On Design with Justyna Green brings you insightful conversations with the arts & design's most inspiring figures - from designers to architects, editors to creative directors and everybody in between. If you want to know what inspires them, how they work and how they see the world, this is the podcast for you. Listen to the On Design podcast now on Apple Podcasts, Spotify and Google Play.
Architect Arthur Mamou-Mani is this week's podcast guest. Arthur specialises in digital fabrication led architecture and some of his recent projects you'll be familiar with include Galaxia - the Burning Man temple from 2018 and Conifera - last year's COS installation at the Milan Design Week.
In our conversation, we discuss Arthur's practice, parametric architecture, his FabPub 3D printing and laser cutting facilities in East London which are available to all and we also get personal, chatting about what it's like to get married at the Burning Man and overcome depression.
Buildings show normally slow responses to current social issues. However, in the case of the Coronavirus, dynamic media facades have started to send messages of empathy to the citizens of Wuhan. At first, the Chinese government used screens covering complete buildings to create powerful images of hope and solidarity. Later, some countries like the United Arab Emirates joined this effort while a majority of countries has not followed so far.
Known as “the architect of Detroit,” Albert Kahn (March 21, 1869 – December 8, 1942) was one of the most prolific architects in US history, with over 60 buildings listed on the National Register of Historic Places. In a career spanning 50 years, Kahn’s body of work contained building types ranging from housing complexes to office buildings to aquariums and styles encompassing Beaux Arts, Georgian and Art Deco. Kahn’s factories for Ford and Packard Motors helped to establish the industrial aesthetic of Detroit and stood in contrast to the similarly inspired Bauhaus movement taking place in Germany.
The Coronavirus pandemic has been taking over the news for a few months now, and has imposed unimaginable changes on the daily lives of the world’s entire population. Although the situation is worrying, and rather devastating in some cases, being aware of the virus's behavior and understanding ways to avoid it seems to be the best way to deal with the crisis. COVID-19 is a respiratory disease that spreads through droplets in the air. What makes it especially dangerous is its high rate of contagion, as the virus has the ability to survive outside the human body, in the air, and on surfaces such as metal, glass and plastics, if they were not properly disinfected. But how does the virus behave on each of these materials? [Latest Update: July, 2020]
With most of our lives spent indoors, the space we occupy has a major role in our psychological behavior. Environmental psychology or Space psychology is, in fact, the interaction between people and the spaces they inhabit. Lighting, colors, configuration, scale, proportions, acoustics, and materials address the senses of the individual and generate a spectrum of feelings and practices.
From inducing warmth and safety, defining well-being, or creating a positive and efficient working environment, space can have a whole lot of impact on how we act or on what we feel; therefore, design and creative measures should be considered according to the social and psychological needs of the occupants.
No one ever dies too late, but Vittorio Gregotti died too soon for some of his radical ideas to be fleshed out in form, and too soon for the 17th Venice Architecture Biennale of 2020, which has been postponed by the same pandemic that took him away last week, to say thank you.
It may sound like a silly rhyme, but it’s true: wood is good. As a construction material, wood is beautiful, practical, and versatile. The great strength, light weight, and excellent insulating properties of wood make it ideal for many applications, especially at a time when timber is delivering efficient solutions at different scales. Despite these benefits, wood is highly susceptible to decay, especially when used outdoors.
At the apogee of the Roman Empire, its territory extended over more than five million square kilometers, between Europe, Asia, and Africa. Rome exercised power over a population of more than 70 million people, which equated to roughly 21% of the world population at the time. In fact, as we have already shown in another article, all roads led to the city of Rome. The great seat of the empire and the material and immaterial heritage left by it is immeasurable, and even today researchers seek to understand its full impact on the current world. From the beginning of its expansion in the 6th century BC until its fall in the year 476 AD, the legacy left by the Romans encompasses areas such as law, plastic arts, Latin (which originated many different languages), systems of government, and, importantly, architecture.
Calls to quarantine and social distancing throughout the world, in response to the novel coronavirus, have left unique and historical postcards: the cloudy canals of Venice are now crystal clear and the satellite images of China show a significant decrease in pollution. The renowned photographer Erieta Attali, with her phone in hand, was able to walk through the empty streets of Paris and portray, under her signature gaze, the French capital in isolation.
The city of Merida –capital of the Yucatan state in Mexico– is a region that has experienced a rise in architectural development in recent years due to the emerging talent that has made a name for itself with national awards and biennial proposals throughout the country. Due to Merida's tropical climate, the architecture on this site corresponds to specific geographical conditions that make it one of the most visited destinations in the world.
In a condition of growing superimposition between digital and physical, the threshold of the real is being pushed by a vast set of apps and platform that as a wired-wiring infrastructure manipulate cities and citizens in a constant exchange of data; in turn, this is progressively invading and exceeding the set of references we have to describe the urban condition. Users, now actors-producers of the human environment, will likely lose their physical agency and become producers of data, in what Federico Ruberto describes as the digital schizophrenia of the city of tomorrow. Through philosophical, artistic and cinematographic references the author paints varying scenarios, investigating what might be the limits for digital infrastructures and what tools we might employ in manipulating them.
For the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," (21 December 2019-8 March 2020) ArchDaily is working with the curators of the "Eyes of the City" section to stimulate a discussion on how new technologies might impact architecture and urban life. The contribution below is part of a series of scientific essays selected through the “Eyes of the City” call for papers, launched in preparation of the exhibitions: international scholars were asked to send their reflection in reaction to the statement by the curators Carlo Ratti Associati, Politecnico di Torino and SCUT, which you can read here.
Modernism could be described as one of the most optimistic styles in architectural history, drawing from notions of utopia, innovation, and the reimagination of how humans would live, work, and interact. As we reflected in our AD Essentials Guide to Modernism, the philosophy of Modernism still dominates much of architectural discourse today, even if the world that gave rise to Modernism has changed utterly.
As we say goodbye to 2019, a year that saw the centenary of the Bauhaus, we have collated a list of key architectural styles that defined Modernism in architecture. This tool for understanding the development of 20th-century design is complete with examples of each style, showcasing the practice of Modernism that lay behind the theory.
Interior design within architecture has become extremely relevant as architects and designers are responsible for creating pleasant spaces for people. Have you ever wondered why there are spaces in which we could stay for hours and others that generate instant rejection? These sensations are achieved through the correct management of various parameters that guarantee comfort in interior spaces.
Comfort in interior design, explained in a simple way, is provided in spaces that produce well-being. This, undoubtedly, can be a somewhat subjective and personal concept for each individual, but there are several parameters and building regulations to follow in design projects.
Unless you’re living in a news or social media bubble, it’s unlikely you’ve missed seeing the devastating effects Australia’s climate change exacerbated wildfires and drought have had on the continent. One of the images that still sticks with me is that of the young boy, mask over his face, steering his family’s boat as they flee a large bushfire – flames and smoke enveloping the entire scene within an apocalyptic reddish-orange glow.
The loss of life (humans and wildlife), the destruction of property, infrastructure and habitat, the negative impacts on air quality, biodiversity and access to water, and the resulting refugees will have long term impacts on Australia’s economy and general well-being. What’s worse, these negative impacts have been, and will continue to be, inequitably distributed among the continent’s populations. Not surprisingly, the resulting stress already placed on individuals and social institutions has weakened community cohesion through anti-social actions like water theft.
Insufficiently regulated in much of the world, the fire resistance of glass is an important issue that is often poorly resolved, endangering people's lives. What characteristics must a glass have to resist a fire? What options are there to choose from? We talked with the experts of Cristales Dialum to investigate these essential questions.
With Twinmotion 2020.1 now available, the software is fast becoming the go-to visualization tool for professionals working in architecture, interior design, urban planning, and landscaping, for everything from designing residential properties to providing VR walkthroughs of large-scale infrastructure projects. The latest release raises the bar for realism and includes new features for project presentation and review.
Building surveys are one of the staples of the early stages of any architectural project. Although this task is commonly now outsourced to specialist surveyors for larger projects, especially in the new BIM world, smaller schemes such as residential renovations and extensions can still require an architect’s surveying tools. With that in mind, we have created a list of specific considerations and tips for measuring interior spaces.
https://www.archdaily.com/935638/tips-for-measuring-and-surveying-interior-spacesNiall Patrick Walsh
One of our responsibilities as architects is to understand how to implement strategies into our designs that consider the people who inhabit the spaces, our natural resource consumption, and ensuring these projects are profitable. All of this can be achieved through three main goals: Reducing our carbon footprint, creating healthy workplaces, and the design of efficient and profitable buildings.
It is not your responsibility to finish the work [of perfecting the world], but you are not free to desist from it either.” —Rabbi Tarfon
On a recent flight, a gentleman sitting next to me noticed, aloud, that I was reading a book about architecture. Daring to engage in a conversation with more than two hours of flight time left, I confessed that I not only read about, but also practice architecture. His next question, with the earnest tone of a newly minted grandfather, was whether architects were “solving the housing crisis.”
The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Dwayne Oyler, Architect, Professor at SCI-Arc, and Co-Founder of Oyler Wu Collaborative, to discuss the pros and cons of digital and physical making, building tricycles, the evolution of their office, translating conceptual work to buildings, welding, power tools, the importance of being selective in your work, and more!
https://www.archdaily.com/935486/dwayne-oyler-digital-and-physical-makingThe Second Studio Podcast
Through its urban planning and civic buildings, Chandigarh represents an iconic fragment of Modernist architecture. This economic and administrative centre was meant to showcase the progressiveness of the 1950s' newly independent India.
Last week the Venice Architecture Biennale announced it would postpone its opening to August 29 of this year, while maintaining the original closure date of November 29. The duration of the Biennale will thus be reduced to three months. The reason for this intervention is clear to everyone: the Covid-19 epidemic, which has threatened the usual intense preparations for the Biennale, and which, since the decision was announced, has exacerbated to a national state of emergency. The announcement of the decision reads as a lesson in common sense.
This week’s curated selection from our readers’ submissions focuses on some of the essential components of our present-day cities.
Featuring the best-unbuilt architecture, the article highlights adaptive reuse projects that transformed abandoned warehouses and factories, a street design in Luxembourg, a regenerative master plan in Seoul, and an emergency family accommodation to temporarily house those in need. Moreover, the roundup distinguishes a library in South Korea and an extension of a museum in Helsinki, because the cultural aspect is an integral part of our urban environment.
With a vast built heritage, Lisbon's contemporary architectural production is rich in rehabilitation projects. Lacking space for new buildings - unless one is willing to pay for the land's high market price - Lisbon's current architecture prescinds tabula rasa and faces the challenge of working with what already exists - often limiting itself to design only interior spaces.