We’ve already talked about this. You’re preparing your final project (or thesis project). You’ve gone over everything in your head a thousand times; the presentation to the panel, your project, your model, your memory, your words. You go ahead with it, but think you'll be lousy. Then you think just the opposite, you will be successful and it will all be worth it. Then everything repeats itself and you want to call it quits. You don’t know when this roller coaster is going to end.
Until the day arrives. You present your project. Explain your ideas. The committee asks you questions. You answer. You realize you know more than you thought you did and that none of the scenarios you imaged over the past year got even close to what really happened in the exam. The committee whisper amongst themselves. The presentation ends and they ask you to leave for a while. Outside you wait an eternity, the minutes crawling slowly. Come in, please. The commission recites a brief introduction and you can’t tell whether you were right or wrong. The commission gets to the point.
You passed! Congratulations, you are now their new colleague and they all congratulate you on your achievement. The joy washes over you despite the fatigue that you’ve dragging around with you. The adrenaline stops pumping. You spend weeks or months taking a much-deserved break. You begin to wonder: Now what?
The university, the institution that molded you into a professional (perhaps even more so than you would have liked), hands you the diploma and now you face the job market for the first time (that is if you haven’t worked before). Before leaving and defining your own markers for personal success (success is no longer measured with grades or academic evaluations), we share 9 lessons to face the world now that you're an architect.
"There is an existential need for simplification." - Ludwig Mies van der Rohe
The Father of “Less is More”
Mies espoused the concept of “less is more” long before the days of Building Information Modeling. As a director of the Bauhaus School, he sought to establish an architectural style that could serve as the Modern alternative to Classic or Gothic styles. His design focus was on clarity and simplicity.
https://www.archdaily.com/910599/mies-existential-need-for-simplification-vs-bricscad-bimSponsored Post
Occidentului Street is fairly typical for Bucharest - a combination of villas, wagon-houses, inter and post-war structures. ADN BA's Occidentului 40, recognized in the EU Mies Prize's 2019 shortlist, is a masterclass in architectural detail and subtlety. The volume is composed of blocks, each responding to the heights and rhythms of the surrounding context.
As Atlanta takes center-stage today for the 2019 Superbowl, we've compiled a list of some of the Southern City's architectural gems. The city, a hotspot for small and innovative practices today, punches well above its weight when it comes to modernist and post-modernist works in the US. Some of the city's most intriguing projects, after the break.
https://www.archdaily.com/910703/superbowl-city-a-guide-to-atlantas-architectural-gemsKatherine Allen
El Equipo de Mazzanti, led by Giancarlo Mazzanti, has developed a line of toys inspired by their playful Bosque de la Esperanza sports center on the outskirts of Bogotá, Colombia. The first edition of the “We Play You Play” toy series inspired by the firm’s most recognizable architectural and social projects, the Bosque de la Esperanza toy set embodies Mazzanti’s ethos of “using the playful as a design tool.”
With more than 15 years of experience in architectural design, the Mazzanti team developed a special interest in using play as a method of involving and encouraging social behavior within the communities impacted by their designs. The Bosque de la Esperanza set therefore contains 16 modular pieces and 30 connectors, with complex geometries igniting a cognitive element, and creative challenge.
What do Kanye West and Frank Gehry have in common?
As a first impression, not much. However, they have both engaged on stages with striking design details: the use of exaggerated scale and dimensions to manipulate visual perception, bulky concrete walls and slabs to emphasize heavyweight and grandiosity, visible scaffolding to create an industrial, unfinished feel... Sounds familiar, doesn’t it?
Skyrocketing prices of London housing have become so unbearable that many have turned to less-than-ideal compromises. Large homes can be found but come with commutes of hours; places are still available in the city, but only for those with sky-high paychecks. Unable to balance their needs, people are resorting to workarounds that disrupt the existing urban fabric and dissatisfy all involved. Surely we can do better.
The idea of turning cold, raw materials into elegant shapes has always fascinated artists, architects, and designers. In the Carrara marble sculptures of Lorenzo Berdini and Michelangelo, human forms were carved from heavy blocks of stones with great detail and precision. There is no difference in architecture: from taking a light volume off the floor, to leaving a small indentation between a structure and a fence, to altering the lining of a block, there are several devices to make buildings visually lighter.
Have you ever found yourself losing a good night’s sleep due to an overly warm room? Or wearing four jackets and a scarf just to tolerate your office’s frigid air conditioning? Truth be told, you can’t please everyone when it comes to adjusting an indoor climate, and there is always that one unfortunate individual who ends up sacrificing their own comfort for the sake of others.
Evidently, there are no ‘universal standards’ or ‘recommended comfort ranges’ in designing building systems, since athletes training in a gym in Mexico will not feel comfortable in an interior with the same building systems of a nursing home in Denmark, for instance. Which is why, if we were to briefly define ‘thermal comfort’, it is the creation of building systems that are adapted to the local environment and functions of the space, cooperatively.
"The rooms are awash with sparkling candelabra, sumptuous carpets, marble columns, sculptures, and expensive artworks,” says Benedikt Hartl, co-founder of Opposite Office of Buckingham Palace. The 775-room, 79-bathroom, 828,821 square foot residence has been home to Britain’s royalty since the 1830s. And, if Opposite Office’s recent Affordable Palace proposal were to go through, could also be home to you.
If you're looking to upgrade your standard architecture presentation, SENTIO VR's tutorials can be very useful. They allow you to accurately use Revit, SketchUp, V-ray, 3Ds Max, Lumion and Cinema4D to create 360 renders and perform virtual reality experiences, with both technical and visual advice.
Architects no longer need to drag around giant roller drawings to a job site, now they can flip through a 3D model on an iPad. This shift in technology elevates the conversation about design and simplifies presenting design ideas from the start.
Dimensions of Citizenship: Architecture and Belonging from the Body to the Cosmos, the official US entry at the recently-concluded 16th International Architecture Exhibition of the Venice Biennale, will be on view for the first time in the United States at Wrightwood 659, a new art space located at 659 W. Wrightwood Avenue in Chicago, from February 15 through April 27, 2019. Devoted to exploring the notion of citizenship today and the potential role of architecture and design in creating spaces for it, Dimensions of Citizenship comprises seven unique installations, each created by a transdisciplinary team of architects and designers.
The latest UN special report on climate change, released in October 2018, was bleak - perhaps unsurprisingly after a year of recording breaking temperatures, wildfires, floods, and storms. The report, released by the UN Intergovernmental Panel on Climate Change (IPCC), reiterated the magnitude of climate change’s global impact, but shed new light on the problem’s depth and urgency. Climate change is a catastrophe for the world as we know it and will transform it into something that we don’t. And we have just 12 years to prevent it.
The final look of the building is determined not only by the materials, texture, colors and forms of the space, but also by lighting design. Architecture is all about vision, and lighting enhances the way we perceive architecture even more. For example, in the case of outdoor lighting design, lighting the façade will give a new opportunity for a building to showcase its nightlife “personality” by creating a completely different atmosphere in the surroundings.
Let’s see how façade lighting design can be implemented in Revit with the help of the LIGHTS add-on.
https://www.archdaily.com/910073/facade-lighting-design-in-revit-bringing-buildings-to-lifeSponsored Post
Until a few years ago, kitchens were separate rooms where food was prepared, but nowadays their role has changed. With open-plan designs, often combined with a dining or living room, they are a place for coming together. In many homes, they are even the center of everyday life. This multiple-function space challenges designers to produce coordinated room concepts with a uniform look.
Compromises when it comes to design and color? Nobody wants that when planning their perfect kitchen. There is a demand for materials with surfaces that always look the same no matter the use, for kitchen and living room designs with a uniform look and targeted accents.
https://www.archdaily.com/908272/designed-for-more-than-workSponsored Post
For those in the northern hemisphere, the last full week in January last week kicks off with Blue Monday - the day claimed to be the most depressing of the year. Weather is bleak, sunsets are early, resolutions are broken, and there’s only the vaguest glimpse of a holiday on the horizon. It’s perhaps this miserable context that is making the field seem extra productive, with a spate of new projects, toppings out and, completions announced this week.
The week of 21 January 2019 in review, after the break:
I was part of the last generation of architectural students who didn't use computers (we’re only talking the early 1990’s here; there was electricity, color TV’s, rockets, just no renderings.) In my final year at college I miscalculated how long it would take me to finish my thesis project. As the deadline approached, I realized it was too late for me to match my fellow students’ presentations. At the time Zaha Hadid, and her deconstructivist paintings, set the style for architectural illustration. That meant many student projects being rendered in oil paints on large canvases.
The implementation of a Complete Street is something to be celebrated. A Complete Street initiative is a clear indication that a city is striving for urban mobility and seeking a more democratic and safer use of space. Nevertheless, it is vital to measure the impact of these interventions when implementing future actions.
Joel Carlos Borges Street, the first Complete Street in São Paulo, underwent an evaluation two months after it was completed. The study revealed that 92% of its users approved of the project and believed that the changes were beneficial.
https://www.archdaily.com/909371/the-first-complete-street-in-sao-paulo-has-a-92-percent-approval-ratingWRI Brasil
This guide is not a catalog. It is an open invitation to walk around the city and learn more about the architecture in Guatemala City.
The Guide to Modern Architecture in Guatemala City was written by Raúl Monterroso, Gemma Gil, and photographed by Andrés Asturias. In partnership with The Cultural Center of Spain in Guatemala, the guide addresses a descriptive analysis of 35 buildings, structured in five different routes, with the aim of not only synthesizing a series of physical characteristics but to provoke a reflexive, analytical and critical observation of the environment.
As Raúl Monterroso points out, while he shares five sites that every architect must visit, the goal is to introduce people to Guatemala's modern movement. It is an invitation to walk through the city and identify it with a different built heritage, however one that also shapes the landscape and fits into the urban context. Learn more about modern architecture in Latin America, below.
Zinc is a natural element extracted from ores. Its symbol, which appears in the dreaded Periodic Table, is Zn. Through a metallurgical process of burning its impurities (reducing zinc oxide and refining), it assumes a much more friendly appearance, and later becomes the sheets, coils, and rollers used in construction. The main characteristic of this material is its malleability, which allows it to be worked easily, allowing to cover complex forms in facades and roofs of buildings.
Sustainability awards and standards touted by professional architecture organizations often stop at opening day, failing to take into account the day-to-day energy use of a building. With the current format unlikely to change, how can we rethink the way what sustainability means in architecture today? The first step might be to stop rewarding purpose-built architecture, and look instead to the buildings we already have. This article was originally published on CommonEdge as"Why Reusing Buildings Should be the Next Big Thing."
At the inaugural Rio Conference on the Global Environment in 1992, three facts became abundantly clear: the earth was indeed warming; fossil fuels were no longer a viable source of energy; the built environment would have to adapt to this new reality. That year I published an essay in the Journal of Architectural Education called “Architecture for a Contingent Environment” suggesting that architects join with both naturalists and preservationists to confront this situation.
https://www.archdaily.com/909863/why-reusing-buildings-should-and-must-be-the-next-big-thingMark Alan Hewitt
It's common sense: a good design is based on people and what they really need. As architects, are we deepening enough to give the correct answers to the requirements we face in each project?
Herman Miller is a great example of this understanding. Founded in 1905 by Dirk Jan De Pree, the American company produces equipment and furnishings for offices and housing, including a high level of research to understand the human body and the way we inhabit our daily spaces. These investigations, supported by usability testing and multidisciplinary work, results in a large number of furniture pieces and spatial designs that are now used by people around the world.
We had the opportunity to visit their headquarters in Zeeland, Michigan to understand how these studies have been carried out for several decades.
One of the most important factors when designing is the specific climate of the site. This can often present challenges when dealing with extreme climates and it is necessary to use insulating materials that adapt to changing conditions. However, Mexico and its privileged climate can be in an architect's favor. Here, architects can create microclimates and spaces that blur the transition of inside and outside.