The romantic notion of wanderlust, and having the ability to freely move away from the familiar with minimal possessions is a desire that almost everyone has experienced at some point in their lives. The nomadic lifestyle is so appealing because it represents the possibility of rebelling against symbols of stability and permanence in favor of exploring the natural environment and having the ability to adapt to a variety of living conditions with ease. This desire has given rise to movable structures for the urban vagabond that can transform into a temporary office, home, or even an entire community.
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Pasaje Jose Cuervo. Image Courtesy of IE School
IE School of Architecture and Design students in the Master in Strategic Design of Spaces are challenged to be future-forward thinkers from the outset. In today’s world, where urban spaces are quickly evolving and city developments must address increasingly complex requirements, overcoming these challenges requires innovative, unconventional approaches.
As far as written records report, “prehistory” dates back between 35,000 BCE and 3000 BCE in the Middle East (2000 BCE in Western Europe). Ancient builders had a profound understanding of human responses to environmental conditions and physical needs. Initially, families and tribes lived together in skin-covered huts and bone structures. Thousands of years later, human settlements evolved into fortified mud-brick walls surrounding rectangular volumes with pierced openings for ventilation and sunlight.
During the upcoming months, we will be publishing short articles on the history of architecture and how it evolved to set the fundamentals of architecture we know today. This week, we are going back to some of the earliest civilizations known to mankind: Megaliths, Mesopotamia, and Ancient Egypt.
AI in the architecture industry has provoked much debate in recent years - yet it seems like very few of us know exactly what it is or why it has created this storm of emotions. There are professionals researching AI who know more about the field than I do, but I have hands-on experience using AI and algorithms in my design over the past 10 years through various projects. This is one of the challenges that our field faces. How can we make practical use of these new tools?
Located in the southern region of the United States, the state of Florida is one of the most populous states and the 22nd largest. The state hosts some of the most populated areas in the country, such as Jacksonville and the Miami Metropolitan Area.
The COVID-19 pandemic has transformed how we travel and come together. As streets and buildings became empty and people practice social distancing, so too have airports experienced a tremendous decline in passengers and flights. As the aviation industry shaped globalization, it has also contributed to how quickly the disease spread. In a new aerial series, photographer Tom Hegen explores the pandemic's impact on aviation from above.
Courtesy of the coronavirus, universities are closed around the world, and classrooms are now entertained over video conferencing. This is not overly dramatic as this temporary arrangement will eclipse after cases are contained, and classes will resume soon after. However, the impacts on the university ecosystem and on the urban fabric will require immediate renovations in higher education that will shape the architectural syllabus for years to come.
https://www.archdaily.com/939423/how-covid-19-will-shape-architectural-educationZaheer Allam, Gaetan Siew and Felix Fokoua
As the Great Philosopher, Mike Tyson said, “Everybody has a plan until they get punched in the mouth”.
The COVID-19 pandemic will deeply impact the world of aesthetics. For the first time since League of Nations was founded, a future of universal aesthetics may cease to be the academically sanctioned Architectural Canon. As Markus Breitschmid defines it, in his article “In Defense of the Validity of the 'Canon' in Architecture,” the Canon in Architecture is a way to divorce architecture from the rest of the world:
The course in Architecture for Humanities was born to train designers who know how to compose meaningful architectures even in the most complex contexts to bring quality and beauty where you are not used to seeing it. Today, pandemic, economic crisis, migration and climate change have turned every area -from the periphery of our metropolis to the most remote tropical village- into what can be defined as “emergency context”.
Cloud of Luster Wedding Chapel / Tetsuya Matsumoto. Image Courtesy of A' Design Award
Everyone likes to win. And if design is your passion, what could be better than winning a design award? Out of the multitude of design competitions in the world, the international A' Design Award is the largest, and now they've announced their winners of the 2019-2020 competition. Winners of this prestigious award must impress a jury panel of experts - 170+ press members, academics, and design professionals - in order to receive the A' Design Prize. In addition to the prestige, recognition, and international publicity, laureates are presented with a trophy, annual yearbook, certificate, invitation to the gala night, inclusion in the winners' exhibit, and more.
In February of this year, I gave a short talk to our Yale students about the economy and their employment prospects, suggesting that while all indicators remained strong and jobs were plentiful, it had been quite some time since our last downturn. Having seen several during my career I suggested that they would likely see a recession sometime in theirs, but cast doubt on whether we’d ever see anything as serious as 2008. If only…
It’s too early to be making nuanced arguments about the future, as we face down what is undoubtedly going to be a much more serious situation in the second half of 2020. So, here are ten first thoughts about how our profession may be impacted, and potentially transformed, as a result. Choose two or three as prompts to consider the future once the crisis has passed.
We are heading for a scenario in which BIM technology will greatly help us to maximize the roles and skills of civil construction professionals, making room for us to plan, design, build and manage buildings and infrastructures much more efficiently, integrating all systems, structural, mechanical, electrical and plumbing in a responsible, economical and sustainable way.
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the city of Homs in Syria. Image via Shutterstock/ By Fly_and_Dive
In a world devastated by war and destruction, new ideas for future reconstruction of cities are emerging. The latest technologies are creating opportunities to shape better built environments and better urban experiences. While the world has had its fair share of failed attempts of post-war reconstruction, the 21st century is promising concepts more in touch with culture, integration, and sustainability.
As we all know, technology is the game-changer of this century. It has ultimately modified how we design and build, and with the development of Artificial Intelligence, boundaries have been pushed furthermore. Able to transform the environment we live in, AI can also help shape a better version of the environment we have lost.
Stores in Santiago, Chile, ran out of yeast in mid-March, such as it happened after the beginning of the social crisis in 2019. Given that Chile has the second-highest bread consumption per capita in the world, it would seem that Chileans handle uncertainty stocking up ingredients for bread making. Everybody wants to make bread, including myself.
Our interpretation of the world is mediated through a variety of mechanisms that have been at the center of architectural and urban debate for a long time; the role of hearing in perceiving and recognizing the surrounding environment is fundamental and of growing scientific interest. Studies that investigate the psychological effects of noise produced by large infrastructures, such as airports, highways, railways, are multiplying. Santiago Beckdorf argues that it is possible, through the tools of design, to reverse the paradigm according to which urban development is inevitably connected to a weakening of the natural environment in which it is inserted.
For the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," (21 December 2019-8 March 2020) ArchDaily is working with the curators of the "Eyes of the City" section to stimulate a discussion on how new technologies might impact architecture and urban life. The contribution below is part of a series of scientific essays selected through the “Eyes of the City” call for papers, launched in preparation of the exhibitions: international scholars were asked to send their reflection in reaction to the statement by the curators Carlo Ratti Associati, Politecnico di Torino and SCUT, which you can read here.
The recently opened Opus building by Zaha Hadid Architects brings an interplay of solid and void, fluidity and orthogonality to the Dubai cityscape. New images by award-winning photographer Laurian Ghinitoiu capture the project’s sculptural silhouette, the studio’s distinct architectural signature.
The 2020 coronavirus pandemic is already creating change in every part of society. Harnessing this change should be the impetus for a long-overdue overhaul of the educational system and, in particular, the way we teach architecture.
Each day during the pandemic, we are suddenly finding what was once impossible is now suddenly possible. As Thomas Friedman said of online learning back in 2012, "Big breakthroughs happen when what is suddenly possible meets what is desperately necessary."
We now find ourselves in a position where we have to re-think everything to fight this virus. This pandemic will cause us to re-think learning as entire educational systems are forced to move online. In general, most formal education institutions are not producing the creative thinkers the world urgently needs. Solutions to the coronavirus pandemic require creative thinking, and how we currently teach in institutions today produces groupthink. Our path-dependent education does not get the best from individuals.
As the first ever Spanish architect to receive the Pritzker Prize, Rafael Moneo (born 9 May 1937) is known for his highly contextual buildings which nonetheless remain committed to modernist stylings. His designs are regularly credited as achieving the elusive quality of "timelessness"; as critic Robert Campbell wrote in his essay about Moneo for the Pritzker Prize, "a Moneo building creates an awareness of time by remembering its antecedents. It then layers this memory against its mission in the contemporary world."
As lead designer of the Lever House and many of America’s most historically prominent buildings, Pritzker Prize-winning architect Gordon Bunshaft (9 May 1909 – 6 August 1990) is credited with ushering in a new era of Modernist skyscraper design and corporate architecture. A stern figure and a loyal advocate of the International Style, Bunshaft spent the majority of his career as partner and lead designer for SOM, who have referred to him as “a titan of industry, a decisive army general, an architectural John Wayne.”
50 years ago Clarice Lispector already pointed out how difficult it was to unveil Brasilia: "the two architects did not think of building beautiful, it would be easy; they raised their amazement, and left the amazement unexplained". This year the capital turned 60, and still remains intriguing for scholars, students, and anyone who allows themselves to explore it better. In order to understand the daily life that exists there, we invited six professionals- in the field of architecture and urbanism - who live in the city, to share their visions with us and bring a few more layers that help to build an interpretation of utopia and reality that Brasília currently represents.
In the most fundamental sense, it can be said that architecture emerged due to the basic human need for shelter. The construction of the primitive hut was realized long before the conceptual Primitive Hut was described by Marc-Antonie Laugier and drawn by Charles Eisen in 1755. Laugier theorized that man wants nothing but shade from the sun and shelter from storms- the basic requirements of a human for protection from the elements. The pieces of wood that are raised perpendicularly give us the idea of columns, the horizontal pieces laid across them give us the idea of entablatures, and the branches that form a sloping incline are covered with leaves and give us the first roof. Although humans have been inhabiting the earth for millions of years, why was it only 265 years ago that Laugier’s theory was penned and made into an architectural cannon?
Jarahieh Refugee School. Image Courtesy of CatalyticAction
For the past few months, the architecture community has been trying to bring its contribution to the fight against the pandemic. The global spread of this crisis might have triggered a coordinated, and thus a more visible effort, but this isn’t the first time professionals step up in crises. Over the years, natural disasters and emergencies have determined several architects to get involved in disaster relief initiatives, as well as a wide range of humanitarian actions. In this article, we take a look at different occasions various architects and practices made a significant contribution to, helping affected communities overcome hardship.
Dissociating architecture from furniture is almost impossible. As Le Corbusier parking contemporary cars in his project photos suggests, the objects that decorate a domestic space demonstrate the wealth and lifestyle of the user who lives in it. From the moment that humanity ceased to be nomadic, there has existed records of rudimentary furniture. In an excavated site dating from 3,100 to 2,500 BCE, a variety of stone furniture was discovered, from cabinets and beds to stone shelves and seats. Since these early examples, furniture has always been used to express ideas: be it the exclusive and luxurious furniture of Ancient Egypt, meant to demonstrate the power and wealth of the empire, to the functional and simplified designs of the Bauhaus, meant to reconstruct rationality in the world, studying the evolution of furniture design is instrumental to understanding architectural styles.
Nowadays, the advancement of technology and the internet has made changes develop faster and faster, making them even more difficult to assimilate and follow. Furniture follows this trend, be it in the way of designing, manufacturing, or even selling products. Below, we outline some ways in which technology has impacted this field:
With the COVID-19 pandemic sweeping through the world's urban centers, governments worldwide are urging citizens to hunker down at home in a bid to quell the virus' spread. For apartment dwellers under quarantine, balconies have become the new platforms for entertainment and social interaction, making now an opportune moment in rethinking how we design and build these outdoor urban spaces.
