In 2017, ArchDaily Brazil reported that Smart City Laguna would become the first “smart city” in Brazil. With its inauguration scheduled for that same year, the venture opened with 1,800 units in its first phase, and in its final phase, 7,065 units divided between residential, commercial and technological uses.

Located in the Croatá district of São Gonçalo do Amarante, the first Brazilian smart city occupies 815 acres directly connected to the federal highway BR-22, which crosses the states of Ceará, Piauí, and Maranhão, starting in Fortaleza towards Marabá, in Pará. Its location has economic reasons: the proximity to Pecém Harbor, in Fortaleza, the Pecém Steel Company (CSP) and the Transnordestina Railroad make Croatá a strategic hub that has been recently occupied by technological companies, becoming a “digital belt” a little over 50 kilometers from the state’s capital.

Artistic expression is often undisciplined. Sometimes, the riot of colors and explosion of lines and forms help unleash a 2D illustration out of its medium, which is precisely what Drawing Architecture Studio (DAS) managed to create in Ucommune’s new branch in Dajiang Hutong, Beijing.

In late 2018, Li Han, co-founder of Drawing Architecture Studio, won the 2018 Drawing Prize for her digital drawing of The Samsara of Building No.42 on Dirty Street, which also illustrates a visual narrative of the city of Beijing and its residential chronology throughout the 21st century. This year, DAS took Qianmen area, co-working brand Ucommune’s location as a subject, transforming its road network, architecture, and urban composition into a dynamic, meticulously detailed panorama titled Under the Zhengyangmen.

3D printing itself is no longer a new technology, but that hasn’t stopped researchers and innovators around the world from coming up with new applications and opportunities. Some experiments with new materials have been driven by sustainability concerns and others are simply the result of imagination and creativity. Others have chosen to invest their time utilizing more traditional materials in new ways. Materials, however, are just the beginning. Researchers have developed new processes that allow the creation of objects that were previously impossible to print and, on a larger scale, new building typologies are being tested - including a Mars habitat!

Clément Blanchet Architecture in collaboration with Etienne Tricaud (AREP) have been shortlisted for the French pavilion at Expo 2020 Dubai. The winner will be announced in February. The proposal is intended to enhance both the virtual world and the real to support human communication, cultures and interactions. The pavilion will be built around the themes of Light and Mobility to create a hidden oasis with two vertical gardens facing one another.

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Since its discovery in 8700 B.C., copper has been one of the most used metals in the history of humankind. It has a variety of uses from coins and weapons to statues and even architecture. One of its first architectural uses was in Ancient Egypt for the massive doors of the temple to Amen-Re at Karnak in 300 B.C.

The versatility of the material continues in architecture to this day, allowing for a variety of unique designs and uses. The innovative, efficient, and lightweight material is versatile in its use, ranging from facades to roofs, interior applications, and high tech solutions. Sustainable in its natural form, the material is 100% recycled. As the state of architecture becomes more focused on sustainability, copper becomes the ideal material for the buildings of today.

Below, we’ve selected 7 projects that use architecture's original bling.

To live in a residence designed by a renowned architect is a dream for many, however, a dream that will most likely never come true. But, there is an alternative. Many architecture enthusiasts have rented or even bought apartments in iconic buildings designed by their favorite architects. 

In regards to the work of Oscar Niemeyer, fluidity and flexibility may best express his plans and typologies.

Below, we've selected four apartments in buildings designed by Neimeyer that reinterpret his original plans.

Designing commercial spaces has historically been a challenge. In these environments, spatial distribution plays a fundamental role, even more so if we have a few extra square meters. With this being said, the study of these spaces in plan and section can be a great starting point. It not only allows us to analyze the logistics and circulation of customers but also helps us find efficient variations and innovations that will enable your store to stand out from the others.

Below, we've selected a series of 25 examples in plan and section that can help you understand how different architects faced the challenge.

This article was originally published on Common Edge as " Why Architects Still Struggle With Disability Requirements 28 Years After Passage of the ADA".

The recent death of President George H.W. Bush occasioned assessments of his administration’s legislative achievements, one of which was the far-ranging Americans with Disabilities Act (ADA), a civil rights act signed into law in 1990. The law included accommodations for people with disabilities in buildings. In the ensuing decades the ADA has had a significant impact on the design and construction of the built environment in the U.S. To gauge the impact of ADA, how it has evolved, common misconceptions about ADA, and its role in promoting social equity in architecture, I spoke with Peter Stratton, Senior Vice President and Managing Director of Accessibility Services at Steven Winter Associates, who works with architects and others in the construction industry on the application of the ADA design standards. (I worked at the Connecticut-based Winter firm between 1996 and 2006; Stratton was a colleague.)

For the fresh architecture student, the “jury,” “review,” or “crit” is far from glorious—sounding more like a death knell than a customary critique session. The concept, as Kathryn Anthony explores in Design Juries on Trial: The Renaissance of the Design Studio, goes as far back as the 1980s when the Ecole Nationale et Speciale des Beaux-Arts in Paris became the first art and architecture school to experiment with a format that would soon be adopted by architectural schools across the world. While some schools have taken steps to loosen traditional hierarchies, others continuing to reinforce them, much to the terror of fledgling first-year students who aren’t used to being “tried.”

So what can one really do to ease into this rather uncomfortable aspect of architectural education? Below is a fairly simple list of dos and don’ts that could go a long way in helping you out.

Religious architecture has long been one of the most exciting typologies, one has long paved the way for various design and structural innovations. Faith & Form magazine and Interfaith Forum on Religion, Art and Architecture (IFRAA) annually recognize the continued creativity defining the field.

This year's winners include 35 projects that span a variety of religious denominations, sizes, and location. Additionally, the award has recognized two trends defining contemporary religious architecture: "the preference for natural materials in worship environments, and inventive design solutions to address tight budgets."

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Airport architecture is a complex typology in which to innovate. Restrictive technical, security, and circulatory requirements force designs along limited (and precedented) paths; little budget is left over to create space for respite, let alone beauty.

Which makes the central space of Safdie Architect's design for Singapore's Changi Airport all the more unusual. Jewel Changi Airport reinvents the public concourse not just as an in-between space for travelers, but as a major public attraction. Public transit form the city passes through the city and the large garden and shopping space within the central dome establishes it as a node for public gathering. In the future, an event space on the north side of the park will host public events for up to 1000 people.

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Italian-born architect Lina Bo Bardi is one of the most important figures of Brazilian design. Her ability to blend architecture, politics and popular culture made her an icon throughout the country and world, while her relentlessness to break from traditionalisms made Brazil the ideal location for her work.

Bo Bardi's architecture incorporates both materiality and culture. In addition to the concrete and solidified elements, she designed pieces based on cultural factors and intense political discussions. She wished to break the barriers between intellectuals and everyday people.

This article was originally published by Autodesk's Redshift publication as "Design and History Join Forces at the National Veterans Memorial and Museum."

In the years before his death, the late Marine, astronaut, and US Senator John Glenn had a vision to create a place of gathering and remembrance for veterans of all conflicts. It would not be a traditional war memorial or military museum, but a place that would honor veterans and promote civic discourse, sharing stories of service through interactive exhibits, oral histories, images, and personal artifacts.

A few days ago, the Pantone Color Institute ended the annual suspense of fashionistas and color connoisseurs everywhere by announcing its 2019 Color of the Year: Living Coral. Described by the Institute as “an animating and life-affirming coral hue with a golden undertone that energizes and enlivens with a softer edge,” [1] PANTONE 16-1546 will surely be seen throughout the new year and perhaps in places you wouldn’t expect.

Zooraji, Olson Kundig's latest, takes its inspiration not from its site (the roof of a department store) or context (the futuristic city of Busan), but from a story. Aesop's The Town Mouse and the Country Mouse, to be precise. 

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Because, for all the inspirational works across the world, we would be lost without the photographers dedicated to sharing this inspiration with us. Here we present to you the 50 most influential architectural photographs of the year.

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A month after the event, the various nominees of 2018's World Architecture Festival have returned to their home cities, leaving the fanfare of the year's event in Amsterdam as a memory. But that's not to say it's not left a lasting impact.

Award-winning architect Steven Holl has expressed his dismay of modern-day architecture to Metropolis Magazine. Although Steven Holl Architects (SHA) have recently won the design competition of a gateway building at University College Dublin, and have completed new buildings in London, Houston, Virginia, and Richmond this past year only, the architect is convinced that regardless of all the success, “it’s not a great moment, there are a lot of bad architects”.