The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.

This week David and Marina answer a call in from a listener asking if they should enroll in IPAL (NCARB’s Integrated Path To Architectural Licensure) in undergraduate school to become a licensed architect in the United States and if IPAL should be a factor when choosing their school. The two also discuss the pros and cons of becoming a licensed architect during school.

A facade must meet steep requirements as both the first skin that protects a building, its interiors, and its materials, and as the first thing a person sees. In addition to weather resistance and durability, its appearance is extremely vital for any architectural project. Prefabricated facade panels provide a clean, precise, and sophisticated finish to buildings and sport high versatility through different patterns and shapes.

Photoshop is one of the most universal, enduring, and valuable programs in the designer’s taskbar. The go-to tool for students and architects for image-based editing, collages, and rendering, the popularity of Photoshop has given rise to countless online tutorials, tips, and resources. As we demonstrated over a year ago with our extensive library of 100 Photoshop textures, there is great value for designers in having a single, collated, one-stop service for quickly accessing the multitude of free resources available online.

Entries to the 6th International LafargeHolcim Awards for sustainable construction will close on February 25, 2020. The competition seeks projects by professionals as well as bold ideas from the Next Generation that combine sustainable construction solutions with architectural excellence. The Awards accept projects and concepts from architecture, engineering, urban planning, materials science, construction technology, and other related fields.

While 2019 saw the completion of great works of architecture, it has also been a busy year for unbuilt designs. Whether this consists of imaginary visions intended to broaden horizons and innovations, or practical projects intended for construction, ArchDaily has published a wealth of unbuilt projects throughout the year that have been recognized and celebrated by juries, peers, and institutions.

As the year draws to a close, we look back at the top competition-winning architecture of 2019. From built competition-winning entries from the world’s leading firms, to student and young architect entries which imagine the architecture of the future, the list offers an insight into what the architecture world has in store for the next year, decade, or even century.

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This article was originally published on Common Edge on Dec 23, 2019.

As 2019 winds down, the media has started its annual ritual of taking stock, compiling lists, looking back. In the architecture world, the year’s biggest news story was arguably the Notre-Dame fire. The image of the cathedral’s burning roof—a wrenching sight—filled TV and computer screens around the world and occasioned an outpouring of grief, especially in France, where the building holds a central place in the nation’s collective consciousness. It was an architectural tragedy as well as a cultural one. No doubt: the April inferno struck at the very heart of France.

What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.

Last April, Mayor Bill de Blasio of New York announced plans to introduce a bill that would ban the construction of new all-glass buildings. Part of a larger effort to reduce citywide greenhouse emissions by 30 percent, other initiatives included using clean energy to power city operations, mandatory organics recycling, and reducing single-use plastic and processed meat purchases. The announcement came on the heels of the city council passing the Climate Mobilization Act, a sweeping response to the Paris Climate Agreement that included required green roofs on new constructions and emissions reductions on existing buildings.

Odile Decq was born in 1955 in Laval, France and studied at École Régionale d'Architecture in Rennes, Brittany. She graduated from the École Nationale Supérieure D'architecture in Paris-La Villette in 1978 and received her diploma from the Paris Institute of Political Studies in 1979. Decq set up her practice in Paris the same year and soon met Benoît Cornette who was studying medicine at the time but switched to architecture. By 1985 he received his architecture degree and the couple renamed their firm into ODBC. In 1996, ODBC won the Golden Lion in Venice for their drawings, selected out of a pool of invited emerging voices that included Zaha Hadid, Enric Miralles, and Liz Diller and Ric Scofidio. That was the beginning of the computer drawings, expressing movement, ambiguities, layering, and overall new dynamics that characterize Decq’s liberated forms and spaces.

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World Heritage Site is the title given to specific places on the globe (landscapes, cultural routes, cities, or architectural structures) by the United Nations Educational, Scientific, and Cultural Organization, or UNESCO, as a way to recognize their natural or cultural relevance and to encourage their preservation. Up to 2019, 1121 places in over 167 countries have been declared World Heritage Sites, of which 869 are cultural, 213 natural and 39 are mixed category.

Gone are the days when the kitchen was relegated to a service area. Following the traditional system of bourgeois residential tripartition (dividing the house into social, intimate, and service areas), the kitchen was originally designed as an independent and closed space. Today, more and more, projects seek to integrate and relate it to other rooms in the house, facilitating different interactions among its residents. Due to this transformation, the appearance of the kitchen also changed, and traditional ceramic and stone cladding gave way to new materials.

While we wait for summer 2020 and another chance to watch the medal counts climb and cheer on our home countries in the next Olympics, a different type of international contest has tallied its scores and the United States has taken the gold in the World Design Rankings, with China and Japan following for second and third place respectively. Sponsored by the international A’ Design Award and Competition, the world’s largest and most diverse design accolade, the World Design Rankings are compiled based on the number of designers from each country granted an A’ Design Award.

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From hospitals and retail stores to large commercial facilities and school buildings, resilient flooring is a popular choice for its durability. Yet like any material, it is subject to human error and neglect; if not properly maintained, even resilient flooring may deteriorate (in aesthetics, function, or both) before its time. 

Throughout the last 12 months, the architectural community has responded in various ways to the Climate Emergency. From innovative proposals that tackle the sustainable design of healthy cities, to collective political action and lobbying, 2019 saw a continued mobilization of ideas, opinions, and actions on how architecture can be used as a tool to help the planet.

Seoul is considered one of the most densely-populated and over-priced cities in the world, reaching a staggering $ 80,000 per square meter. The extreme conditions of the city have forced local architects to operate, design, and build framing the city's urban issues, traditions, and history. This approach by architects has created the theoretical basis of “The Condition of Seoul Architecture”, a publication by multidisciplinary practice TCA Think Tank which sees the point of view of 18 innovative South Korean architects. In this interview, Pier Alessio Rizzardi, founder of the practice, interviewed Chi Min-suk of Mass Studies, explaining his point of view on ephemeral architecture and what influences the studio's work the most.

Practitioners have finally begun taking a more nuanced approach to the carbon emitted by new buildings. Are they too late?

I’ve started calling them come-to-carbon moments—the inner alarm bells that sound as you begin to register the devastating ecological costs of every man-made surface around you. Every sidewalk you’ve ever walked on, every building you’ve ever walked into, and every material inside those buildings, too. It’s the kind of thing you can’t un-see once you’ve started looking, the kind of knowledge that can transform a worldview, or a practice.

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Videos

Solar tiles operate identically to the photovoltaic panels that are already widely used in construction. The primary difference between them lies in their assembly: whereas photovoltaic panels are attached to an existing roof, solar tiles are part of the roof's construction from the start, taking the place of regular tiling.

The tiles are formed by photovoltaic cells that, when they receive sunlight, create an electric field capable of providing electrical energy for use inside the building. Each tile is connected by cables to the power distribution board.

Is it possible for a structure to reflect the thoughts of an architect? In the area of architecture, it's a well-known fact that the design process is largely shaped by the client, their culture, their requirements, and their budget, with little attention given to the personal tastes of the architects themselves.