In recent years, several movements in Brazil and around the world have contributed significantly to society by emphasizing the need to occupy public spaces in the cities to claim quality and freedom of use for the community. The Ocupe Estelita movement in Recife, Brazil, for example, confronted the growing real estate speculation in the region and challenged the aggressive commercial urban planning on the banks of the Capibaribe River. Based on cases like this one, professor, critic, and curator Guilherme Wisnik, in an interview with Fora, addressed the issue of public space as a place of conflict.

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There’s a bright world just beyond the COVID-19 pandemic, and Waterfront Toronto, the organization tasked with revitalizing the city’s waterfront, is working to deliver on that future with its vision for the Quayside Project—a 12-acre mixed-use development poised to transform the industrial lands at the foot of Parliament Street.

What elements and qualities does space need for a well-balanced physical and spiritual recovery? How to design spaces that are healthy for both our minds and our bodies? What makes an environment livable and sustainable in the long term?

These are the questions we need to address in the era of the rapidly developing real estate market. Why do we tend to inhabit more and more high-density residential towers? Are we necessarily more mentally secure? If not, what are the spatial solutions or cures for the current urbanites’ anxiety? In this article, we will explore ways of unwinding and finding cures in space.

In many cases, I haven't been able to decide whether a building full of trees fits into the "sustainable" category. In fact, I've often had to make the argument that such a building is far from it. 

It seems that the vast majority of contemporary marketing for sustainable architecture operates under the guise of greenwashing. What's more, the line between what truly creates healthier and more sustainable living spaces and what doesn't is often a blurred one.

To see just how blurred this line is, we asked our readers to weigh in on just what makes a house "green". Is it being able to trace the source of your building materials and knowing the people who harvest, process, and sell them? Is it the ability to fulfill the day-to-day needs of the inhabitants using renewable resources?

For houses throughout the world, the barriers between the inside and outside of houses are solid and well-defined, allowing the spaces within the home to be protected from the weather conditions outside and made comfortable for the inhabitants inside. In countries like Colombia, which sit close to the equator and enjoy a warm, subtropical climate, temperatures average just above ideal thermal comfort.

Videos

In this video, Architecture with Stewart breaks down the floor plan strategies of Louis Kahn (1901-1974) for how they treat and arrange rooms in servant/served configurations. After World War II showed us the dark underbelly of technology, the architecture that gave us “machines for living in'' seemed misguided and dehumanizing. In contrast to pre-war open and free plans, Louis Kahn considered new possibilities for rooms; believing their privacy and enclosures could work together in a ‘society of rooms.’ Beginning with a close look at the Trenton Bath House, the video includes computer animations, sketches, photographs, and historical narratives to trace the evolution of the room through buildings like the Adler House, Esherick House, and the Exeter library ⁠— a monumental room of cultural memory.

There was a time when people appreciated self-contained architecture, in which the building envelope would not function as a moderator between the climate outside and the interior environment but rather as an inert and independent barrier. Countless mechanical devices and electrical ventilation, heating, and cooling equipment. A real machine.

Today, architects are increasingly concerned with the interaction between architecture and the environment in which it is inserted, thus assuming responsibility for the thermal comfort of interior spaces, using design strategies for natural climate control.

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The Shing Mun River in Sha Tin, a residential town in Hong Kong, has struggled with plastic waste pollution for years. Household waste that is not properly recycled will either end up in landfills or floating in the river. In 2018 almost 17 million plastic items, or 40,000 items daily, were found to be drained into the ocean via the Shing Mun River, mostly being food packaging, cutleries, and household plastic bottles. This quantity of plastic pollution in the river and surrounding environment could eventually jeopardize the natural ecosystem irreversibly.

This article was originally published on Common Edge.

My mother is a psychologist, so our family talks a lot about emotion. More specifically, we discuss the experience of emotion, because, as she  likes to remind me and my sisters, “We don’t think our feelings—we feel them, in our bodies.” According to my mother, it’s this experience of emotion that gives our lives a sense of meaning and vitality; as a result, her work isn’t about intellectual insight or abstract theories, but rather about giving her patients a new experience of themselves in the world.

The height of the ceiling of a space heavily influences our perception of it. Generally, local building codes regulate the minimum dimensions for ceiling height, which are calculated to ensure adequate quality of life in the environment. But the exact height of the ceilings is often defined by the dimensions of other materials that make up the building, the height of the constitutive slabs, or even by rounding the dimensions of the stair steps. It is common, with the densification of cities aimed at increasing profitability, for entrepreneurs to design with minimum ceiling heights in houses and offices, reducing construction costs. On the other hand, in older structures, more generous ceilings can be observed, which generally enable a greater degree of design freedom. But how can architects make the most of these spaces?

Today marks the start of the registration phase for the international ICONIC AWARDS 2021: Innovative Architecture. The awards recognise the best achievements in architecture, innovative interior and product design, as well as outstanding communication concepts and singularly innovative materials. The winners will be honoured at the awards ceremony on 11 October 2021 at the Pinakothek der Moderne, Munich, where they will have ample opportunity to network with other players on both the national and international scene.

The climate crisis has revealed the poor planning of our cities and the spaces we inhabit. Both construction and projects contribute to high carbon gas emissions. Fortunately, there are several ways to intervene to bring change into this scenario, either through materials and techniques adopted in each initiative or through geographical and social impact. In this scenario, the only certainty is that: to think about the future we cannot ignore the "green" in all its recent meanings from nature to sustainability, and ecology.

Because of their aesthetic forms, robust materials, and the nostalgic memories to which they refer, old objects often please many people and, from time to time, end up returning to fashion. In the construction industry this is no different. One object that has remained popular forever is the shed light, more specifically the Gooseneck Lamp. Its combination of a traditional look with newer technologies creates an extremely attractive product.

Videos

Many architects and designers have highlighted the importance of taking into account all five senses during the design process, in order to create a successful user experience. Fortunately, many strategies have been implemented to facilitate the experience of those who are physically impaired, however, little is being done to aid those who feel helpless and restricted due to mental illnesses and traumatic experiences.

Healing from these experiences is a journey that requires a lot of effort from both the individual and everything and everyone around him/her. Oftentimes, victims of trauma are advised to spend more time in the outdoors, embracing the restorative qualities of nature. But what about interiors? Since people are now spending almost 90% of their time indoors, it is only natural that these spaces contribute to the healing process as well. And while these spaces can look beautiful with an abundance of natural light and neutral color palettes, are they truly beneficial to their mental health?

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In architecture, split-level houses are typically in response to a plot's uneven or sloping topography. In the case of the houses featured here, their split level interiors are a matter of function, allowing spaces to be virtually separated by dividing them between raised and semi-subterranean floor layouts. For example, adjoining two spaces with a 50cm step up or drop off allows for separation without the use of walls or other physical barriers.