A team of five University of Hartford Master of Architecture (MArch) students recently won the Dream Green, Hartford EcoDesign competition sponsored by the Connecticut Institute for Resilience and Climate Adaptation and hosted by the City of Hartford Mayor’s Office of Sustainability. The competition requested proposals to improve the city through “pop-up” projects that transform underused city spaces while highlighting green infrastructure and sustainable design.
The work of an architect and urban planner can take on many forms thanks to the diverse curricular composition of most graduate courses, with subjects that deal with designing in different scales and contexts. From great urban plans to home renovations, and the metropolis to furniture design, these branches deal with different objects, however, all in common are the use of drawing and models as a tool for representation.
Whatever the project may be, drawing is the way to represent reality, ideas, speculations, and conceptions. Scale, a factor that establishes the level of reading one must make of these representations, determines the link between the real world and the dimensions of the drawing or model. For instance, the scale 1:1 is also known as “full size.”
Austrian-born architect Victor Gruen is perhaps best known for pioneering the design of the American mall typology. His visions for these spaces sought to incorporate various aspects of the city into a single enclosed or indoor space, with a particular focus on consumption and commercial activity. His sprawling designs functioned as the perfect complement to America’s burgeoning leisure-driven consumer culture as a booming economy and an increase in car travel reinforced the possibilities of this new postwar way of life. Perhaps lesser-known, however, is Gruen’s commission from the Iranian government to design an urban plan for the city of Tehran in the late 1960s.
Allied Works has, since their founding in 1994, become known for their portfolio of delicately balanced and civic-minded works. Their Clyfford Still Museum in Denver has in particular been recognized in numerous awards and publications - but may perhaps be overshadowed by their most recent built work.
The National Veterans Memorial and Museum, located in Columbus, Ohio elevates what might have been a staid and somber program into a public space with an urban outlook. The museum, composed of intersecting white concrete bands, opens onto a lustrous landscape (designed by OLIN) and connects the formerly neglected riverfront to the small city’s downtown.
Lumion has always set out to define what rendering should be: fast and stress-free with exceptional results. Now, with the latest version of its 3D rendering software, Lumion 9, it’s easier than ever to show off your 3D models in a living environment, with beautiful, real-life skies, an endless variety of landscapes, and exceptional lighting and materials. Oh, and rendering takes minutes, not hours.
The following is an excerpt from Andrew Levitt's recent book "Listening to Design: A Guide to the Creative Process."
Listening fully without any desire to judge or cause change can open the most stubbornly shut door. With deeper listening, the desire to change or judge the other person disappears and is replaced by a willingness to just be present. At first I worried that listening was not enough, but eventually I learned that the process of creativity hinges on the ability to listen. We need to get into the habit of recognizing the authenticity of our inner voices. By hearing that voice without judgement, we can access all kinds of riches. All the ideas in the world won’t help you if they fall on deaf ears. When we get an idea, there are so many ways of ignoring or sabotaging it. Staying true to the inner command is the holy moment of design. But listening is the key to successful collaboration and feedback.
Kanye West is, according to Kanye West, a reformed man. After months of making headlines over his bizarre political views, he stated on Wednesday that, “my eyes are now wide open and now realize I’ve been used to spread messages I don’t believe in. I am distancing myself from politics and completely focusing on being creative !!!”
While this most likely means a return to his music career, this statement could also indicate a renewed interest in his design projects. The rapper’s interest in architecture is more than just a passing one; he’s collaborated with noted architects such as Jacques Herzog and Rem Koolhaas and has declared on multiple occasions his desire for everything to be “architected.”
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This article was originally published in Metropolis Magazine as "Hip-Hop Architecture's Philip Johnson Moment".
More than 40 years after it emerged from South Bronx house parties, hip-hop has become a once-in-a-lifetime concussive force reshaping global cultural. But at its most elemental and foundational, hip-hop is a direct, powerful confrontation with the built environment. “Broken glass everywhere / People pissing on the stairs, you know they just don’t care,” Grandmaster Flash and the Furious Five rapped on their seminal 1982 track “The Message.” “I can’t take the smell, can’t take the noise / Got no money to move out, I guess I got no choice.”
It’s no secret that in many parts of the country, indoor-outdoor living actually gets better when summer turns to fall. The bugs buzz off, the humidity lifts, and the cooler nights beg for the warmth of a fire. Here are five of our favorite indoor-outdoor living spaces for the fall of 2018.
On its outskirts, you'd be forgiven for assuming that Columbus, Indiana is a suburban American town like any other. But travel downtown and you're suddenly greeted with an unexpected variety of modern architecture. The small midwestern city has for the past half-century been a kind of laboratory for contemporary architecture, attracting designers as diverse as Kevin Roche and IM Pei. Children attend school in a building designed by Richard Meier, congregants attend services in a church designed by Eliel Saarinen.
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Surely every architect has wondered how the fluid but complex forms of the architecture of Zaha Hadid Architects are brought to reality. And it's beautiful to see how an initial conceptual idea –probably drawn as a quick sketch– materializes in precise and detailed planimetric drawings.
We have compiled a series of construction details from 9 projects developed by Zaha Hadid Architects that give insight into her distinct style and approach, showing us that, with a little ingenuity and a lot of expertise, even the most impossible-seeming dreams can be built.
The World Architecture Festival is regarded as one of the most wide-ranging and influential architectural events. This year's event will take place in Amsterdam at the RAI Exhibition and Convention Centre from November 28-30. Bringing global voices in architecture, this year's speakers include keynote presenter Rem Koolhaas, Jeanne Gang, David Adjaye, and Li Xiaodong. This year, five lucky ArchDaily readers can win a standard pass to the World Architecture Festival 2018 (worth €1525). Enter the prize draw here.
When the world undergoes major changes (be it social, economic, technological, or political), the world of architecture needs to adapt alongside. Changes in government policy, for example, can bring about new opportunities for design to thrive, such as the influx of high-quality social housing currently being designed throughout London. Technological advances are easier to notice, but societal changes have just as much impact upon the architecture industry and the buildings we design.
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The story of the Hastings Pier is an improbable one. Located in Hastings - a stone's throw away from the battlefield that defined English history - the pier was first opened to the promenading public in 1872. For decades the structure, an exuberant array of Victorian-era decoration, entertained seaside crowds but by the new millennium had fallen out of disrepair. In 2008 the pier was closed - a closure that became seemingly irreversible when, two years later, it burnt down.
YAC - Young Architects Competitions and Mothe Chandeniers launched “Common Ruins”, a competition of ideas aiming to breath a new life into an astonishing castle in France. A cash prize of € 20,000 will be awarded to winners selected by a well-renowned jury made of, among the others, Anish Kapoor, Rudy Ricciotti, Edoardo Tresoldi, Dagur Eggertsson, Alfonso Femia, Aldo Cibic, Marco Amosso (Lombardini 22), Luca Dolmetta (LD+SR architetti).
To rank architects, or to even pretend that any list or selection would be exhaustive and/or apply to the individual tastes of every architecture lover, seems, on the surface, a pointless task. However, as we move away from looking for inspiration from merely the great masters or the handful of contemporary firms studied in academic programs, it is important to shine a light on the works that we, as ArchDaily editors, have found particularly valuable. Of the thousands of architects whose projects have been selected to be published on our site, we occasionally notice firms whose work stands out. Whether we’re drawn to their innovative approach to practice, the role they play in contributing to their local communities, or their generosity, we are eager to display their work as an example, so that others may be inspired to challenge the status quo.
During our past trips to Russia - in cities such as Moscow, Kaliningrad, Belgorod and even Grozny, the capital of the Chechen Republic - we documented the subtle pastel exteriors found in several cities around the world’s largest country. From neoclassical, to modernist and brutalist buildings, to public spaces and urban intra-structures such as metros, bridges and squares, pastel colors stand out as an essential, cohesive part of Russian identity. See a small selection of pastel-colored urban images below.
The following excerpt from Sam Lubell's Mid-Century Modern Architecture Travel Guide: East Coast USA—with excellent photos by Darren Bradley—provides an introduction to the revelatory and inspiring charm of the East Coast's Mid-Century Modern masterpieces. The book includes over 250 unique projects and serves as record of one of the USA’s most important architectural movements.
Few experiences are as wedged into our psyches as the Great American Road Trip—a rite of passage chronicled by luminaries from Alexis de Tocqueville to Jack Kerouac. The Great American Mid-Century Modern Architecture Road Trip? Not famous. But that’s one of the many reasons it’s so appealing. Discovery, in this global, digital age, when few corners are mysterious, has become a rare commodity. And discovery on the East Coast of America—in the context of one of the finest collections of Modern design in the world—is that much sweeter.
To strip a city of its architecture is to erase its history altogether. Despite a widespread public distaste for Brutalism, the brutalist era in architecture often went hand in hand with political movements promising an egalitarian vision in post-Stalinist Poland. What may now be considered austere and overbearing was originally intended to be anything but; the buildings today carry both an appreciation for their legacy and the burden of unwanted memories.
In a recent article in the New York Times, writer Akash Kapur documents his visit to Poland, bringing readers into his experiences and observations of this complex response to Polish architecture. From sharing its history to short anecdotes from interviews, the piece postulates whether these relics can become alive again.
Metallic elements have been used in architecture and civil construction for hundreds of years, either as decorative elements, coverings or even to reinforce masonry structures. However, it is only in the second half of the eighteenth century that the first bridges emerge whose structure was entirely made of cast iron. A century later, iron was replaced by a more resistant and malleable alloy, still used today in architecture: steel.
Denser than concrete, the strength of steel subverts its weight and provides greater stiffness with less material - allowing for lighter and thinner structures than those made from other materials, such as wood or concrete. It is by no means the most used material in residential architecture, however, its use has made it possible to construct some interesting - and beautiful - examples of contemporary houses:
Heatherwick Studio’s Coal Drops Yard in London’s King's Cross was unveiled today ahead of the new shopping districts public opening on Friday, October 26. The studio reinvented two heritage rail buildings from the 1850s as a new shopping district while opening up the site to the public for the first time. The design extends the inner gabled roofs of Victorian coal drops to link the two viaducts together around shopping and public space.
This article was originally published on Common Edge as "How the Quick Daily Drawing Puts Humanity Back Into Architecture."
Architect Frank Harmon has a discipline: he tries to do a freehand drawing every day. He doesn’t spend much time on them. About five minutes. These short spurts of depiction have the effect of catching lightning in a bottle or, as Virginia Woolf once said about the importance of writing every day, “to clap the net over the butterfly of moment.” To capture these moments you must be fast. The minute moves. Harmon’s drawings feel loose, fuzzy at the edges. You sense their five-minute duration.
.jpg?1540844392 "Skjern / Johansen Skovsted Arkitekter River Pumping Stations. Courtesy of Johansen Skovsted Arkitekter")
.jpg?1540930206 "MAXXI Museum / Zaha Hadid Architects. Image © Iwan Baan")
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.jpg?1540405410 "Hastings Pier / dRMM. Image © Laurian Ghinitiou")
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