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Architecture's First Full-Fledged Experiment in DeafSpace Design

Architecture's First Full-Fledged Experiment in DeafSpace Design - Featured Image
The new residence hall on the campus of Gallaudet University in Washington, D.C., was designed by LTL Architects, in collaboration with Quinn Evans Architects and Sigal Construction. Image courtesy of Prakash Patel

This article, by Linda Hales, originally appeared on Metropolis Mag as "Clear Line of Sight"

The new dormitory at Gallaudet University exudes raw energy. Rough wood planks, exposed steel, polished concrete, and gleaming bamboo unite to provide architectural muscle. But the real power comes from a barely detectable dynamic. That energy doesn’t come from how the structure looks on its historic Washington D.C. campus, but how the building functions for the people inside. “It’s about how buildings structure and frame human interaction,” says David J. Lewis of LTL Architects. “The basic conditions of architecture were brought to the fore.”

The glass entry door slides open with a soft whoosh. Students ignore it as they crowd through the gap in a jumbled dance of elbows, hands, arms, and animated faces. Gallaudet is the preeminent liberal arts institution for youth who are deaf or hard of hearing, and most of its 1,821 students communicate with the expansive gestures and expressions of American Sign Language (ASL). That the students can make their way into the building without using their hands to open the door—thus halting the flow of the conversation—is cause for celebration. Here, at least, architecture has gotten out of their way.

Historic Toledo Museum of Art Goes Off Grid

The 101-year old historic building that houses the Toledo Museum of Art in Ohio has gone off grid, reports Candace Pearson of Architectural Record. Through a series of upgrades that began in the early ‘90s, including covering 60% of the roof with solar panels, the Toledo Museum has gone from purchasing 700,000 kW of electricity a month to returning energy back to the grid - making it an exemplar of adaptability and sustainability in century-old public buildings. Find out how they did it at Architectural Record.

The Indicator: Starchitect, or, How I Learned to Stop Worrying and Love the Portmanteau

Is the word “starchitect” really denigrating to architects? Is it really a problem for the profession? Really? It depends on how you look at it. 

And, yes, as it was pointed out to me, “This question itself is a rehash.” Well, the issue of labeling architects has been a rehash since the sixteenth century so we might as well trot it out one more time. 

It’s a rehash principally because the way we label architects has implications for the profession’s bottom line. It drives fees up for a few and down for everybody else. It makes some firms busy and others less so. Or does it even do anything but put contemporary architecture on the minds of the general public, the broader client base? 

Critical Round-Up: Reactions to the Stirling Prize Shortlist

Most critics agree that this year's shortlist for the Stirling Prize is more "modest" than in past years - which is not to say that they didn't have plenty to say on RIBA's selection. Check out the critical responses from The Financial Times' Edwin Heathcoate, The Guardian's Oliver Wainwright and The Independent’s Jay Merrick, after the break...

Defining Gensler's Secret to Success

When the $1.9-billion project is completed next year, the 2,073-foot Shanghai Tower will become the world’s second-tallest building. The state-of-the-art, spiraling form, which is engineered to help it withstand typhoons, pays tribute to the city’s dynamic rise as a leading commercial center. 

The super-tower also symbolizes the ascension—and resilience—of the firm that designed it. With 3,500 employees, Gensler operates 43 offices in 14 countries. Last year, the company worked on some 6,700 projects for about 2,200 different clients, reporting a record-breaking $751 million in revenue. This year, the company projects its revenues will be closer to $800 million—astounding figures considering the industry is emerging from one of worst economies since the Great Depression. “It’s been a serious downturn and a slow recovery,” says Kermit Baker, chief economist of the AIA. “From 2008 to 2011, architecture firms’ gross firm billings dropped 41 percent. Now, most firms are inching back, but very slowly.”

In a landscape still riddled with fallout, Gensler has managed to weather the recent economic storms. After cutting about 30 percent of its workforce in a nine-month period between 2008 and early 2009, the firm has rapidly rebuilt and now employs more staff and generates more revenue than ever before. Many in the industry today are scratching their heads: What’s Gensler’s secret?

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6 Tips to Build Business in the Digital Age

This article, which originally appeared as "Clients for Life: 6 Tips to Generate Leads and Build New Business" on Autodesk’s Line//Shape//Space publication, is by Ken Micallef; it features the advise of John Beveridge, a 30-year veteran in the management-consulting industry.

“Like most small businessmen,” Beveridge says, “I too am a small-business guy trying to compete with bigger companies, trying to generate leads.”

To that end, Beveridge stresses the importance of Internet marketing. But creating a business website is only the first step.

See Beveridge's 6 tips to building business, after the break...

Punniest Title of the Week: "Google Street Views Gets An EIFFEL"

And this week's "punniest" title award goes to Fast Company (there was no contest, really). Beside the pun, of course, the article itself is pretty cool, outlining how Google Street View has followed-up on their latest intrepid capture of the Burj Khalifa with the 1889 classic: the Eiffel Tower. Read the article here and check out the fun video above!

From Industrial to Artisan: Modernism’s Sleight-of-Hand

This figure was published on April 2013 in the article “How Modernism Got Square” co-authored with Michael Mehaffy. It has been reproduced several times when reprinting the original article, and in essays by other authors who discuss our ideas.

And yet, the above figure subsequently re-appears with a new accompanying caption that completely reverses the facts and switches our original message. Well-meaning editors and authors chose the new caption “From Artisan to Industiral” (first here, and then again on ArchDaily), which conforms to the modernist orthodoxy on the evolution of historical design styles. They are in no way pushing modernism (being interested instead in my criticism of modernist design): it’s simply that the dogma is so pervasive in our civilization that the mislabeling becomes automatic, a conditioned response.

Necessary Hauntings: Why Architecture Must Listen to its Forgotten Women

Necessary Hauntings: Why Architecture Must Listen to its Forgotten Women - Image 2 of 4
Courtesy of Women in Architecture, via Metropolis Mag

This article, by Alexandra Lange, originally appeared on Metropolis Magazine as "Architecture's Lean In Moment."

“Women are the ghosts of modern architecture, everywhere present, crucial, but strangely invisible,” writes historian Beatriz Colomina in “With, Or Without You,” an essay in the Museum of Modern Art’s 2010 catalog, Modern WomenArchitecture is deeply collaborative, more like moviemaking than visual art, for example. But unlike movies, this is hardly ever acknowledged.” 

Colomina goes on to chronicle the history of modernism’s missing women, acknowledged, if at all, as working “with” Mies van der Rohe, Le Corbusier, Alvar Aalto, or Charles Eames. To put yourself in the shoes of Lilly Reich, Charlotte Perriand, and Aino Aalto, simply watch the cringe-worthy video of the Eameses on the Home show in 1956; Ray['s] introduced as the “very capable woman behind him” who enters after Charles has bantered with host Arlene Francis.

This spring, these ghosts came back to haunt us: Arielle Assouline-Lichten, a student at the Graduate School of Design at Harvard, read excerpts from an interview with Denise Scott Brown in which she mentioned her own absence from partner Robert Venturi’s 1991 Pritzker Prize. “They owe me not a Pritzker Prize but a Pritzker inclusion ceremony,” Scott Brown said. “Let’s salute the notion of joint creativity.”

Read all of Alexandra Lange's essay, after the break...

Light Matters: Can Light "Cheat" In Simulations?

In recent years the use of CAD and simulation programs has resulted in a new understanding of light in architecture. The drawing board and its lamp have given way to the self-illuminating monitor. The result is that concepts in architecture are now made of light from the very first mouse click. In the visualisation process, luminous space now predominates.

However, this begs the question: has the luminous impression (part and parcel of the perfect, rendered setting) become more important than the engineering or architectural concept itself? With the improved interplay of shades, contrast, and brilliance, can lighting actually obscure the point of a realistic simulation?

More Light Matters, after the break…

Can Craft Beer Rebuild Neighborhoods?

Gentrification has been a running theme in the social and economic fluctuations that occur in cities. Between housing booms and busts, the revitalization of small manufacturing and the shifting populations cities grow and change organically, subject to a variety of trends. In an article in Business Insider, Tali Arbel traces urban revival by following the successes of craft breweries that have sprung up in desolate and blighted neighborhoods. Brewers have found a home in cities full of abandoned warehouses and factory buildings where real estate is available and affordable. As these neighborhoods become more affluent, rising in trendiness and popularity, they are beginning to price out these same businesses that helped establish them. Where are these businesses to go and how can gentrifying neighborhoods protect social and economic diversity?

Uncube Interviews Charles Correa

Charles Correa, considered one of India's greatest architects, is celebrated for his post-war work in India in which he connects modernism with local traditions. Digital magazine, uncube, has dedicated a full issue to this renowned architect and includes reviews of the RIBA exhibition currently on view in London, a look at his most influential architectural projects, assesses his role as urbanist and planner, and an interview in which Correa reflects on his own career.

Can Waste Be Used to Regenerate Our Cities?

With the rise of urban dwellers comes the rise of urban waste. And, although the hidden life of garbage is still ignored by many, there is no way of escaping one of modern societies most pressing issues: unsustainable waste management. Though many plausible and obvious solutions have already been suggested and are ready to be implemented, some experts are proposing radical solutions that may one day be a reality. 

What is Architecture in the Age of Digital Networking?

I get most of my knowledge about the current trends and interests of architects through social media and various websites. My Facebook newsfeed constantly shows an array of pictures, articles, and videos of things ranging from new buildings to data algorithms to bacteria evolution to (usually confusing) romantic, poetic statements about architecture. 

They all share one thing in common: they are posted on Facebook by architects and architecture students. To me, this shows the current disarray and lack of focus in the field. Architecture publications and websites only confirm my thoughts further. And nothing reaffirms this more than my daily experiences at MIT. 

Read more, after the break...

Letter to the Editor: The Expression "Starchitect" Has Passed Its Shelf Life

Earlier this week we received an impassioned request from one of our US readers. Architect Stephan Jaklitsch requested that we refrain from referring to architects as "star architects" or "starchitects." Not only did we agree to retire this problematic and shallow descriptor of some instrumental members of our profession, but we wanted to reprint his letter here. 

4 Tips for a Lean, Mean CAD Team

This article, by Shaun Bryant, CAD consultant, comes to us via our friends at Autodesk’s Line//Shape//Space publication.

In my previous article, I mentioned that I had been a CAD manager in a past life and that there were many hats I used to wear. One of these hats was training manager for the CAD department. I was the guy who liaised with HR, organizing and budgeting for the training my CAD employees needed. The big question was, what sort of CAD training did they need? Did I send both permanent and agency (freelance) CAD employees to take the courses, or did I let the agency folks fend for themselves? No matter what, they are your CAD team and everyone should get the same training, but the agency guys should be careful of their tax position when accepting training from a client under contract. All of this has to be taken into account when you have a finite training budget to spend.

But training on CAD software is imperative. Your CAD employees need to be the best on the software they use and not develop bad habits. They need the core training, plus the experience, plus supplemental training on new versions as they are released. (Each year in the case of Autodesk, right?)

Get the 4 Tips to Getting the Best CAD Team you can, after the break...

Sketching in the Digital Age: More Relevant than Ever?

Our friends at Arup Connect spoke with Matt Williams, a leader of the façade engineering group in Arup’s Americas region and one serious sketcher, about the role of sketching in the digital age. The following interview, originally titled "To Sketch or Not to Sketch," discusses how sketching enables communication and how our over-reliance on technology isn't really as efficient as we may think.

One of the things we’ve been trying to develop in the façades group is people who can relate to the architect, developing and responding to the key architectural requirements. Having come from an architectural background myself, historically there seems to be a bit of a conflict, if that’s the right word, between architects and engineers. There shouldn’t be, though. Everyone wants the same thing at the end of the day: a successful project.

Read the rest of the interview, after the break...

The Indicator: Favela Café and the End of Irony

Tadashi Kawamata is one of my favorite artists. Not simply because the work is somehow architectural but because much of it surprises by appearing to have been thrown up in secret. Though obviously sanctioned there is an illicit quality to it. It’s dirty, rough, and seemingly improvised out of found materials—though obviously the work of such an acclaimed, grant-receiving artist is not carried out this way.

I have no problem with such appearances. The problem arises from the manner in which such appearances toy with reality when the reality is clearly not one’s own, but merely mined for shock value.

Michael Van Valkenburgh Associates (MVVA) Chosen as Landscape Architect for Menil Collection Master Plan

Michael Van Valkenburgh Associates (MVVA) Chosen as Landscape Architect for Menil Collection Master Plan - Featured Image
Courtesy of www.mvvainc.com

In another pleasing step forward in its ultimate execution of David Chipperfield‘s master plan for the museum campus, the Menil Collection has hired Michael Van Valkenburgh Associates to design a new landscape for the 30-acre neighborhood that connects more than a half-dozen museum buildings.

SKALGUBBAR: Download Free Images of People for Your Renders

SKALGUBBAR is a library of free high-resolution images of people that can be used in renderings and photomontages. The idea for this immense virtual library came to Teodor Javanaud Emdén when he was in architecture school. He realized that it was complicated to find images of people on the internet, and that when he did find them the color quality and resolution were not good enough. Because of this, he decided to photograph his friends and use their likenesses in his projects; his friends also used these images in their own projects since Teodor shared his pictures on a website.

Films & Architecture: "Play Time"

This week we revisit a classic, a masterpiece by Jacques Tati. In the movie, Tati depicts modernism's problematic impact on the city and the way in which people interact within it.

The movie's carefully considered environment shows characteristics of the modernist movement at that time: repetition and regularity (the result of industrialisation) are represented from the smallest objects in the interiors to the larger scale of the city's urban plan. Enjoy this great movie and let us know your thoughts about Tati's take on modernism.

Practice 2.0: 10 Years of Smart Geometry

by: Daniel Davis & David Fano of CASE

This year marks Smartgeometry’s tenth anniversary. For architects it’s been a decade of breathless innovation and listless stagnation. In this article we look back at the success of SmartGeometry and ask why the building industry isn’t keeping up.

The original instigators of Smartgeometry – Lars Hesselgren, J Parrish, and Hugh Whitehead – worked together at YRM (now part of RMJM) in the late 1980s. Together they helped shepherd parametric modeling and associative geometry into the field of architecture, and witnessed how early-stage three-dimensional structural analysis and late-stage clash detection might change practice. Yet in 2003 they found themselves disillusioned and asking, “Why is it that ten years have passed, and we still cannot even get close to the kind of capability that we had then?” [1]. In other words, why is the building industry failing to keep up, or worse, falling behind. It was a question that would inspire the first Smartgeometry conference, and it is a question that still lingers a decade later.

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“So you want to be famous?".Peter Murray shares his 7 rules of message design for architects. “Co-designing Workspace". Oliver Marlow explains the TILT Method, his vision about the past, the present and the future of workspace, and how it’s all about people. 

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