For a long time, sustainability in the architectural field was synonymous with technology. Efficiency was directly linked to innovative technological devices that adorned buildings with gadgets. Nowadays, however, sustainability increasingly encompasses different strategies that also involve acknowledging vernacular techniques and local materials as crucial for creating sustainable and carbon-neutral buildings.
Nevertheless, regardless of the technique or materials employed, the common denominator is the pursuit of reducing the carbon footprint of our architecture, which demands changes in how buildings are conceived, constructed, and operated. In other words, whether returning to vernacular methods or utilizing cutting-edge applications, these strategies aim to reach the same destination and, therefore, are equally valid despite being vastly different.
It's fascinating to observe the current state of wood in the world of architecture. The material, once seemingly forgotten by modernity, has resurged with full force, facing significant challenges but also revealing promising opportunities. The aesthetic and architectural appeal of engineered wood, coupled with its intrinsic association with sustainability, has been a catalyst for the increase in wood-centric projects around the world.
Due to technological advancements and research into the limits and possibilities of this material, there has been a significant leap in the development of wood in construction. Buildings around the world are being erected with wooden structures, driven by the increasing interest in sustainable solutions based on renewable resources, a demand from both the public and architects and their clients.
Highly desirable in contemporary projects, seamless surfaces symbolize the search for a unified and uninterrupted visual experience, without any noticeable gaps or interruptions. This simple and clean aesthetic demands meticulous attention to detail, emphasizing precision in craftsmanship and execution to achieve an immaculate and flawless finish.
The historical journey of construction also tells the story of humanity. The enduring examples from the past reveal insights into their specific contexts, and the remnants that have survived the elements and decay narrate the development of human technology. In the early days of construction, the common (and often the only) practice available to humans was to use locally available raw materials. For many, this meant building with clay.
Advancements in 3D printing technology are progressing at an unprecedented pace, accompanied by a parallel surge in computational power for manipulating and creating intricate geometries. This synergy has the potential to offer architects an unprecedented level of artistic freedom in regards to the complex textures they can generate, thanks to the technology's remarkable high resolution and rapid manufacturing capabilities. If the question of production was out of the way, and architects could now sculpt virtually anything into a facade effectively and efficiently, what would they sculpt?
For a small child, understanding the concept of time and its passage is very difficult. As a result, children are often impatient when expecting something or confused when trying to remember something from the past. They live in the present, and learn the notion of time only little by little. But accepting the passage of time, and the reality of aging, is something that plagues us even as adults. The lucrative cosmetic and plastic surgery industries show how humanity seeks to control or deny the passage of time, an urge that has proved to be relentless.
It can feel risky to change careers. This was the case with Romi, who switched from a customer service position to architecture a couple of years ago.
“I was working in customer service for a health tech company, but I was ready to move into a more creative field after years of creating art in my free time.” She was interested in architecture but was not quite certain whether this would be the right choice for her. Then she learned from a friend about the Summer Programs at the College of Environmental Design at UC Berkeley, where she could experience what architecture school was like and learn more about career options in the field. She decided to try it out.
Contemporary cityscapes vary greatly from their early precedents, hosting urban life in sprawling interior spaces like mega-hotels, shopping malls, and transportation hubs. Soaring atriums and expansive concourses are now a normal part of the urban experience, allowing for public activity 'inside' the city. Interiors and urbanism are often considered at far ends of the spatial spectrum, with architecture serving as a mediator between the two. The growing significance of 'interior urbanism' in the functioning of the built environment demands the question - how can cities be reinvented from the inside out?
The flow of architectural values throughout the centuries demonstrates the prevalence of some parameters over others in each historical period. In terms of composition, one of the most fundamental considerations revolves around issues of symmetry and balance. Indeed, a design does not necessarily have to be symmetrical to convey the notion of compositional balance. Its elements do not have to be repeated side by side for the whole to convey a sense of completeness, stability, and... paradoxically, symmetry. Many contemporary projects achieve a balanced compositional whole without repeating their elements side by side.
In a city, celebrating the act of walking has become a form of non-traditional planning. In the age of cars, challenging the dominance of vehicular transportation by championing the pedestrian experience is not very common. For this reason, pedestrian bridges worldwide stand as symbols of connectivity and architectural ingenuity. These soaring structures embody the urban experience for its core user: the pedestrian. Although the structures began as practical solutions to traffic management, they have evolved into iconic landmarks and pivotal components of city planning.
The significance of these projects represents a shift towards human-centric design in urban landscapes. The Kusugibashi Bridge in Japan, rebuilt by Kengo Kuma & Associates symbolizes resilience, while the Hangzhou Riverfront Public Space’s Silk Bridge showcases urban connectivity through revitalizing the waterfront. The Donnguan Central Area Slow-Traffic Bridge addresses connectivity and greenery, and SBE NV’s Vlasburg Bridge dedicates itself to enhanced water routes for the community. Collectively, these bridges drive urban revitalization into the future, emphasizing sustainability and integrating with community needs.
A building’s materiality is what our bodies make direct contact with; the cold metal handle, the warm wooden wall, and the hard glass window would all create an entirely different atmosphere if they were, say, a hard glass handle, a cold metal wall and a warm wooden window (which with KTH’s new translucent wood, is not as absurd as it might sound). Materiality is of just as much importance as form, function, and location—or rather, inseparable from all three.
Here we’ve compiled a selection of 16 materials that should be part of the design vocabulary of all architects, ranging from the very familiar (such as concrete and steel) to materials that may be unknown to some of our readers, as well as links to comprehensive resources to learn more about many of them.
Located in the city of Bangui, the capital of the Central African Republic, is the Notre DameCathedral. This large red brick church was built in the early 1900s in the French colonial style. As the city grew from a small outpost to a colonial capital, the building was formed as a cultural and symbolic fusion of European and Central African architectural styles. Designed by French architect Roger Erell, the cathedral showcases local construction craftsmanship, provides a space for spiritual solace, and contributes to the national identity of the country.
Designing a home is always a significant challenge. Technical and construction expertise must align with the expectations of its future resident, gently embracing their daily routine and tasks. Thus, mapping out the needs and rituals that will unfold within the house is fundamental for the success of the task. In the abundance of personalities, preferences, and quirks, residential architecture needs to mediate intentions and embrace diversities.
As we step into the new year, we take a moment to reflect on the lasting impact of celebrated architects, designers, and curators who passed away in 2023. This past year witnessed the departure of influential figures who, through their talent and dedication, left an indelible mark on the built environment. Some embarked on their careers with bold gestures that reshaped architectural paradigms, while others worked quietly, placing a profound focus on the human experience or the invisible figures of out profession.
When it comes to contemporary Portuguese architecture, the initial association often leans towards tradition. The historical significance of the program, the importance of typologies for the locals, and the construction methods all play a role. These associations are not unfounded, but they are not limiting either. In this context, Portugal boasts a prominent figure who exemplifies this balance: Álvaro Siza Vieira.
Siza is the foremost representative of Portuguese architecture. There are many reasons for this distinction. It is not only because he was the first Portuguese architect to receive a Pritzker Prize in 1992 or for the Golden Lion at the Venice Biennale in 2012. It is not solely due to his extensive and prolific career. Above all, his unique and simultaneously universal approach to architecture sets him apart. His involvement on national and international fronts highlights a characteristic likely intrinsic to his nature: the ability to embody many facets within a singular entity, just like his compatriot Fernando Pessoa.
One of the most important challenges in architecture, when it comes to creating spaces that work for everyone, is the diversity that exists in people, their needs, and how to integrate them into a design. Disabilities are more than a condition; they are a way of living according to human diversity that requires architectural solutions of equivalent multiplicity.
According to data from the World Bank, it is estimated that 1 billion people –equivalent to 15% of the world's population– live with some type of disability. In the future, this percentage could increase considerably, given the global trend of aging populations. To face this growing challenge, architecture will have to adapt quickly, due to the role that built environments have in constituting a barrier or a path for the inclusion of people with different types of disabilities, seniors, as well as diverse groups who make up the human plurality.
https://www.archdaily.com/998667/how-can-buildings-work-for-everyone-the-future-of-inclusivity-and-accessibility-in-architectureEnrique Tovar
Cities are vibrant systems that hold meaning and move with the rhythm of the human life that powers it. In the fabric of urban landscapes, architects and urban designers collaborate to create spatial harmonies that extend beyond aesthetics and towards social justice and poetic expression. Citizens engage, becoming active participants in the ongoing narrative of the city - the metropolitan melody.
In 2023, ArchDaily wrote about the poetics of urbanism, exploring a future where cities meet its people’s social and emotional needs:
Contemporary Japanese interiors incorporate elements both of tradition and modernity to embody the country's innovative spirit while maintaining a profound respect for its history and cultural heritage. Though traditional materials like wood, paper, and bamboo continue to hold significance, modern Japanese interiors also often feature a fusion of glass, steel, concrete, and metals. The juxtaposition of smoother, sleeker textures and finishes with warmer and more organic ones reflects a dynamic synthesis of old and new, and results in visually striking and functional spaces that honor the essence of the country's design principles.
One of the most essential aspects of interior design is lighting – an element that can make or break an interior space of any size or material. Yet good lighting can be especially important for smaller or more crowded spaces, making them feel larger and more open even when their literal dimensions haven’t changed. In turn, larger spaces with poor lighting may feel smaller and less welcoming than they have the potential to be. To make interiors feel aptly large and well lit, designers can rely on several tried and true methods that make the most of a space, from using the right shades and types of lights to placing them in the best locations to integrating other elements that best complement existing lighting. These strategies, as well as several examples of their application, are listed below.
https://www.archdaily.com/947631/how-to-virtually-enlarge-spaces-using-good-lightingLilly Cao
There are reasons to visit the city of Mendoza: it serves as both the gateway to Argentine wine tourism and a diverse collection of historically and architecturally significant buildings. From the Museum of the Foundational Area to the renowned Faculty of Architecture at the University of Mendoza, this guide invites you to explore a cultural and scenic richness reflected in every facade and every street. The city's public spaces not only blend with the natural surroundings of the vast Andes but also harmonize with a system of irrigation channels and urban greenery that can be appreciated at every moment of the journey.
To convey the might and prestige of their empire, the Romans constructed enduring architecture as symbols of their long-lasting reign. Emperors employed grand public works as assertions of their status and reputation. Conversely, Japanese architecture has long embraced ideas of change and renewal, evident in the ritualistic rebuilding of Shinto shrines. A practice, known as shikinen sengu, is observed at Ise Jingu, where the shrine is purposefully dismantled and reconstructed every twenty years. Across the world, philosophies around permanence and impermanence pervaded architectural traditions. Amidst the climate crisis, how do these tenets apply to modern architectural design?
One of the most popular choices in the construction market, vinyl flooring has various characteristics that have elevated it to this level. Composed mainly of polyvinyl chloride (PVC) - and with other additives, depending on its production, such as plasticizers, fiberglass, resins, and/or minerals - it is a durable, affordable, and easily installable material that can be applied in a variety of environments.
Urban environments are constantly evolving, with cities becoming the hubs of cultural diversity and economic life. In fact, the globe is speeding towards a future in which 70% of people will live in cities by 2050. Architects are at the core of this revolutionary movement, rethinking the nature of a city due to this urban surge. In response to this immense focus on newer and more diverse cities, architects and designers are leaning towards multifunctional and mixed-use projects. Attracting diverse crowds of people, mixed-use architecture explores the maximum potential of what a structure can serve.
Highlighting architecture firms such as Atelier 333, MOR Architects, BXB studio Bogusław Barnaś, Beek Architects, Frey Architekten, and Kalbod Design Studio, among others, the forthcoming exploration unveils a collection of unbuilt architectural projects submitted to ArchDaily that champion multi-function in their design. From the innovative Plata.forma in Laqlouq to the maritime haven of The Ark and the Swiss House's harmonious alpine blend, these projects redefine urban living.
A vital aspect of a circular economy lies in shifting our view of waste. Labeling an item "waste" implies voiding its value and ending its useful role in a traditionally linear economy. While the item might be out of sight and out of mind, its life continues in the landfill. This shift in perspective regarding waste means opening our minds to the opportunity that the abundance of junk presents. These designers and architects have managed to not only effectively reclaim discarded objects but also to make them look precious, imbuing them with new meaning and value through their careful curation.