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“Sustainability is like teenage sex. Everybody says they’re doing it, very few people are actually doing it. Those who are doing it, are doing it badly," once Joseph Romm said.

It is evident that there are many misconceptions about what sustainable architecture really is. Some define it as building with recycled materials, others believe it is all about integrating green elements into the architecture, and some mount solar panels onto their roof and label the project “green”.

Every project begins with a design, and ends with an attractive and functional building. What happens between these two end points is where it gets interesting - and challenging. The construction process is complicated. It means meeting and exceeding expectations in design, affordability and constructibility. It means overcoming hurdles and facilitating smooth transitions from design to engineering to construction. And for complex projects with more unusual features and elements, the risk factors increase exponentially.

In 1926, Le Corbusier developed the five points that would become the foundations for modern architecture. Once materialized in 1929 in the iconic Villa Savoye project, Le Corbusier's principles - pilotis, free design of the ground plan, free design of the facade, horizontal window, and roof garden - have been extensively explored in modern architecture and continue to influence the most diverse contemporary architectural projects to this day.

The five points became a kind of guideline for the New Architecture, as Corbusier used to call it. Even after decades, new technologies, materials, and demands of society have continued to update those architectural solutions, announced almost a century ago as the basis for a new architecture.

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New Generations is a European platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 300 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video-interviews, workshops, and experimental formats.

Pivot doors are not ordinary doors. They used to be a hassle to install and once in place, the door movement was often lacking. Things are different now, as companies like FritsJurgens have incorporated new technologies that take pivot door hardware to a whole new level. Installation is now extremely easy, allowing for versatility and creativity in pivot door design. So, in what ways can a pivot door enhance your interior design?

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For many, the aesthetics of wood are powerfully enchanting. With a huge diversity of species and innumerable variations in colors, weights, and textures, wood is one of the most highly appreciated materials of all time. But the unrestrained logging of forests for use in construction has had and will continue to have enormous environmental impacts if precautions such as sustainable management, legitimate certification, or reforestation are not taken. Being an organic material, when used for construction, wood tends to morph under conditions of humidity, heat, and loads, and its fibers eventually deform over time. In addition, wood is a material that does not respond well to environments where it is soaked and dried repeatedly, which can cause it to rot after some time if it is not adequately waterproofed. Therefore, there are some situations where using wood may not be a good idea.

The field of architecture has the potential to influence human relations in countless ways through the built space. In small-scale projects, in particular, the challenges of tackling the dialogue between the space and the individual are combined with the task of conveying ideas to inspire people to explore the use of these minimal spaces. 

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This year the United Nations World Tourism Organization (UNWTO) has been looking at tourism as a way to create jobs and opportunities in rural areas under the banner of Tourism and Rural Development.

Rural based Architecture and traditional edifices play an important role in showcasing local heritage building and craftsmanship. It can also offer jobs and prospects outside of big cities particularly for the communities that might otherwise be left behind. 

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Despite the ongoing pandemic, IE University has found a way to welcome 7,000 students from 140 different nationalities back to their physical and digital campuses. Since the start of the crisis, the institution has been working to protect the health of their community of students, professors and staff. They guaranteed the continuity of academic activity through online platforms during the weeks of confinement by incorporating new methodologies and interactive solutions.

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In Mexico, self-construction has been a topic heated debate between its advocates and opponents; however, this doesn't diminish its prevalence throughout Mexico and the world. Over the past few years, initiatives on the part of architects have driven the creation of instruction manuals for do-it-yourself builders as a way to promote health and safety in self-construction and to also provide insight into building materials and techniques. In many ways, the initiative has improved the self-construction process, a fact evident in the increasingly visible creations seen throughout Mexico.

This article was originally published on Common Edge as "Why Don’t We Teach Chinese Architecture?"

How many U.S. architecture professors know that there is a Chinese treatise equivalent to Vitruvius’ Ten Books of Architecture? Very few, I suspect. I taught architectural history for more than 20 years before I discovered the marvelous Yingsao Fashi, a Song Dynasty book by a prominent court official who, as far as we know, was not an architect or builder. In fact, prior to the Ming Dynasty no prominent temple, palace, or shrine in China was designed by an architect because the concept of a single mastermind in charge of a building project was foreign to the East Asian way of designing environments of any kind.

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For almost two decades, Wienerberger AG has been hosting the international Brick Award every two years, providing a stage for excellent brick architecture and its architects. Architects from all over the world showcase their innovative concepts with ceramic materials: 644 projects from 55 countries have been submitted for this year's award. The winners of the Brick Award 20 impressed the jury with bold and creative architectural concepts for sustainable and forward-looking spaces.

Beginning with the moral indignation expressed in Adolf Loos’s 1910 lecture “Ornament and Crime” and Le Corbusier’s 1925 The Decorative Art of Today, decoration has been attacked from every possible angle. Driven by the heroic male architect, Modernist dictates of good design—functionalism, truth to materials, purity of form—quickly took over and continue to be the dominant ideology today in the way architecture and interiors are taught and practiced. If Modern architecture was rational, masculine, and structural, then decoration was considered emotional, feminine, and shallow. Or, according to Loos, it was flat-out degenerate.

In 2012, Belgian software developers Peter Eerlings and Jerry De Paepe were contacted by an architecture firm looking for a solution to simplify their field reports. Creating field reports was an extremely time-consuming activity for them: first, writing down notes on paper and taking photos during a site visit. Back at the office, transferring the photos to the PC with a cable. Next, adding annotations to photos with Paint, deciphering and typing out the handwritten notes, struggling with the layout while inserting photos in Word, and so on. Over and over again. It was an administrative hassle that easily took more than an hour for each field report - sometimes two or three.

Throughout the south of the United States, hundreds of mid-century “equalization schools”—public schools built in the 1950s following Brown vs. Board of Education in a desperate effort to maintain segregated “separate but equal” schools in southern states—sit empty, abandoned, and crumbling.

Inoltre, a new project by Unipol Group, aims to revive Milan's suburbs with art and beauty. Three suburban areas, belonging to the municipalities number 5, 8, and 9 of Milan, will be the focus of the project. Unipol will conduct research, host events and interventions to begin the rehabilitation, in a context which can typically be complex and of difficult management. The project will have an international scope, with coordination by the University of Pavia and interventions led by YAC. These will include the realization of 3 micro-architectural and tactical urbanism interventions, intended to bring authorial architecture where it is not usually seen; quality where there are economically-led decisions; and beauty where it is not usually searched for.