Big meeting: Le Corbusier's LC4 Chaise Longue meets Eileen Gray's Adjustable table, Alvar Aalto's Stool 60, Verner Panton's Flowerpot pendant and Mies van der Rohe's Barcelona chair
The 20th century is almost certainly the most important period when it comes to interior design icons. The list of protagonists who have contributed to making this era of design such a great one is certainly too long to truly do justice to all of them and their classic furniture designs. For this reason, here we present just a small selection of architects and designers such as Eileen Gray, Le Corbusier and Verner Panton, who have written design history over the past century, and which still continue to make an impression to this day – all of whom can be found on the Architonic Platform. Our journey includes extraordinary talents from all corners of the world: A look back at the furniture world of yesterday, which was then of tomorrow, and today still shines as brightly and timelessly as ever.
Although the use of color can be employed to hide or disguise a specific characteristic, it can also be used to highlight them. Within the Latin American territory, we can observe that shades of red, green, and blue have predominated in residential architecture, aiming to integrate a language appropriate to the context in which it is implemented.
The wellness market is booming, predicted to grow by almost 60% in the five years since the COVID pandemic, with consumers taking greater care of both their physical and mental health. It’s now understood, of course, that wellness – the virtue of feeling good in both body and mind – is more affected by our environment than we used to admit.
Since 2020 we’ve been quickly migrating away from cities, with attitudes on work and living also shifting to include more natural beauty and the hunt for the nirvana of greater wellbeing. These four wellness centers take care to complement the rejuvenating surroundings of the outdoors with healing activities and architecture, helping visitors to feel at peace with themselves and the world around them.
Wood has played a key role in the history of architecture by adding warmth, versatility, and sustainability to buildings. Today, its use is experiencing a renewed interest, driven both by technological advancements brought about by the use of Cross-Laminated Timber (CLT) and by growing environmental awareness.
The following list is an index of articles, news, and projects published on ArchDaily that cover everything you need to know about the use of wood in architecture, from design strategies and the latest trends to its application in construction works and building materials.
Wood is a material with unique characteristics –such as its natural warmth and tactile quality– capable of providing a sense of comfort and well-being, evoking emotions and memories, and creating a cozy atmosphere in interior spaces. Its versatility allows it to be used in building structures, for solar protection, or as interior cladding, and it can be molded, carved, and jointed to create a variety of forms, from simple to complex designs. When properly maintained and kept in ideal conditions, wood can last for hundreds of years. However, as a natural material, it is susceptible to degradation over time due to biological, chemical and environmental factors, which can result in rotting, cracking, erosion and the loss of physical properties.
To mitigate this issue, there are preservation techniques that aim to improve the durability, stability, and resistance of wood to adverse factors, prolonging its life and performance. Among these techniques are treatments with chemical products, the application of pressure, and thermal modification.
India hosts a multitude of museums, art galleries, public libraries, theaters, and heritage centers. Nevertheless, many of these structures remain abandoned and fossilized like the artifacts they intend to present and protect. The development of cultural infrastructure in India has historically been a government endeavor, often resulting in a state of stagnation. The past two decades have seen a noticeable shift in the country’s cultural landscape. Increased interest from private institutions has paved the way for plenty of cultural projects to be initiated, usually in partnership with city authorities. These contemporary projects aim to celebrate the richness of India’s historical and contemporary culture, becoming prize destinations for the rising middle class.
Do you ever wonder what the future holds for architectural visualization? To answer this question and understand the present state and expectations for the future of architectural visualization, over 2,000 architects and designers were surveyed through a commissioned study conducted by Architizer on behalf of Chaos Enscape.
Yucatán is a state located in the southeastern part of Mexico on what is known as the Yucatán Peninsula, bordered by the Gulf of Mexico, Quintana Roo, and Campeche. Within this state, there are 4 magical towns: Izamal, Maní, Sisal, and Valladolid. The architecture of this region is a blend of indigenous, Hispanic, Mexican, French, Italian, and American influences.
Architects such as Alvar Aalto and Tadao Ando showcase the ability of natural light to shape architectural spaces. Aalto's projects employ extensive glass elements, carefully positioned windows and skylights, harnessing the ever-changing characteristics of daylight. Meanwhile, Ando's Church of Light serves as a striking example of how light can hold profound spiritual significance within a space. Its concrete facade features a symbolic cross-shaped opening, which beautifully and symbolically illuminates the interior, creating a unique spiritual ambiance. In addition to being an essential element that enhances interior aesthetics, natural light profoundly impacts the overall quality of life, promoting better well-being and productivity. By taking advantage of the power of natural light, spaces can reduce their dependence on artificial lighting, leading to greater energy efficiency and a more sustainable design approach.
Hi there! Welcome to the second Supporters Newsletter, created exclusively for you. For the second edition, we are dedicating this issue to the concept of Theory & Practice. Featuring our Managing Editor of ArchDaily in Spanish, Fabian Dejtiar, we will delve into the discussion about the interactions between research and practice and how ArchDaily's content incorporates both areas. In addition, we are offering our Supporters a free course on Revit Flow, information on job opportunities at BIG, and our recommendations on digital tools.
https://www.archdaily.com/1006335/the-supporters-newsletter-issue-number-2ArchDaily Team
The concept of a city can be viewed as a constantly evolving system where both architects and users contribute to its design and redesign. While its framework may start with planners or designers, the character of the urban fabric is ultimately shaped by the societies and generations that inhabit it. The question of "city authorship" often arises in the context of masterplan design. Can architects and urban planners determine the extent to which a city will evolve through its initial design? The answer is no. User authorship then acknowledges that city planning should not be approached like building design, where designers attempt to predict every aspect of shape, pattern, behavior, and culture. Instead, it recognizes the role that people play in shaping the urban fabric through their personal taste in architecture, the development of neighborhood personality, and ongoing redesign that contributes to the story and spirit of a place. These factors should be considered in the initial design by engaging ideas related to future expansion, adaptable infrastructure, and empowering citizens to contribute to the city's architecture, thus making the city design democratic. This article explores conceptual radical cities where designers embrace the ideas of user authorship and the constant evolution of ephemeral architecture.
The use of pigmented concrete in Latin American architecture is growing - and influencing contemporary architectural expression. This can be seen in recent built works ranging from the INES Innovation Center designed by Pezo von Ellrichshausen in Chile to the Teotitlán del Valle Community Cultural Center by PRODUCTORA in Mexico.
Tourist facilities are a significant architectural program as they not only provide essential amenities for travelers but also encapsulate the cultural essence of a destination. Resorts and hotels experiment with ideas of comfort and leisure, restaurants bring visitors into the local culinary culture, while wineries merge craftsmanship, tradition, and modernity. Visitor centers are another facility often provided for travelers, serving as gateways to exploring the city. Besides their flexible program, these architectural interventions most often strive to relate and harmonize with the local context to enrich the narrative of the space and create a memorable experience for every visitor.
This week's curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community that showcase various amenities dedicated to tourists, from wine cellars, specialty restaurants, and visitor centers to isolated camping sites in the mountains or lavish spa hotels in the arid areas of the Middle East. Featuring projects from emerging and established architectural offices such as Melike Altınışık Architects, Lockhart Krause Architects, MUA, and OMBI Innovation Lab the selection includes a wide range of programs and scales, showcasing designs that rethink conventional tourist facilities while establishing a connection with their surroundings and cultural context.
The Wizard of Oz (director Victor Fleming, cinematography Harold Rosson, 1939). Print Screen
Colors evoke specific feelings; therefore, they are used to elicit particular effects on the surface they appear on or in the minds of observers contemplating them. In architecture, color plays a fundamental role in defining shape. Materials in their natural state already possess inherent coloration, which is perceived in a specific manner. However, when dyed, the observer's perception is altered, giving rise to associations between different sensations related to the same object. This transformation brought about by color occurs in various visual mediums, spanning from three-dimensional contexts like architecture to static and mobile two-dimensional forms such as engravings, photographs, paintings, and films.
Amidst the current wave of architectural globalization, the art of crafting designs attuned to specific contexts is fading. This concern is especially significant in countries in crisis, such as Ukraine, where the built environment's history is being eroded by war. In these conditions, the contribution of local architects with an innate grasp of the country's cultural nuances becomes imperative. Leading the charge in the rebuilding of Ukraine is prototype, a pioneering practice that challenges architectural conventions to push the country towards a promising future.
Recognizing their forward-looking vision, ArchDaily has featured prototype as part of the 2023 New Practices, a global annual survey. prototype's outlook on the future of architecture aligns with responsible design that addresses the environmental impact of construction and marries contextual and specific considerations for each project. Their recent accomplishments include the bookstore Readellion, and Ukrainian-Danish Youth House, epitomizing prototype's recurring design principles of mobility, adaptability, dynamic levels, and change of scenarios.
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Sto distribution centre in Hamburg, Germany. Designed by Michael Wilford & Associates, 1994-1995. Photographed by Richard Bryant, image courtesy of Sto
Contrary to popular belief, Roman buildings were not as monochrome as previously thought. Recent discoveries indicate that statues and structures were, in fact, richly adorned with bright colors and exuberant decorations, following the tradition established by their Greek predecessors. This may be surprising, but it shows the presence of color in architecture much earlier than imagined. Color has always played a significant role in shaping the perception and experience of a space, and was prominent in the works of seminal architects such as Le Corbusier and Luis Barragán, for example. Another master of the use of color was Michael Wilford, who, together with his former partner James Stirling gained international recognition with notable public buildings, art centers, museums, and libraries located worldwide. The volumes present in Wilford's architecture are often remembered for their careful use of color, which highlights certain elements and adds other dimensions to the structures.
Circles, as a fundamental geometric shape, possess a captivating and harmonious quality that has been seamlessly integrated into architecture and design across various eras and styles. From subtle accents to bold focal points, the use of circles in interior design transcends mere ornamentation, often symbolizing continuity, connection, and a soothing visual rhythm. With their endless and unbroken curves, they offer a sense of unity, movement, and balance that can transform spaces into inviting and aesthetically pleasing environments – an effect especially useful for interior design. In this article, we take a look at 27 projects from our ArchDaily database that illustrate circular forms in interiors across the globe.
Sanders highlighted the results of a five-year assessment of the LAF fellowship program and its efforts to grow the next generation of diverse landscape architecture leaders. The assessment shows that past fellows are shaping the future of the built environment in key public, non-profit, and private sector roles.
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Gent Waste Brick. Image Cortesia de Carmody Groarke
There are several symbols that transcend language barriers and are easily recognized and understood by people from different cultures. Examples include the male and female bathroom icons, the cross symbolizing health, and the universal Wi-Fi symbol. Among these universal icons is the recycling symbol, conceived in 1971 by Gary Anderson, an architect and designer who was a student at the University of Southern California. Depicting a continuous cycle, it is a triangle with three arrows arranged clockwise, each of which represents the industry, consumers and recycling.
Central to the concept of the circular economy is the reintegration of materials typically viewed as waste back into the production cycle. This concept is particularly important for the construction industry, which has historically depended on the destruction and extraction of resources in order to exist. In this case, nothing is more symbolic than the brick, which not only represents the construction of new things, but is also the perfect example of how to apply the concept of circularity. Creative minds have embraced the challenge of circularity, devising solutions that transform discarded materials into high-value resources and generating a wide range of products, using raw waste materials that range from seaweed and plastics to human hair. These innovations not only address pressing environmental issues but essentially redefine the way we build and inhabit our spaces. In this article, we highlight seven initiatives that are turning waste into bricks.
Sede de Copenhague – Fotografía de Hampus Berndtson . Image Cortesía de SPACE10
Ten years ago, SPACE10 was born as a pioneering platform ushering in a novel approach to corporate innovation, consolidating itself for its ability to be open, democratic, driven by a playful purpose, and community-oriented. Composed of a small core team of around 23 people based in Copenhagen, their efforts have focused on combining the power of creativity, science, and technology to find solutions that address the accelerated climate crisis and social injustices.
The tradition of modern architecture confirms that building roofs are usable spaces as significant as indoor areas. After all, the garden terrace is one of the five points of new architecture, according to Le Corbusier. Although he popularized the concept, the use of rooftops dates back even earlier, encompassing various roles across time, from lookouts for ancestral astronomical studies to more contemporary cultivation areas, passing through the bureaucratic accommodation of electrical and sanitary installations. By offering open space and direct sky access, building roofs have evolved. In dense urban landscapes, converting this space into a leisure area is a logical choice.
Ever since the birth of our cities, we’ve made sure to protect the green spaces within them. Civilizations as far back as the Romans built expansive parks in the heart of the city with ‘Rus in Urbe’ – translating as ‘Country in the City’ – still referenced today. In order to control the urbanization boom of the mid-20th century, meanwhile, greenbelt policies across many European cities literally ring-fenced the natural environments surrounding them, making air quality and easier access to nature a part of city life.
The post-pandemic city, however, is a new breed of conurbation, and these city parks and greenbelts are no longer enough. As we migrate away in search of greener, healthier climes, the cities we’re leaving are evolving, proving they can be green too by exchanging lesser-used black surfaces of roads and structures for natural grass- and parkland. These four projects from across Europe transform unused city spaces back into the natural and regenerative green environments they once were.
This article is the fifth in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints.
Science fiction writers inspire us with bold and provocative visions of the future. Huxley, Orwell, Assimov, and Bradbury easily come to mind. They have imagined great advances in technology and oftentimes predicted shifts in social structure that were a result of the human need to open Pandora's Box. A large part of the charm and allure of science fiction is the bold audacity of some of these predictions. They seem to defy the laws of nature and science, and then, faster than you might have thought, the spectrum of human inventiveness makes it so.
Cantercel, France, 2022. Image Courtesy of forty five degrees
When talking about space-making practices, architects and urban planners are usually thinking about participatory planning and collaborative processes, often overlooking the ways in which the communities themselves can become their own agents of change. As the people poses an intimate knowledge of not only their environment, but also of social and cultural norms, the needs of their communities and latent opportunities within their surroundings, they are often the ones initiating actions, supporting their peers and contributing positively to their locality. Research-focused office forty five degrees set out to explore these grass-roots initiatives, to meet the locals and gather their stories in an effort to gain a better understanding of the complex and diverse cultural territories across Europe. Their journey, organized under the “Radical Rituals” project, follows the 45°N parallel line that transverses Europe from East to West. The office has been selected as part of ArchDaily's 2023 New Practices, an annual survey aimed at showcasing those who adress the ever-growing challanges of our times and take architecture to new directions.
