Since the emergence of the modern multi-storey building in the late 19th century, screenwriters and art directors have embraced the high-rise building as both backdrop and prop in the drama of feature films. It’s easy to understand the fascination. The precarious nature of a skyscraper – their height, their reliance on competent engineering and emergency systems, and their all-controlling security – provide abundant opportunities for action and disaster. And all with a built-in view.

But while Hollywood loves a high rise, it hasn’t treated them well. Plot lines usually tap into a general scepticism about the kind of engineering feats which make them possible and often carry some underlying moral message about the dangers of technology and advancement. 

As cities become more conscious of their environmental and social impact, smart growth has become a ubiquitous umbrella term for a slew of principles to which designers and planners are encouraged to adhere. NewUrbanism.org has distributed 10 points that serve as guides to development that are similar to both AIA's Local Leaders: Healthier Communities through Design and New York City's Active Design Guidelines: Promoting Physical Activity and Health in Design. Planners all appear to be on the same page in regards to the nature of future development. But as Brittany Leigh Foster of Renew Lehigh Valley points out, these points tend to be vague; they tell us "what" but they do not tell us "how". 10 Rules for Smarter Smart Growth by Bill Adams of UrbDeZine San Diego enumerates how to achieve the various design goals and principles that these various guides encourage.

Follow us after the break for more.

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By the acclaimed director Jia Zhangke, 24 City cannot be considered a documentary, since actors perform in most of the scenes; however, this Chinese film realistically shows the dissociation between the rapid urban development and a population that seems to be victimized by globalisation.

The film is focused on the workers at Factory 420, a complex designed and deployed by the government for military purposes and used as a factory for producing and repairing mechanical elements for the army. This whole area became a city in itself, housing generations of factory workers. When the space is converted to 24 City, a complex to accomodate hundreds of luxury apartments, the entire site is demolished. 24 City tells the workers' stories in the midst of this transformation.

How should we consider these kinds of mono-functional cities and what could/should be their futures? Let us know in the comments below.

Merete Ahnfeldt-Mollerup is associate Professor at The Royal Danish Academy of Fine Arts. This article originally appeared in GRASP.

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Architecture is inseparable from planning, and the huge challenge for the current generation is the growth and shrinkage of cities. Some cities, mainly in the Southern Hemisphere, are growing at exponential rates, while former global hubs in the northern are turning into countrysides. In the south, populations are still growing a lot, while populations are dwindling in Europe, Russia and North East Asia. The dream of the Bilbao effect was based on the hope that there might be a quick fix to both of these problems. Well, there is not.

A decade ago, few people even recognized this was a real issue and even today it is hardly ever mentioned in a political context. As a politician, you cannot say out loud that you have given up on a huge part of the electorate, or that it makes sense for the national economy to favor another part. Reclaiming the agricultural part of a nation is a political suicide issue whether you are in Europe or Latin America. And investing in urban development in a few, hand-picked areas while other areas are desolate is equally despised.

The one person, who is consistently thinking and writing about this problem, is Rem Koolhaas, a co-founder of OMA.

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The potential to generate energy is hidden in many places, from skyscrapers to ski-slopes. But new research is showing that a potent source of energy is hiding right beneath our noses, or feet to be more specific.

When Christopher Hawthorne, architecture critic for the Los Angeles Times, gives a bad review there is the sense that he is essentially dismantling a building, chipping its façade apart, like breaking down some charade in defense of the public’s honor. Like a hired killer he disappears the architecture, but at the same time heightens its visibility in the culture.

This ability, to provoke in such ways, is precisely why Thom Mayne would like to bar Mr. Hawthorne from taking a crack at reviewing the new building he and his firm, Morphosis designed for the firm’s new offices.

On a recent tour of the new digs, Mayne, as reported in The Architect’s Newspaper, was overheard saying, “There are no good writers in Los Angeles” and “All local writers are horrible.” To add further insult, he wants a science writer to cover it. That should be a short review.

This year, the Lamp Lighting Solutions 2013 celebrated its 5th version. The awards are organized by LAMP, an architectural technical lighting company, specialized in, advising on and designing efficient solutions adaptable to any project by way of innovative and competitive products and services.

Lamp Lighting Solutions Awards 2013 closed its registration period with record on all the previous editions, with a total of 608 projects submitted from 52 countries and 61% internationalization.

More details on the winners after the break.

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ArchDaily’s Architecture App Guide will introduce you to web and mobile apps that can help you as an architect: productivity, inspiration, drafting, and more. 

A year ago we introduced you to The Morpholio Project a web and mobile app based portfolio, created by architects, for the entire creative industry. A few months later they released iPad App: Morpholio Trace, a layered drafting tool that gained traction among architects and designers. This feature was just the beginning of what evolved into Morpholio 2.0 (free download from the App Store ) part of a series of new tools that turn the portfolio app into a flexible workspace where designers, architects, fashion designers, 3D artists, photographers, automotive designers, and everyone in the creative industry can interact and evolve ideas through feedback.

It builds on research into human-computer-interaction to deliver innovations like a tool for image analytics called "EyeTime" and virtual "Crits" where collaborators can share images, and comment on each other’s work via notes or sketches. Human behavior data-mining is essential to offering these forms of powerful feedback, letting you know how your followers are interacting with your work.

Learn more about the 7 new tools Morpholio 2.0 offers to the creative world:

Imminent domain has a new justification and it's called the Olympic Games. Once again, the anticipation of the Olympics brings to light the slew of human rights violations that are permitted by countries as they prepare to host the games. So what is the real cost of hosting the Olympic Games? We posed this question on ArchDaily last year in regards to Rio de Janeiro's pick for hosting the 2014 World Cup and 2016 Olympic Summer Games. http://www.archdaily.com/214726/rio-de-janeiros-favelas-the-cost-of-the-2016-olympic-games/ And here we are again, looking at the controversies that surround building the site of the 2014 Winter Olympics in Sochi, Russia which has been preparing for the games for six years now since it won its bid in 2007. If Brazil's practices with the favelas struck a nerve with human rights groups, Sochi's is sure to spark more controversy. Every time the International Olympic Committee sits down to choose the next host city, cities all over the world jump at the opportunity to impress, hoping that they will be chosen for the global celebration of human feats and accomplishments. As spectators, we are assured that cities can only benefit from being chosen to host the events. They bring tourism, new architectural projects, and global recognition. They encourage city infrastructure to develop and upgrade. They inspire measures that clean up a city, make it "presentable"; and eventually they raise the standard of living for residents. However, they also have the capacity to infringe on the rights and dignity of the very people whose land is being leased to this global event. The massive buildings that host the events have to be built somewhere, and often they are built in the disadvantaged neighborhoods that haven't the political leverage to fight against imminent domain. We've seen this happen in different versions to varying degrees, and we're seeing it now in Sochi as neighborhoods are destroyed, homes are razed, and life becomes unbearable for those still living among the construction and pollution with no means to relocate. The global community looks on in horror as reports like Anna Nemtsova's for ForeignPolicy.com (http://www.foreignpolicy.com/articles/2013/04/11/russia_s_olympic_city) reveal the treatment of citizens to make room for the infrastructure that supports the Olympics. Nemtsova gives some insight into the status of these projects and their affects on communities: The rising concrete wall (set to be 12 feet high upon completion) is about to cut off Acacia Street's view of the mountains -- and, indeed, of the rest of the world. During rainstorms, bulldozers push mud into residential courtyards, where the dirty water floods residents' basements, destroying floors and furniture. Mold is creeping up the walls in homes, filling the air with a rotten-garbage smell. Last month, Sochi City Hall filed a lawsuit against Acacia Street inhabitants who haven't been willing to demolish their own outhouses, kitchens, and water pumps that happen to be in the way of the construction of a new federal highway. But what happens here is not just a human rights issue that leaves people disenfranchised. This otherwise idyllic get-away city has been transformed by the massive construction undertaking and in some cases has become an ecological disaster as well. Greenpeace an World Wildlife Fund have both expressed concern over the construction that is poisoning the lakes which are a crucial ecological site for migrating birds. And community protest and activism in regards to their own condition has gone unregistered by President Putin, according to Nemtsova. The Atlantic (http://www.theatlantic.com/infocus/2012/12/sochi-2014-an-olympic-preview/100422/) posted some progress photos from the construction late last year. These images are bittersweet. On the one hand they show growth, construction, progress and the majesty and grandiosity that we associate with this celebration. On the other hand, we see photos of demolished, scattered rubble, and construction sites where there once were neighborhoods. It's sad to think that this global celebration has so many casualties. Is this something that was always the case, the unmentionable part of the Olympic Games? Or has it become more acceptable to bulldoze neighborhoods for the sake of the games and declare imminent domain without regard for the people or the place? And what can we do differently next time? While the global community watches and comments, it largely turns a blind eye to these developments, permitting them to perpetuate year after year.

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Inspiration is a funny thing: when you need it is nowhere to be seen, and just when you're not expecting it, it can blindside you in the least convenient of places. Here's ten inspirational TED talks for architects (in no particular order) from people with broad and unique views on architecture. Some might enlighten, educate or even enrage you - at the very least they should get those creative juices flowing a little better.

Take-in these ten TED talks after the break...

Last Sunday James S. Russell, architecture critic for Bloomberg News and a former editor for Architectural Record, mused on his personal blog about the possible influence Paul Rudolph’s Brutalist University of Massachusetts campus in Dartmouth may have had on Dzhokar Tsarnaev, the younger of the two Boston Marathon bombers who was also a student there.

Mr. Russell describes the campus as “a gigantic eerie, dozen-building concoction of grim ribbed-concrete hubris….” This is the sort of description that drives right to the heart of urban alienation. It’s Edvard Munch’s The Scream. This ability to sum up and drive the nail home is one reason he is the architecture critic for Bloomberg News. No side-stepping here.