reveal their lack of knowledge about architecture, only firing off questions about Frank Lloyd Wright, one asks "What is the name of the building that was torn down to build Union Carbide?" The real Natalie De Blois, at the time a senior designer at SOM, firmly answers, "Hotel Margery."
Architecture is one of the oldest recorded professions, dating back to ancient eras when builders designed historic huts and constructed some of the great wonders of the world. When we think about women who have been known as trailblazers of the industry, it's astonishing that we often talk about women who we may interact with in the workplace day to day, or who our mentors may have learned from. Natalie De Blois was a modern-day pioneer of women in the design workforce, and although her legacy began only seventy years ago, it has significantly changed the way that women can participate in the profession today.
Videos
Courtesy of Architecture & Design Film Festival
A journey through the legacy of Eileen Gray and her most famous house in the French Riviera, "E.1027 – Eileen Gray and the House by the Sea," by directors Beatrice Minger and Christoph Schaub, invites viewers into the layered legacy of the pioneering Irish architect and her unique vision of modernism. Designed in the late 1920s, the villa not only embodies Gray's architectural genius but also bears the shadow of an uneasy narrative involving Le Corbusier and Jean Badovici. Through their docufiction, Minger and Schaub illuminate Gray's groundbreaking work and critique the prevailing narratives of male dominance in modernist history.
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