The rapid urbanization of the 20th century was possible thanks to the Industrial Revolution and the assembly line, which allowed the rapid reproduction and replication of infrastructure, products and repetitive urban patterns in cities around the world. Urban morphology and dynamics produce standard patterns and forms of living. At the same time, and following the linear economy, cities consume most of the world’s resources and generate most of world’s waste (according to the United Nations). However, the exponential growth of digital technologies (computation, communication, fabrication) of the last decades offer the opportunity to enable a transition towards a spiral economy (an open circular economy approach), in which data (and knowledge) flow globally, and materials flow locally: from networks of logistics that move atoms, to networks of information that move bits.
Which processor? How many graphics cards? How much RAM? For architects, engineers, civil engineers, BIM managers, and other CAD pros, navigating the computer workstation marketplace can be an arduous task, hindered by unknowledgeable sales reps, inaccurate information, and other pitfalls.
The story of the "Redondinhos" housing project in Heliópolis, São Paulo began with a misinterpreted quote by Ruy Ohtake. In 2003, a magazine published the following statement attributed to the prestigious architect and urban planner: "What I find most ugly in São Paulo is Heliopolis." After seeing the report, Ohtake clarified that his intention was to say that the ugliest in the city is the difference between rich and poor neighborhoods - "the difference between the Morumbi neighborhood and Heliopolis, the largest favela," he corrected.
Muelle de Mimbre / Domingo Arancibia. Image Cortesia de Domingo Arancibia
Architectural comprehension as a field deals with representation as a synthesis of varied efforts —constructive, compositional, spatial, and technical qualities— which are then articulated in the constructed building. For this purpose, it is essential to think about the graphic representation that presupposes all these efforts, since it is both a procedure and a product of architectural design.
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via Graven Hill Village Development Company
“Self-build”: no mention of an architect, or anyone else for that matter. Maybe it’s a prehistoric urge that makes this idea so enticing; our earliest ancestors constructed their primitive huts to suit their unique needs and reflect their status or style. “Self-build” promises to physically re-connect people to the homes they live in.
However, the romantic notion of "self-build" housing is rarely compatible with the modern reality we live in. Building has become increasingly clouded by the difficulty of procuring land, excessive governmental red-tape, and an increase in building complexity. While self-build remains the purest form of this dream, there are now a series of nuanced processes that can help us achieve similar results. As a new generation of communities that encourage this dream emerges, we must look at the role the architect plays within them.
Having previously assembled sets of images featuring the offices of architecture firms in Dubai, London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, and Barcelona, architectural photographer Marc Goodwin continues the series with an exploration of 17 large and small offices in the Netherlands. Occupying buildings formerly used as offices, banks and old factories, the interior and exterior images capture a glimpse of the lives of these designers and their daily architectural surroundings.
Arena das Dunas, Brazil by Populous. Image Courtesy of Populous
As an industry populated by creators, the business of design is continually reconsidered and reshaped by processes of reinvention and experimentation. Rarely content with yesterday’s innovations in anything from modeling software to building materials, architects naturally look for strategic ways to gain maximum advantage in both building and business. Taking just such a creative approach to the challenge of improving athletic venues within the stringent time frame of a team’s offseason, the dominant Kansas City-based sports architecture firm Populous recently launched a standalone service that employs the efficiency advantages of a design-build firm to simplify and expand the process of implementing stadium upgrades without any disruption to the fan experience.
Portuguese architectural photographer João Morgado shared with us a series of images from Álvaro Siza's latest project, the Capela do Monte. This chapel is located in Barão de São João, in the Algarve region of Portugal. Part of the Monte da Charneca complex, Capela do Monte was commissioned in 2016 by a Swiss-American couple residing there.
Inaugurated in March of this year, the sandy colored, 10.34 x 6.34-meter structure was built at the highest point of a hill and can only be accessed by foot. Its monolithic geometry suggests, from outside, a serenity from the inner space. The wooden furniture within the chapel were all designed by Siza and manufactured by Serafim Pereira Simões Successors of Porto.
Architecture is often seen as something which provides a place-marker in history, reflecting the zeitgeist of an era. But how do we design architecture in a world that is changing faster than ever before, where entire types of buildings disappear seemingly in a flash? Here, we round up six types of buildings that came into existence in modern times and are fading as fast as they appeared. Mostly banal and previously ubiquitous, the nostalgia associated with the disappearance of these buildings taps into something emotional, rather than intellectual admiration.
Memory and architecture are closely linked, with Juhani Pallasmaa in his book The Eyes of the Skin describing how “the body knows and remembers. Architectural meaning derives from archaic responses and reactions remembered by the body and the senses.” Some of the structures below have become obsolete within half a lifespan—an interesting point to consider in a discipline that has historically valued permanence above all. If structures no longer serve a social function, will they be remembered?
"Anyone can be a photographer nowadays, all you need is a smartphone." Although this is a well-known cliche, that doesn't mean it's entirely untrue. Recently, with the advancement of smartphone technology, aided by social networks, the growth of photographic capabilities on these devices has increased at an exponential speed.
It only takes a pen, paper, and an innovative mind to create remarkable structures. Bringing these architectures to life, however, is where challenges arise. While some architects have shown their creativity and ambition by designing and constructing some of the craziest structures the world has ever seen, other architects were only left with an ambitious drawing. Whether due to financial limitations or designs that are way ahead of their time, some projects never saw the light of day.
Although you won’t be visiting these structures anytime soon—or ever, as far as we know—take a virtual tour of what could have been 7 of the world’s most iconic, innovative structures, courtesy of renders produced by Onward, the blog from Onstride Financial.
From the Fundación Arquia Blog, architect José Ramón Hernandez brings us an article that reflects on projects that can only be appreciated because of who they were created by. If it weren't for the fact that they bear the signature of their illustrious creator, they most likely would have gone completely unnoticed or even despised.
The brise soleil is an architectural element that has been used since ancient times to create subtle barriers between the interior and the exterior. Its use and design have been diversified over the years through the research and technology with which these elements are applied, creating the ability to build a small window to a complete facade and pavilion that seem to float.
We know that Mexico is a country with one of the most diverse climates, thus the use of a brise soleil is positioned stronger within the guild. Also, rural areas have long adapted the feature in Mexico, demonstrating its beauty and usefulness. Read on for our collection of 21 brise soleil features in Mexican projects to inspire you with its diverse applications.
What is enough light? The question is difficult enough but when faced with having to calculate how much LED lighting you need to create a well-lit space, it can become a bit more complicated.
Whether it’s architectural LED lighting for commercial applications or residential applications, here’s how to determine how many LED Lumens you’ll need to properly light your space.
https://www.archdaily.com/897277/how-to-determine-how-many-led-lumens-youll-need-to-properly-light-your-spaceDavid Hakimi
Today we celebrate Canada Day by paying a special tribute to timber construction and Canada's close ties with wood--as evidenced by its maple tree leaf emblem.
Canadian architects have excelled in timber design and architecture at various scales. These 15 examples of Canadian timber projects and their drawings range from temporary installations to an 8-story high-rise wooden structure building. With sustainability and precision in the details, wood continues, and will always remain, one of our favorite building materials.
The House of Soviets is a Russian brutalist building designed by architect Yulian L. Shvartsbreim. Located in the center of Kaliningrad, the building has been abandoned since mid-construction. However, its inhabitants recognize it as the most important urban landmark in their city. They usually refer to the structure as "the face of the robot," since its strange shape conjures images of a robot buried up to its neck, only showing its face.
In 1906, American architect Stanford White was murdered on the roof of a building he had designed sixteen years earlier. The now well-known story goes like this:
White, a founding partner at the celebrated firm of McKim, Mead & White, met the beloved model and actress Evelyn Nesbit when he was forty-seven and she sixteen. The first time Nesbit visited White’s now-demolished apartment building on Twenty-fourth street in Manhattan, he fed her lunch from Delmonico’s before guiding her up to a room housing what Nesbit described as a “gorgeous swing with red velvet ropes around which trailed green similax, set high in the ceiling.” From there, he took Nesbit to his bedroom, the walls of which were covered in mirrors, where he drugged her. Nesbit recalled, "When I woke up, all my clothes were pulled off me." Years later, Nesbit’s husband, Harry Kendall Thaw, shot White at a rooftop performance at Madison Square Garden. As the New York Timesreported the next morning, witnesses overheard Thaw saying of White, “he ruined my wife.”
The requirements for the use of BIM files in architectural projects are getting increasingly stricter. Currently, there are mandates that will require the use of these tools for the development of public projects. It is also likely that these norms will also be replicated in private projects.
Earlier this year, we published the guide 'How to Correctly Design and Build a Kitchen;' today, we present the second installment on how to use the BIM format to design the kitchen of your project quickly and efficiently. The modules are part of a library of elements which can be varied in a large number of formats and styles through the different models of Melamine boards.
The advantage of applying these modules is dependent on your design. You must consider the best possible optimization of a board, avoiding waste of material and money, and reducing the problems when building each piece of furniture.
Not so long ago, Lulu Li was in a classroom in graduate school, inspired by her education, the buildings around her, and a childhood dream. Since joining SOM as an entry-level architect a little more than three years ago, Lulu has grown in her role. She’s now a leader of the design team for a new science center at Wellesley College. We spoke with Lulu to learn more about her experience: the opportunities she’s found, the challenges she’s faced, and her advice for new graduates ready to begin their careers.
As architects, we often use a niche set of words that are sometimes unnecessarily complex and confusing to our non-architect friends. In 2015 we compiled a list of these, ranging from “typology” to “Blobitecture.” Here we’ve rounded up 50 urban planning terms that might be a bit less familiar but just as important to know.
From weird portmanteaus such as “Boomburb” to cute-sounding acronyms such as "YIMBY", here is a fun A to Z in urban planning language that will make future collaboration easier.
Situated throughout Brussels, Victor Horta's architecture ranges from innocuous to avant-garde. While many of his buildings were completed in the traditional Beaux Arts style, it is Horta’s Art Nouveau works—most of them built as townhouses for the Belgian elite—that are most beloved. Emerging from the decorative arts tradition and, in some ways, anticipating the coming onslaught of modernism, Horta’s Art Nouveau buildings were erected during a fleeting decade: roughly 1893 to 1903.
Above a steep canyon cut by the fast flowing water of the River Gravina lies one of the oldest communities in the world, whose architecture is defined by the rocks among which it sits. Matera, found in the southern Italian region of Basilicata, is a picture-perfect, white-stone city that originates from a prehistoric troglodyte settlement. The area’s special caves were used as a natural shelter from the harsh climate as early as 10,000 BC and, while the city has developed a unique, more modern personality alongside its cave-dwelling past, its success and perception has always be tied to its historic core—giving Matera a long and storied history that will culminate in a stint next year as a European Capital of Culture. Through the photos Federico Scarchillii, we can see the uncommon beauty and opportunity in this settlement.
Shusaku Arakawa and Madeline Gins—visual artists, conceptual writers, self-taught architects—believed that, through a radical recalibration of the built environment, humans could solve the ultimate design flaw: death. (Your move, Norman Foster.)
Arakawa and Gins completed five projects in their lifetimes—three in Japan, two in America—and to call them unconventional is a gross understatement. There’s an acid trip of a park; an eye-poppingly colorful, plucked-from-Pixar apartment building; and doorless lofts with bumpy, uneven flooring. Rather than whimsy or quirkiness, their ethos—dubbed Reversible Destiny—aimed to seriously promote longevity by activating and stimulating the body and mind.
CI (Continuous Insulation System) is an insulated facade system for walls and ventilated slabs that works through the superposition of 5 skins: fixation, insulation, waterproofing (open to the diffusion of the vapor and resistant to impact), and an outer cladding layer.
How are these components installed, and how do they work? Is it a system for new projects or can it be incorporated into existing buildings (retrofit)? How to design an CI correctly for my architecture project? Find these and other answers, below.
_552.jpg?1530063009 "Juzgados Oral-Penal en Pátzcuaro / Taller de Arquitectura Mauricio Rocha + Gabriela Carrillo. Image © Rafael Gamo")
_-_Tom_Arban.jpg?1530212731 "© Tom Arban")
.jpg?1529708839 "© <a href=‘https://www.flickr.com/photos/martinehrenhauser/8085701304'>Flickr user Martin Ehrenhauser </a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>")
