This article was originally published on Common Edge.

Can a piece of infrastructure literally kill a city? This is the question that writer Jim Krueger poses in his recent podcast, The Road That Killed a City. The place in question is Krueger’s current hometown—Hartford, Connecticut—which he grew up next to in the leafy suburb of West Hartford. Kruerger has lived in both towns, and that helps to balance the amazing story he uncovers about how Connecticut’s capital was impaled by a roadway (actually, two: east/west I-84 and north/south I-91 converge in Hartford in a sort of arterial highway ground zero). I spoke with Krueger about what prompted the podcast, some of what he uncovered about the history of this ill-fated urban “improvement,” and the legacy of a highway that continues to thwart Hartford’s rebirth—an inheritance shared by many cities across North America.

Greatly driven by the Covid-19 pandemic, interior design trends that prioritize comfort and well-being have become more prominent than ever in recent years. With former confinement restrictions and the rise of hybrid work, the amount of time spent indoors to carry out daily functions has risen drastically, forcing many to adapt their living spaces accordingly. As a result, demand has focused on residential interiors that foster calmness, peace and warmth, as well as on products and design elements that successfully meet these new needs. But how to achieve this? While there are many ways to promote comfort inside the home, one method has been indisputably proven to be the most successful: bringing nature in.

Windows are the elements that connect us to the outside world. It is from them that views are framed, privacy, lighting and natural ventilation are defined. Nowadays in the construction market we find different types of openings. Find out how to choose the type that best fits your project needs here.

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When browsing the 3D printing tag on ArchDaily, it is clear that this technology has developed at an incredibly fast pace. If in the early years we observed the concept as a distant possibility for the future or with small-scale examples, in recent years we have observed entire printed buildings and increasingly complex volumes being produced. Developed by reading a computer file, the fabrication is carried out through additive manufacturing with concrete - or other construction materials - and presents numerous difficulties in providing an efficient process that enables the constructive technique to become widespread. The pavilion printed by the Huizenprinters consortium, for example, illustrates this process well.

Architect Mariam Kamara—founder of Niamey, Niger-based firm Atelier Masōmī—is a contrarian of design pedagogy as it is largely practiced today. To Kamara, modern is not synonymous with European forms, architecture is not only for Westerners to define, and the so-called canon of great buildings actually ignores most of the built world. The Niger-based architect's rapidly growing practice informs a series of lectures she has delivered recently at MIT, Columbia University GSAPP, the African Futures Institute in Ghana, and Harvard GSD.

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Although some may question it, architecture is essentially a service industry. And like in all services, the process itself (meetings, invoices, payments) can be just as important as the end result (the finished project). At the end of the day, if you offer a coherent, efficient and well-structured service that complements a good design, clients will be satisfied and are likely to return. They will also spread the word and recommend the office, which is ultimately the best way for design professionals to build a good reputation and attract new customers.

Many boxes must be checked to provide a good service. But perhaps one of the most crucial involves billing and payments, which are vital for cashflow and thus fundamental for businesses. In project-based industries like architecture and design, fees are usually paid out in various installments defined by specific time frames, from the initial design delivery to construction. Therefore, receiving a consistent, predictable income in all stages is indispensable; it avoids non-payments and delays that can hinder project delivery and cause complicated situations.

Nothing is more representative for an office than carrying the name of the country on its identity. Far from seeming banal, the architecture of Brazil in Brasil Arquitetura undergoes a thorough analysis that highlights aspects of Brazilian culture and society.

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Even before we got used to remote work, some offices were already concerned about the well-being of their teams and how to attract new talent to work in their physical spaces. In this context, the decompression rooms had already become fundamental parts of the architectural program to demonstrate that the company is concerned with encouraging people to live together, relieving everyday pressure and bringing moments of pleasure during the workday. Currently, when many have already returned to the offices, environments like this have become increasingly essential to ensure the well-being of the employee, as well as improve their performance.

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Without a doubt, pivot doors are more in style than ever. Rotating on a vertical axis with nearly invisible components, these swinging doors are characterized by their clean lines, contemporary aesthetic and endless design possibilities – features that make them ideal for a wide array of applications, especially as grand design statements. They particularly stand out, however, for their beautiful and elegant movement that allows smooth transitions between spaces, setting them apart from regular hinged doors. To ensure that this characteristic motion is achieved, two steps are indispensable: selecting high-quality hardware and installing it properly.

Brick has positioned itself as one of the materials that characterise and identify Argentinean and Latin American architectural culture. The diversity and versatility of masonry in our region have given rise to great heterogeneity in its uses and applications: structural walls, partitions, enclosures, screens, envelopes, skins, roofs, vaults, domes and floors allow us to visualise the great adaptability of this material in order to adapt to the particular requirements of each project.

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The digitisation of architecture and design projects has been going on for some time now and has increased even more, largely due to the global pandemic. To hear talk of the metaverse, the NFT or the digital twins seems to be commonplace at this time, when the digital economy is booming and where architects and designers who seek to move from the physical world to the virtual world are beginning to proliferate. But will virtuality be the future of architectural visualisation?

Visual permeability, ventilation and a strong identity appeal, the hollow elements have increasingly found their place in contemporary architecture. Whether in large buildings or small residences, they appear in different shapes, materials and compositions, helping to determine the degree of interaction between interior and exterior space. This artifice in a residential construction is an important tool to ensure privacy and intimacy, without losing the possibility of connections to the outside and natural ventilation.

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In New Mexico, irrigation channels that have been in continuous operation for three centuries replenish and nourish the wetlands of the American Southwest. These channels are known as Acequias – communally managed water systems built on democratic tradition. Members of the community own water rights, who then elect a three-person team to oversee the channels. In Cairo and Barcelona, Tahrir Square and Plaza de Catalunya have acted as important sites for voicing political dissatisfaction. The Tahrir Square protests of 2011, for instance, resulted in the eventual toppling of an almost 30-year-old government.

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In preparation for the Disrupt Symposium, as the conference launch planned for the 1st of May approaches I sat down with Krista Kim a contemporary artist and founder of the Techism movement, whose work explores the concept of digital consciousness. Her interest in digital technology and it’s revolutionary effects on human perception, media, social structures, and communication have led her to work in both digital and physical realms.

All businesses, large or small, have faced unprecedented challenges in the last couple of years – but one of the positive outcomes of the global pandemic is the notion that work can be done wherever you are in the world. And while work has changed, expectations have not. Teams need to work with the same speed, efficiency and security as when they were all within the same four walls. It’s now up to IT to rise to this challenge with the right solutions to meet the new demands of the hybrid workforce. Remote working – and remote collaboration – is here to stay. 

Over the past few years, educational campuses around the world have been confronted with various trends and challenges of change, such as pandemic adaptation, climate crisis, the responsibility for sustainable design and online teaching. Sasaki Architecture, with offices in Boston, Denver and Shanghai, specialises in planning educational campuses around the world. With a broad portfolio of projects at various scales of intervention, recent projects in the United States, China, Mexico and Peru stand out.

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As Antoine Picon describes in Architecture and the Virtual Towards a new Materiality? : "An architectural project is indeed a virtual object. It is all the more virtual that it anticipates not a single built realization but an entire range of them. …Whereas the architect used to manipulate static forms, he can now play with geometric flows. Surface and volumes topological deformations acquire a kind of evidence that traditional means of representation did not allow.”