in 2019, the Bauhaus turned 100 and a crop of museum buildings sprang up for the celebration.
In 2019, two museums bearing the name Bauhaus appeared on the German culture circuit. Angling to capitalize on the design school’s centennial, the Bauhaus Museum Weimar was first out of the gate, opening in early April; a few clicks behind, the Bauhaus Museum Dessau followed suit in early September. A third project, the much-delayed extension to Walter Gropius’s 1979 Bauhaus- Archiv/Museum für Gestaltung in Berlin, did not manage to keep pace and isn’t expected to open for a couple more years yet.
While 2019 saw the completion of great works of architecture, it has also been a busy year for unbuilt designs. Whether this consists of imaginary visions intended to broaden horizons and innovations, or practical projects intended for construction, ArchDaily has published a wealth of unbuilt projects throughout the year that have been recognized and celebrated by juries, peers, and institutions.
As the year draws to a close, we look back at the top competition-winning architecture of 2019. From built competition-winning entries from the world’s leading firms, to student and young architect entries which imagine the architecture of the future, the list offers an insight into what the architecture world has in store for the next year, decade, or even century.
As 2019 winds down, the media has started its annual ritual of taking stock, compiling lists, looking back. In the architecture world, the year’s biggest news story was arguably the Notre-Dame fire. The image of the cathedral’s burning roof—a wrenching sight—filled TV and computer screens around the world and occasioned an outpouring of grief, especially in France, where the building holds a central place in the nation’s collective consciousness. It was an architectural tragedy as well as a cultural one. No doubt: the April inferno struck at the very heart of France.
https://www.archdaily.com/931699/why-the-fire-at-notre-dame-elicited-few-tears-in-africaMathias Agbo, Jr.
Designers have fixated on the visual culture that wrought Casio wrist watches and Superstudio. Mario Carpo explores the reasons why.
It began with a watch—actually, two. Last year I was co-tutoring two brilliant master students in a school of architecture in a European country I shall not name. They had started their thesis project with some very idealistic, “accelerationist” views of technology—assuming, in the footsteps of some improbable political theories currently in fashion, that technological change would “accelerate” the final demise of capitalism. Then one day they showed up for their tutorial sporting two identical black Casio digital watches, and I immediately realized that something had gone awry. As if struck by some illumination on their road to Damascus, they explained to me they had concluded that technology should thenceforth be their foe. From that moment, their project turned into a “critical” reinterpretation of some Superstudio projects from the early ’70s. For their final presentation, some months later, they set up an installation where everything, right down to some fresh baguettes bought from a baker’s next door, was wrapped in carefully executed Superstudio wallpaper—black grid on white background. Most of their friends in attendance were also wearing the same Casio watch, I noticed.
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Hereyou can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.
https://www.archdaily.com/931663/how-does-architectural-design-change-when-the-city-becomes-equipped-with-the-most-recent-advances-in-artificial-intelligence-alessandro-armando-giovanni-durbiano-for-the-shenzhen-biennale-uabb-2019Alessandro Armando and Giovanni Durbiano
Last April, Mayor Bill de Blasio of New York announced plans to introduce a bill that would ban the construction of new all-glass buildings. Part of a larger effort to reduce citywide greenhouse emissions by 30 percent, other initiatives included using clean energy to power city operations, mandatory organics recycling, and reducing single-use plastic and processed meat purchases. The announcement came on the heels of the city council passing the Climate Mobilization Act, a sweeping response to the Paris Climate Agreement that included required green roofs on new constructions and emissions reductions on existing buildings.
https://www.archdaily.com/931309/de-blasios-glass-skyscraper-ban-could-mass-timber-and-transparent-concrete-take-its-placeLilly Cao
Odile Decq was born in 1955 in Laval, France and studied at École Régionale d'Architecture in Rennes, Brittany. She graduated from the École Nationale Supérieure D'architecture in Paris-La Villette in 1978 and received her diploma from the Paris Institute of Political Studies in 1979. Decq set up her practice in Paris the same year and soon met Benoît Cornette who was studying medicine at the time but switched to architecture. By 1985 he received his architecture degree and the couple renamed their firm into ODBC. In 1996, ODBC won the Golden Lion in Venice for their drawings, selected out of a pool of invited emerging voices that included Zaha Hadid, Enric Miralles, and Liz Diller and Ric Scofidio. That was the beginning of the computer drawings, expressing movement, ambiguities, layering, and overall new dynamics that characterize Decq’s liberated forms and spaces.
World Heritage Site is the title given to specific places on the globe (landscapes, cultural routes, cities, or architectural structures) by the United Nations Educational, Scientific, and Cultural Organization, or UNESCO, as a way to recognize their natural or cultural relevance and to encourage their preservation. Up to 2019, 1121 places in over 167 countries have been declared World Heritage Sites, of which 869 are cultural, 213 natural and 39 are mixed category.
Gone are the days when the kitchen was relegated to a service area. Following the traditional system of bourgeois residential tripartition (dividing the house into social, intimate, and service areas), the kitchen was originally designed as an independent and closed space. Today, more and more, projects seek to integrate and relate it to other rooms in the house, facilitating different interactions among its residents. Due to this transformation, the appearance of the kitchen also changed, and traditional ceramic and stone cladding gave way to new materials.
While we wait for summer 2020 and another chance to watch the medal counts climb and cheer on our home countries in the next Olympics, a different type of international contest has tallied its scores and the United States has taken the gold in the World Design Rankings, with China and Japan following for second and third place respectively. Sponsored by the international A’ Design Award and Competition, the world’s largest and most diverse design accolade, the World Design Rankings are compiled based on the number of designers from each country granted an A’ Design Award.
From hospitals and retail stores to large commercial facilities and school buildings, resilient flooring is a popular choice for its durability. Yet like any material, it is subject to human error and neglect; if not properly maintained, even resilient flooring may deteriorate (in aesthetics, function, or both) before its time.
Seoul is considered one of the most densely-populated and over-priced cities in the world, reaching a staggering $ 80,000 per square meter. The extreme conditions of the city have forced local architects to operate, design, and build framing the city's urban issues, traditions, and history. This approach by architects has created the theoretical basis of “The Condition of Seoul Architecture”, a publication by multidisciplinary practice TCA Think Tank which sees the point of view of 18 innovative South Korean architects. In this interview, Pier Alessio Rizzardi, founder of the practice, interviewed Chi Min-suk of Mass Studies, explaining his point of view on ephemeral architecture and what influences the studio's work the most.
Design:ED Podcast is an inside look into the field of architecture told from the perspective of individuals that are leading the industry. This motivational series grants unique insight into the making of a successful design career, from humble beginnings to worldwide recognition. Every week, featured guests share their personal highs and lows on their journey to success, that is sure to inspire audiences at all levels of the industry. Listening to their stories will provide a rare blueprint for anyone seeking to advance their career, and elevate their work to the next level.
In this episode, host Aaron Prinz speaks with Chris Mulvey, Managing Principal of Safdie Architects. Chris provides the podcast with an inside look into the design of Raffles City Chongqing, what it is like to work side-by-side with Moshe Safdie, and the firm’s unique approach to architecture as a global design firm.
Practitioners have finally begun taking a more nuanced approach to the carbon emitted by new buildings. Are they too late?
I’ve started calling them come-to-carbon moments—the inner alarm bells that sound as you begin to register the devastating ecological costs of every man-made surface around you. Every sidewalk you’ve ever walked on, every building you’ve ever walked into, and every material inside those buildings, too. It’s the kind of thing you can’t un-see once you’ve started looking, the kind of knowledge that can transform a worldview, or a practice.
Solar tiles operate identically to the photovoltaic panels that are already widely used in construction. The primary difference between them lies in their assembly: whereas photovoltaic panels are attached to an existing roof, solar tiles are part of the roof's construction from the start, taking the place of regular tiling.
The tiles are formed by photovoltaic cells that, when they receive sunlight, create an electric field capable of providing electrical energy for use inside the building. Each tile is connected by cables to the power distribution board.
Is it possible for a structure to reflect the thoughts of an architect? In the area of architecture, it's a well-known fact that the design process is largely shaped by the client, their culture, their requirements, and their budget, with little attention given to the personal tastes of the architects themselves.
Graveyards full of names that have long been forgotten, plaques etched with portraits that you ignore on your morning jog, monuments with friezes that depict the triumphs of war—all these are examples of memorial architecture, which once held intense emotional meaning for certain individuals or groups of people, but have now gradually become tourist attractions or anachronistic sites within a changed landscape.
Since the horrors of World War II memorial architecture has changed drastically, from monuments focusing on names, heroes, and patriotism to abstract symbols of mourning and loss. How will this shift in the design of memorials change the way we experience them in the present and, more importantly, in the future? When generations pass away and the memorialized event becomes almost forgotten, how will we experience and remember?
From playful indoor pools to tranquil exterior fountains to soaring waterfalls and grand lakes of enormous proportions, architecture throughout the centuries has engaged with water in endlessly innovative ways. Sometimes serving aesthetic purposes, but just as often acting as centers of activity or promoting sustainability, water features can take countless different forms and serve multiple different purposes. Below, we synthesize a series of water features espoused by innovative contemporary architectural projects, ranging from single-family residential homes to vast commercial complexes.
December 22nd, 2019 saw the public opening of the 8th Bi-City Biennale of Urbanism\Architecture (UABB) in Shenzhen, China. As the world’s most visited architecture exhibition, the Biennale forms an influential moment for the dissemination of architectural knowledge, and the generation of dialogue and feedback loops between designers and citizens. Titled “Urban Interactions”, the Biennale's 2019 edition sets its sights on the multifaceted question of how technological advancements will impact the relationships cities share with people, technology, nature, and each other.
Design:ED Podcast is an inside look into the field of architecture told from the perspective of individuals that are leading the industry. This motivational series grants unique insight into the making of a successful design career, from humble beginnings to worldwide recognition. Every week, featured guests share their personal highs and lows on their journey to success, that is sure to inspire audiences at all levels of the industry. Listening to their stories will provide a rare blueprint for anyone seeking to advance their career, and elevate their work to the next level.
In this episode, Morphosis Partner Arne Emerson joins the podcast to discuss the new tower at the 7132 Hotel in ValsSwitzerland, the firm’s recent leadership expansion, and how Morphosis is advancing the field of architecture.
The sitcom Seinfeld didn’t last into the 21st century. But in the popular culture universe, the show is immortal, generating an endless stream of GIFs, memes, video clips, websites, and more. And, of course, every minute of its nine-season life has been rerun on one or more channels since the series ended in 1998.
Why does it remain so popular? “A show about nothing” was really 180 22-minute mini-plays on our most mundane realities. Its common theme, as epitomized by the final episode, was the comic self-absorption of the show’s four main characters.
It's very common for architects to use more than one program when developing a project. While one software can help us with the conceptual design and image of the project, other programs may work better for the development of technical documents, such as drawings, sections, and details. On the other hand, other software products can help us make a three-dimensional model, and yet others allow us to create renderings. There are also programs used for the postproduction of images, videos, or even to diagram panels and portfolios. The list is long and as a result our computer processors may suffer.
Although with BIM (Building Information Model) programs, this pilgrimage between programs tends to decrease when covering the entire design process, understanding the extensive list of file extensions is not as simple as it seems. In addition, it's not uncommon to find incompatibilities between versions and file types when, for example, the project must be opened on complementary equipment. Next, we review the file extensions most used by architects, focusing mainly on BIM programs.
Designing well, creating beautiful buildings as well as boosting revenue and making your firm profitable rank highly among the goals of architects around the world today. What are the most effective tools architects need to achieve those goals? At a recent Technology and Architecture panel, successful architects discussed answers to that very question. When you watch this panel discussion, recorded live at the prestigious Pritzker Military Museum and Library, you will hear inspiring approaches to design, coordination and project management - rooted in BIM and enabled by the design flexibility found in ARCHICAD.