2020 and the Covid-19 pandemic forced architectural students around the world to go virtual with their classes and coursework, transforming the way architecture was both taught and learned. Once based primarily on in-class participation, and collaboration, architectural workshops had to take on whole new methods of instruction. Conversations and debates between students and their instructors, a key element of architectural education were relegated to phone and video calls as well as written documents, making digital formatting an essential tool for students to share their ideas and receive feedback on their work.
Many describe the work of Alvar Aalto as an embodiment of the concept of Gesamtkunstwerk (a total work of art), where architecture, design, and art merge into one. The Finnish architect is a pioneer in the so-called organic strand of modern architecture in the early 20th century and has strongly influenced what we know today as Scandinavian architecture. According to a description on the MoMA website: "his work reflected a deep desire to humanize architecture through an unorthodox handling of shapes and materials that was rational and intuitive." Its methods of bringing natural light into buildings are extolled and studied repeatedly until today. But throughout Aalto's career, wood has always been present and taken many different forms. From structures to ceilings to stools, Alvar Aalto brought this natural material to the fore.
As global urbanization accelerates at a rapid pace, living spaces in contemporary cities and the projected cities of the future grow ever smaller. To anticipate these changes, product design firm AXOR has partnered with The Future Laboratory, a leading international consulting firm for future trends, for the development of their project 'Compact Luxury.' Aimed at uncovering the major influences of urbanization and adapting luxury spaces for these anticipated global changes, the Compact Luxury project identifies trends in contemporary living and projects a future for compact design.
When it comes to built-in kitchen appliances, German firm Gaggenau has always set the highest of standards – and in the case of Sir David Adjaye’s 130 William tower in Manhattan, quite literally, too.
More than half the world’s population lives in dense urban areas. Uncomfortably loud restaurants, stores, hotels, or offices are enough to keep patrons away. When planning a meeting or even a night out with friends, we are conscious of selecting a location where we can focus and hear one another. The noisier our world gets, the more difficulty we have focusing on the sounds we actually want to hear.
Since the beginning of time, our ears have warned us of approaching danger. While their function remains the same, the dangers of today are different than they were in the past. Unwanted sounds can have serious health effects such as: hearing loss, cardiovascular disease high blood pressure, headaches, hormonal changes, psychosomatic illnesses, sleep disorders, reduction in physical and mental performance, stress reactions, aggression, constant feelings of displeasure and reduction in general well-being. With this laundry list of side effects, it would be foolish to leave the acoustic comfort of our spaces up to consultants alone. When we take acoustic comfort into our own hands, the end result can be quite extraordinary.
Text by Reutov Design. The owners of the apartment are a young couple that completely entrusted me with the design of the apartments. They liked my non-standard approach to design. Having taken this project, I decided to create a bold project that will give you the opportunity to forget about the hard everyday life and help you take a break from the noisy metropolis. Light, gentle, slightly heady interior. Terracotta-pink walls add originality to the entire design.
Render by Giovanna Bobbetti. Image Courtesy of CURA
The question may seem straightforward, but the answer can be very complex, leading to a whole series of issues related to the target audience of hyper-realistic architectural renderings, as well as to what their goals are.
Although architecture itself is universal, the day-to-day practice still varies across the world, influenced by a wide range of factors, from the professional requirements and responsibilities of an architect, the local environment, history and building customs, to local priorities and challenges. In a hyper-connected world, where architecture seems to become more uniform, how do local contexts and characteristics shape the built environment? This article taps into the commonalities and the variations within the architecture profession.
At the heart of it, architecture is an inter-disciplinary profession. Ranging from structural engineers to quantity surveyors, a design project thrives from the collaboration of individuals from various fields of work. An often-overlooked connection is the link between the fields of architecture and archaeology, which in more ways than one have a lot in common. In a time of increased awareness on issues of sustainability and heritage, the expertise present in the field of archaeology plays a vital part in the preservation of architectural landmarks of historical significance. This expertise can also play a significant part in creating sensitive architectural interventions suitable for their context, contemporary in their design while responding to historical precedents.
As we begin to emerge from the COVID-19 pandemic, there has been much speculation and debate about whether we will return to our old habits of working in the office 5 days a week, or if working from home creates equal or greater productivity. However, many believe that the future of the workforce will largely be focused on a balance between in-person and in-office working, and a form of remote working, that summates into a new, hybrid model. But if you’re not at home, and you’re not working, then you must be somewhere else- exploring the true in-between of a public and a private space. Enter the concept of the “third” place, which is used to describe everything from coffee shops to banks, and even co-working spaces. If you’ve ever studied for an exam at a bookstore, or even dropped into an airport restaurant to catch up on some work, then you too, have visited a “third” place.
Design projects rely heavily on visual tools that illustrate the project's features and overall atmosphere, and whether you are an architect, interior designer, furniture designer, or engineer, the term 'mood board' has definitely come up at some point during the early stages of the design process. Generally speaking, images have immense powers of influencing and inspiring their viewers, so putting together a powerful mood board can be a game changer for the architect, the visual artist, and the clients, and can amplify the project's story telling process. So what is a mood board and how can you create one?
Perhaps no building is closer to a date with the wrecking ball in Chicago than the James R. Thompson Center. While those responsible for initiating this threat cite years worth of deferred maintenance and high costs of operation as the primary reasons for their decision, these are not the real reasons for the building’s demise. It suffers from a much more lethal ailment — treating it like a normal building. In this video, Stewart explains why the Thompson Center is definitely not a normal building and offers alternative ways to evaluate it. What if we considered it to be a piece of urban infrastructure or public plaza instead? Relating the building to Rem Koolhaas’ theory of ‘Bigness’, this video builds the case that the Thompson Center should be valued for how it brings people together in space rather than its colors, or material palette, or any other normal ways of appraising mere buildings.
From the 14th to the 16th century, Iran had witnessed growth and affluence under the Timurid and Safavid dynasties. During this period, many mosques, palaces and pavilions were commissioned and contributed to sites of veneration and pilgrimage. However not many of these key architectural realms survived and few historical texts exist to relay the intricacies of the architecture of that time.
What remained were some dispersed manuscripts from the Shahnameh and other renowned illustrated stories or poems that represented the moral values and aesthetics of that period. Inadvertently these initial renders became the main representation of a unique and fantastic Islamic architecture.
The distribution of natural light, improved ventilation, and the propensity to connect living spaces with the outdoors while maintaining the privacy of the inhabitants have made courtyards a go-to in architectural design around the world over the centuries.
Courtyards are characterized as outdoor or semi-outdoor spaces that are enclosed within the walls of a house or building.
In today's climate, energy and how we use it is a primary concern in the design of built spaces. Buildings currently contribute nearly 40% to global carbon emissions and with a projected growth of 230 billion square meters in construction before the end of 2060, the focus on construction decarbonization efforts should be paramount.
On the week commemorating American-Chinese architect I.M Pei’s birthday, Delhi-based photographer and photojournalist, Nipun Prabhakar, has shared with us a series of images of I.M Pei & Partners’ building, the Herbert F. Johnson Museum of Art. The firm was commissioned in 1968 by Cornell University to build the university’s museum that would also serve as a teaching facility and cultural center for the educational community. The building was completed in 1973 and was awarded the American Institute of Architects Honor Award in 1975.
Wood is, without a doubt, one of the most versatile building materials there is. Treated lumber, boards, composites, or rustic hardwood, have structural and visual qualities that attract architects and clients searching for a wide range of possible applications and designs. Logs are one of the oldest ways of using this material since they require very little treatment and processing after the tree is cut and are the most natural form of lumber.
Rustic lumber is often used in vacation homes, but not only for this purpose. Below, we have gathered Brazilian houses that use rustic wood elements either in their structure or walls and finishings.
Around six years after the decision was made to renovate the Neue Nationalgalerie Berlin (New National Gallery in Berlin), the completed design is soon to reopen to the public. The extensive renovations, which were planned and implemented by David Chipperfield Architects, utilized product design brand Dornbracht for the interior fittings. These iconic fittings combined the iconic modern style of the gallery's architecture with Dornbracht's unique design language, which is equally reduced in form.
“No, I’m not homeless. I’m just houseless. Not the same thing, right?" Questioning the notion of home and house, Nomadland tells the story of a sixty-year-old woman who loses everything during the great recession, leaving her hometown after the collapse of the sole industry that supported the rural settlement and the death of her husband. She decides consequently to embark on a journey and experience life as a modern-day nomad, setting off in her van through the vast landscape of the American West.
Architects, landscape architects, and planning professionals have been working with GIS data for many years to great success in Vectorworks’ BIM workflows. Much of this work has involved georeferenced Shapefiles (SHP), Drawing Interchange Formats (DXF), and image files (JGW, BPW, TFW, etc.). Though georeferencing makes sense as a solution for aligning GIS data in a BIM environment, users did not immediately expect that it would also be the solution to maintaining accurate positioning of site CAD and BIM files within the project. This article will describe how users are finding success by incorporating georeferencing in Vectorworks Landmark to better collaborate with the external and internal project participants.
In theory, parking spaces serve only one function: park a car safely until it is used again, and in terms of design, car garages are flexible and straightforward, requiring minimal design interventions. However, parking spaces nowadays are no longer considered one-function buildings. The emptier the space, the more potential it has to integrate additional functions. Architects and urban planners have redefined traditional parking lots, adding recreational and commercial facilities to the structure. Instead of a typical structured grid plan with yellow and white markings on the floor, we are now seeing inviting structures that incorporate green facades and rooftop playgrounds, car washes, cafeterias, and work/study zones.
In order to start integrating embodied carbon studies into projects to meet sustainability goals, it is important to consider many factors such as carbon (kgCO2e) values, and what typical ranges of values to be aware of when designing for embodied carbon reduction. This e-book presents an overview of how to start integrating embodied carbon studies in your projects.
The City Prosperity Index, CPI, set by UN-Habitat, evaluates urban prosperity according to five parameters as productivity, infrastructure development, environmental sustainability, quality of life, and equity/social inclusion. To a greater or lesser extent, these five factors are represented in the street pattern of every city in the world. Streets have multiple functions as the mobility of people and goods, the supply of energy, water, and information, the collection of waste, the growth of trees, plants, insects or birds, the shadow and sun radiation, the bench where to sit, the place to salute and talk with your neighbors, a playground, or the access to the bakery where you buy the bread. In this sense, streets are public and vibrant spaces, which can perform multiple functions and activities.
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.jpg?1594179948 "Courtesy of Reutov Dmitry, Gerner Ekaterina")
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.jpg?1594177498 "Courtesy of Reutov Dmitry, Gerner Ekaterina")
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.jpg?1617310151 "Casa da Mata Azul / Studio Carlito e Renata Pascucci. Photo: © Monica Antunes")
