To live in a residence designed by a renowned architect is a dream for many, however, a dream that will most likely never come true. But, there is an alternative. Many architecture enthusiasts have rented or even bought apartments in iconic buildings designed by their favorite architects. 

In regards to the work of Oscar Niemeyer, fluidity and flexibility may best express his plans and typologies.

Below, we've selected four apartments in buildings designed by Neimeyer that reinterpret his original plans.

Designing commercial spaces has historically been a challenge. In these environments, spatial distribution plays a fundamental role, even more so if we have a few extra square meters. With this being said, the study of these spaces in plan and section can be a great starting point. It not only allows us to analyze the logistics and circulation of customers but also helps us find efficient variations and innovations that will enable your store to stand out from the others.

Below, we've selected a series of 25 examples in plan and section that can help you understand how different architects faced the challenge.

This article was originally published on Common Edge as " Why Architects Still Struggle With Disability Requirements 28 Years After Passage of the ADA".

The recent death of President George H.W. Bush occasioned assessments of his administration’s legislative achievements, one of which was the far-ranging Americans with Disabilities Act (ADA), a civil rights act signed into law in 1990. The law included accommodations for people with disabilities in buildings. In the ensuing decades the ADA has had a significant impact on the design and construction of the built environment in the U.S. To gauge the impact of ADA, how it has evolved, common misconceptions about ADA, and its role in promoting social equity in architecture, I spoke with Peter Stratton, Senior Vice President and Managing Director of Accessibility Services at Steven Winter Associates, who works with architects and others in the construction industry on the application of the ADA design standards. (I worked at the Connecticut-based Winter firm between 1996 and 2006; Stratton was a colleague.)

For the fresh architecture student, the “jury,” “review,” or “crit” is far from glorious—sounding more like a death knell than a customary critique session. The concept, as Kathryn Anthony explores in Design Juries on Trial: The Renaissance of the Design Studio, goes as far back as the 1980s when the Ecole Nationale et Speciale des Beaux-Arts in Paris became the first art and architecture school to experiment with a format that would soon be adopted by architectural schools across the world. While some schools have taken steps to loosen traditional hierarchies, others continuing to reinforce them, much to the terror of fledgling first-year students who aren’t used to being “tried.”

So what can one really do to ease into this rather uncomfortable aspect of architectural education? Below is a fairly simple list of dos and don’ts that could go a long way in helping you out.

Religious architecture has long been one of the most exciting typologies, one has long paved the way for various design and structural innovations. Faith & Form magazine and Interfaith Forum on Religion, Art and Architecture (IFRAA) annually recognize the continued creativity defining the field.

This year's winners include 35 projects that span a variety of religious denominations, sizes, and location. Additionally, the award has recognized two trends defining contemporary religious architecture: "the preference for natural materials in worship environments, and inventive design solutions to address tight budgets."

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Airport architecture is a complex typology in which to innovate. Restrictive technical, security, and circulatory requirements force designs along limited (and precedented) paths; little budget is left over to create space for respite, let alone beauty.

Which makes the central space of Safdie Architect's design for Singapore's Changi Airport all the more unusual. Jewel Changi Airport reinvents the public concourse not just as an in-between space for travelers, but as a major public attraction. Public transit form the city passes through the city and the large garden and shopping space within the central dome establishes it as a node for public gathering. In the future, an event space on the north side of the park will host public events for up to 1000 people.

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Italian-born architect Lina Bo Bardi is one of the most important figures of Brazilian design. Her ability to blend architecture, politics and popular culture made her an icon throughout the country and world, while her relentlessness to break from traditionalisms made Brazil the ideal location for her work.

Bo Bardi's architecture incorporates both materiality and culture. In addition to the concrete and solidified elements, she designed pieces based on cultural factors and intense political discussions. She wished to break the barriers between intellectuals and everyday people.

This article was originally published by Autodesk's Redshift publication as "Design and History Join Forces at the National Veterans Memorial and Museum."

In the years before his death, the late Marine, astronaut, and US Senator John Glenn had a vision to create a place of gathering and remembrance for veterans of all conflicts. It would not be a traditional war memorial or military museum, but a place that would honor veterans and promote civic discourse, sharing stories of service through interactive exhibits, oral histories, images, and personal artifacts.

A few days ago, the Pantone Color Institute ended the annual suspense of fashionistas and color connoisseurs everywhere by announcing its 2019 Color of the Year: Living Coral. Described by the Institute as “an animating and life-affirming coral hue with a golden undertone that energizes and enlivens with a softer edge,” [1] PANTONE 16-1546 will surely be seen throughout the new year and perhaps in places you wouldn’t expect.

Zooraji, Olson Kundig's latest, takes its inspiration not from its site (the roof of a department store) or context (the futuristic city of Busan), but from a story. Aesop's The Town Mouse and the Country Mouse, to be precise. 

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Because, for all the inspirational works across the world, we would be lost without the photographers dedicated to sharing this inspiration with us. Here we present to you the 50 most influential architectural photographs of the year.

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A month after the event, the various nominees of 2018's World Architecture Festival have returned to their home cities, leaving the fanfare of the year's event in Amsterdam as a memory. But that's not to say it's not left a lasting impact.

Award-winning architect Steven Holl has expressed his dismay of modern-day architecture to Metropolis Magazine. Although Steven Holl Architects (SHA) have recently won the design competition of a gateway building at University College Dublin, and have completed new buildings in London, Houston, Virginia, and Richmond this past year only, the architect is convinced that regardless of all the success, “it’s not a great moment, there are a lot of bad architects”.

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Jorn Utzon’s name is, for most people, tied inextricably to his most famous work: the Sydney Opera House. Completed in 1973, the project was named a World Heritage Site in 2007, making Utzon only the second architect (after Oscar Niemeyer) to receive such an honor in his lifetime. The project is arguably the most recognizable and significant works of architecture of the 20th century and remains a work ahead of its time. But the uncompromising detail and futuristic design of Utzon’s work left many of his projects unrealized or unknown by the time of his death in 2008.

As imaginative and hypothetical as their work may seem to some people, many visionaries have created admirable artwork that look beyond the ordinary and rethink architecture and urban spaces. Xinran Ma, the New York-based architectural designer and illustrator has visualized his architectural fantasies, and created numerous series of drawings, two of which were entries for Fairy Tales 2016 and 2017 by Blank Space."

Drawing inspiration from Italian artist Giovanni Battista Piranesi, known for his imaginative etches of Rome, and the collaborative works of Alexander Brodsky and Ilya Utkin, who produced avant-garde depictions of cities and landscapes, the illustrator has once again shared his creations with Archdaily, expressing his passion “to vision architectural fantasies that transcends time through graphic narratives”.

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On the surface, designing a new art museum for Harvard University is a brief so straightforward that it sounds like part of university curriculum itself. The program lends itself to the type of light and airy spaces architects dream of creating; the campus site promises both steady and engaged traffic. But, for all the apparent advantages, the road to realizing Harvard’s Art Museums was a deceptively complex one - one that ultimately took six years to see realized.

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If asked about comfort, what is the first thing that comes to mind? Luxurious finishes, plush chairs and sleek interiors? Few would think of their office, and the likely culprit is a fundamental ignorance of an alternative definition of comfort. When defined as a state of physical well-being derived from the provisions that are necessary for occupants to perform space-specific tasks, it’s apparent that architects play a key role--and that comfort is not just about spaces that are comfortable for leisure activities.

Architects and designers are responsible for the visual, thermal and acoustic qualities of spaces, not to mention the indoor air quality of our offices and homes. This is fundamental considering that the typical 21st century urbanite spends an average of 90% of time indoors. We constantly experience physical, psychological and physiological consequences of the balance (or imbalance) of indoor environmental design .

With this in mind, thermal comfort seems obvious (and it is) but unfortunately comfort as a holistic goal of architecture has not been taken seriously enough. Beyond measuring the acoustic and visual aspects of a built space, architects must have a solid understanding of the underlying concepts that drive the best practices. A solid grasp on how material selections will affect qualitative assessments of conferences rooms, homes, theaters, etc. can improve basic tectonic decision making that can, in turn, create more comfortable spaces.