Architects: Estudio Lavín S.L. Location: Isora, Spain Design Team: Alejandro Lavín Della Ventura, Francisco Miguel Lavín Della Ventura Project Year: 2011 Photographs: Courtesy of Estudio Lavín S.L.

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Architects: SHINE Architecture + TAarquitectura Location: León, México Design Team: Salvador Ferreiro, Minche Mena, Michael Smith, Rubén Vázquez, José Zermeño Photographs: Courtesy of SHINE Architecture

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Jean Nouvel and Mia Hägg presented “Meetings Lines” at the Venice Biennale. For ‘Common Ground’ they decided to show their finalist project for the Slussen Masterplan competition, an ambitious urban design project that seeks to replace much of the degenerated water and transportation infrastructure in the heart of Stockholm. The project proposes three different public spaces, designed as living links for the city, inspired by infrastructure such as the Rialto Bridge in Venice.

More about the exhibit after the break.

The International Jury of the 13th Venice Architecture Biennale has awarded Cino Zucchi Architetti (CZA) a special mention for their installation, Copycat. Empathy and Envy as Form Makers. Their contribution is based on the notion that “we are all a bit copycats”, understanding that cultures are propagated by following “infectious” processes that combine imitation and innovation. CZA presents a collection of “almost-alike” objects and images with the idea that “similarity” rather than “originality” is where people find common ground.

Inhabitable Models presents the work of three practices -Eric Parry Architects, Haworth Tompkins, Lynch Architects- who find their common ground in an engagement with London, as a city of found fragments. Perhaps uniquely among world cities London exists as a series of largely unplanned, independent, layered fragments which nonetheless come together for a host of legal, political, and economic practicalities. In responding to this conception of London, each practice seeks to resist the temptation of “hallmark” architecture in favor of one which is contextually sensitive and rigorously place-specific. Indeed, the practices’ appreciation of the fragmentary and unplanned applies both to the London that they find, as well as to the London they leave behind.

The World Architecture Festival is only a few weeks away. This intense architecture event will take place in Singapore on Oct 3rd-5th, a city where architecture is everywhere, as you can see on the above video.

SCI-Arc Trustee Frank Gehry and his wife, Berta, have donated $100,000 to the Southern California Institute of Architecture (SCI-Arc). The noteworthy contribution will go towards the establishment of the Gehry Prize, which will be annually awarded to the best thesis projects selected by critics and jurors at the Graduate Thesis Weekend hosted in September. The first Gehry Prize will be awarded at the 2012 graduation ceremony on September 9th.

Politicians caught on camera say the darndest things. Like – if you’re Esperanza Aguirre, President of Madrid – that architects “should be killed.”

The Politician was unknowingly recorded while speaking with the Mayor of Valdemaqueda, a municipality of Madrid, about their town hall. The building, known as Casa Consistorial de Valdemaqueda (1998), designed by Paredes Pedrosa, was an award-winner at the Spanish Biennale of 1999. Their conversation (translated by yours truly) went as follows:

Mayor: The town hall? Oh, that thing. Well, it’s gotten prizes, president. Architecture prizes.

Esperanza Aguirre: That’s the only positive thing that’s come from the Crisis, that that’s all over. I have never seen anything uglier.

Mayor: You don’t like it?

Esperanza Aguirre: How could I like it, hidden at the end of a plaza like this!

Mayor: Well, because they’re the architects of the Community.

Esperanza Aguirre: Well, they should be killed.

Mayor: They’ve gotten awards.

Esperanza Aguirre: Mario, it’s so stupid (addressing a person next to her). Do you know why we should have the death penalty? I dislike architects because their crimes last longer than their own own lives. They die and leave us with this.

Find out what Ms. Aguirre has had to say for herself since, and take a peek at the original video footage after the break …

Storefront for Art and Architecture is opening up its fall exhibition season starting September 25th with ‘Past Futures, Present, Futures’. The exhibition, which will be up until November 17th, presents 101 unrealized proposals for New York City, with 101 reenactments by invited artists, architects, writers, and policy-makers to create alternative visions for the present and future of the city. The exhibition is curated by Eva Franch and designed by Leong Leong. An opening reception will take place on September 25, 2012 from 7pm to 9pm. For more information, please visit here.

Norwegian-based architecture firm, Snøhetta, has just been announced the winner for the Ordrupgaard competition to design an underground extension to the existing museum in Denmark. In addition to the necessary gallery space to hold the Ordrupgaard’s expanding French collection, Snøhetta’s proposal creates a new solution for landscape and building integration. By adapting existing buildings, and adding landscape elements, the proposal maintains the existing entrance to the building, designed by Zaha Hadid, and creates a circulation new route which the public comfortably flow through as they visit the different exhibition halls. Hadid’s building was originally conceived as a continuous flow of spaces between building, galleries, and gardens, so Snøhetta’s newest addition will build upon such a foundation.

disruptive minds

smartwater

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A few months ago, in a little Bavarian town, far far away, an architect, by the name of Peter Zumthor (you may have heard of him), was asked to design a gate. Zumthor designed a transcendent, transparent structure, and unveiled it to the town. Upon seeing the marvel, the townspeople said it looked like a pair of “Glass Underpants.” And there our story ends.

Your first instinct may be to blame those uncouth Bavarians. But, like Jody Brown did in an excellent blog post, you could also fault Zumthor. Zumthor couldn’t “sell” his gate, because, like many an architect, he speaks “architect,” not “human.”

Roman Mars, on the other hand, is fluent in both. A population geneticist who went to college at age 15, Mars jumped off the science boat to follow his passion: radio. His show on architecture and design, 99% invisible, has become a sleeper hit, earning over $170,000 in a record-breaking Kickstarter campaign.

Its popularity comes down to its story-driven approach, which opens your eyes to the 99% of our reality that goes un-noticed: a building’s unknown history, a detail’s un-obvious purpose, a place’s hidden treasures. Through its stories, 99% invisible lives in the place where the “human” and the “architect” meet.

And, be you architect or nay, it hooks you from the start.

Read our exclusive interview with 99% invisible Producer, Roman Mars, after the break…

Eduardo Souto de Moura’s structure overlooks the old buildings in front of the Arsenale from the waterfront, on the path leading to Alvaro Siza’s structure that we featured yesterday.

This structure is an exploration of material, building systems and language. The facades frame views of these old buildings, reinterpreting the existing landscape, according to the will of the viewer. According to Souto de Moura “geography becomes how we want it to be. This it the great leap of the modern movement, and as a result of postmodernism”.

The installation “reflects the evolving relationship between interior and exterior, the gradual opening up of options, and their dependance and influence on the architectural language”.

More photos after the break:

BOLLES + WILSON recently received an ‘International Architecture Award 2012‘ for their design of a new headquarter for a concrete plant in Erwitte, Germany. The building, which is highlighted by an optimal concrete beam, is a combination of the existing vertical cement silo complimented by a new horizontal administration deck. The deck hovers, cantilevering dramatically over green fields (entrance side) and also symmetrically out over a re-naturalized cement quarry (wildlife protection zone). More images and architects’ description after the break.

Despite unique climate challenges in the city of Keelung, Taiwan, the design for the Joint Office Building and Passenger & Cargo Terminal by de Architekten Cie. is an example of how one can naturally ventilate the building during the winter and shoulder seasons. This ambition reduces the energy consumption of the building dramatically and increases thermal comfort and delight. More images and architects’ description after the break.

The New York Chapter of the National Organization of Minority Architects (nycobaNOMA) will be hosting the ‘Crafting the Interview 3.0′ event, which has been postponed to take place October 13 at FXFOWLE from 11am – 5pm. In order to provide the necessary tools to craft a successful interview, they have planned a Portfolio + Resume Review Day for graduating college students and young professionals seeking feedback on their portfolio. A panel presentation will provide information about the job hunting process and current market trends. The event will offer constructive one-on-one feedback to participants and a panel discussion comprised of professionals representing different sectors of the architectural + design community. To register for the event and for more detailed information, please visit here.

The Nka Foundation has announced a new competition, open to all students and graduates of design, architecture, art, engineering and schools interested in rural community projects in Africa, that is a design-build challenge at the Abetenim Arts Village near Kumasi in the Ashanti Region of Ghana. The 10×10 Shelter Challenge is an on-site competition structured as a “design-build camp for learning-by-doing” in African Architecture. There are no fixed deadlines with 5 available month long periods to sign up, the first beginning this October, 2012.

Join us after the break for more details on this unique competition.

The Brazilian Pavilion brings together two outstanding professionals from two different generations: Lucio Costa (1902-1998) and Marcio Kogan (b. 1953). Costa is the world renowned urban planner who conceived Brasília, the country’s new capital inaugurated in 1960, with public buildings designed by Oscar Niemeyer (b. 1907). Costa was one of the core ideologues of Brazilian modernism and the author of some of the master-pieces of modern Brazilian architecture.

Marcio Kogan, an architect and movie director, stands out in the contemporary scene with major projects both in Brazil and other countries. Costa’s installation Riposatevi -a masterpiece, albeit not familiar to all- will be exhibited. Marcio Kogan has created an original piece for Venice.

“Forty years ago the public cause proved a powerful source of inspiration. Given the numbers of architects that chose to serve it, one might even speak of a common ground. In the age of the ‘starchitect’, the idea of suspending the pursuit of a private practice in favor of a shared ideology seems remote and untenable. In the context of the 2012 Venice Architecture Biennale, this exhibition hopes to provide a small contribution towards finding that common ground once more…” – OMA Partner Reinier de Graaf, August 2012

Throughout Europe in the late 1960s and early 1970s, large public works departments employed architects to design a multitude of public buildings in an effort to serve the public cause. Reinier de Graaf describes this “heyday of public architecture” as “a short-lived, fragile period of naïve optimism – before the brutal rule of the market economy became the common denominator.”

In a time of rapid physical and digital connections the global phenomenon of tourism becomes more and more of a common activity. Tourism brings people from all over the world on a common ground giving them the opportunity to interact with a locality, places, and people. However, the conventional tourist entertainment character and the lack of local interaction alienate the notion of the common ground in most tourist destinations. Resorts, theme-parks, international hotel chains, global market icons, and city guides turned tourism into a travelling monopoly with global rules that are applicable everywhere. Common ground is at stake!

The pavilion was curated by Charis Christodoulou and Spyros Th. Spyrou.

The battle over Pennsylvania’s mid-century Cyclorama Center is nearing an end. Located in the heart of the Gettysburg National Military Park, the concrete and glass cylindrical drum was designed by modernist architect Richard Neutra and completed in 1962 under the ambitious Mission 66 initiative aimed to improve visitor services at national parks.

Controversy surrounding the building’s fate started in 1999, when the National Park Service first announced plans to demolish it. This sparked a raging battle between 20th century architecture supporters and Civil War purists, ultimately leading to the federal court.

However, despite these relentless efforts, the structures fate appears to be dismal.

The Irish Pavilion, designed by heneghan peng architects with the support of Arup, and curated by John McLaughlin, charts a position for Irish architecture in a global culture where the modes of production of architecture are radically altered. Ireland has developed a national culture of architecture derived from local place as a material construct. They now have to evolve our understanding in the light of the globalized nature of economic processes and architectural production which is largely dependent on internationally networked flows of products and data. They have just begun to represent this situation to themselves and others. How should a global architecture be grounded culturally and philosophically? How does it position itself outside of shared national reference points?

A quick glimpse at the upcoming weather for Abu Dhabi will show a week of intense sunshine, temperatures steadily above 100 degrees Fahrenheit with 0% chance of rain. In such extreme weather conditions, even architects listing environmental design as their top priority are up against a tough battle. Never mind that the sand can compromise the structural integrity of the building, the intense heat and glare can render a comfortable indoor environment relatively impossible if not properly addressed. For Abu Dhabi’s newest pair of towers, Aedas Architects have designed a responsive facade which takes cultural cues from the “mashrabiya”, a traditional Islamic lattice shading device.

More about the towers’ shading system after the break.