With the recent Metaverse hype, let's address the elephant in the room! As more and more people dance around the subject of weather or not it is harmful for sustainably-conscious architecture designers to utilize the Metaverse, I decided to interview Oliver Lowrie, a Director at Ackroyd Lowrie, an award-winning London-based architecture practice dedicated to building the cities of the future, who is already using this technology to enhance Ackroyd Lowrie’s low-energy designs.

Whether blending in or standing out, embodying transparency or solidity, expressing coarseness or softness, a façade is the medium through which we engage with architecture. It tells a story and can often set the tone for the rest of the interior. But apart from defining a purely visual experience, a building’s envelope must also be practical, durable and have the ability to properly manage natural lighting and ventilation needs. After all, by being the point of contact with the outside, it is responsible for mitigating sounds and providing protection from climatic conditions, such as wind, rain, heat and humidity. Therefore, when designing a facade, it is important to consider a balance between performance and a beautiful aesthetic. Of course, many materials successfully meet these criteria. But when it comes to creating a comforting, light-filled ambiance while ensuring resistance, ease of installation and versatility, the properties of translucent polycarbonate panels seem to be unparalleled.

PVC, as the synthetic material Polyvinyl Chloride is called, or Polyvinyl Chloride, is one of the most produced plastics in the world, reaching 40 million tons per year. Its application is quite varied and in construction it has found different branches, serving both as an input for infrastructure and for finishing.

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15-minute cities are a trending urban planning topic that has long been discussed academically and is now slowly being implemented across existing cities in Europe. But now, the first 15-minute city is being designed and built from scratch in Utah. Dubbed “The Point”, the new 600-acre city will be located just outside Salt Lake City, and will be a redeveloped former state prison site where new jobs, housing, public spaces, amenities, and transportation will serve almost 15,000 people in an attempt to explore a prototype for how innovative urban planning concepts can improve the public health and wellness.

Daniel Libeskind (b. 1946, Lodz, Poland) studied architecture at Cooper Union in New York, graduating in 1970, and received his post-graduate degree from Essex University in England in 1972. While pursuing a teaching career he won the 1989 international competition to design the Jewish Museum in Berlin before ever realizing a single building. He then moved his family there to establish a practice with his wife Nina and devoted the next decade to the completion of the museum that opened in 2001. The project led to a series of other museum commissions that explored such notions as memory and history in architecture.

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A call that comes from the cradle, creativity, the act of transforming ideas into materials, are some of the words to introduce Nitsche Arquitetos, which in its practice remains in a constant reinvention from the questions that are posed about space and life. Daughter and sons of artists Marcello Nitsche and Carmela Gross, siblings Lua Nitsche, Pedro Nitsche and João Nitsche founded the office that works on two fronts: architectural projects – headed by Lua and Pedro, architects trained at FAUUSP in 1996 and 2000, respectively – and works of art and visual communication – led by João, a visual artist who graduated from FAAP in 2002.

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As the world spins deeper into the third year of a global pandemic with no sign of abating, a new space race is forming over our heads. Entry is open to all, and the tickets are literal. The Architect's Newspaper's Jonathan Hilburg explores how the world's richest men are charting new paths for the human species, and how the public are reacting to the future of private space tourism. 

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina answer the question, “Should I go to architecture school?” The two cover the relevancy of college/university, the architecture school experience, if studying architecture is needed to practice architecture, if having a degree helps with getting a job, preparing for architecture school, choosing the right degree, the cost of architecture school, and more.

Pricing architectural project work is a complex issue that is not usually addressed during one's formative school years, and it usually takes time for professionals to develop a good system that works for them and their clients. Issues such as scope of work, hours worked, project area and project complexity will influence the final cost of a job. In addition, another thing that can keep project professionals awake at night is how to charge clients in a way that is sustainable for the business and comfortable for future users of the designed space.

One of the first elements used by humans to build shelters, wood is a versatile material that, along with technological advances, remains a protagonist in the construction industry, being used in different ways and moments in a work.

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The immensity of China leads to the diversity of customs and climatic conditions. Each area has its own unique materials, construction methods, and climate adaptation measures. The regional characteristics of Chinese architecture are generally preserved in rural buildings. But we cannot overlook how contemporary technology may considerably improve the living and use conditions of rural buildings. What is the best way to create a balance between classic or inherent technology and new ones? How would the construction of rural architecture provide inspiration for the development of Chinese architectural cultural symbols?

2022 Pritzker Architecture Prize winner Diébédo Francis Kéré reported the great solutions of Burkina Faso. Kéré insists to build comfortable buildings at a reasonable price; to make users happy and inspire them to dream of a better life. The pride of the local culture is reinforced by the use of local materials and traditional techniques. And then Kéré‘s works in other countries show cultural emblems of Burkina Faso, which are the consequence of his own cultural accumulation.

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This article was originally published on Common Edge.

Compared to that of the West and East, awareness and knowledge of the architecture of sub-Saharan Africa—Africa south of the Sahara Desert—is scant. A new book intends to mitigate this oversight, and it’s a significant accomplishment. Architectural Guide Sub-Saharan Africa (DOM publishers, 2021), edited by Philipp Meuser, Adil Dalbai, and Livingstone Mukasa, was more than six years in the making. The seven-volume guide presents architecture in the continent’s 49 sub-Saharan nation-states, includes contributions by nearly 340 authors, 5,000 photos, more than 850 buildings, and 49 articles expressly devoted to theorizing African architecture in its social, economic, historical, and cultural context. I interviewed two of the editors—Adil Dalbai, an architectural researcher and practitioner specializing in sub-Saharan Africa, and Livingstone Mukasa, a native Ugandan architect interested in the intersections of architectural history and cultural anthropology—about the challenges of creating the guide, some of its revelations about the architecture of Africa, and its potential impact.

You may have heard an architect colleague say that he chose to study architecture because of the numerous possibilities of action that this degree allows. The field of architecture is, in fact, very extensive, through which it is possible to embark not only on the most “traditional” attributions, but also to venture into various specificities that comprehend the role of the architect and urban planner.

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The 8th March is a date set by the UN in 1975 to remember the struggle for equal rights and universal suffrage. This commemoration brings together the efforts of women who demanded their right to vote, work, professional training, hold public office, and fight discrimination in the workplace. This struggle is the fruit of the work of women who sacrificed themselves for the cause. Various events that we experience on a daily basis show that the social situation has changed. However, it is essential that both men and women commit themselves to progress and justice in order to make things happen.

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Videos

After water, concrete is the second most-consumed material on the planet and its production is substantially growing, expected to increase from 4.4 billion tons, reaching production up to 5.5 billion tons by 2050. Unfortunately, this comes at a huge environmental cost, accounting for almost eight percent of the global carbon emissions. With this estimated expected growth, stakeholders in the construction industry must work on integrating sustainable building materials and innovative processes. 

The Zero Carbon policy is intended to create a kind of ecological balance to neutralize greenhouse gas emissions. Several studies report that the construction sector is one of the main responsible for the unbalance in which we find ourselves today, after all, it consumes natural resources on a gigantic scale and still builds buildings that do not collaborate with the maintenance of the environment. Therefore, searching for paths towards a carbon neutral architecture has become fundamental and one of them is learning from past masters, such as the Brazilian architect João Filgueiras Lima, known as Lelé.

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