When we approached the Flores & Prats firm, we wanted to focus on their precise drawing just as much as their detailed mock-ups. We wanted to see a project that not only "values the time invested and accumulated in it but also sees said time as a virtue and not a defect;" an indication of paying attention to the process as well as the unexpected. (In this sense, it reminds me of reading about how to draw a forest, among other things, in "Las tardes de dibujo en el estudio Miralles & Pinós").

We conducted a long-distance interview with the Eva Prats and Ricardo Flores studio for this reason; to get a better idea of their thoughts on the impact of drawing on architectural representation.Their input makes clear the "why" of their decisions, and explains not only how they operate in a contemporary context but also indicates their relationship with construction among other disciplines.

Every working day presents new challenges for architects, fabricators and distributors. The key to success in the building industries is the optimum and timely implementation of projects and the satisfaction of clients and customers. Versatile, easy to work with materials like wood can streamline the process without sacrificing design or options. Wood, in addition to being a structural material, can also be utilized in the form of wooden composite boards and wood-based products. EGGER is a company with a history of producing multiple different types of wood products with unique purposes and applications within a design.

We may not give them the importance they deserve, but toilets are fundamental to our daily lives and our health. There are two "golden rules" that articulate their usefulness: they 'separate' us immediately from our waste, and they transport them for treatment, preventing them from contaminating the environment or making people sick.

In addition to being a good place to think about new ideas, browse Instagram, and answer emails, the toilet helps us stay healthy, an attribute we take for granted until we lose access to it.

Studying the data that indicates a climate crisis that has been affecting the whole planet for the last decades, the reactionary attitudes may sound disappointing. However, at the same time that the news indicates a global average temperature rise, the political focus on the climate crisis is also intensified, according to the UN Environment report released in 2019, which is a reflection not only of the occurrence of manifestations and protests around the world but also of the so-called activist art expression.

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Today's designers have inherited unprecedented global challenges, a legacy which will require radically new ways of fashioning the buildings, places, and landscapes that harbor our diverse ways of life. The College of Environmental Design offers several introductory and advanced programs for those interested in confronting these challenges in the fields of architecture, landscape architecture and environmental planning, urban design, and sustainable city planning. Please visit UC Berkeley's Summer Programs website to view images of student work and learn more about the CED Summer experience.

With growing awareness of the impact of fossil fuels on the natural environment and their common usage in buildings, architects are increasingly required to specify and accommodate alternative energy sources in their design approaches. Included in this portfolio of progressive energy sources is biomass, a scalable system that combines the usage of raw, sustainable materials with a lower resulting emission of CO2. As a method often heralded as the most transferable alternative to gas and coal, we answer a simple question: what is biomass energy?

Last week, The School of Architecture at Taliesin announced the closing of the school after 88 years. Both the school and the Frank Lloyd Wright foundation issued statements on the closure, and now the Student Body has created their own statement outlining the impact of the decision. The news of closure followed the conclusion of a multi-year struggle back in 2017, when the school was approved to maintain its accreditation as an institute of higher learning.

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It is truly odd how we always find ourselves in a bad mood at work and our productivity keeps decreasing as the week passes by. To be fair, we can’t keep blaming our colleagues, clients, or Monday for our rough day; sometimes it’s the chair we are sitting on, the fluorescent lighting above our computer, or the constant “chugging” sound of the printer near the desk.

Other than the fact that people spend about 70-80% of their time indoors, almost 9 hours of their day are being spent at work; and studies have indicated that the environmental quality of an office has short and long term effects on the comfort, health, and productivity of the people occupying it. While research on the comfort conditions of workplaces is still relatively minimal, we have put together a list of factors that have proved to be highly influential on the comfort of individuals in workplaces.

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While technology and construction have progressed rapidly in recent years, allowing structures to be built taller and faster than ever, remnants of colossal ancient monuments remind us that construction techniques from as long as hundreds of years ago had enormous merit as well. In fact, many of the innovations of antiquity serve as foundations of modern construction, with the Roman invention of concrete serving as a cogent example. Other essential ancient construction techniques, such as the arch and the dome, are now often considered stylistic flourishes, with designs like the Met Opera House reinterpreting classical typologies in a modern context. Yet perhaps the most relevant reinterpretations of ancient construction today are those that do so in the interest of sustainability, renouncing high-energy modern construction methods in favor of older, more natural techniques.

Does the Coronavirus concern us? Yes, it does. Beyond the rush for health cures, cities are seen to react by using both architecture and urban strategic planning as tools for the virus’ containment, shattering our notions of city and resilience planning.

The Chinese megacity of Shenzhen bares all the hallmarks of a surging modern metropolis. Busy (and loud) five-lane motorways weave through islands of glittering glass skyscrapers, rising from podiums filled with designer shops, fronting vast squares and plazas, activated by screen-savvy young professionals fueling the city’s booming tech economy. Such a scene is truly remarkable considering that before 1980, Shenzhen was nothing more than a provincial fishing town of 60,000 people. Today, that figure has risen to 13 million.

This poses the question of how the urban environment accommodated such a rapid population explosion in such a short time. The answer lies in the city’s “Urban Villages,” remarkable manifestations of Shenzhen’s past and present, though likely not of its future.

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Costing less than glitzier parks in Moscow, the Tatarstan initiative is revivifying the local design and manufacturing bases with a "teach a man to fish" approach.

In places without an established design force, there have historically been two opposing approaches at play: hire experts from abroad or nurture a local design community, a la “give a man a fish or teach him how to fish.” In the Russian republic of Tatarstan, located at the intersection between Europe and Asia, a recent Public Spaces Development Program has created over 350 parks in five years—by choosing the latter approach.

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This article was originally published on Common Edge.

The field of architecture is not exactly a hot topic of study for most undergraduate students. The closest they might get to the subject is an art history survey course in which architecture is presented as a parade of styles across the millennia—just another form of visual expression. 

Bruno Stagno from San José, Costa Rica, shares his contemplations for a free expressive code for tropical architecture.

With December and January nearly behind us, many of us will have been producing reports. There is an increasing number of tools for reporting PR value sold to companies as ways to justify their worth. There is no doubt that it’s useful to regularly take stock of past and upcoming initiatives and producing a report can even be pleasurable when adding to a sense of accomplishment and direction. The bad thing is that this heavily-report-reliant culture leads to management style PR that focuses more on how something will look on paper as stats, graphs, and pics, than what is actually accomplished.

For instance, The Architecture Foundation in London is highlighting growing Biennale fatigue in its forthcoming “Bored of Biennales” event in March. One can well imagine how all-too-often such events are best experienced not in situ, but instead, through carefully-edited reports or via media coverage as suggested by the Foundation.

Unfortunately, we've probably all experienced the unfortunate surprise of finding mold at home. These undesirable black and greenish spots, usually seen in dark, damp corners, may seem harmless at first, but they pose a major problem for buildings and occupants. Because the tendency of mold is to continuously spread, it gradually contaminates other materials and surfaces, causing a characteristic smell and contaminating the air. But how is it possible to control it and, mainly, to prevent it from occurring through architectural design?

Coming from the Byzantine Era, originally used for decorating floors and walls, the hydraulic tile is a material still widely used for the coating of architectural surfaces. With versatility in patterns, composition, colors, it is water-resistant and can be installed onto various surfaces, like countertops, panels, and furniture. Going beyond thoу commonly used ones, this material still shows excellent results in projects, both residential and commercial. With that in mind, we have compiled a selection to inspire you for your next works. Check it out below:

With the amount of information and technology we currently have, whether from academic research or from the manufacturers of construction products themselves, there is very little room for empiricism and experimentation when we design on the most diverse scales. Even worse is when design specification misconceptions can pose huge costs and headaches. However, long before construction and occupancy of the building, it is possible to clearly understand how the construction will function thermally, its photovoltaic power generation capacity, and even how much power will be required to cool and/or heat it. There are software, tools and applications that allow you to quantify all these design decisions to avoid errors, extra costs, unnecessary waste generation, and ensure the efficiency of all materials applied.

In the last few weeks, a number of reactionary architectural commentators have come out of the woodwork to denounce what they see as the currently negative direction of contemporary architecture. They claim that architecture needs to be “rebuilt” or that it is “imploding.” From their indications, architecture is on life-support, taking its last breath. The critique they offer is that contemporary architecture has become (or always was?) insensitive to users, to site conditions, to history—hardly a novel view. Every few years, this kind of frontal assault on the value of contemporary architecture is launched, but the criticisms this time seem especially shallow and misplaced. Surveying the contemporary global architecture scene, I actually feel that we’re in a surprisingly healthy place, if you look beyond the obvious showpieces. We’ve escaped from the overt dogmas of the past, we’ve renewed our focus on issues of the environment and social agency, we’re more concerned than ever with tectonics and how to build with quality. But the perennial critics of contemporary architecture appear not to have examined that deeply, nor that thoughtfully either. And unfortunately the various rebuttals to their critiques, ostensibly in support of modern and experimental architecture, have been ham-handed and poorly argued.

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The Patio Vivo Foundation seeks to promote active free play, positive and healthy relationships, wellbeing and contact with nature by articulating space, community and the culture of kindergarten and school playgrounds. In the following article, they describe their working methodology in their own words.

Architects of today face a common task that defies intuition – how to balance building performance and strict carbon targets against cost. Sustainability in design is certainly a worthy and necessary goal, but the amount of options can be overwhelming and the costs prohibitive, especially in the eyes of owners. How can designers best convince their clients to integrate sustainability into a project? Keeping costs low and backing up decisions with fact-based analysis are solid first steps.