Edward Burtynsky is a Canadian photographer whose work is focused on industrial (and post- industrial) landscapes. His pictures were so inspiring that moved Jennifer Baichwal in 2004 to record a documentary based on them. The result is an impressive film full of really powerful images that questions the limits between natural and artificial.
It seems to be a premonitory view of the current development issues, where the scale of industrialisation processes is such large that is capable to generate a whole new environment. A totally new landscape.
Let us know about your ideas of these “manufactured landscapes” and what can we do with these spaces afterwards?
In our final segment of Thinking Past Day 17 – our series examining the larger implications of hosting the Olympic Games – we conclude with ideas for the future host cities that involve dividing the Games across 7 permanent sites, complete with reusable architecture and a focus on sustainability at the urban level.
The effects of urban displacement coupled with post-Games housing concerns for the Athletes’ Village in Olympic Park – which we addressed in Part II - will definitely test the future viability of the Olympic Committee’s planning strategies. It is interesting to note that in relation to the entirety of the Olympic map, the area designated for the Village represents only a minuscule portion of the land that must be reintegrated post-Olympics. So, if we zoom out from the Athletes’ Village, what will become of the vast expanses of land currently supporting the major sporting facilities?
With a seating capacity of 46,000, the Pernambuco Arena will host the games in the group stage and quarter-finals of the World Cup 2014. Designed by Fernandes Arquitetos Associados, the main peculiarity of the project, and what makes it stand out from other projects of cities hosting the FIFA World Cup 2014, is that it is not being built in a consolidated urban area. The design challenge of this project is the creation of a building that is fully integrated into the natural environment and that in a second moment can establish a relationship of unity with the future urban development planned for the region. More images and architects’ description after the break.
Google recently released a new, intriguing type of software, which allows programmers to make a room come alive with interactive spaces. The new software framework, which is called ‘Interactive Spaces’, works by providing a high-level architecture for building activities that respond to events in a room through ‘blob tracking’. As seen in the image above, an Interactive Spaces installation was used where ceiling-mounted cameras tracked the position of individuals in a room so that the software could display colored lights on the floor where they are standing. The source code, which will open the door for creative and design oriented minds everywhere, is distributed under the permissive Apache license and is available for download from a Mercurial repository hosted on Google Code here.
Tony Hall, Chief Executive of the Royal Opera House said: “We are hugely excited about the ideas and inspiration the competition will generate. The Royal Opera House is looking for the team who, if we can raise the funds needed to fulfill our shared ambitions, will create the next evolution of our building. We are keen to investigate the possibilities of opening up the building even more to ensure that we have the very best facilities to welcome our loyal and existing audiences and to reach out to new ones.”
The seven practices shortlisted for the ROH competition are:
UNStudio has unveiled their design for the redevelopment of Singapore’s UIC Building (1973), located in the heart of the city’s Central Business District. The concept integrates lush sky gardens throughout a 53-story residential tower and a 23-story office tower, while distinguishing itself with a unique facade made up of five different textures that represent various programs. The climatically responsive structure is scheduled for completion in 2016.
Continue after the break for the architects’ description.
As innovation and new developments in technology now follow each other faster and faster, making yesterday’s architectural fantasies today’s construction realities, there’s already a movement to return to the essential things in life: be it a quest for sustainability, which implies basic principles such as incorporating a region’s typologies and materials, or for reasons of expense, which often prompt a search for efficient designs or manufacturing technology, or even aesthetic requirements that allow people to step out of our increasingly noisy and heterogeneous environment.
The disruptive minds series is in partnership with smartwater. smartwater, simplicity is delicious. Click here to learn more.
Usually when one studies architecture, one does architecture. But that’s just not enough for some people. James Ramsey, most famous for the sci-fi-like renderings of the Low Line, an underground park which has captured the imagination of thousands, is one of those people. An architecture grad from Yale University, Ramsey went on to be a satellite engineer for NASA, before coming back to architecture and starting up his own design studio, Raad Studio. Oh yeah, and along the way he came up with a fiberoptic technology that would allow you to bring natural light (and thus grow plants) underground.
modeLab is putting on a two-day workshop August 18-19 on the topic of Parametric Patterns with Grasshopper for Rhinoceros. In a fast-paced and hands-on learning environment, we will experiment with the materiality, craft, and effects of patterning through the distribution of simple and repeatable material events (the cut, the fold, and the perforation). Coupling Parametric Design and Digital Fabrication workflows, we will iteratively test our patterns while learning best practices for use of a large-format Laser Cutter. Prototypes will range in material palette (fabric, paper, plastic) based on participants’ interests and will be used to discuss issues of craft, detailing, and the assembly process. For more information, please visit here.
This past Saturday, we joined in the fifth annual Summer Streets opening weekend. About 7 miles of city streets were free of cars, allowing scores of bicyclists, runners and pedestrians to occupy the entirety of the pavement. And, at designated rest stops, participants enjoyed a variety of activities, such as zip lining above Foley Square, rock climbing at Spring Street while hearing how to fix a bike flat from REI volunteers, and Salsa lessons at 51st Street. Although the streets were full of life with bikes whizzing passed and the pavement buzzing with the sound of runners’ feet, we were struck by how quiet the streets were without the sounds of cars. In some spots, it was actually quite eerie to notice which cross street was just passed; for, even the busiest of intersections, typically filled with the all too familiar beeps and screeches, can transform into an entirely different environment with the elimination of cars. It makes one realize how much of our urban environment has come to be defined and dominated by the vehicle, and makes one wonder the possibilities of what major cities could be like without cars.
It’s pretty easy to check out what the top architecture schools are, parsed by country. Just try Google and you’ll find a list of Top 10 Architecture schools in___. There is, most obviously, our own ArchDaily list of the Best Architecture Schools in the US. Another search yielded this site which ranked the Top 10 schools based on a vote and parsed by continent. In other words, it’s pretty easy to find school rankings.
What’s less easy is to actually 1) get accepted to one of these schools, and 2) figuring out a way to afford them. Besides which, it may not be appealing to attend one of those really famous schools because after all, they can be very large, intimidating, and even factory-like, depending upon how big the classes are. What many people are seeking is a balance between the quality of the faculty, class size, location of the school, and cost.
If this sounds like someone you know (or maybe it’s you), we’re here to help. In fact, if you’re attending a school that you think is great and deserves some acknowledgement, tweet me @xiaying.
In the meantime, there are a lot of schools that are running some very innovative architecture programs all over the world. And we will be looking at some of them to help people make what can be a pivotal life decision. In fact, what school you attend often shapes who you are to no small degree—at least at first.
With the aim of transforming the town of Ameno, Italy for two days in a centre where spaces, art and sociality could guide people through the territory, ES-arch, in partnership with Legnotech S.p.A., present CASsAPANCA . As the 5th edition of the “Paesaggi Mirati” exhibition invited architects and designers to work on the idea of “diffuse museum”, they created an experience of a journey dedicated to multi-sensible tourism, made by cultural, responsible, sustainable and artistic choices. More images and architects’ description after the break.
The design for the 2014 World Cup Final Stage Stadium by Fernandes Arquitetos Associados will provide a feeling of continuity as if the Maracanã, which is the original conception of the Journalist Mario Filho stadium, has scarcely changed. Once inside the main public areas, the old and the new will work together to create a modern yet familiar look and feel. The pinnacle of which occurs upon reaching the stands, revealing an entirely new stadium carved out of the original. The facade will be preserved, ensuring that, from the outside, the Maracanã appears almost untouched. The roof is one of the main new elements introduced, but will not bring any visual impact as it will not be visible from the outside. More images and architects’ description after the break.
Taking place Saturday, August 18 from 10am-2pm, the Society of Architectural Historians/Southern California Chapter will explore the transformative power of architecture, art and design at Culver City’s Hayden Tract, where award-winning architect Eric Owen Moss has been creating innovative structures for 25 years. In creating a vibrant community for creative workers in what was once a bleak industrial area, we begin to ask ourselves, ‘Can architecture be used as a catalyst for positive social change?’
As part of the ‘Valtari’ Mystery film experiment of the Icelandic band Sigur Rós, the video for Varúð was released few days ago. Directed by Ryan McGingley, it shows New York in a magnificent way as we architects would like to move around.
The Los Angeles International Airport (LAX), one of the world’s busiest airports, is undergoing a facelift. As part of a multi-phase project, AECOM is working with Los Angeles World Airports (LAWA) to create a sensational experience for the 61 million passengers who travel in and out of LAX annually. The project aspires to unify the disparate components of the airport’s central terminal area (CTA) and insert grand gestures that provide architectural hierarchy — yielding LAX as exciting as the city in which it resides. Through an artful integration of lighting, graphics, and architecture, the design draws from key existing airport elements such as the 1960s architecture of the Theme Building and the 60-foot polychromatic light pylons that define the airport’s entry.
Officials have warned that the 2,000 year old Colosseum in Rome is leaning. About a year ago, they noticed the south side of the Colosseum was leaning about 40cm lower than the north. As reported on the guardian, Prof Giorgio Monti from La Sapienza’s construction technology department stated that this could be the result of a crack in the 13-meter-thick concrete slab below the amphitheater; however, it too early to judge.
Unfolding around Meixi Lake, the Meixihu Culture & Arts Centre, designed by Hans Hollein & Partner, incorporates a carefully conceived mix of functions nerved generously with waterways, underground traffic roads, and boulevards. In a prime position, overlooking the waters and the ceremony island, the project will become the largest multifunctional world class culture and art centre of international standing in the Hunan province. More images and architects’ description after the break.
Zawia, a periodical publication and online forum on design, architecture, and urbanism, just released their first issue which features contributions from Saskia Sassen, Stefano Boeri, Joseph Grima, WAI architecture think tank, Carlo Ratto, Markus Miessen and many others. Their ‘Change’ volume will attempt to demonstrate if architects are ready to embrace the changing ideals and the new modes of operation, and if they are willing to help better people’s lives rather than focusing on glorifying design or architecture. It is targeted towards discussing the significantly changing realities imposed on all social, political and economic systems and their influence on design disciplines. For more information, please visit here.
