This article was originally published on Common Edge.

What, exactly, is the point of architecture criticism? The word “criticism” is derived from the Greek term krinein, meaning to separate, to sift, to make distinctions, to discern, to examine, or to judge. According to Wayne Attoe, an architect and educator who writes about architecture criticism in his book Architecture and Critical Imagination (now sadly out of print), this does not necessarily mean to disapprove of, or to find fault with. It can be favorable or unfavorable; it can praise or condemn.

Hotels are a hub for commerce, transportation and culture. Today, interior designers are redefining hospitality spaces to accommodate new forms of travel, communication and rest. From historic renovations to contemporary ground-up hotels, these projects center around leisure and memorable guest experiences. In turn, they express brand identity to rethink what interior design and hospitality will be in the future.

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Although computational design as a technique applied in the architectural field has been around for two decades, the infinite possibilities it presents are only just being discovered. The horizons of designing using programming software are expanding alongside the growing popularity of tools like Rhino 3D and Revit. What aspiring architects will hereon have to be mindful of as they train themselves for the industry is that computational design software is not to be treated as a ‘to-do item’ to be ticked off for only adding to one’s résumé. Rather, it’s an opportunity to delve deeper into one’s creative instincts.

"I Draw on Paper, but I Prefer to Draw on the Ground". This phrase caught my eye during Diébédo Francis Kéré's speech at the AAICO (Architecture and Art International Congress), which took place in Porto, Portugal from September 3 to 8, 2018. After being introduced by none other than Eduardo Souto de Moura, Kéré began his speech with the simplicity and humility that guides his work. His best-known works were built in remote places, where materials are scarce and the workforce is of the residents themselves, using local resources and techniques.

Around the two-year anniversary of the start of the COVID-19 pandemic, there is little that looks the same as it did in March 2020, whether it’s how we work, how we study, or even how we move about our own homes. Many titles in this selection of spring architecture and design book releases show just how authors and design professionals are grappling with the major changes of our time. Volumes such as Debbie Millman’s Why Design Matters and Paola Antonelli’s Design Emergency share the diverse viewpoints and design solutions of some of the world’s leading creative voices; Otto von Busch’s Making Trouble and Max Holleran’s Yes to the City evaluate forms of DIY and housing activism; and Stephen Vider’s Queerness of Home and Suchi Reddy’s Form Follows Feeling tap into a more empathetic, human-centered approach to space. All of them, in some way, look at the past as a way to see clearly into the future of the built environment.

Office repositioning is one of the biggest struggles global businesses face today. This stands true for both: architecture businesses and the clients you’re servicing with your design solutions. In the last 18 months there have been enormous transformations within the AEC industry and arguably across most industries, many of which have influenced and shaped business decisions made during the pandemic. You could say the pandemic has only sought to accelerate some of the transformation we had started to see. The biggest and most notable is in the area of communication and connectivity. Staying connected and providing employees with the tools and platforms they need to collaborate, innovate and stay productive has been at the forefront for all companies.

In different parts of the world, women are transforming cities and taking up spaces in urban planning and management as never before. Paris, Barcelona and Rome, for example, in addition to being cities where almost anyone would like to live, are now cities managed by women for the first time in their history, all in their second term. Major changes and currently celebrated plans, such as the “15-minute city” in Paris, the opening of Times Square to the people in New York, and the urban digitization of Barcelona as a smart city, were led by women.

This week’s curated selection of Best Unbuilt Architecture highlights private residential projects submitted by the ArchDaily community. From a residential quarter comprising eight urban villas, to private getaways in the suburbs of Hyderabad, India, this round up of unbuilt projects showcases how architects design private spaces that combine locality and functionality in structures that cater to the residents’ lifestyles and behaviors. The article also includes projects from Iran, the United States, Thailand, and Greece.

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Almost no one buys an automobile for its stated price with cash on hand, so those looking to buy a car look to what the cost will be each month to own their automobile. Homes are our deepest investment, and most homeowners are equally as proud of their home as they are of their car and are terrified of its cost. So it is not surprising that “Net Zero” homes use the same sales tactic, proving their value by promising no monthly energy bills.

The 2022 laureate of architecture’s highest honor, the Pritzker Architecture Prize is Diébédo Francis Kéré, known as Francis Kéré, Burkina Faso-born architect, educator, social activist, receiver of the 2004 Aga Khan Award for Architecture and designer of the 2017 Serpentine Pavilion. Recognized for “empowering and transforming communities through the process of architecture”, Kéré, the first black architect to ever obtain this award, works mostly in areas charged with constraints and adversity, using local materials and building contemporary facilities whose value exceeds the structure itself, serving and stabilizing the future of entire communities.

“Through buildings that demonstrate beauty, modesty, boldness, and invention, and by the integrity of his architecture and geste, Kéré gracefully upholds the mission of this Prize,” explains the official statement of the Pritzker Architecture Prize. Announced today by Tom Pritzker, Chairman of The Hyatt Foundation, Francis Kéré is the 51st winner of the award founded in 1979, succeeding Anne Lacaton and Jean-Philippe Vassal. Praised “for the gifts he has created through his work, gifts that go beyond the realm of the architecture discipline”, the acclaimed architect is present equally in Burkina Faso and Germany, professionally and personally.

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Within the Latin American and Caribbean region, it has been recorded that at least 25% of the population lives in informal settlements. Given that their expansion is one of the major problems afflicting these cities, a project is presented, supported by the IDB, which proposes how new technologies are capable of contributing to the identification and detection of these areas in order to intervene in them and help reduce urban informality.

Handicraft translate the culture of a people and, therefore, carry a strong presence when placed in residential spaces. Through the most varied techniques, it represents traditional methods and acts in the memory of each person who crosses it. Therefore, regardless of the scale at which it is presented - from small art objects to large furniture, or even as a component of architecture itself -, thinking about handcrafted elements can be an important step in improving the aesthetic language of a project.

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Architecture and planning centers on human experience and bringing people together. Few firms have structured their office around these ideas like Ayers Saint Gross. Founded in 1912, the firm has over a century of experience, including a majority of their work in support of colleges, universities, and cultural facilities. Today, the 185-person firm has offices around the country, including in Baltimore, Washington, D.C., and Tempe, AZ.

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It was 1968 when Ricardo Bofill Architecture Workshop's published a kind of manifesto in reaction to the pressing demands of a society in constant transformation. The idea of the City in Space saw the light of day for the first time and was proclaimed as an absolute architecture, capable of resolving all the complexities of its contemporaneity through a unique open, flexible and three-dimensional model.

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Statement interiors leave a lasting impression on both frequent and infrequent users, whether with striking pieces of furniture, oversized lighting, or even a bold feature wall. The very best creations, however, don’t need to beg for attention to be recounted afterward, they let praise come to them with a peacocking presence so extravagant, it’s impossible not to take notice.

Safdie Architects is a research-oriented architecture and urban design studio active in a wide variety of project types, scales, and sectors. Safdie Architects’ global practice is directed from its headquarters in Boston, Massachusetts, with satellite offices in Jerusalem, Shanghai, and Singapore. Projects are designed, managed, and executed by a global team that hovers around 65 people! The practice is organized as a partnership and operates in the model of an intimate design studio environment. The firm's partners – many of whom joined Safdie shortly after graduation – have been working together for decades.