Italian-born architect Lina Bo Bardi is one of the most important figures of Brazilian design. Her ability to blend architecture, politics and popular culture made her an icon throughout the country and world, while her relentlessness to break from traditionalisms made Brazil the ideal location for her work.

Bo Bardi's architecture incorporates both materiality and culture. In addition to the concrete and solidified elements, she designed pieces based on cultural factors and intense political discussions. She wished to break the barriers between intellectuals and everyday people.

This article was originally published by Autodesk's Redshift publication as "Design and History Join Forces at the National Veterans Memorial and Museum."

In the years before his death, the late Marine, astronaut, and US Senator John Glenn had a vision to create a place of gathering and remembrance for veterans of all conflicts. It would not be a traditional war memorial or military museum, but a place that would honor veterans and promote civic discourse, sharing stories of service through interactive exhibits, oral histories, images, and personal artifacts.

A few days ago, the Pantone Color Institute ended the annual suspense of fashionistas and color connoisseurs everywhere by announcing its 2019 Color of the Year: Living Coral. Described by the Institute as “an animating and life-affirming coral hue with a golden undertone that energizes and enlivens with a softer edge,” [1] PANTONE 16-1546 will surely be seen throughout the new year and perhaps in places you wouldn’t expect.

Zooraji, Olson Kundig's latest, takes its inspiration not from its site (the roof of a department store) or context (the futuristic city of Busan), but from a story. Aesop's The Town Mouse and the Country Mouse, to be precise. 

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Because, for all the inspirational works across the world, we would be lost without the photographers dedicated to sharing this inspiration with us. Here we present to you the 50 most influential architectural photographs of the year.

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A month after the event, the various nominees of 2018's World Architecture Festival have returned to their home cities, leaving the fanfare of the year's event in Amsterdam as a memory. But that's not to say it's not left a lasting impact.

Award-winning architect Steven Holl has expressed his dismay of modern-day architecture to Metropolis Magazine. Although Steven Holl Architects (SHA) have recently won the design competition of a gateway building at University College Dublin, and have completed new buildings in London, Houston, Virginia, and Richmond this past year only, the architect is convinced that regardless of all the success, “it’s not a great moment, there are a lot of bad architects”.

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Jorn Utzon’s name is, for most people, tied inextricably to his most famous work: the Sydney Opera House. Completed in 1973, the project was named a World Heritage Site in 2007, making Utzon only the second architect (after Oscar Niemeyer) to receive such an honor in his lifetime. The project is arguably the most recognizable and significant works of architecture of the 20th century and remains a work ahead of its time. But the uncompromising detail and futuristic design of Utzon’s work left many of his projects unrealized or unknown by the time of his death in 2008.

As imaginative and hypothetical as their work may seem to some people, many visionaries have created admirable artwork that look beyond the ordinary and rethink architecture and urban spaces. Xinran Ma, the New York-based architectural designer and illustrator has visualized his architectural fantasies, and created numerous series of drawings, two of which were entries for Fairy Tales 2016 and 2017 by Blank Space."

Drawing inspiration from Italian artist Giovanni Battista Piranesi, known for his imaginative etches of Rome, and the collaborative works of Alexander Brodsky and Ilya Utkin, who produced avant-garde depictions of cities and landscapes, the illustrator has once again shared his creations with Archdaily, expressing his passion “to vision architectural fantasies that transcends time through graphic narratives”.

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On the surface, designing a new art museum for Harvard University is a brief so straightforward that it sounds like part of university curriculum itself. The program lends itself to the type of light and airy spaces architects dream of creating; the campus site promises both steady and engaged traffic. But, for all the apparent advantages, the road to realizing Harvard’s Art Museums was a deceptively complex one - one that ultimately took six years to see realized.

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If asked about comfort, what is the first thing that comes to mind? Luxurious finishes, plush chairs and sleek interiors? Few would think of their office, and the likely culprit is a fundamental ignorance of an alternative definition of comfort. When defined as a state of physical well-being derived from the provisions that are necessary for occupants to perform space-specific tasks, it’s apparent that architects play a key role--and that comfort is not just about spaces that are comfortable for leisure activities.

Architects and designers are responsible for the visual, thermal and acoustic qualities of spaces, not to mention the indoor air quality of our offices and homes. This is fundamental considering that the typical 21st century urbanite spends an average of 90% of time indoors. We constantly experience physical, psychological and physiological consequences of the balance (or imbalance) of indoor environmental design .

With this in mind, thermal comfort seems obvious (and it is) but unfortunately comfort as a holistic goal of architecture has not been taken seriously enough. Beyond measuring the acoustic and visual aspects of a built space, architects must have a solid understanding of the underlying concepts that drive the best practices. A solid grasp on how material selections will affect qualitative assessments of conferences rooms, homes, theaters, etc. can improve basic tectonic decision making that can, in turn, create more comfortable spaces.  

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When the time comes to separate or close off spaces, it's important to keep in mind solutions that will adapt and cater to your project. In this step, it's important to define, not only the materials needed to complete the project, but how the final product will interact with the people who will use it.  Some of the most highly recommended solutions are foldable, collapsable, stackable, or hanging mechanisms that allow interiors and exteriors to be integrated without completely losing their individual functions. 

If you're looking for help or inspiration for this process, take a look at 6 projects that effectively utilize these versatile building systems. 

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A quintessential characteristic of Mexican culture — in addition to its architecture and rich pre-Colombian identity — is its gastronomy. In 2010, UNESCO's Intangible Cultural Heritage list inscribed Mexican Traditional Cuisine. The foundation remarked that "their knowledge and techniques express community identity, reinforce social bonds, and build stronger local, regional and national identities." However, from Mole to Birria and Pozole to Cochinita Pibil, the most iconic, versatile, and tasty meal is the taco.

In honor of Mexico's rich history, tradition, and food, take a look at 7 taquerias that can inspire your next project. 

Mud City, the Windy City, the City of the Big Shoulders... If there is one thing we are certain of, it is that Chicago is the birthplace of exceptionally tall buildings.

To celebrate the city's ongoing innovations in soaring skyscrapers, Orbitz has illustrated 20 of Chicago’s most iconic sky-high architecture.

View the republished content from Orbitz' list complete with an interactive timeline of Chicago's tallest buildings.

An active ArchDaily collaborator, architect and doctor Rogelio Ruiz Fernández, has emerged as a great enthusiast of cinema, architecture, cities and landscapes. He expresses his love for visual arts, architecture, and culture through his drawings. In these moments, he documents trips, his favorite locales, and project ideas that will later become works of architecture.

Below, Ruiz Fernandez explains his creative process and the importance of sketches in his work. 

Though seemingly opposite environments, cities are a lot like rainforests. At ground level, the world is dank, dark, and full of predators. Inhabitants seeking fresh air, sunshine, and privacy have only one direction to go: up.

So in the urban jungle, it’s only natural to build a “canopy” in the form of rooftop architecture. The popularity of rooftop amenities across residential, commercial, hospitality, and even health-care projects shows that’s exactly what’s happening.

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In a year packed with headlines, you’d be forgiven for occasionally letting them pass you by. But even within the mass of project proposals, awards, competitions, and events, a few trends emerged in 2018 - trends that both tell us about the year past and suggest where things might be heading. These trends, below:

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Oxford-born designer, Jay Osgerby has achieved virtually everything there is to achieve in the world of design. Together with his partner Edward Barber, Osgerby runs the internationally renowned Barber & Osgerby design studio. From diverse designs for well-known manufacturers such as Vitra and B&B Italia to the official torch for the 2012 Olympic Games in London and a two-pound coin commemorating the 150th anniversary of the London Underground, Osgerby and his partner have been almost restless in their creation of numerous icons. “I find it quite difficult to not think about work. I’m always thinking about what’s next. I’m terrible at stopping and just thinking.”

With the right configuration of materials and shapes, small enclosure, such as bathrooms, have unending design potential. Progressively, architects and designers are striving to make washrooms more welcoming and attractive places for its users. Often times we will hear clients ask for their bathroom to be somewhat of a personal spa. This week we have compiled 10 compelling images of bathrooms from all over the world. Bathrooms whose materials, patterns, colors, shapes, and textures begin to tell a story. Below, photographs by Peter Clarke, José Hevia, and Erieta Attali.

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Dealing with the context of a project’s site is an essential part of architecture, be it by denying or incorporating preexisting elements and the environment’s conditions in the design. However, understanding what lies around as an active agent of the decisions and space organization goes beyond simply considering the good views, natural ventilation, solar orientation, etc; it is about seeing these conditions as co-authors.

These cases are most notable when practices think of the architecture's surrounding environment as an active agent.