Arquitectos, Play You Are in Sharjah, 2023. Photo by Danko Stjepanovic. Image Courtesy of Sharjah Architecture Triennial
Inaugurated on November 11, 2023, and running until March 10, 2024, the Sharjah Architecture Triennial serves as a metaphor drawing attention to the design and technological innovations within the built environment, particularly in the global south. The exhibition features contributions from 29 architects and studios spanning 25 countries. Building upon Venice's global platform for experimentation at the 18th International Architecture Exhibition, the 2023 Triennial embarks on a similar journey, creating space for voices and discussions often overlooked in global exhibitions and unveiling elements that have long existed but remained unseen. With a keen awareness of the global south, but also of the global north, and an understanding of the polarities between them, as articulated by curator Tosin Oshinowo, this second edition of the exhibition focuses on "The Beauty of Impermanence: An Architecture of Adaptability."
Celebrating everything that exists, especially in the global south where places thrive amidst scarcity, the triennial adopts an optimistic approach, drawing lessons from current situations and revealing the value and sophistication of alternative responses that have emerged due to resource constraints. “We're able to celebrate them. We're able to learn from them”, adds the curator. The triennial aims to comprehend a more sustainable, accessible, and equitable future—a collective effort to address the challenges of climate change, explore the built environment, and embrace under-celebrated regional traditions. Highlighting solutions that have endured the course of time and others responding to contemporary difficulties, "The Beauty of Impermanence" emphasizes the necessity of nuanced hybridity essential for our urbanized world.
Renovation of Marcel Breuer's Robert C. Weaver Federal Building / Brooks + Scarpa. Image Courtesy of Brooks + Scarpa
Exploring architectural projects, competition entries and unbuilt works by renowned architects is an important step in fostering innovation and encouraging cross-cultural exchange and the development of diverse design approaches. Analyzing these unrealized concepts can offer insights into the evolution of architectural thinking, exploring a wider spectrum of approaches and design perspectives. This week’s curated selection of Best Unbuilt Architecture highlights designs submitted by established architecture practices.
Featuring internationally recognized offices like Brooks + Scarpa, Penoyre & Prasad, Aedas, Pininfarina, and Opposite Office, this selection exemplifies the wide range of projects and interventions designed by architects at various scales and programs. From creative reimaginings of well-known architectural icons to art museums, urban insertions, and conceptual activist proposals, these projects demonstrate the variety of approaches architects take when designing within a specific context and in response to local constraints, challenges and opportunities.
In the ever-evolving realm of architectural design, the trajectory of visualization technologies is propelling us into a future where creativity knows no bounds. A number of new tools are at the forefront of this revolution, offering architects and designers new software that redefine the boundaries of architectural visualization. In this article, we delve into one of these tools, Eyecad VR, and its strengths, exploring how its real-time rendering, immersive experiences, virtual reality capabilities, and extensive 3D asset library are helping reshape the landscape of architectural design.
Amid the ongoing environmental crisis, bioeconomy has gained significance across different domains, particularly in the construction sector, where efforts there is a push to enhance sustainability. This shift in mindset has also influenced the realm of interior architecture. With a growing awareness of climate change and the imperative to protect our planet, architects and designers are increasingly embracing biomaterials. The result is the creation of spaces that not only captivate visually but also demonstrate a proactive commitment to the environment.
The world of architecture is a captivating fusion of artistic expression and scientific precision. My journey in the realm of architecture started with a profound exploration of its rich history. It was the awe-inspiring works of Renaissance masters that propelled me onto a transformative trajectory, guiding me toward harnessing the immense potential of artificial intelligence and algorithms in architectural design.
“Two brains are better than one,” goes the old saying. And with good reason. As the social beings that we are, humans thrive through interpersonal interactions and the dynamic exchange of ideas. It is these collective thoughts that tend to flourish, evolve and reach their full potential, fueled by a diversity of perspectives and experiences. That is precisely why teamwork stands as one of the most valued pillars of any working environment, and also explains why office workers spend an average of 37% of their time every week sitting in meetings. It’s no surprise then that modern office settings embrace meeting rooms as designated spaces for collaborative ideation and decision-making. But not in the way many might imagine. Gone are the days of bland conference rooms with nothing but a large table, uncomfortable chairs and white walls, giving way to new, more innovative models that respond to a shifting paradigm.
In 2022, a wider audience gained access to unexpectedly powerful AI tools, including Stable Diffusion, Midjourney, and DALL-E 2 for text-to-image generation, as well as the human-like chatbot OpenGPT.
One year later, pundits, organizations, and governments have stated these technologies will pose profound risks to society and humanity—from automation-spurred job loss to disrupting democratic processes to the automatization of weapons.
Traditionally relegated to roofs, photovoltaic (PV) panels tend to have a uniform appearance: large black or dark blue rectangular pieces of shiny glass with metal frames. Partly because dark colors better harvest sunlight to be turned into electricity, but also because silicon –the primary material used in most high-efficiency photovoltaic panels– tends to be dark in its crystalline form. Fortunately, there are now technologies to control luster, color and finish that provide aesthetic variety while maintaining high efficiency. SolarLab and other manufacturers are redefining conventional solar panels, introducing design flexibility and material qualities that allow architects to take advantage of large facade surfaces to generate renewable energy without compromising architecturally.
As the temperature drops in the Northern Hemisphere, cold outdoor spaces are overcome with frost, ice, and snow, and we find ourselves rushing from one heated indoor environment to the next, less willing or less able to stop and appreciate the natural world around us.
Apart from dragging a spruce or fir tree inside and dressing it up in yuletide costume, we tend to leave the real natural world to its own seasonal devices until it reemerges in Spring. However, by inviting the positive effects of plant life into our homes, we can improve both our mental health and the air we breathe by filling them with peace and joy all year round, not just at Christmas.
Spacon & X is a Copenhagen-based design and architecture studio that works to create spatial identity across different mediums. Their cross-disciplinary work boasts a fusion between traditionally separated fields, contributing to a holistic physical brand experience. Chosen by ArchDaily as part of our 2023 New Practices, the studio works with an explorative approach to architecture, design, event planning, and production.
The studio is run by three partners who each come from different backgrounds: Architecture, Fashion Design, and Scenographic Design. In an interview with Nikoline Dyrup Carlsen, Svend Jacob Pedersen, and Malene Hvidt, ArchDaily delves into their practice, exploring their distinct skill sets and their collaborative and exploratory work ethic. The interview also goes beyond the practice, discussing their unique methodology and commercial business development strategy. Housing 25 employees with various backgrounds, the studio includes architects, carpenters, building constructors, and craft makers and is dedicated to pushing the boundaries of design and architecture.
In order to secure the food supply for Berlin's rapidly growing population at the end of the 19th century, the Kornversuchsspeicher was built in 1898 on the former site of the Hamburger and Lehrter freight depots. A building with a scientific mission, it served to research new storage methods for grain. After years of vacancy and then interim use as a creative space, the brick building has been carefully renovated in recent years by AFF Architekten, extended with the addition of a seventh floor and transformed into a modern event, gastronomy and office building, with a focus on fully preserving its industrial charm. This was a project that called for great expertise in all areas, including from Solarlux, the specialist called upon for customized window and facade solutions.
Solar heating has existed in architecture since ancient times, when people used adobe and stone walls to trap heat during the day and slowly release it at night. In its modern form, however, solar heating first developed in the 1920s, when European architects began experimenting with passive solar methods in mass housing. In Germany, Otto Haesler, Walter Gropius, and others designed schematic Zeilenbau flats that optimized sunlight, and following the import of “heliotropic housing” to the U.S., wartime fuel shortages during World War II quickly popularized passive solar heating. Variations of this system then proliferated around the world, but it was not until 1967 that the first Trombe wall was implemented by architect Jacques Michel in Odeillo, France. Named after engineer Felix Trombe, the system combines glass and a dark, heat-absorbing material to conduct heat slowly into the house.
https://www.archdaily.com/946732/how-does-a-trombe-wall-workLilly Cao
Despite operating from distinct offices in Portugal, brothers Manoel and Francisco have forged their professional paths in tandem, collectively known as Aires Mateus, a shared surname. As a cohesive duo, these Portuguese architects have left their mark on projects across multiple countries, establishing themselves as a benchmark in contemporary architecture. They are praised for their innovative and elegant designs, gaining global acclaim for their ability to integrate simplicity, tradition, and functionality.
A familiar attraction in more populous cities, bistros are said to have been born in Paris, where enterprising residents would set up makeshift stalls in front of their homes, selling their leftover produce to earn a little extra income. What started out as a neat little side hustle turned into the homely or perhaps even cozy restaurants and café spaces we know as bistros today. With minimal space inside their small-scale premises, these small-scale eateries often continue their ancestors’ traditions and pitch up tables and chairs outside.
Fighting for their lives in the hazy pandemic months, small hospitality spaces took advantage when major cities relaxed their rules surrounding outdoor dining. Anywhere and everywhere from piazza-facing pizzerias in Porto to cobbled back-alley sandwich bars in Edinburgh cordoned off what little space they had with as many tables and chairs as they could. Enabling safe fresh-air dining, the furniture also served to entice customers in – once allowed.
In 1993 a young professional couple with two toddlers and a large suburban lot in Naarden, a town less than half an hour's drive southeast of Amsterdam, approached Ben van Berkel to design an unusual house. They envisioned it as progressive and innovative in every way possible. More than that, they wanted a kind of building that “would be recognized as a reference in terms of renewal of the architectural language.” Before settling on the architect, they spoke to several candidates, including Rem Koolhaas. They chose van Berkel who five years earlier, together with his then-wife Caroline Bos co-founded their eponymous practice, because as he told me, “I went to the site and studied it carefully and already had ideas about what I called the four quadrants of the landscape. I knew what kind of house it would be. I could see clearly where different rooms would go, how they would be shaped, and how they would relate to each other.” The couple couldn’t resist. Yet, there would be no rush on the project which took five years to complete, most time was invested in its design, going through many iterations and refinements, all based on the Möbius loop.
Moving towards modernity implies questioning established concepts. Today, we are witnessing several projects and approaches in architecture that explore alternatives to energy-intensive building systems, materials, and technologies commonly used in today's construction. These projects, far from adopting approaches that reject technology, seek to promote conscious architectural practices. They aim to go back to basics through passive strategies, using natural materials and a contextual understanding to develop sustainable architecture.
To boost sustainable architecture, it is crucial to have building models and materials that become recognizable icons in their immediate context, thus setting a precedent for the development of future proposals. One such example can be found in Spain, with the "Impulso Verde" project carried out in the city of Lugo which stands out for its construction model based on passive strategies and regional materials. In this project, using natural slate as cladding for the ventilated facade system and employing local resources in the structure was essential for the building's ecological footprint. Additionally, these elements strengthen the building's identity by connecting it to the surrounding landscape.
https://www.archdaily.com/1010187/sustainable-building-models-an-eco-friendly-structure-in-natural-slate-within-a-multi-ecological-neighborhoodEnrique Tovar
Ho Chi Minh City Innovation District / Sasaki. Image Courtesy of Sasaki
As technology and infrastructure rapidly evolve, a new buzzword finds itself in conversations across industries - innovation. The word is more relevant in light of future-facing challenges such as climate change, inequality, and economic crises. As a result of a surging interest in these concepts, innovation hubs have emerged across the world, aiming to foster creative and collaborative economies to spark quick change. What are innovation districts and how do they influence the built environment?
What insulation materials are needed to meet the challenges facing the modern built environment, including how to create a more sustainable future? What if some of them are already available? Kingspan’s dedicated innovation center, IKON, hosted a panel of experts to discuss some of the key issues and explore solutions. Michael Bol, an architect and Concepting Director at Buro Kade, Benjamin Constant, Director of Development and Partnerships at Neo-Eco Partner, and Sandra Del Bove, Kingspan Group Head of Innovation, each brought a different perspective and shared their experiences of these crucial issues.
Being one of the first construction methods developed by humans, earth has proven its resilience and durability over time. While construction techniques have evolved and been updated over the years, there is still a long way to explore where the understanding of climate, geographic location, sustainability, structural requirements, and other factors determine its degree of application.
With low environmental impact and the ability to be used through a wide variety of techniques, such as rammed earth walls or 'tapiales,' this material offers the possibility of providing not only aesthetic but also thermal comfort, insulation, and other benefits. With the intention of discovering the different ways it has been used, we set out to select 12 projects distributed throughout Latin America, spanning Argentina, Brazil, Bolivia, Chile, Mexico, Paraguay, Peru, and Ecuador.
Villa Groot, Belgium / Lemaire & Longeval. Image Courtesy of Randers Tegl
Bricks are versatile and long-lasting building materials that combine technical and aesthetic qualities. In a variety of shapes, dimensions, textures, and colors –depending on the manufacturing process and type of clay– incorporating bricks into architecture creates dynamic facades and structures. From traditional to modern styles, these versatile elements can be arranged in different patterns and easily integrated with other building materials, enabling diverse architectural expressions. In addition to these qualities, the use of bricks in contemporary architecture is distinguished by experimenting with placement, orientation, and material textures, as well as embracing minimalistic design principles focused on simple and clean lines.
Among the different types of bricks, designing with a linear or elongated style involves playing with horizontal and vertical arrangements –or a combination of both– creating modular patterns for a rhythmic and harmonious visual appeal. Following this format, Randers Tegl has developed the Ultima waterstruck brick collection, which integrates craftsmanship, high-quality materials, and timeless appeal. By analyzing various projects, we showcase how the aesthetics of linear bricks are applied in contemporary architecture.
Few countries showcase living history like China. From the iconic Forbidden City to diverse landscapes and building styles, China has a rich cultural and architectural legacy. As the world’s largest construction market, the country continues to invest in new projects. At the same time, this rapid urbanization and accelerated development is juxtaposed with ancient building sites intertwined with layers of history and collective memory.
Local communities are more than just a collection of buildings and infrastructure. They possess a distinctive architectural character that mirrors their history, culture, and values. As part of our year in review, we take a deep dive into the top narratives that examine the architectural identity of different local communities.
These stories explore a wide range of topics, including unique geographic territories, cultural tribes, iconic landmarks, communal collaboration, and socio-ecological urban planning. Through these narratives, we uncover the captivating tales behind the buildings and public spaces that shape certain cities and towns.
The Choctaw Casino and Resort expansion in Durant, OK, USA, completed in 2021, included enlarging the casino, adding 1,000 hotel rooms, conference areas, shops, and other amenities. The entire undertaking was accomplished in just 2.5 years, with an impressive 350,000 square feet of tile installed within a mere six months. The core focus of the project was to waterproof approximately 1,200 showers to ensure their longevity. The combination of high-quality installation systems, thorough training, effective communication, and collaboration were pivotal in achieving alignment on project goals and execution.
Sameer Makarius was born in Cairo in 1924. In 1933, he immigrated with his family to Berlin. At the age of ten, his father gifted him a camera, marking the beginning of his journey with photography. Following the outbreak of the Second World War, in 1940, they moved to Budapest, where he completed his secondary education, began his artistic training, and connected with the protagonists of the local avant-garde. In 1946, he embarked on his return to Egypt with a prior stop in Zurich. There, he organized an exhibition of Hungarian modern art with the support of Max Bill. Back in Cairo, he worked as a decorative artist for advertising and also for an architecture and construction studio.
His artistic work arrived in the Río de La Plata a few years before he did, through his partner Eva Reiner, who was already living in Argentina with her family. In 1948, she lent one of his works for the MADI art exhibition organized in the workshop of the German sculptor Martin Blaszko. After marrying Eva in Egypt in 1952, they traveled together to Paris, where they worked as pattern designers. They finally arrived in Buenos Aires in April 1953, a city that would become their permanent residence. His migratory journey was marked by the drama of war. At the same time, during these displacements, Makarius built a network of relationships around photography, visual arts, and architecture that allowed him to unfold his work in various territories and formats.
