We deal with buildings every day. We sleep in them, work in them, live our lives using their accommodation. But like a song or a painting, a person usually helps create them, with those who use and build them, then the world receives that work. But before they are built, buildings are just ideas.

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What is the purpose of strategic planning? Why should we care as practice owners and what is the function of this effort? Perhaps we can begin to answer this question by defining strategy. Put simply, strategy is a set of goal-directed actions a company can take to gain and sustain a competitive advantage. A competitive advantage, however, is always relative. It defines the best way for a firm to create value for its internal and external stakeholders. Relativity is important. In the practice, profession, and business of Architecture, there are no absolute advantages. To paraphrase Simon Sinek: “Business is an infinite game in which the competitive landscape is always in flux.”

Discussing carbon neutrality in architecture should not only be based on local materials and new technologies, since there are many aspects that impact the construction production chain. From design to construction, without losing sight of the context and economic system of our society, the construction industry is responsible for a considerable part of the energy consumed worldwide. In order to interfere in this reality, it is necessary to expand the fronts of action, questioning the place of construction in our society.

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Founded in 1997, the São Paulo architecture firm Andrade Morettin Arquitetos Associados began with a partnership between Vinicius Andrade and Marcelo Morettin, which later included the architects Marcelo Maia Rosa and Renata Andrulis. Today, the office has more than two decades of history and a wide range of activities.

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Furniture has a direct impact on the quality of interior design projects. Among other features, its presence blends with the function of the spaces, setting a boundary between them.

An internal space with neutral colors, for example, might highlight certain furniture that, beyond fulfilling their function, also assumes a contemplative profile. These pieces of furniture have become iconic by their design, which, in some cases, were created by great names of architecture that explored this field and drew pieces that represented their style.

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The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week, David and Marina break down SCI-Arc's controversial panel "Basecamp: How to be in an office" and share their own advice on "how to be in an office”. The two discuss choosing the right office to work at; why the idea of committing to an office is right, but also wrong; why side hustles are not the solution to low fees and/or low pay; why just ‘getting shit done’ is not enough; why being underpaid is not just a ‘personal choice’; why the profession is struggling with low pay and long hours; and the nuances of SCI-Arc’s panel discussion.

Regardless of the design adopted for kitchen spaces, for some years now and with increasing frequency, many architects have been deciding to design kitchens by integrating them into other rooms in the home. Free of dividing walls or joinery, integrated kitchens are implemented with the aim of leaving the activities that take place there in full view of everyone, encouraging interaction and communication between the inhabitants.

This article was originally published on Common Edge.

When the estimable Blair Kamin stepped down as architecture critic of the Chicago Tribune in early 2021, it left the city without a daily critic at any of the local news outlets. That sad state of affairs was partially corrected recently, when the Chicago Sun-Times announced that Lee Bey would begin a monthly architecture column. The writer, historian, photographer, and critic brings a wealth of experience to the task: he was architecture critic for the Sun-Times for five years in the late 1990s, served as deputy chief of staff for planning and design in Mayor Richard M. Daley’s administration, directed governmental affairs at SOM, and taught at IIT. His most recent book is Southern Exposure: The Overlooked Architecture of Chicago’s South Side. Last week I talked to Bey about the new role, how the city has changed since his last stint as a critic, and the unique importance of architecture to the city.

Cladding systems have important functions in buildings. They can confer thermal insulation, protect internal spaces from the weather and–just as important–give the building a "face", improving its appearance and clearly identifying the element of design. "Cladding" refers to the components that are linked to the structure of a building to form non-structural external surfaces. While in the past wooden cladding was the only option, there are currently multiple possibilities of materials, colors, weights, textures, anchoring systems, and many other variables available. Below, we outline some of the main materials used for façade cladding, and the projects that use them in a remarkable way:

Technical precision combined with environmental concern and exploratory and investigative character make Carla Juaçaba one of the great representatives of Latin American architecture today. Carioca, born in 1976, Carla Juaçaba attended the University of Santa Úrsula and attributes much of her experimental and interdisciplinary style to this educational institution. It is not by chance that during her academic training her great inspiring masters were the architect Sergio Bernardes and the visual artist Lygia Pape, insinuating her interest in the multiple disciplinary branches that can compose architecture. In this sense, while still at graduation, Carla worked together with architect Gisela Magalhães, from Oscar Niemeyer’s generation, in scenography and expography projects.

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As the world of Architecture finds itself on the edge over the recent Metaverse and NFT hype, Zaha Hadid Architects is at the forefront of innovation showing us exactly how to utilize Web 3 and its socio-economic opportunities for architects, globally.

The topic has become especially relevant at the beginning of this year, with more and more platforms publishing about it. All the recent hype forces us to evaluate our role as architects and whether or not we want to consider servicing the digital realm.

After my recent interview with Gensler’s Director Harry Ibbs on Leveraging Technological Advancements to Bring Workers Back to Office I decided to cover the topic of a post-covid practice workplace culture from a completely different angle. In search of a more intimate approach, I looked into AL_A, a RIBA 2009 Stirling Prize-winning studio founded by Amanda Levete with directors Ho-Yin Ng, Alice Dietsch and Maximiliano Arrocet. The diversity of the leadership team and their 30+ person workforce brings a richness of thinking and possibility that’s played out in their culture, practice and through their designs.

The noticeable shift from 2D CAD in landscape architecture is in part due to external pressures, such as the UK’s requirement for BIM level 2 framework on government-procured projects. Even where there’s no BIM mandate, there’s inherent pressure to deliver BIM files when working with consultants who’ve already matured their workflows with BIM.

As cities keep growing and daily realities quickly shift, people turn to new and ever-changing ways to maintain their well-being. While the promotion of active lifestyles has been the focus of many Planners and Architects (Pedestrian/ bike-friendly cities, parks or fitness/ sports centers) aiming to support Human comfort and health, recent times have shown that these publicly coveted facilities might not always be accessible.   

The solution is as clear as day. In fact, if you’re not engaging in it nowadays, you’re probably witnessing those around you working out from home or even offices. Workplaces have been also adapting their interior spaces, having designated areas and equipment available for those eager to take a break from work.

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Since the beginning of the 20th century, automobiles have been shaping cities and architecture, demanding specific spaces to move and be stored.Cars and motorcycles dictated the organization of spaces and the consequent urban and rural landscape of entire countries. However, with the climate crisis and the recognition of the problems that this development model brings to cities and to the planet, every day more initiatives are perceived that seek to eliminate individual and motorized cars powered by fossil fuels, while at the same time we also perceive the need to give new meanings to spaces that were previously dedicated to cars. In addition to the streets and public spaces, this transformation is also felt in the houses and residential buildings that are beginning to see garages as a more dynamic space.

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The stage is set in one of the most iconic “end of the world” movie scenes: Citizens of New York City are scrambling on top of taxis, quickly attempting to escape the slow-moving giant tsunami heading their way. In the rear-view mirror of a bus, a giant wave can be seen rushing up the narrow city grid. Searching for higher ground, the main characters, Sam and Laura, run up the famed stairs into the famed New York Public Library, and just as the revolving doors shut behind them, the pressure of the water smashes the windows, and water begins to rise. Without seeing it, we know that New York City and its iconic architecture will soon be destroyed.