It takes more than creativity to create exceptional designs. Effective collaboration is an essential element in any successful project, as well as in day-to-day business. Using the right tools can help architects and designers overcome project obstacles and elevate their designs. Real-time rendering tool Enscape has introduced a collaborative issue-tracking feature, aptly named Collaborative Annotation, in their latest software version 2.8. This new feature promises to provide architects and designers with a more collaborative workflow.
Structural components can be the main stars in architectural projects, contributing to the understanding of how the building's intrinsic forces are organized and distributed. Cables are constantly being used to steal the scene: they subvert the logic of supporting structures and build stable systems using tension, creating both a sense of strength and lightness in the building.
This kind of element is found in buildings of many different sizes, ranging from the steel cables of large and majestic suspension bridges to the cables on residential roofs. We have picked a series of Brazilian houses that benefit from this delicate and powerful structural component in different ways, showing the versatility of its potential applications.
Suburban expansion into remnant habitat / La Citta Vita, via Flickr, licensed under CC BY-SA 2.0
The export of American culture is one of the most influential forces in our interconnected world. From Dakar to Delhi, American pop music, movies, and artery-clogging cuisine are ubiquitous. However, one of the most damaging exports is the American suburb. When the 20th century model for housing the swelling populations of Long Island and Los Angeles translates to 21st century Kinshasa and Kuala Lumpur, the American way of life may very well be our downfall.
https://www.archdaily.com/943939/suburban-sprawl-increases-the-risk-of-future-pandemicsMichael Grove
Seeing the Earth from a great distance has been proven to stimulate awe, increase the desire to collaborate, and foster long-term thinking. Daily Overview aims to inspire these feelings — commonly referred to as the Overview Effect — through their imagery, products, and collaborations. By embracing the perspective that comes from this vantage point, the team believes they can stimulate a new awareness that will lead to a better future for our one and only home. Check out Daily Overview's Gallery of Amusement Parks and follow the team's work on their Instagram.
Whether we like it or not, every architect is a recycler.
The phrase “Swamp Yankee” is neither a diss nor a stereotype. Swamp Yankees lived in pre-20th-century New England. They were those poor folk who could only afford to live near water – where disease, vermin and bad weather regularly wrecked lives. Those folk never threw anything out that could be reused (someday). They bartered and they salvaged as a way of life. There was never waste (“waste not, want not”). Swamp Yankees made recycling a lifestyle. Sustainability was not a Green choice – it was the way they survived.
Repurposing a building is not a simple task. Not only does it require keen sensitivity to identify and acknowledge the historical value of pre-existing elements – thereby deciding what will endure over time and what will be replaced by new features, consistent with the current program – but it is also a strategy that pushes the boundaries of design and embraces issues such as sustainability and resource efficiency. After all, we are speaking of recycling a structure, or parts of it, and this impacts both design and the environment.
Stockyard of recycled building materials waiting for reuse . Image Courtesy of NY Engineers
“Out with the old and in with the new,”....or so they say. In the United States, a cloud of dust and debris paired with a wrecking ball and bulldozer tends to represent signs of forward progress, innovation, economic activity, and the hope for a better future through architectural design.
Monuments, as Alois Riegl pointed out a century ago, are aids to memory. “In memoriam,” the carvings cry out. Though they are almost always tainted with political ideologies and social values, they can stand on their own as works of art, absorbing meanings over millennia. Many that we continue to treasure were once associated with events and practices antithetical to modern mores and taboos: Greek temples were founded on the altars of animal—and, earlier, human—sacrifice; the pyramids were made by slaves; market crosses may have served as flogging posts. There really are no innocent human artifacts dedicated to remembering human acts, as fact or fiction.
https://www.archdaily.com/943834/status-statues-and-statutes-the-issue-with-monuments-to-flawed-menMark Alan Hewitt
Urban connections define modern cities. From public transportation to walking and cycling paths, mobility has the potential to enrich urban life. In Europe, planners and designers have a long history of working through city connections to integrate with existing historic fabrics and make room for contemporary transport solutions.
One of the most important design considerations that residential architects have the responsibility to address is accessibility, ensuring that people with disabilities can comfortably live at home without impediments blocking basic home functionality. Accessibility for wheelchair users is a particularly important architectural concern due to unalterable spatial, material, and other requirements necessitated by wheelchair design and use. Because guaranteeing the comfort of all users, including disabled users, is one of the most essential obligations of all architects, designing for wheelchair users must be done with utmost the attention and care, especially in residential environments. Below, we delineate several strategies for designing floors for wheelchair circulation, helping architects achieve this goal of maximum comfort and accessibility.
https://www.archdaily.com/943591/what-types-of-residential-floors-favor-wheelchair-circulationLilly Cao
Cosmorama, a part of the U.S. pavilion at the Venice Biennale in 2018, comprised three sets of illustrated geographic stories: Mining the Sky, Planetary Ark, and Pacific Cemetery (a portion of which is pictured above). Courtesy Design Earth
I can’t stop thinking about refugia. In the years, months, and days before the COVID-19 pandemic, the term was confined to the literature and philosophy of climate crisis, referring to pockets of life that through geographic isolation or species resilience manage to hang on in spite of the environmental forces against them. Think of clusters of Pacific Northwest barnacles nestled high on coastal outcroppings to avoid falling prey to sea snails. Or old-growth forests insulated from rising temperatures in cool mountain valleys.
As self-quarantine set in earlier this spring, the word refugia, at least for me, expanded in definition from specific ecological condition to conceptual touchstone—a necessary leap to metaphor when faced with planetary crisis. The magnitude of this pandemic falls outside human comprehension, but for the luckiest of us, refuge is manageable: a place of relative safety, of sourdough starters and online Jazzercise classes.
Taller de Arquitectura Carmelina&Aurelio, by Tuxtla Gutiérrez in Mexico, has launched a coloring book with illustrations of famous architectural works. Due to the success of the first edition, the studio has just published the second volume of the series, with illustrations of works by Zaha Hadid, Kengo Kuma, Rozana Montiel, BIG, and Eileen Gray. The digital book in PDF format is available for free on the studio website.
Commonly used as storage support for products in supermarket stocks and fairs, pallets are versatile. After their primary function has been discarded, the reuse of pallets for other purposes is increasingly common, collaborating to the reduction of the amount of waste discarded, especially as raw material for the creation of furniture and decks. However, going beyond the commonly highlighted DIY furniture tutorials on youtube, these structures are gaining ground as the main element in the construction of ephemeral architecture, such as small pavilions and urban installations. In fact, these small pieces can be stacked and united together in different ways and patterns.
When reflecting on recycling, sustainability, measures to take, and innovative technological solutions, one cannot help but think that there are also familiar approaches that should be taken into consideration. In fact, when examining the impact of the built environment on the climate, one notes that in many countries, 80% of the buildings that will exist in 2050 have already been built. The most effective form of sustainability may, therefore, be saving energy by eliminating or minimizing new constructions, and by avoiding the demolition of existing structures.
That is what adaptive reuse stands for: instilling a new purpose on an existing “leftover building.” Nowadays, the refashioning process is becoming essential because of numerous issues related to the climate emergency, plot and construction costs, a saturation of land, and a change in living trends.
Hessenwald School in Weiterstadt, Germany, is an example of energy-efficient, contemporary architecture that offers a new teaching and pedagogical model. At the centre of both model and building stands a well-lit and well-ventilated three-storey atrium.
Recycled and reused materials continue to grow as a more attractive alternative in the construction field. They are at most times a coveted sustainable substitute to conventional building materials, offering a financially resourceful solution when appropriately sourced and implemented. Aside from saving up on raw material costs, establishing recycling facilities or factories might present a good opportunity to generate jobs within a local setting (collecting, handling). The recycling process might also be used as a gateway to lower energy consumption, with some plants eventually generating their own power through specific material transformation techniques (Heat generated power).
This article is part of "Eastern Bloc Architecture: 50 Buildings that Defined an Era", a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Eccentric Urban Buildings.
For the past 14 years, ArchDaily has been committed to delivering inspiring content. Our curators select the best architecture projects from around the world —from renowned firms to emerging practices— to join the world's biggest curated architecture library, while our editors cover the world’s major challenges and avant-garde ideas that are shaping the built environment, reporting from influential as well as emerging events.
Space-saving fully automate parking solutions buy U-tron. 50% reduced parking footprint and superior user experience. Image Courtesy of U-tron Parking
As ride-sharing services grow and personal ownership of automobiles declines, office building owners and developers are re-thinking the value of parking structures, and their capacity and ability to convert. As part of the total transformation of One Post Office Square (OPOS), located in the heart of Boston's financial district and designed by Gensler, a new automated parking garage will optimize the use of valuable leasable space, enhance the user experience and create long term flexibility.
Cities around the world are facing new questions of urban flight. As the COVID-19 pandemic spread, it exacerbated a range of living conditions and housing crises, from telecommuting and construction to global economies. As Fast Company reports, almost 40% of those living in cities have considered moving out since the pandemic started. With the possibility of the pandemic stretching on for years, more urbanites are considering the move to rural areas and small towns.
The Manifesto of Futurism, written by Italian poet Filippo Tommaso Marinetti in 1909, was the rallying cry for the avant-garde movement driven by the writers, musicians, artists, and even architects (among them Antonio Sant'Elia) in the early 20th century. After the manifesto's publication, Futurism quickly came to the forefront of public conscience and opened the way for many other cutting edge movements in the art world and beyond.
While the movement would undergo a significant decline in the years following World War II, it reinvented itself decades later during the Space Age, when faith in technology and industry were at a fever-pitch and the world's powers were racing to put humans on the Moon. All of a sudden, humanity had a new cultural panorama that inspired every facet of society--from musicians, to scientists, to architects. With the combination of engineering and art, not to mention the bountiful scientific achievements of the time, works of architecture turned into works of science fiction.
Some researchers define the Anthropocene as beginning at the Industrial Revolution. Others identify it with the explosion of the first nuclear bomb, and others with the advent of agriculture. Regarding the precise timeline, there is not yet a scientific consensus. But the notion that human activities have been generating changes with planetary repercussions, whether in the temperature of the Earth, in biomes, or in ecosystems, is one that has become increasingly popular. The anthropocene would be a new geological era marked by the impact of human action on planet Earth. This acknowledgement of human impact is particularly disturbing if we consider that if the entire history of the Earth were condensed in 24 hours, humans would only appear in the last 20 seconds. Whether in the massive extraction of natural resources or in the carbon release from vehicles and industries, it is well known that a large part of the fault lies with construction activities, especially in the production of solid waste due to waste and demolition. In Brazil, for example, civil construction waste can represent between 50% and 70% of the mass of solid urban waste [1]. Many will end up being discarded irregularly or thrown in landfills to be buried indefinitely.
Recycling and upcycling of materials and structures have become more and more popular in architecture as alternatives to the production of components in construction, typically associated with increased energy consumption and high levels of pollutants released into the atmosphere. The main difference between these two methods is that, while the former uses a certain amount of energy to process the material before it is reused, the latter does not require this process, but rather reuses it just as it was discarded.
The following text was drafted in response to the first prompt in The Architect's Newspaper's “Post-Pandemic Potentials” series. A previous response, by Mario Carpo, argued that all the changes ushered in by the pandemic are likely to be reversed. Read more about the series here.
As the last of our mid-term reviews were completed in early March, the looming red dots of the COVID-19 tracker were still well east of New Haven—indeed, an ocean away. The design studios on the upper levels of Rudolph Hall were strewn with the typical detritus of the charrette, as our students departed for spring break and a well-earned two-week respite. Within a few days, however, Yale closed our campus out of an abundance of (what is now clearly justified) caution and we had abandoned the building altogether, told our students they would not return to those studios for the rest of term, and were scrambling to heave the entire curriculum into an online mode. Instead of resetting our spaces for the last push of the term, we turned to creating digital collaboration infrastructure, teaching everyone how to use Zoom, and chasing our students around the globe to verify their time zone, home equipment, and connectivity.
.jpg?1594127477 "Pavilion built with recycled material transforms public space in South Africa. Image: © Ella Petousis")
