Architects: Askim/Lantto Architects Location: The Edøy Island, Smøla, Norway Project Leader: Niels Marius Askim Project Year: 2008 Photographs: Courtesy of Kvernberget Print og Reklame AS, Niels Marius Askim, Bjarne Ytrøy

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I spent much of the nineties living in Tokyo, but it wasn’t until I had left that Ryuichi Sakamoto’s(1) music began to inform me about its complex environments.

His album, somewhat ironically (I think) titled BTTB, or, Back to the Basics, came out way back in 1999. Though post-dating my Tokyo Period, it sonically completed my memories of that city. Having leapt through time, it resolved my incomplete Tokyo soundtrack.

BTTB tries to be minimal, but, like the city it came from, struggles with complexity(2). Its opulent density made it seem like the piano had been miked on the inside, my ear forced down to the machinery of strings. The tension between richness and absence I perceived reminded me of trying to find my way in and around all of Tokyo’s jumbled systems.

Taking place October 6, Woodbury University in Burbank, CA is hosting the Advancing Sustainability 2012 Business + Design Symposium that focuses on the “cardiovascular system” of a city—its infrastructure. The discussion will investigate how various infrastructures—providers of core operational supply (transportation systems, energy and water supply, communications, built environment)—perform, exchange, and are incorporated into the natural environment. The discussion will address the extent of their influence on lifestyle and the overall dynamics of the city, as well as their management and opportunities for advancement. The event will curate a conversation amongst the most innovative minds within the fields of architecture, urban planning, landscape architecture, engineering, and design to investigate the potential of sustainability within lifestyles and soft infrastructures. For more information, please visit here.

Architects: Ishimoto Architectural & Engineering Firm, Inc Location: Yawata city, Kyoto, Japan Architect In Charge: Kou Ohashi Project Team: Tsutomu Kobayashi, Yoshihiko Taniguchi, Kou Ohashi, Hiroyuki Nagaoka, Hiroki Tanaka, Toshihiko Sawamura, Mitsuo Ichikawa Project Year: 2012 Project Area: 3,069.88 sqm Photographs: Daici Ano

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Architects: Ignacio Correa
Location: San Vicente de Tagua Tagua, Chile
Structure Engineering: Alberto Ramirez
Project Year: 2012
Photographs: Alfredo Gildemeister

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The Greek pavilion for the 2012 Venice Biennale will focus on the particular dynamics of Athens during a period of economic meltdown by addressing the deterioration of Athenian urban space, plummeting standards of living, and the need to redefine the priorities of architectural design. Architects and creative groups have already begun to shape a new “common ground” within Athens. With the exhibition “Made in Athens”, the Greek pavilion aims highlight these positive forces emerging during this crucial present moment in an effort to foreshadow a better future for the city and its architecture.

Continue after the break to learn more about “Made in Athens”.

Architects: Mancini Location: South India Project Year: 2009 Project Area: 1,000 sqm Photographs: mancini enterprises

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By invitation of Director David Chipperfield, MVRDV and The Why Factory will participate in the 2012 Venice Biennale. The main contribution consists of the collaborative project ‘Freeland’ forming part of the single exhibition in the Central Pavilion at the Giardini. Further contribution is made by Winy Maas and The Why Factory with ‘Porous City’ to the EU CITY Program, initiated by the European Forum for Architectural Policies (EFAP) representing Europe for the first time at the Venice Architecture Biennale.

More details on the two exhibitions after the break.

99% Invisible is, by far, our favorite radio show on architecture and design. Although, granted, there aren’t that many. As Roman Mars, the show’s host and producer, admits: ”since these are disciplines usually appreciated through the eye, you might be thinking: well, that’s the stupidest idea I’ve ever heard. Fair enough. It turns out , I don’t need pictures to talk about design, I like making stories that tell us about who we are through the lens of the things we build.”

Despite being an auditory medium (and a low-budget project, sponsored by KALW and AIA San Francisco, but produced in Mars’ garage), the show works because it gets to the heart of any design project: its story.

Well, it turns out we’re not the only ones into Mars’ quirky approach (Aside: if you are too, stay tuned, we’ll be interviewing him for our Disruptive Minds series next week). After launching a modest Kickstarter campaign to help offset costs, a goal promptly smashed in 24 hours, Mars upped the ante. But not to a price tag. Rather, he wanted a show of support. 5,000 backers.

The results for this little-show-that-could were nothing short of extraordinary.

Read More about 99% Invisible’s Kickstarter Campaign, including the very cool design prizes that went with it, after the break…

In celebration of the Nordic Pavilion’s fiftieth anniversary, thirty-two architects born after the year 1962 have been invited to present a model of a conceptual “house” that reflects their personal philosophy of architecture at the 2012 Venice Biennale exhibition “Light Houses: On the Nordic Common Ground”. Eleven architects from Finland and Sweden, along with ten architects from Norway will each respond to the sobering economic constraints and diminishing environmental resources that challenge architects today.

Contemporary Nordic architectural culture offers both exemplary approaches and significant constructed works addressing these challenging circumstances. The classic hallmarks of Nordic architecture – simplified form, frugal use of materials and sensitive treatment of daylight and the natural setting – embody the basic principles of responsible, sustainable architecture.

Continue after the break to learn more.

Located adjacent to the Dayton-Wright Brothers Airport near Springboro, Ohio, the new headquarters for The Connor Group, a real estate investment firm, The Connor Group, will serve as an iconic statement for their brand. The firm came to Moody Nolan to design a world-class headquarters facility which capitalizes on the newest technologies and environmental planning ideas for the progressive company. The nine-acre site will accommodate the new headquarters and is mastered planned for a future 10,000 square feet aircraft hanger. The two-story building will enclose approximately 39,000 square feet in its initial development with a planning addition of another. More images and architects’ description after the break.

Everyday, Americans all over the country go to work. They get in their cars, arrive at the office, and sit inside. Then, they go home, maybe watch some TV, and go to bed. 5 days a week. About 50 weeks a year.

Our built environment is where we now spend about 90% of our time. Unluckily for us, however, a recent Forbes article suggests that, most of the time, indoor air quality is actually worse than outdoor, to the point where it’s potentially hazardous: “paint, carpet, countertops, dry wall, you name it and chances are it’s got some sort of toxic ingredient.”

And yet we have little way of knowing just how bad our building’s “ingredients” are for us. Until now.

Perkins+Will has been busy making lists of harmful substances, and their side effects, found in commonly used building materials. Just last week, they released a report tackling one such “toxin”: asthmagens, affecting over 23 million Americans (including 7.1. million children).

The forward-thinking firm is on the cutting-edge of a movement, instigated by clients and fast taking over the architecture world – towards “healthy” buildings (inside and out).

Read more about Perkins+Will’s revolutionary Transparency Project, after the break…

In continuing our coverage of the Architecture Billings Index, we share this past month’s score of 48.7 While such a mark still falls in negative territory (any score under 50 indicates a decline in billings), July’s activity was a considerable jump from June’s meager 45.9. And, even better, July’s new projects inquiry index moved up almost two full points to 56.3. Regionally, the South is surprisingly leading the averages with 52.7, followed by the Midwest with 46.7, the West with 45.3, and lastly, the Northeast region capping out at 44.3. In terms of the sector breakdown, multi-family residential remains strong with 51.4 followed by commercial/industrial projects and institutional projects. AIA Chief Economist, Kermit Baker, PhD, Hon. AIA, explained, “Even though architecture firm billings nationally were down again in July, the downturn moderated substantially. As long as overall economic conditions continue to show improvement, modest declines should shift over to growth in design activity over the coming months.”

The Chicago Architectural Club, along with its partner, the Chicago chapter of the American Institute of Architects, just announced the 2012 Chicago Prize Competition: Future Prentice. The competition is intended to act as a platform for public debate about the future of one of Chicago’s most architecturally significant Modern buildings, Bertrand Goldberg’s Prentice Women’s Hospital. Located in the downtown Chicago neighborhood of Streeterville, this concrete, clover leaf-shaped structure is considered an iconic piece of architecture for the city by some and an eyesore by others. Today the building is in imminent danger of being torn down by its owner, Northwestern University, but it’s fate ultimately lies in the hands of the city’s administration. The submission deadline is October 15. To register and for more information, please visit here.

With the theme of “Rediscover the Future,” the 2013 Mock Firms International Skyscraper Competition is calling aspiring young design professionals to produce an iconic super-tall for Amman, Jordan (collegiate) and Chicago, IL (high school). The programmatic target is a design solution for a diverse and comprehensive vertical healthcare community. The 5th installment of the Mock Firms Competitions hopes to establish a platform for aspiring young professionals to “re-discover” the ideas, designs and technologies which helped to introduce past communities to their “future” work, leisure and domestic environments. The finalist will share in the unique experience of interacting with leading design professionals as their ideas are evaluated by the same. Registration deadline is March 1. For more information, please visit here.

The first prize winning proposal for the Halide Edip Adivar Mosque and Social Complex is an objection to the continuing entegrist attitude-action which is mostly validated on mosque design and kept popular in media of Turkey. Designed by Kolektif Mimarlar, one of the main ideas of the design is to produce a well integrated structure with its surrounding and the nearby dwellers, where additional functions to the mosque can take place. More images and architects’ description after the break.

Architects: Plus Three Architecture Location: South Shields, UK Project Year: 2012 Photographs: Steve Mayes, Available Light Photographic Studios

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Wood has always been Finland’s preferred building material, as both nature and the forest has long provided a livelihood and enduring source of inspiration for Finnish artists and architects. Now, with the use of modern technology and new treatment methods, Finnish architects are pushing the boundaries of this conventional material to unleash new creative potential. To celebrate the reopening of the newly restored, Alvar Aalto-designed Finnish pavilion at the 2012 Venice Biennale, “New Forms in Wood” will highlight the work of young Finnish architects who have used wood inventively in their recent works.

Continue after the break to review the exhibition’s featured projects and architects.

Rumors are flying that Pritzker Prize winning architect Jean Nouvel has been selected to design the new National Art Museum of China (NAMOC) in Beijing. Although the official announcement isn’t due until November, Architectural Record has claimed that multiple, unidentified sources confirmed the news. If the reports are true, the French architect will have beat out fellow Pritzker Prize-winning architects Frank Gehry and Zaha Hadid for the highly coveted commission.

In a post-2008 Olympics attempt to attract more visitors to the area, the massive, 1.3 million square foot structure will be built next to the Herzog & de Meuron-designed Bird’s Nest. It will be one of three buildings planned for the area – the others being a museum dedicated to arts and crafts and a Sinology museum.

Continue after the break to learn what may have given Nouvel the edge.

The Danish Pavilion for the 2012 Venice Biennale will feature a collaboration between Greenlandic and Danish Architects called “Possible Greenland”. The exhibition will address the current development of the Arctic Region as Greenland undergoes a shift towards political independence and business development in the midst of dramatic climate changes. “Possible Greenland” attempts to look optimistically at the climate changes that are causing ice melts throughout Greenland. The shifting planes result in the exposure of vast mineral resources that can kickstart new industries and allow new urban cultures to emerge. The team of architects that designed “Possible Greenland” were led by internationally renowned Professor in geology at the University of Copenhagen, Minik Rosing and the young Danish architect firm NORD Architects of Copenhagen.

Explore the possibilities with us after the break.

As we reported last month, one of Frank Lloyd Wright’s more unusual architectural specimens, the David Wright House (designed for his son), is in imminent risk of demolition by developers.

While any Frank Lloyd Wright deserves to be preserved in our opinion, this quirky house, which Neil Levine, architectural historian and Harvard professor, went so far as to describe as “one of Frank Lloyd Wright’s most innovative, unusual and personal works of architecture” offers us an important glimpse into Wright’s development. Because of its circular spiral plan (completed six years before the Guggenheim), concrete-block detailing, and interior design, the house was (and still is) considered to be one of Wright’s most “remarkable and praiseworthy” efforts since Fallingwater.

Although the situation is dire, work done by the Frank Lloyd Wright Building Conservancy has awarded a temporary demo delay while the City of Phoenix decides whether to bestow historic preservation and landmark designation upon the house. This is where you come in. An online petition to the City of Phoenix has been set-up; as of right now, they’re 360 signatures short of their 1,000 person goal.

For almost 40 years no intact Wright building has been intentionally demolished. Let’s make sure we don’t start with this one. Sign the online petition (and then share it on Facebook, twitter, etc.), now!

For more information or to get involved, check out the SAVE WRIGHT page. For more images (including sketches) of the David Wright House, check out the gallery after the break…