Addressing themes involving memory, oblivion and gender, the Argentinean visual artist and muralist, Mariela Ajras, displays her art on the walls of numerous cities around the world such as Barcelona, Valencia, Salamanca, Mexico City, Bogota, Montevideo, Buenos Aires, among many others. With a background in psychology, she has participated in different urban art festivals, exhibitions, fairs and public art projects, one of the largest murals in the city of Buenos Aires being the one she developed for the project "Corredor de la Memoria", commemorating the 25th anniversary of the AMIA bombing.

With José Antonio Corrales and Ramón Vázquez Molezún, a situation quite common in Spanish architecture post-1950 is repeated: the lack of international projection of talented architects, largely due to the absence of theory. Apart from that, an intrinsically mysterious and enigmatic character pervades their work, deeply reinforced by the attitude of these architects towards it. They never stopped to explain it. They were never interested in providing it with a theoretical foundation. All this makes it extraordinarily difficult to understand their architecture, leaving many questions unanswered, open only to the interpretation of those who pause to reflect on them.

Corrales and Molezún have collaborated together on numerous projects sine 1952. They were very different people. José Antonio used to define himself as a "more rigorous person", while Ramón was closer to the "gaie", with a lighter, almost romantic touch. Their duo could be incarnated, respectively, as the two lobes of the brain: the left hemisphere, visual, verbal, linear, controlled, dominant, quantitative, etc. in Corrales; while the right, spatial, acoustic, holistic, contemplative, emotional, intuitive ... perhaps more accurately represents Molezún. One more couple to the long history of creation: Don Quixote and Sancho Panza, Sherlock Holmes and Dr. Watson, ...

The planning and design of mixed-use neighborhoods and individual mixed-use developments are on the rise. Many of the places we frequent most feature a variety of programs, bringing many of life's daily conveniences to one place. But mixed-use spaces do more than just create a diverse array of experiences in cities- they might also help contribute to lower crime rates.

Museums play a key role in the preservation and dissemination of culture and knowledge. They can exhibit works of art, documents, photographs, historical artifacts or even plants and trees. Although today there are entirely virtual exhibition spaces, the primary functions of traditional museums are the conservation and protection of objects, which are invaluable due to their historical relevance, rarity or market value. From simple “Do not touch” signs to tape, security guards, or glass displays, each object receives a type of protection that is in accordance to its needs. These types of protection, in turn, must consider both the safety of the object, whilst also allowing for its appreciation and conservation, creating a controlled environment for the exposed object that preserves it indefinitely.

Housing objects of artistic, cultural, historical and scientific importance, the term ‘museum’ is derived from the Latin language. In regards to classical antiquity, in Ancient Greek ‘mouseion’, meaning ‘set of muses’ was a philosophical institution, a place for contemplation and thought. These muses refer to the 9 muses in Greek mythology, the goddesses of the arts and sciences, and patrons of knowledge. Early museums’ origins stem from private collections of wealthy families, individuals or institutions, displayed in ‘cabinets of curiosities’ and often temples and places of worship. Yet these ‘collections’ are predecessors of the modern museum, they did not seek to rationally categorize and exhibit their collections like the exhibitions we see today.

In definition, the modern museum is either a building or institution that cares for or displays a collection of numerous artifacts of cultural, historical, scientific or artistic importance. Through both permanent and temporary exhibits, most public museums make these artifacts available for viewing and often seek to conserve and document their collection, to serve both research and the general public. In essence, museums house collections of significance, whether these be on a small or large scale.

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Before the pandemic, there was a concerted effort from world leaders to curb the effects of global warming, with nations from around the world trying to unite in this endeavor. There was an increased emphasis on policies and action plans to reduce greenhouse gas emissions by 2030 through the rapid introduction of new energy saving technologies and innovative carbon dioxide removal techniques, with the purpose of meeting the Paris Agreement goal of carbon neutrality and limiting global warming to 1.5ºC. 

If today technologies are emerging for different forms of representation and interaction with drawing, understanding how architects communicate through hand-drawn strokes can be essential to delve into the topic of architectural visualization. Through the simplicity of gestures, small texts or a collage of references, it is possible to translate ideas in an innovative way, unlike the ways that a render can present. For this reason, we highlight here the work of great names such as Lina Bo Bardi, Renzo Piano, Pezo von Ellrichshausen and Mikkel Frost, who, using different techniques, reveal different ways of representing a project.

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There’s something magical about seeing a city from the very top. To have a new vantage point, and look across a skyline instead of looking up at it is one of the most powerful and awe-inspiring feelings. Observation decks are not just architectural marvels, but also a sort of civic icon and sense of pride for a city. In the present day, it’s not just their height that draws people in, but the additional programming of sky-high bars, rides, and bungee jumping as well.

Now that the effects of climate change are visible and indisputable, consumers are more environmentally conscious than ever. In fact, as a United Nations 2021 study suggests, 85% of them reveal that sustainability plays a key role when making their purchase decisions, motivating businesses and manufacturers to respond accordingly. This explains the rising demand for electric vehicles and products made of renewable or recyclable materials. However, architecture – and especially traditional housing – seems to be several steps behind compared to other industries. Although there are numerous efforts to move towards a greener built environment, the way most buildings are made today continues to be outdated, creating tremendous amounts of waste and significantly contributing to the global carbon footprint.

Far beyond basic training, reading is a leisure activity that is part of modern society. Whether outdoors, in squares and parks, at home or even at work, this habit, which improves reasoning ability and mental health, already had large spaces dedicated to books in palaces and mansions. We selected 15 projects that demonstrate the different ways of integrating reading at different scales and architectural programs.

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On the 5th of May, the first edition of Model. Festival of Architecture of Barcelona was inaugurated. An event organised jointly by Barcelona City Council and the Architects' Association of Catalonia (COAC) that brings us closer to experimental architecture and helps us to rethink how we want to live together through new city models and new imaginaries.

Since the emergence of the design profession, boosted in the Industrial Revolution with the increasing production of objects and the desire of a middle class eager to consume; designers, interior decorators and architects are known as professionals who create spaces and products to beautify the world.

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Stairs in architecture are oftentimes a design focal point- the heavyhandedness in creating something that moves us from one level to the next, up and down repeatedly, something so simple and familiar with a twist is what makes the experience of traversing a stair so unique. Our obsession with stairs and the level of illusion that they create in architecture perhaps stems from the way that they’re able to twist the optics and perceptions of space. We understand that they transport us in one direction or another, but can stairs ever be circular? Is it possible to go up and down for eternity?