Pallet Parliament / Alejandro Haiek, Rebecca Rudolph, and Raffaele Errichiello. Umeå, Sweden 2022 Photo: Kent Brodin. Image Courtesy of Alejandro Haiek Coll
Architecture practices usually start their design process with a client, who provides a program and a site. Alejandro Haiek, founder of The Public Machinery, approaches things differently. The Public Machinery describes itself as a network of architects and designers working collectively, actively observing, imagining, and proposing public urban interventions themselves. Their proposals are at the intersection of art, architecture, and engineering and weave community engagement, ecology, and new technologies into innovative forms of social infrastructure. They secure funding through research and public grants, enabling them to create public spaces that defy expectations in both their design process and in the form their projects take.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
https://www.archdaily.com/1014883/the-second-studio-podcast-designing-a-home-as-narrativeThe Second Studio Podcast
What is symmetry in architecture? Why is it used to design spaces? What advantages and disadvantages does it present compared to other projection tools such as rotation, translation, and/or repetition? Contemporary architecture evolves day by day by implementing different strategies to create habitable spaces where people can carry out their daily activities, meet their needs, and more. Considering symmetry as a possible means of organization, distribution, and movement in the plane, architecture expresses and communicates largely through graphic means (floor plans, volumes, photographs, etc.) in a relationship that seeks coexistence, in most cases, of spaces, proportions, and scales in harmony.
The World Architecture Festival (WAF) is thrilled to announce the first distinguished members of its 2024 judging panel. This esteemed group comprises some of the world's most respected architects, designers, and industry leaders.
The 17th edition of WAF is welcoming submissions from architects and designers worldwide until 19th April 2024. The festival will take place at Marina Bay Sands in Singapore from the 6-8th November 2024. In addition to the unique live-judged awards programme and crit presentations, this year’s event will include fringe events, an exhibition and keynote talks from an international panel of speakers.
The early 20th century marked a pivotal era in Brazilian architecture with the advent of the modernist movement. Architects like Oscar Niemeyer or Lúcio Costa introduced avant-garde designs characterized by sleek lines, reinforced concrete, and a focus on functionality. What's more: residential projects of the era, in particular, blurred the lines between indoor and outdoor, flawlessly merging interior and exterior spaces to reflect a lifestyle that harmonizes with nature. Fast forward to the present day, and contemporary architects and designers in Brazil continue to embrace the challenge of creating indoor-outdoor homes that nod to the country's tropical climate. These residences often feature open floor plans, expansive glass walls, and strategic positioning of courtyards, gardens, or terraces with a design philosophy that emphasizes natural light, ventilation, and the incorporation of greenery for increased well-being. We take a detailed look at four recently completed residential projects in Brazil that fuse contemporary architecture, sustainable living, and a deep appreciation for their natural surroundings.
The rise of generative AI has given every design educator sufficient reason to reconsider both what to teach and how to teach it. Training an architect is a long process, and mapping it onto an uncertain future is a daunting task. Researchers at OpenAI, DeepMind, Meta, and similar companies seem constantly surprised by the rapid development and sometimes unforeseen capabilities of their AI creations. If even the creators don’t know how fast the future will arrive, it would be hubristic for any of us to claim that AI will do X or AI won’t be able to do Y in the next decade, which is about how long it takes to really train an architect.
https://www.archdaily.com/1014830/how-ai-can-help-us-end-design-education-anachronismsEric J. Cesal
The Feynan Ecolodge project. Image Courtesy of Dongola DAS 01 | Notes on Formation and Ammar Khammash
Ammar Khammash is a Jordanian architect, designer, and artist best known for his approach that focuses on the preservation of cultural and natural heritage while crafting an architecture that engages with its surroundings. With deep admiration for nature and its ecosystems, Khammash trusts that "the site is the architect”, a statement for which he is renowned that underscores the profound influence of context on his architectural design. With over three decades of experience spanning various disciplines and across several Middle Eastern countries such as Jordan, Oman, Palestine, Egypt, Syria, and the UAE, Ammar Khammash has consistently attempted to preserve and enhance the symbiosis between human constructions and the natural environment. His contributions include the Royal Academy for Nature Conservation, the Wild Jordan Center, and the restoration of the Church of Apostles.
In 2022, he was featured in the first edition of the Dongola Architecture Series, a biannual publication that offers unique perspectives into Arab culture by highlighting prominent contemporary architects. The issue, titled “Notes on Formation: Ammar Khammash,” written by Raafat Majzoub, explores "architecture as a transdisciplinary tool of expression, and as a method of imagining and reimagining the future," encapsulating the ethos of the publication. ArchDaily had the opportunity to talk to Ammar Khammash and Sarah Chalabi, founder of Dongola Limited Editions, to delve into the architect’s perspectives on site, materiality, and culture, along with his philosophy, notions on academia, and insights into the future of the profession.
The main role of architecture is to create structures that protect us from the environment and create spaces that are safe and comfortable for all types of needs and activities. By providing shelter, architecture also shapes the way people interact with their surroundings. Building technologies of the past rarely managed, however, to create a complete separation between us and the outside world.
While impermeability was a desired outcome, the porous building materials available always allowed some water, wind, or outside particles to leak into the interior spaces. In contrast, modern technologies now allow for almost completely impermeable building envelopes, allowing for complete separation between indoors and outdoors, thus relying on engineered systems to regulate temperature, airflow, or humidity. This article explores the differences between these two contrasting approaches, exploring how building facades are equipped to regulate indoor comfort and its environmental impact.
Just as fashion designers use pins, needles and textiles to bring their creations to life, architects rely on materials to shape our built environment. From steel and glass to wood and concrete, these form the artistic palette that transforms blueprints into tangible structures, bridging the gap between imagination and reality. It's as simple, yet as complex as that. But with so many materials –and countless shapes, finishes, textures and colors– available in this day and age, making the correct choices for a particular project can be quite challenging. Several questions naturally arise: How do architects navigate the endless possibilities to handpick the elements that will breathe life into their designs? What does the material specification process entail? Where does one begin?
As one of the smallest spaces in the home, shower rooms often find it difficult to get enough light. While bedrooms are given priority to choose the most favored spots alongside exterior walls – giving them access to the fresh air, natural light, and better views provided by windows – sanitary spaces are often left to feed from the scraps in the aftermath, afforded only a sliver of external wall, if any.
Due to issues with privacy and water damage, meanwhile, when a shower room does have the opportunity to add a window, it’s rarely positioned in the shower itself. But with many using an energizing shower to gently wake themselves up in the morning, and with steam making the shower an environment with extra high humidity levels, a window in the shower can make a big difference, adding natural light to the space itself, while keeping the entire room well-ventilated.
In the perception of many, the favela embodies contradictory and opposed representations. For those outside its boundaries, the favela is frequently associated with crime, poverty, or illness. Yet, it is also regarded as the aesthetic embodiment of a nation, serving as the birthplace of culturally renowned elements worldwide, such as samba in the case of Brazil.
CityMakers, The Global Community of Architects Who Learn from Exemplary Cities and Their Makers, is working with Archdaily to publish a series of articles about Barcelona, Medellin, and Rotterdam. The authors are the architects, urban planners, and/or strategists behind the projects that have transformed these three cities and are studied in the "Schools of Cities" and "Documentary Courses" made by CityMakers. On this occasion, Jaume Barnada, coordinator of the award-winning Climate Shelters project in Barcelona schools and speaker at the "Schools of Cities", presents his article "Barcelona, the public place as a synonym for the adaptation of the built city."
Cities are dense, built spaces in which pavements have been efficiently imposed on the natural soil. Cities like Barcelona have almost 75% of the land paved and waterproof. Without a doubt, it is an excess to reverse at a time of climate emergency, where we must reconnect with nature. Oriol Bohigas [1] told us that good urbanization had paved the squares of Mediterranean cities and that no one wanted to live in a mudhole. I'm sure he was right. Also, he taught us that the green and, consequently, the natural soil had to have dimension and especially an urban position. Squares are squares and parks are parks, and each space has a type of project. Today, concepts are too frequently confused when urbanizing public places and consequently, we find projects that blur the model.
As an additive manufacturing method, 3D printing has been characterized by the construction of objects through the horizontal deposition of material, layer by layer. This still restricts, nonetheless, the manufacture of elements and limits the shape of early prototypes to within the range that allows the addition of material in a single direction, making it difficult to create complex shapes with smooth curves.
However, the team from the Chair of Digital Construction Technologies at ETH Zurich—integrating computational design, digital manufacturing, and new materials—has been exploring an innovative non-planar robotic additive manufacturing system. This method facilitates the printing of thin structures with double curvature, significantly expanding the possibilities of their application in architecture on a larger scale.
Each piece of furniture, be it a table, a chair, or a sofa, is much more than just a functional element. It is a bearer of stories, a keeper of memories, and a reflection of the craftsmanship of those who brought it to life. When it comes to wooden furniture, this connection with history and skill is even deeper; every grain, knot, and shade tells the story of the tree it came from, and the craftsmanship of the artisans is manifested in the curves and joints. In the contemporary context, where mass production and fast-paced trends tend to standardize the world around us, furniture making remains a beacon of authenticity, and wood continues to be highly prized. It's a haven where exclusivity and connection with the natural are celebrated, resisting the passage of time.
Rehabilitation involves repairing, renovating, altering, or reconstructing any building or structure. It addresses the need to significantly improve a building's failing features, primarily through strengthening or replacing elements to restore the structure's optimal performance. The impact of building rehabilitation on the physical environment is significant. It is a sustainable strategy for preserving the built environment and mitigating the construction industry's impact on climate change.
However, its social impact is also considerable when viewed as a fundamental framework for sustainable outcomes. Rehabilitation can serve as a model that brings community members together for inclusive repair and restoration of structures. This positively affects communal life quality, social integration, environmental sustainability, and community perception of local architecture.
For a long time, the construction industry has followed a linear process - extract raw materials, build structures, demolish them, and then dispose of the garbage in landfills. This approach has serious negative effects on the environment and society and is inherently unsustainable. Reconsidering traditional methods and workflows requires support from all stakeholders and a sense of urgency proclaimed by authorities. In the United States, city organizations have begun to implement new policies to keep construction waste out of landfills and support circular practices. Several cities like Seattle and Pittsburgh, have started implementing deconstruction ordinances that require older buildings to be carefully deconstructed rather than demolished. How might their key provisions influence circular practices in the country?
Riverside Art Studio by Patrizio Maria Puppo & Martina Di Marco (Winner). Image Courtesy of Dar[e]-Europe
The Sustainable Hub in Seville emerged as an innovative concept through an open idea passive Sustainable Design Competition, launched in October 2023 with submissions received by February 2024. Spearheaded by Dar[e]-Europe, a renowned research firm based in Seville, Spain, the competition aimed to foster sustainable design solutions while promoting comfort for users with minimal reliance on non-renewable energy sources and environmental impact.
For centuries, arid environments have solved the problem of light, privacy, and heat through a statement architectural feature of Islamic and Arab architecture, the mashrabiya. Crafted from geometric patterns traditionally made from short lengths of turned wood, the mashrabiya features lattice-like patterns that form large areas. Traditionally, it was used to catch wind and offer passive cooling in the dry Middle Eastern desert heat. Frequently used on the side street of a built structure, water jars, and basins were placed inside it to activate evaporative cooling. The cool air from the street would pass through the wooden screen, providing air movement for the occupants.
Similar to the Indian jali, the vernacular language also offers a playful experience with daylight while still maintaining a certain degree of privacy. Traced back to Ottoman origins, the perforated screens protected occupants’ from the sun while simultaneously letting daylight through in calculated doses. Although the mashrabiya was a statement in arab and Islamic architecture languages, it wasn’t until 1987 that the archetypal element began appearing with a revised contemporary application.
Credits: SpaceClip, Photographer: Mr. Daijiro Okada
In nature, zinc is mainly found as zinc sulphide ore or zinc carbonate, which is mined to obtain the metal. Once refined, it is used in a variety of applications, including metal alloys, battery manufacturing, medicines and supplements, as well as in the fabrication of pigments, chemical compounds and coatings. In the latter, which is used in architectural applications, zinc is well known for its weather resistance and self-healing properties and is highly durable, with a lifespan of up to 100 years, requiring minimal maintenance. In addition, because it is 100% recyclable and has a low environmental impact during its production, zinc is a sustainable choice for construction projects.
When delving into the envelope of construction and examining how the interior relates to the exterior, the concept of greenhouses emerges as an opportunity to cultivate life indoors, whether dependent on external factors or not. Defined as spaces enclosed by glass or other transparent plastic materials, greenhouses facilitate the growth of vegetables and ornamental plants even during periods of adverse external weather conditions. However, what does designing for plants involve?Climate, species, structural design, and the type of covering are just a few of the considerations to take into account.
The architecture of cultural centers in Mexico has gained relevance in recent years. There has been a growing interest in providing spaces for recreation and education, transforming them into urban landmarks that attract visitors from all over the country year after year.
Black Females in Architecture (BFA) is a social enterprise supporting a membership of more than 450 Black women in built environment professions worldwide. Founded by architects Neba Sere, Selasi Setufe, and Akua Danso, the group advocates for diversity, race and gender equity across all sectors of the built environment, including architecture, urbanism, landscape, engineering, design, and construction.
We are happy to premiere their short film "A Voice for the 450 Plus" to a global audience for the first time since it was shown at the 2023 Venice Architecture Biennale. The film is a celebration of the ongoing contributions of Black women in the built environment fields, showing the world how they contribute to shaping the future of our cities.
Glass brick facades have emerged as a captivating architectural trend, blending the enduring elegance of glass with the robust strength of bricks. Glass bricks can as well be more thermally resistant than conventional glazing.
These facades add a pixelated effect that plays with light and shadow, perfectly transmitting light, while maintaining privacy. The way glass bricks facades soften and blend the views of the outside can increase calmness and focus. From sleek commercial buildings to avant-garde residential projects, glass brick facades continue to push the boundaries of architectural innovation, captivating both designers and observers alike.
If you follow housing policy in America, you may have noticed a particular term cropping up a lot recently: social housing. Maybe you’ve read a longform academic article, live in a city that is codifying a social-housing policy like Seattle or Atlanta, or seen one of the recent mentions in The New York Times, highlighting U.S. and Viennese success stories. On the design front, Dezeen is running a social-housing revival series.
