This article was originally published on Common Edge.
Jeffry Burchard explores in his essay the "opportunity found by extending the life and purpose of viable existing buildings", that have shaped our cities. Arguing that "we have an abundant supply of buildings", the author proposes four essential steps to transform existing buildings.
How materials move shapes both architecture and how we design. While architects often consider both material sourcing and manufacturing, the physical products and assemblies themselves also move and adapt as they cross geographic and national lines. How materials migrate, and in turn design ideas themselves, tells a story of architecture that transcends construction and climate, as well as borders both real and imagined.
By defining sexuality as one of several sexual technologies, Michel Foucault has expanded our understanding of sex. This way, the relationship between architecture and the body is shaped not only by the built object, with its various spatial mechanisms for the production of bodies, but also by thinking, in the form of academic discourse. And vice versa, since gender and sexuality also impact architectural theory. One way or another, these relationships are very rich and capable of expanding our knowledge about architecture and the creation of generic sexed bodies.
This week's reprint from Metropolis explores the ongoing renovation and transformation of an iconic site in Buffalo, Silo City, in order to create ambitious residential and public projects.
"The future is already here, it's not just very evenly distributed". Starting off with this William Gibson quote, BIG’s latest publication Formgiving looks at the past and present in order to determine the future. Talking of predictions that aren’t so far down the road, but rather than could occur in 5, 10, or 50 years, the book seeks to “give form to the future”, or to what has not taken shape yet.
ArchDaily had to chance to interview Kai-Uwe Bergmann, Partner at BIG-Bjarke Ingels Group, and discuss not only the firm’s latest manuscript but the trilogy of publications: Yes is More, an “Archicomic on Architectural Evolution”, Hot to Cold an “Odyssey of Architectural Adaptation”, and Formgiving, an “Architectural Future History”.
Claude Monet and Vincent van Gogh used the impasto technique extensively in their paintings. Both applied thick layers of oil paint over the canvas, usually one shade at a time, and it was up to the viewer's brain to mix the colors and create the desired effects. When dry, the paint forms reliefs and textures on the canvas, evoking a sense of movement. Even without being able to touch the screen, the texture of the brushstrokes gives a three-dimensionality to the painting, something that can only be fully observed by seeing the artwork live, looking at it from more than one angle and actually experiencing it.
In his famous book “The Eyes of the Skin: Architecture and the Senses,” Juhani Pallasmaa points to "a predilection in favor of vision and in detriment of the other senses in the way architecture was conceived, taught and criticized, as well as the consequent disappearance of sensory and sensual characteristics in arts and architecture." According to the author, "an architectural work is not experienced as a series of isolated retinal images, but in its fully integrated material, corporeal, and spiritual essence."
The first Shikinen Sengu was held in the year 690, in the city of Ise, Mie Prefecture, Japan. It consists of a set of ceremonies lasting up to 8 years, beginning with the ritual of cutting down trees for the construction of the new Ise Shrine and concluding with the moving of the sacred mirror (a symbol of Amaterasu-Omikami) to the new shrine by Jingu priests. Every 20 years, a new divine palace with exactly the same dimensions as the current one is built on a lot adjacent to the main sanctuary. Shikinen Sengu is linked to the Shinto belief in the periodic death and renewal of the universe, while being a way of passing on the ancient wood construction techniques from generation to generation.
The idea of creating a building that will have an expiration date is not a common one. In fact, the useful life of a structure is often given little consideration. When demolished, where will the materials go? Will they be disposed of in landfills or could they be reused in new projects? There are certain construction methods and materials that make this process easier. Others make reuse unfeasible, due to several factors.
Historically, industrialization means a process of economic change that transforms an agrarian society, with mostly handicraft techniques, into an industrial society to increase productivity and economic growth. This mechanization and mass production leads to deep social transformations, but the most significant consequence is an enormous change in the urban landscape.
With more than 70 million forcibly displaced people worldwide, according to the UNHCR, and nearly 25.9 million refugees, the time has come to reconsider the traditional emergency camp approach. Although the concept is temporary by definition, in real life the lifespan of these refugee camps exceeds the planned and the expected.
Ranging from seven to seventeen years, most of these settlements surpass their expiry dates. Actually, on average, according to the United Nations High Commissioner for Refugees (UNHCR) in Kenya, "many displaced persons spend more than 16 years living as refugees in temporary shelter."
This week's curated selection of Best Unbuilt Architecture highlights different competition-winning designs submitted by the ArchDaily Community. From large scale urban developments to small interventions in the landscape, from commercial projects to public spaces and urban planning strategies with an environmental focus, this article showcases a variety of design approaches, programs and scales. The proposals featured are the results of local and international competitions, either creative concepts or projects currently in progress.
The award-winning entries include a range of different projects, designed by both young architects and established firms. An adaptive reuse project for office towers in New York, the redevelopment of an industrial site in China, an abstract installation for a Russian festival, or a masterplan focused on climate resilience and ecosystems protection are a few of this week's highlights.
A border city can be classified as an urban agglomeration close to the boundary of two countries, states, or regions. Nowadays, as our cities are rapidly expanding and our transportation modes continually upgrading, the boundary between cities and rural areas has been constantly pushed and redefined.
Architecture is a long-standing profession, one that has produced the iconic landmarks we admire around the world, monuments which we revere around the world, and played a part in establishing the organisation of the cities we live in today. This description, however, is architecture in the traditional sense - and there are numerous examples of individuals and firms who have strayed away from traditional architectural practice, either through delving into adjacent fields or 'disrupting' the field with the harnessing of new technologies.
Today, worldbuilding is an important part of creative thinking in a wide array of activites. From successful film franchises, to video games, and to comics, worldbuilding is what draws in audiences and allows multi-part productions to cohere around a shared setting. Of course, architecture factors into this too, it is the creative and technical discipline concerned with building the world, after all. This video breaks down how worldbuilding applies to architecture and focuses on comics as a case study to explore the opportunities in its consideration. Lastly, the video includes an interview with the designer of the exhibition ‘Chicago Comics’ currently on display at the Museum of Contemporary Art. Thomas Kelley discusses how worldbuilding factored into the relationship between architecture and comics in the design of the show with regards to scale, entry sequences, and color.
The development of cities has historically been a slow-moving process. In the everchanging urban landscape that faces the pushes and pulls of a variety of social, economic, and financial factors, it’s been hard to pinpoint just one main reason over another why each city has evolved over time into the way that we experience it today. And as designers and planners speculate about what the future of our cities should be, sometimes the reason that our cities look and operate in the way that they do has come down to a few famous battles between individuals with competing schools of thought.
The renowned Mexican architect Miguel Ángel Aragonés presented ten years of research materialized in his most recent project entitled "Casa PI" whose acronym translates to a new "intelligent prefabricated" construction project. Patented in Switzerland, this system seeks to break the housing paradigm from an integral design that combines the structure of the house with the furniture and new automation technologies in architecture.
This article was originally published on Common Edge.
In this week's reprint, author Jacob DiCrescenzo explores the Emotional Experience of architecture, after having tackled in a previous article the so-called "feeling architecture", focusing on the psychology and emotion of the built environment. Arguing that "architecture is a deeply emotional experience", DiCrescenzo talks also about the benefits of neuroscience-informed design.
The ceiling is an important element in architecture and interior design, combining functionality with aesthetics through different materials that add layers of texture and color, providing quality and comfort in interior spaces as well as a protective surface for other building systems.
Now that we are halfway through the year, what better time to prioritize your reading list? Whether you’re interested in the history of interior design, the relationship between architecture and health, or learning more about the 20th century’s forgotten architects, Metropolis editors have selected a variety of current and forthcoming titles that will be sure to get you through 2021.
Looking through interior images of houses, we often see grand bedrooms with an influx of natural lighting. We see inviting open-space living rooms, lush terraces, and kitchens with high-end equipment and refined finishes. But what we don't see is that behind these sleek walls are small neglected bedrooms without proper ventilation, natural lighting, or space to move around, dedicated to those who cater to the entire household.
The disparate spatial configuration and "colonial" approach to the living conditions of servants and foreign laborers have existed long before the rise of congested cities and micro-apartments. Household owners, or at least a good sum of them, have always felt that domestic workers needed and deserved less space to reside in, not just in terms of spatial area, but in terms of necessary living conditions for a better, more comfortable life.
What do Katuma, Hagadera, Dagahaley, Zaatari or Ifo bring to mind? They are truly beautiful names, and could easily belong to Italo Calvino's 55 invisible cities.
But they are not invisible cities, they are informal settlements in Kenya and Jordan, home to between 66,000 and 190,000 refugees, mostly from bordering countries, supposedly temporary camps that half a century later are still with us today. Generally lacking in infrastructure, some have schools and hospitals, and Zaatari even has a circus academy, but for most of the people who live there, they are the only cities they have ever known.
There is an architecture of the migrant. It is survivalist, built with what is available, made as quickly as possible, with safety as its core value. Americans romanticize that architecture as “Colonial”: simple timber buildings, with symmetric beginnings, infinite additions, and adaptations. But “Colonial” architecture is not what was built first by the immigrants to a fully foreign land 400 years ago. Like all migrant housing, time made it temporary and forgotten.
Whether applied as cladding to steel or timber frame structures or to structures built by traditional means, sheet metal offers an array of advantages as a building material, thanks to its low cost, ease of maintenance, and versatility.
Costa Rica’s new modern homes are built to float above the landscape. This wave of elevated housing is designed to minimize environmental impact while working with varied terrain. Aiming to become a carbon-neutral country, Costa Rica is transforming its housing market as it experiences a growing demand for more residential buildings.
.jpg?1626777875 "Drawing by Tings Chak for the How to Make Space exhibition (2016). Image © Tings Chak")
