As the world of Architecture finds itself on the edge over the recent Metaverse and NFT hype, Zaha Hadid Architects is at the forefront of innovation showing us exactly how to utilize Web 3 and its socio-economic opportunities for architects, globally.
The topic has become especially relevant at the beginning of this year, with more and more platforms publishing about it. All the recent hype forces us to evaluate our role as architects and whether or not we want to consider servicing the digital realm.
After my recent interview with Gensler’s Director Harry Ibbs on Leveraging Technological Advancements to Bring Workers Back to Office I decided to cover the topic of a post-covid practice workplace culture from a completely different angle. In search of a more intimate approach, I looked into AL_A, a RIBA 2009 Stirling Prize-winning studio founded by Amanda Levete with directors Ho-Yin Ng, Alice Dietsch and Maximiliano Arrocet. The diversity of the leadership team and their 30+ person workforce brings a richness of thinking and possibility that’s played out in their culture, practice and through their designs.
Coffee shops have always been popular gathering spaces among coffee lovers, but with the rise of remote working, especially post-pandemic, they have become a hotspot for remote workers and students as well. One of the many reasons why they are such a popular hangout spot, other than the fact that they serve one of the most globally-adored drinks, is because of their well-designed interior spaces that promote comfort, relaxation, and productivity simultaneously. After all, it's always been said that architects and coffee go hand in hand. In this interior focus, we explore how different design elements shape the user experience of a coffee shop, and look at how architects have employed them through 17 examples.
Nottingham City Hub. Image Courtesy of Ares Landscape Architects Ltd.
The noticeable shift from 2D CAD in landscape architecture is in part due to external pressures, such as the UK’s requirement for BIM level 2 framework on government-procured projects. Even where there’s no BIM mandate, there’s inherent pressure to deliver BIM files when working with consultants who’ve already matured their workflows with BIM.
What would a project be like if user emotions were part of the program? Planning environments that can accommodate different sensations is, according to Pinterest Predicts 2022, one of the decoration trends for the coming years. More and more people have been looking for ways to set up rooms that provide the apotheosis of their feelings, no matter if the goal is to be more calm, express their anger, listen to music or a leisure activity, the focus of the so-called "emotional decor" is on make emotions flow freely and safely.
As cities keep growing and daily realities quickly shift, people turn to new and ever-changing ways to maintain their well-being. While the promotion of active lifestyles has been the focus of many Planners and Architects (Pedestrian/ bike-friendly cities, parks or fitness/ sports centers) aiming to support Human comfort and health, recent times have shown that these publicly coveted facilities might not always be accessible.
The solution is as clear as day. In fact, if you’re not engaging in it nowadays, you’re probably witnessing those around you working out from home or even offices. Workplaces have been also adapting their interior spaces, having designated areas and equipment available for those eager to take a break from work.
Iconic, technological, ecological: mudra opens a new chapter in the history of the shell chair. A poetic chair that explores new boundaries while resting completely in itself. Image Courtesy of Brunner
Certain chairs make such a strong first impression that they immediately take a place in our consciousness. Some are powerful, solid and deliberately down-to-earth. Others because of their playful lightness and elegance. mudra, the new universal chair by Brunner and Diez Office, definitely belongs to the latter category. The sculptural chair acts like an inviting gesture that brings the formal and ecological possibilities of shaped wood technology into the present.
Cortesia de S'Winter Station - Ryerson University – Department of Architectural Science
The construction industry has experienced severe changes in recent decades. Historically, it counted on abundant labor and a false notion that natural resources were infinite, but nowadays the sector has struggled to find innovations that will allow it to become more sustainable, especially considering its enormous impact and importance in the world. In addition, the recent Covid-19 pandemic changed several factors and dynamics, demanding creativity from designers to overcome challenges. In some cases, the design process itself became subject to changes. The S'Winter Station project, developed by students and teachers of Ryerson University's Department of Architectural Science, is one of these examples which relied on existing visualization and manufacturing technology for its completion.
Since the beginning of the 20th century, automobiles have been shaping cities and architecture, demanding specific spaces to move and be stored.Cars and motorcycles dictated the organization of spaces and the consequent urban and rural landscape of entire countries. However, with the climate crisis and the recognition of the problems that this development model brings to cities and to the planet, every day more initiatives are perceived that seek to eliminate individual and motorized cars powered by fossil fuels, while at the same time we also perceive the need to give new meanings to spaces that were previously dedicated to cars. In addition to the streets and public spaces, this transformation is also felt in the houses and residential buildings that are beginning to see garages as a more dynamic space.
The stage is set in one of the most iconic “end of the world” movie scenes: Citizens of New York City are scrambling on top of taxis, quickly attempting to escape the slow-moving giant tsunami heading their way. In the rear-view mirror of a bus, a giant wave can be seen rushing up the narrow city grid. Searching for higher ground, the main characters, Sam and Laura, run up the famed stairs into the famed New York Public Library, and just as the revolving doors shut behind them, the pressure of the water smashes the windows, and water begins to rise. Without seeing it, we know that New York City and its iconic architecture will soon be destroyed.
At a time when biophilia is highly valued in architecture, natural pools become another element capable of increasing the connection with nature, enabling the creation of a recreational and contemplative space at the same time. Also known as ecological or biological pools, they reproduce an ecosystem composed of plants, rocks and even some species of fish.
Map design and the significance of built environments continue to be inherently integral to gameplay within the realm of virtual worlds and video games, specifically in the genre of first-person shooters, and Riot Games’ VALORANT is no exception to this. Defying former expectations of its predecessors within the tactical shooter genre, Riot continually endeavors to make fundamental changes to decades of old formulas that have been implemented in practice all these years.
It’s a ubiquitous architectural form. An architectural typology that spans centuries and borders, a staple across cultures. The tent. In its simplest form – it’s a shelter, with material draped over a frame of poles. It’s an architectural language that is intrinsically linked to nomadic living. Yurts, for instance, functions as an easily portable dwelling for the Kazakh and Kyrgyz peoples. At the same time, tents have proved a popular stylistic precedent for architects, the lightweight structures of German architect Frei Paul Otto being a case in point. The tent is a complicated architectural language – one that straddles the line between temporary and permanent, and one that also functions as a symbol of wealth and a symbol of scarcity.
In 1940, American nutritionist Victor Lindlahr wrote the book 'You are what you eat', consolidating thinking towards the idea that what we put into our body directly impacts our mental and physical health. In more recent times, popular chefs have taken over the campaign and prompted the overhaul of educational and clinical catering, nudging us towards universal acceptance of the powerful correlation between wellbeing and food, and an understanding that learning, behaviour and recovery can all be improved with the right diet.
It is nearly impossible nowadays not to present accompanying renders when proposing a new project. No matter the method, software or style that is used, it is a valuable reference that bares more practical weight than one might think. Not only can it be one of the closest possible representations of the architect's vision, if approved, it can also become a promise to clients, investors, and the general public.
When it comes to works from renowned architects, the render becomes a critical reference to the project participants and to the expectant community. A lot of details can be developed and considered when creating the images. In most cases, special attention is brought to the lighting, materials, and context in order to make the most accurate representation possible.
The Chrysler Building interior, Manhatten, New York . Image Courtesy of Dorff / Wikicommons CC BY-SA 3.0
Art Deco or Arts Décoratifs originated in the 1920's, following the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris (1925). However, it wasn’t until the 1930’s that the movement gained momentum across both Europe and the US, broadening Art Deco to cover all elements of decorative art including furniture, interior design, jewelry and architecture. Its popularity stems from its unique origins. Rather than a design movement driven by political or philosophical forces, it was created for the desire of glamorous and alluring change, a reflection of the golden age in Hollywood and a widespread economic boom.
Characterized by its decadence, rich application of color, and geometrical shapes, the movement is dramatically influenced by the discovery of the artifacts of ancient civilizations, and the introduction and admiration of the automobile. A movement heavily influenced by aspects in vogue it sought to create a form of luxury modernism, a step away from a more traditional architecture. It put an emphasis on handcrafted and individually designed elements, rarely to be mass produced.
Over the past two decades, urban highways' social and economic ramifications have been brought into focus as a large part of this mid-century infrastructure comes to the end of its lifespan, prompting conversations over its role in contemporary urban planning. Freeway removal entails the replacement of the transport infrastructure with new urban developments, green amenities and alternative street grids to promote a healthier urban environment and smart growth. In some cases, the idea of removing highways is met with concern over the potential increase in traffic and gentrification of the areas adjacent to the road, but the pandemic has further exacerbated the need for quality public spaces and brought once again into question the hegemony of the car. The following highlights various highway removal projects, discussing how these interventions restore the urban fabric, reknit communities and recover urban spaces for city dwellers.
Cube / HENN Dresden University of Technology. Courtesy of Iurii Vakaliuk
Seen as one of the great promises for the future of construction, carbon concrete mixes strength, lightness and flexibility. In addition, at a time marked by a serious environmental crisis that puts the construction methods of the industry in check, carbon concrete emerges as an alternative that approaches the guidelines of sustainability.
Courtesy of Juan Barrios Duarte (Labrantía Estudio)
With an increasing amount of architectural visualizations being published on social media, it’s easy to get overwhelmed. Adding this to how the famous algorithm works, we end up always being exposed to social media publications that are, in many ways, similar to each other. But for us as architects, designers, and students, social media is not only a platform for networking and sharing our works. It also serves as a source of inspiration. If the algorithm isn’t helping us to discover new and different ideas, then it’s up to us to go out of our way and look for them.
There’s a famous quote—it’s usually attributed to Winston Churchill—that goes, “History is written by the victors.” This cynical and largely erroneous belief could only be true if history was fixed, settled, static. It never is, and that’s precisely why we have historians. It might be more accurately said that history’s first draft is written by the victors. But first drafts, as any writer will tell you, are famously unreliable. So it is with architectural history. Women have played significant roles in the field since the start of the profession, but that is not how history has recorded it. A new book, The Women Who Changed Architecture (Princeton Architectural Press), a collection of more than 100 mini-biographies of important women architects, covering more than a century, hopes to take a step toward correcting that oversight. Recently, I spoke to Jan Cigliano Hartman, the editor of the volume, about creating the book, important and overlooked figures, and why this isn’t a definitive list.
Well managed firm finances can be a raise to glory but if you fail at keeping them under control they quickly turn into a silent assassin. Why? Because, since as architects we don’t get much business education in school one of the common downfalls prove to be mismanaged finances.
Planetariums are designed for discovery and exploration. Created around immersive experiences, these projects draw our imaginations to new worlds. As theaters for education and entertainment, they also bring people together. Today, architects and designers are reimagining what the modem planetarium can be, and in turn, are inspiring new investigations into the universe and the vast ocean above us.
Luminance rendering from Daylight Visualizer. Image Courtesy of VELUX Group
Daylight shapes the experience of a space like no other material and is a fundamental aspect for designing healthy and sustainable buildings. Good daylighting design can improve the health, mood, cognitive abilities and productivity of the occupants at home, school or work while reducing the energy consumption of buildings.
Daylight Visualizer makes it easy to take informed decisions about architectural and daylighting strategies in your projects, and to evaluate compliance with requirements for daylight performance in building regulations and building rating systems.
Plywood, laminated timber, MDF sheets and OSB boards are all good, can be economically viable and efficiently fulfill certain functions, but none of them offer the same atmosphere as solid wood. The nobility of this material is usually accompanied by a high cost, but the aesthetic and sensory qualities are unparalleled.
Below, we have gathered examples of projects that use solid wood in furniture elements. Tables and chairs, beds and cabinets made with wood of different species, new or from demolition, refined or rustic, with different textures and colors that can serve as inspiration for your architectural or interior design.
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