According to Norman Foster, "as an architect you design for the present, with an awareness of the past." In this sense, present-day architecture, interiors, and furniture have undergone a radical evolution in recent years, driven by a paradigm shift in the conception of space and our interaction with it. This contemporary approach has steered us towards less constrained, more collaborative, and multi-purpose spaces, which can also provide privacy and functionality. In addition, they must serve as temporary workspaces in specific contexts, adapting to the dynamism of contemporary needs and activities.

From this new approach, architects and designers are reshaping interior environments to accommodate new behaviors, facilitating the discovery of renewed ergonomics in human activities. Today, architectural thinking is merging to create spaces that enable conducting our lives in motion, a trend particularly evident in dynamic environments such as airports, encompassing intimate and social moments with people on the move. Consequently, a new kind of furniture has re-emerged, becoming commonplace in airport settings and other shared spaces: the booth.

Brick is one of the oldest and most versatile materials in construction, going beyond the simple masonry wall. Its origins date back to 7500 B.C., with kiln-fired specimens appearing around 3000 B.C., representing a technological breakthrough for the construction of sturdier buildings. Spreading across Europe and Asia around 1200 BC, they replaced materials such as wood and stone in scarce regions. Roman bricks, notable for their long shape, were widely used in the construction of their cities and are still used today. The history of bricks is intertwined with that of civilization, being an easy-to-produce, resistant and versatile material, allowing for a multitude of applications and achieving impressive and unusual results.

Designed by Coletivo de Arquitetos, the Thai Residence exemplifies the multiple possibilities that brick offers in contemporary architecture. Located in a coastal area in the state of Sergipe, Brazil, this residence not only exemplifies the aesthetics of the material, but also its functionality and adaptability to local conditions. One of the most striking features of the project is its layout in two distinct blocks. The main pavilion houses most of the house's program, while a second connected block houses the gourmet area, services and garage. This configuration provides an intelligent distribution of spaces and harmonious integration with the surroundings.

A flat or low slope roof assembly consists of several components that need to work together efficiently and consistently to offer a long-term, sustainable solution. While the roofing membrane is often the top and therefore most visible layer, what lies under it has a significant impact on the overall roof performance. Choosing the adequate and most sustainable materials (and ensuring their proper installation) is what makes a roof stand the test of time and be ready for the challenges of the future.

This article is the ninth in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints. In this feature, architect John Marx interviews Peter Hirshberg, chairman, and Anna Fedorova, principal at the Maker City Project.

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Whether it’s excitement or caution, there’s no escaping the buzz of AI in architecture. It offers architects and designers the power to innovate, streamline, and create a built environment that’s equally functional as it is visually appealing.

However, when a technology is this revolutionary, it should come as no surprise when concerns are raised. The loss of creativity, job displacement, and ethical dilemmas are just a few examples of concerns about the adoption of AI in architecture.

To understand what the industry really thinks about AI, over 1,200 architectural professionals were asked about how they are using it in their daily practice. We delved into how it influences design processes and workflows and what they think the technology’s impact means for the future of the profession.

A cornerstone of architectural innovation for centuries, concrete has transformed the structural capabilities of buildings worldwide. As one of the more versatile and durable building materials, concrete has aided architects and engineers in pushing the traditional boundaries of design. Today, it is the most widely used construction material on the planet. According to the Guardian, concrete is also a “lifestyle concept,” using its “gritty, urban” aesthetic to shape the imagination of all our architectures at every scale.

This article was originally published on Common Edge in 2021 to celebrate Venice's 1,600th birthday.

"We native Venetians and long-term residents number just over 50,000. We are dying out. Soon, we will disappear. The city prefers to be inhabited by someone else: not so much by other categories of human beings but by another way of being in the world.” – Tiziano Scarpa

March 25, 2021, dawned quietly in Venice. The city was still in full lockdown, a Zona Rossa. The Piazza was empty, the calli were eerily still. It was a subdued day to celebrate the birth of Venice. According to 16th century Venetian historian Marin Sanudo, the city was founded in 421 AD. In a city brought to a halt by the pandemic, the joyful clamor of bells ringing out across the city commemorating 1,600 years of existence was a welcome respite from the dreaded silence.

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In a new collaboration, Trimo and Pininfarina have introduced the Qbiss Notch Wall System, setting a new standard in architectural design. This partnership marries Trimo's expertise in engineering with Pininfarina's legacy of design innovation, presenting a prefabricated modular metal wall system that promises to redefine the aesthetic and functional landscape of modern architecture.

This article was originally published on Common Edge.

In 1956, when car ownership and the suburban development that this enabled were just being embraced as American cultural ideals, pioneering urbanist Jane Jacobs wrote that the U.S. was becoming “an unprecedented nation of centaurs. … Our automobile population is rising about as fast as our human population and promises to continue for another generation.” She continued, “the car is not only a monstrous land-eater itself: it abets that other insatiable land-eater—endless, strung-out suburbanization.”

The A' Design Award and Competition was established to promote and recognize the best in design worldwide, in all creative disciplines. The award is aimed at designers, innovators and companies that wish to stand out and attract the attention of the media, editors and buyers. These aspects are especially important in the world of design, where millions of products and projects are launched, and often end up being swallowed up and not receiving due recognition. To address this, hundreds of projects are submitted every year with a focus on innovation, technology, design and creativity. It offers a chance for recognition, with the valuable curatorship of a renowned jury and the possibility of a successful international launch. The A' Design Award contains a series of public relations, advertising and marketing services to celebrate the success of its winners. In addition, and unlike other design awards, it is completely free of charge.

Step into the realm where the minimalism of the 1960s Light and Space movement intertwines with contemporary high-tech algorithms and sensors. Back then, light artists like James Turrell, Dan Flavin, and Robert Irwin captivated audiences with the bare essentials, using precisely daylight or lamps to heighten visual perception. Fast forward to today, Chromasonic takes this synergy of light and color but augments it with sound and algorithms. Envisioned as a global network to experience the harmony of body and mind, Johannes Girardoni's team unveiled the first satellite of perception in the heart of Venice Beach, California. Through a collaboration with Google, Milan Design Week showcased how the interplay of light and color can go on tour as a walk-in installation on a larger scale.

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Throughout history, the undeniable interrelationship between sound and architecture has shaped users' experiences. From auditoriums to offices, cultural centers, and schools, acoustics in architecture can manifest itself in two ways: as a determining element of a structure's shape and as a material. When discussing aesthetics, the latter aspect is particularly relevant, as any material that forms part of a composition aims to have a cohesive design with the rest.

Integrating acoustics through materials presents a significant challenge, as certain attributes such as color, texture, or dimensions may hinder harmonization with the overall design of the space. This can unbalance the experience of the environment, since, although the acoustics are improved, the interior atmosphere is negatively affected. This situation highlights the importance of selecting the right material that can enhance acoustics while maintaining the coherence of the design.