Chiloé is a five-part video series produced by Glaciar Films and directed by Diego Breit and David Guzmán; it explores the architectural identity of the southern island off of Chile. Architects, carpenters, artisans, and inhabitants present the constructive history of the island and explore how it is faced with the imminent changes of modern production and practices.
Glaciar Films has made three of the five episodes available to ArchDaily readers. In these clips, explore the island's architecture along with interviews with principal architects of the region: Jonah Retamal, Edward Rojas, and Macarena Almonacid.
Tower Studio by Pawel Mielnik, rendered in real time with Unreal Engine
Design visualization just keeps reaching new heights. While renderings remain a common part of design presentation, advances in technology have made new types of media not only possible but within the reach of even small teams and firms. These newer types of media require a change in workflow. Is it worth it?
As one of the most-used BIM software products around the world, there are a large number of tutorials and online courses that help us to get started in using Revit, or to become an advanced user and take advantage of its many tools. Do you just want to become familiar with its interface so that you can start using it in your projects? Do you need to learn how to link it with AutoCAD or 3ds Max? Don't know how to render or present the results of your models? These courses promise to teach you how.
Before deciding on a career in architecture, plenty of questions can cross one’s mind: Which school should I choose? Should I study abroad or choose a local school? Would enrolling in top international universities cost me a fortune? How long will it take for me to finally be able to build my own structure? At the end of the day, the making of an architect is pretty simple: half a decade of architecture studies, and then some.
Whether you are considering studying abroad or staying home, you'll need to know how long it takes to become an architect in your country of choice. Take a look at how long it usually takes to earn that degree in different countries from all over the world, and what you'll need to do (aside from attending school) before becoming a certified architect.
The lack of storage space is a recurrent problem in homes. In most cases, residual spaces or uncomfortable corners are used to solve the lack of shelves, drawers, and closets. To efficiently incorporate these type of spaces into your designs, here are 33 remarkable storage examples.
The grays of concrete and pollution are not the only representation of cities and towns in the Americas. As perfect postcard material, many cities in the new world express the vibrancy of the people and places through color. HAUS, ArchDaily's partner, has selected five of these cities, which show us how color can bring light to the day-to-day life of cities.
Le Corbusier's "Five Points of Architecture" functioned in the twentieth century as the go-to guide for architectural production; it is also a significant work in understanding the legacy of modern architecture. Horizontal windows, free design of the facade, pilotis, roof gardens, and perhaps the most significant point, free design of the ground plan form the Franco-Swiss architect's manifesto. In terms of design practice, this last point means distinguishing structure and wrapper, which allows the free disposal of dividing walls that no longer fulfill a structural function.
Residential projects were once characterized by a clear division of environments linked to domestic dynamics, now filtered by modern discourse, the house became flexible and capable of new spatial articulations.
To better understand the modern domestic space, we gathered some of the most emblematic examples of residences and their floor plans.
The historic Liangzhu Village in Hangzhou, China has a new monumental cultural center by the Japanese architect Tadao Ando. Opened in 2016, the building has become another popular cultural site in the village following the opening of David Chipperfield’s Liangzhu Museum a decade ago.
In Luis Barragán’s poetic imagination color plays as significant a role as dimension or space. Rough textures and water reflections heighten the impact of bright sunlight in his colorful buildings. But where does such vibrancy come from and how is it heightened by the architecture itself?
After completing Town Square, a mixed-use, double-tower complex in the heart of St. Paul, Minnesota in 1980, the late architect Donald Smith of SOM told Architectural Record magazine, “We must reorient our attention to the center [of] cities to save them.”
Smith’s words were prophetic, it turns out, but not in the way he may have expected.
Last month, Town Square—now known as UBS Plaza—captured the attention of the globe as a scraggly, wayward raccoon climbed up its southern tower’s 25 stories.
Imagine a sports stadium that could expand and contract with its fan base and team’s fortunes, one that could pick up and move to greener (and more lucrative) pastures.
Given team owners’ history of playing fans against each other, making stadiums more mobile isn’t likely to give pennant-wavers a sense of security, but the concept is an incredible breakthrough for building technology. Endlessly modular and made of ultralow-impact mass timber, this vision of low-carbon construction, conceived by engineered-wood manufacturer Rubner Holzbau and prefabricated stadium designer Bear Stadiums, could soon materialize at a soccer pitch near you.
Tradition and innovation. Those are the two pillars within which Bamboo U's workshop’s creative pendulum strives to swing. Following the practice of ancient Mongolian yurts, participants of Bamboo U, a build and design course in Bali, have created a bamboo yurt which can fold like an umbrella and can be deployed in an instant. Under the guidance of the German master-builder Jörg Stamm, students built the first retractable yurt prototype in Bali during Bamboo U’s last edition in April.
https://www.archdaily.com/897908/a-bamboo-yurt-you-can-fold-and-moveJules de Laage
Architecture can give you a headache. That sentence probably doesn't sound surprising for anyone who has dealt with the stress of practicing or studying architecture but, increasingly, psychologists are beginning to understand that you don't need to work on architectural designs for buildings to cause you pain. In an interesting article published by The Conversation, Arnold J Wilkins, a Professor of Psychology at the University of Essex, discusses how discomfort, headaches, and even migraines can be caused or exacerbated by simply looking at certain visual stimuli—with the straight lines and repetitive patterns of urban environments singled out as the main culprit.
Both today and in centuries past, it is a reality of building that not every project is destined for success. Financial issues or unrealistic timetables can complicate a building’s construction but, while usually the final result eventually meets the initial expectations, other times the worst-case scenario of a building being abandoned during construction becomes a nightmare come true. Unfortunately, these failed projects have an extensive history. Economic factors are the most common cause of unfinished construction, but buildings have also been stranded in limbo by wars, geopolitical shifts, epidemics of disease and other unpredictable obstacles, leaving partial structures as haunting reminders of what might have been.
Whether partially completed and left as ruins or still under construction decades (or centuries) after initial groundbreaking, unfinished buildings offer an alternative history of our built environment, promising long-delayed gratification or examples of design so ambitious that they prove impossible to realize. Initiated by civilizations across the globe, the following list details just a few examples of history’s most interesting and infamous unfinished construction projects.
Bridging the gap between the old and the new is never easy. Traditional building methods, where you often adjust to the unpredictability of a natural material, seem to contrast with the mechanical precision of modern construction. Sombra Verde - a bamboo gazebo developed by AIRLAB and Singapore University of Technology and Design (SUTD) as part of Singapore’s Urban Design Festival 2018 - bridges this gap. The traditional raw bamboo poles, used extensively throughout Southeast Asia, are combined with 3D printed connectors, utilizing a series of new technologies. The result is an iconic, lightweight structure in Singapore’s Duxton Plain Park that promotes the use of public space, sheltering the population from both the intense sun and heavy rain.
The rapid urbanization of the 20th century was possible thanks to the Industrial Revolution and the assembly line, which allowed the rapid reproduction and replication of infrastructure, products and repetitive urban patterns in cities around the world. Urban morphology and dynamics produce standard patterns and forms of living. At the same time, and following the linear economy, cities consume most of the world’s resources and generate most of world’s waste (according to the United Nations). However, the exponential growth of digital technologies (computation, communication, fabrication) of the last decades offer the opportunity to enable a transition towards a spiral economy (an open circular economy approach), in which data (and knowledge) flow globally, and materials flow locally: from networks of logistics that move atoms, to networks of information that move bits.
Which processor? How many graphics cards? How much RAM? For architects, engineers, civil engineers, BIM managers, and other CAD pros, navigating the computer workstation marketplace can be an arduous task, hindered by unknowledgeable sales reps, inaccurate information, and other pitfalls.
The story of the "Redondinhos" housing project in Heliópolis, São Paulo began with a misinterpreted quote by Ruy Ohtake. In 2003, a magazine published the following statement attributed to the prestigious architect and urban planner: "What I find most ugly in São Paulo is Heliopolis." After seeing the report, Ohtake clarified that his intention was to say that the ugliest in the city is the difference between rich and poor neighborhoods - "the difference between the Morumbi neighborhood and Heliopolis, the largest favela," he corrected.
Muelle de Mimbre / Domingo Arancibia. Image Cortesia de Domingo Arancibia
Architectural comprehension as a field deals with representation as a synthesis of varied efforts —constructive, compositional, spatial, and technical qualities— which are then articulated in the constructed building. For this purpose, it is essential to think about the graphic representation that presupposes all these efforts, since it is both a procedure and a product of architectural design.
Videos
via Graven Hill Village Development Company
“Self-build”: no mention of an architect, or anyone else for that matter. Maybe it’s a prehistoric urge that makes this idea so enticing; our earliest ancestors constructed their primitive huts to suit their unique needs and reflect their status or style. “Self-build” promises to physically re-connect people to the homes they live in.
However, the romantic notion of "self-build" housing is rarely compatible with the modern reality we live in. Building has become increasingly clouded by the difficulty of procuring land, excessive governmental red-tape, and an increase in building complexity. While self-build remains the purest form of this dream, there are now a series of nuanced processes that can help us achieve similar results. As a new generation of communities that encourage this dream emerges, we must look at the role the architect plays within them.
Having previously assembled sets of images featuring the offices of architecture firms in Dubai, London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, and Barcelona, architectural photographer Marc Goodwin continues the series with an exploration of 17 large and small offices in the Netherlands. Occupying buildings formerly used as offices, banks and old factories, the interior and exterior images capture a glimpse of the lives of these designers and their daily architectural surroundings.
Arena das Dunas, Brazil by Populous. Image Courtesy of Populous
As an industry populated by creators, the business of design is continually reconsidered and reshaped by processes of reinvention and experimentation. Rarely content with yesterday’s innovations in anything from modeling software to building materials, architects naturally look for strategic ways to gain maximum advantage in both building and business. Taking just such a creative approach to the challenge of improving athletic venues within the stringent time frame of a team’s offseason, the dominant Kansas City-based sports architecture firm Populous recently launched a standalone service that employs the efficiency advantages of a design-build firm to simplify and expand the process of implementing stadium upgrades without any disruption to the fan experience.
Portuguese architectural photographer João Morgado shared with us a series of images from Álvaro Siza's latest project, the Capela do Monte. This chapel is located in Barão de São João, in the Algarve region of Portugal. Part of the Monte da Charneca complex, Capela do Monte was commissioned in 2016 by a Swiss-American couple residing there.
Inaugurated in March of this year, the sandy colored, 10.34 x 6.34-meter structure was built at the highest point of a hill and can only be accessed by foot. Its monolithic geometry suggests, from outside, a serenity from the inner space. The wooden furniture within the chapel were all designed by Siza and manufactured by Serafim Pereira Simões Successors of Porto.
Architecture is often seen as something which provides a place-marker in history, reflecting the zeitgeist of an era. But how do we design architecture in a world that is changing faster than ever before, where entire types of buildings disappear seemingly in a flash? Here, we round up six types of buildings that came into existence in modern times and are fading as fast as they appeared. Mostly banal and previously ubiquitous, the nostalgia associated with the disappearance of these buildings taps into something emotional, rather than intellectual admiration.
Memory and architecture are closely linked, with Juhani Pallasmaa in his book The Eyes of the Skin describing how “the body knows and remembers. Architectural meaning derives from archaic responses and reactions remembered by the body and the senses.” Some of the structures below have become obsolete within half a lifespan—an interesting point to consider in a discipline that has historically valued permanence above all. If structures no longer serve a social function, will they be remembered?
.jpg?1531136109)
