Salzburg seen from the Festung Hohensalzburg (Hohensalzburg Fortress). Image via Flickr User Janusz Sliwinski
Rivers have long been considered as Earth’s arteries, serving as the essence of urban communities as human settlements developed their shelters and crop beds around them. Centuries later, riverside architecture remained vital as these areas expanded beyond residential typologies, and harnessed dynamic mixed-use developments and public functions. As valuable as they may seem though, these landscapes come with the risk of unexpected floods, increased water levels, or complete droughts, which has forced architects to design built environments that are able to respond to these abrupt changes. So how were these settlements built in the past, and how has today’s urban densification and technological advancements influence the way they are built?
It has been said that we are living through a trans-apocalyptic era. Not pre-or post-apocalyptic, but something in between: a series of interconnected crises that demand action, at a time when it’s too late to prevent the world from changing, but not late enough that all hope has been lost for a (changed, yet positive) world. Architecture is deeply involved in this process, as the transformation of the built environment and the construction industry are key to the way we live.
For ArchDaily, this means our mission rings truer than ever. After a record-breaking 2021, with over 22 million monthly visits across the ArchDaily network, we continue to ask ourselves and our readers: how can we continue to provide inspiration and tools to a new and evolving generation of architects, designers, and - increasingly - architecture enthusiasts, home-owners and anyone who is interested in how we live, where we live and how to move forward? One of the most important ways that we have of doing this is through the Building of the Year Awards.
ArchDaily exists thanks to our readers - you - and so it makes sense that you are also the ones that continue to pick the best of the year in architecture, this time for the 13th consecutive year of the Building of the Year Awards. It is your turn to recognize and reward the outstanding projects that are making a difference, as part of an unbiased, distributed network of jurors and peers that has elevated the most relevant projects over the past decade. Over the next two weeks, your collective intelligence will filter over 4,500 projects down to just 15 stand-outs for the best in each category on ArchDaily.
The 2022 Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.
In 1929, Ludwig Mies van der Rohe and Lilly Reich design the German National Pavilion for the 1929 Barcelona International Exhibition. The official reception for the exhibition was held there, presided over by King Alfonso XIII and the German authorities. From then on, the story is well known to everyone. A symbolic work of the Modern Movement, the Pavilion has been extensively studied and interpreted, and has inspired the work of several generations of architects.
Staircases can seem like an unalterable part of a building’s DNA. Whether part of a new build or a refurbishment, it can be difficult to imagine changing the angle, direction, or even the placement of the stairs, so choosing the right type can be key. Here are ten different ways to unlock that dream interior.
Over the last century, cars have been the dominant element when designing cities and towns. Driving lanes, lane expansions, parking garages, and surface lots have been utilized as we continue our heavy reliance on cars, leaving urban planners to devise creative ways to make city streets safe for pedestrians and cyclists alike. But many cities, especially a handful in Europe, have become blueprints for forward-thinking ideologies on how to design new spaces to become car-free and rethink streets to make them pedestrian-friendly. Are we experiencing the slow death of cars in urban cores around the world in favor of those who prefer to walk or ride bikes? And if so, how can it be done on a larger scale?
Architect Cino Zucchi (b. 1955) grew up and practices in Milan, Italy. He was trained at MIT in Cambridge and the Politecnico di Milano, but claims to be largely self-taught, although influenced by such of his countrymen as Aldo Rossi and Manfredo Tafuri. He is internationally known for diverse projects across Europe. Many are both abstracted and contextual residential complexes in Italy, particularly in Milan, Bologna, Parma, Ravenna, and, most notably, in Venice. Zucchi’s D residential building in Giudecca, attracted international attention and praise when it was completed in 2003. I met Cino Zucchi last year during the Venice Architecture Biennale; that meeting led to an extensive interview that we recently engaged in over Zoom between New York and the architect’s sunlight and books-filled Milan studio.
Creating an educational setting is a specific and sensitive task. Merging children’s safety and learning optimization requirements with an aesthetic appeal and solid concept can birth some of the most beautiful unique projects around. One configuration we see quite often is the elliptical or circular school.
One of the most famous series of numbers in history, the Fibonacci sequence was published by Leonardo of Pisa in 1202 in the "Liber Abaci", the "Book of Calculus". The famous sequence of numbers became known as the "secret code of nature" and can be seen in the natural world in several cases. But, after all, how does this sequence relate to architecture?
https://www.archdaily.com/975380/what-is-the-fibonacci-sequence-and-how-does-it-relate-to-architectureEquipe ArchDaily Brasil
Kowloon Walled City, Hong Kong. Image Courtesy of 'City of Darkness Revisited’
Cities are growing, and they are growing upwards. This is far from just being a contemporary phenomenon of course – for more than a century, high-rises have been an integral part of urban settlements worldwide. This growing of cities encompasses a complex web of processes – advancements in transport links, urbanisation, and migration to mention a few. This growth of cities, however, is all too often linked with governmental failure to adequately support all facets of the urban population. Informal settlements are then born – people carving out spaces for themselves to live amidst a lack of state support.
Taiwan proposes that architecture can transform a place, and to represent this idea, the work of Sheng-Yuan Huang and his practice, Fieldoffice, were chosen for the Taiwan Exhibition at La Biennale di Venezia in 2018, entitled Living with Sky, Water, and Mountain: Making Places in Yilan. Sheng-Yuan and Fieldoffice demonstrated that the notion of making places is more than building a physical space, but is equally about establishing a linkage between people, as well as people and their environment.
Alessandro Martinelli explores Sheng-Yuan and his colleagues at Fieldoffice as the avant-garde of a new architectural movement in his book, The City Beyond Architecture, which seeks to produce a new form of collective living through the lens of design and culture, touching on what the design culture of the majority of future urbanization could become. In the following, we will discuss Shen-Yuang's impact on Taiwanese architecture as he spearheaded the call to integrate and imagine public spaces that inhabited the capacity to structure a particular landscape to provide both social spaces and a sense of identity to its occupants.
Videos
The Digital Twin . Image via Shutterstock/Videoflow
The emergence of the Digital Twin phenomenon has heralded a great change in terms of urban planning. It essentially presents the city as dynamic, in virtual form. Ensuring every element from the historic fabric, new construction, and public transit is accounted for in one three-dimensional model. Not only does it present key elements in terms of the landscape, but it also encompasses often overlooked conditions such as the presence of light throughout the day, shadows, and the presence of vegetation and trees. All of which contribute to a better preliminary process of site analysis.
Architecture and fashion seem like unlikely bedfellows. However, in more ways than one, they are cut from the same cloth. Ancient nomadic tribes lived in shelters made of cloth and animal furs, the very same materials used for clothes. So, clothes and buildings were made from the same craftspeople. Over time, as our constructions filled the basic needs for protecting the human body, these pursuits were elevated into distinct artforms. Today, designers like Virgil Abloh, formally trained as an architect, stitch the two pursuits back together with shows that reference designs by Mies van der Rohe, or jackets filled with puffy 3D buildings. Fashion retail environments also bring space and clothes together, often in thoughtful and interesting ways. This video looks at the history of architecture and fashion and visits a fashion retail store in Chicago called Notre, designed by Norman Kelley.
This week's curated selection of Best Unbuilt Architecture highlights conceptual works, competition entries and projects in different stages of development submitted by the ArchDaily community. From a village made of 3D-printed cacao waste for a chocolate manufacturer in Ecuador, the transformation of a shopping centre in Ontario into a sustainable and walkable neighbourhood, to the refurbishment and redevelopment of Brutalist estates in London, the following projects illustrate a wide array of design approaches shaping the built environment.
This week's selection of unbuilt projects highlights worldwide interventions addressing a range of highly-relevant topics, such as circular construction, the adoption of sustainable materials, biodiversity, urban redevelopment of obsolete infrastructure or adaptive reuse and the reconsideration of the existing building stock.
Founded by the architect and professor Angelo Bucci, spbr arquitetos works in different scales of construction of buildings with a distinct and particular language in its works. Its projects are the result of an intense exercise in architectural thinking, combined with the use of drawing as a tool for dialogue between architects and clients.
The "Casa de los Milagros" (House of Miracles), located in the cloudy forest on the outskirts of Xalapa, Veracruz and designed by Mexican architect Danilo Veras Godoy, is a space conceived with organic forms, earth, unexpectedly shaped openings and mosaic glass in different shades. It was designed to meet the needs of Rosalinda Ulloa, a single mother who would live there with her two young children. It was built in stages, starting in 1995, and was completed in 2002, with some changes being made between then and 2006.
There is so much more to know about architects and their projects when you begin to learn the stories behind their work. When you know where and how they draw their inspiration from and how an idea becomes a reality that you can touch, feel and experience, you get a better idea of why the project ended up the way it did.
Together with photographer Marc Goodwin, as part of his project Atlas of Architectural Atmospheres this time in the city of Berlin, we had the opportunity to meet with German architect Christoph Hesse, of Christoph Hesse Architects, based in Korbach and Berlin, and we spoke about all these things that make up his idea of architecture and his work. Meeting a creator on their own workspace is also an added value; we went through different projects while looking at the physical models and the narrative of his work became a beautiful story about a place, a countryside town in Germany, its people, and their lives, and a sustainable future in nature.
California, as with most American states, has a housing crisis. Unlike the rest of the country, it is actually working to ameliorate the situation, with private and public initiatives that critics can’t help but label inadequate. The Bay Area made accessory dwelling units legal by changing zoning laws, but that has hardly made a dent. Some cities are now pushing for additional upzoning to give developers more room to bring new buildings to market at lower rents. There are all sorts of studies, university sponsored or underwritten by the industry, that recommend more-or-less radical fixes for a seemingly unfixable problem. Environmentalists are naturally cast as villains because they don’t condone greenfield developments. And Californians are tough on their elected officials, as the current governor learned last year.
https://www.archdaily.com/975506/new-construction-is-not-always-the-answerMark Alan Hewitt
Cool lights, wall-to-wall tiles and trivial fixtures. Little by little, public bathrooms have changed this aesthetic and opted for more careful designs. Gone are the days when designs were focused only on functionality, accessibility and ease of maintenance and cleaning. Along with these essential qualities, a good bathroom project can also bring tranquility and show values that the space or the company wants to convey to its users. whether through finishes, lightning, or less material factors such as inclusivity, making users feel good is ultimately the goal of all environments, including bathrooms.
Architecture has long been designed to symbolize and venerate shared values and beliefs. This is especially true in cathedrals and places of worship, structures that exists across environmental, economic and cultural boundaries. These buildings encompass ritual and gathering as they explore the relationship between human experience and the divine. Today, cathedrals are being reimagined for contemporary life and new building traditions.
The outer layer of surfaces and buildings is the interface with the world and communicates much of its appearance, characteristics, and conditions. There are times that, whether due to budget constraints, difficulties, or lack of time, we need to look for quick and easy-to-install solutions. 3M™ DI-NOC™ Architectural Finishes are adhesive decorative films that offer a sustainable, cost-efficient option for refurbishing surfaces, providing less landfill waste, minimal downtime, noise, and dust for use on casework, doors, columns and internals walls. There is also a version for exterior solutions, the 3M™ DI-NOC™ Architectural Finishes Exterior EX Series product line. The finishes can be applied directly over existing façade material, providing high design along with other features. Below we will explore two examples that will highlight the possibilities with 3M surface finishes.
A project for the Commemorative Landmark Pehuenche Commission carried out by the recently graduated Chilean architect Antonia Ossa, is part of the series of small-scale interventions built in the Andean sector of the Maule Region, Chile, as part of the certification process of the School of Architecture of the University of Talca.
Although artificial intelligence is showing the potential to carry out successive iterations with good results, designing the layout of spaces takes up large portions of a designer's time. The organization of elements present within a space determines the flow of movement, the points of view and will largely dictate how it will be used. But the idea of stifling the use of the environment may not work for all cases. Due to space restrictions or supplementary uses that a room can have, some architects have developed dynamic layouts that have more than one possible use. Whether through dividing elements or special modules, these projects allow the space to change radically through movement.
With V-Ray 5 for SketchUp, Update 2, Chaos has introduced intelligent new tools that make it easy for architects and arch-viz artists to create incredible renders. You can make use of the free models and materials provided in Chaos Cosmos, customize surfaces with V-Ray Decal, and tune your render with LightMix and post-processing.
In this tutorial, V-Ray Product Specialist Ricardo Ortiz uses an interior scene to demonstrate how these powerful new additions can accelerate your creative processes and add extra details for exceptional photorealism.
Videos
Courtesy of A Broken House, The New Yorker Documentary directed by Jimmy Goldblum
“A Broken House” is a documentary directed by Jimmy Goldblum that highlights the story of Mohamad Hafez, a Syrian native that moved to the US on a single-entry visa to study architecture and was not able to return home. Facing his fate, he channeled his homesickness in his artwork, and started producing miniature sculptures of his hometown, in order to build the “Damascus of his memories”.
“If you can’t get home, why don’t you make home”. Telling the story of the human being that lived within, the architectural project gained a political dimension after the eruption of the Syrian civil war, portraying the extent of the destruction suffered by the city, humanizing refugees, and sharing their stories.
