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Architects: MVRDV
- Year: 2024
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Photographs:Shephotoerd
Text description provided by the architects. Marking 400 years since the first encounter between the Dutch and the native people of the island of Taiwan, the Taipei International Book Exhibition (TIBE) declared the Netherlands as the “Guest of Honour” for the 2024 edition of Asia’s largest book fair. MVRDV was selected to both design and curate the Netherlands pavilion, which is located at the very center of the expo in Taipei World Trade Center’s Hall 1. The design is composed of three adjoining circles wrapped in images of Dutch landscapes. This creates three spaces to represent past, present, and future, allowing the pavilion to reflect on the 400-year relationship, to present modern-day Dutch design and sustainability expertise, to elaborate on ideals of diversity and inclusivity – and of course, to showcase and explore a wide range of Dutch literature.
As much as possible, the pavilion design uses recycled, recyclable, and reusable materials, ensuring a sustainable contribution to the exhibition that produces minimal waste. The underlying structure is made with scaffolding arranged into three linked circles. Following the motto “reading expands horizons”, these structures are wrapped in printed canvas that shows the expansive horizons of three archetypical Dutch landscapes: the sea, the older, and the dunes. On the interiors of these circles, color-altered versions of the same three images, inspired by the bold use of color in Dutch art and design, help to set a variety of atmospheres inside the pavilion. After the exhibition, this canvas will be turned into book bags and pouches, ensuring an afterlife for the materials used in the pavilion.
At the center of the arrangement, the largest circle is represented by the polder landscape. This circle signifies the present and is the hub for presenting contemporary Dutch literature while presenting information about Dutch design and sustainability on its walls. An amphitheater-like bookshelf and seating platform provide a space for presentations, workshops, and talks throughout the six-day expo.
On a smaller circle, the sea represents the past, as a symbol of the age of exploration and colonization that originally brought the Dutch into contact with what was then known as Formosa. Here, an exhibition of artifacts, documents, and models critically examines the early stages of that relationship. Finally, the circle representing the future, featuring the Dutch dunes, provides a space for children’s literature and for reflecting on important values of tolerance, free speech, diversity, and inclusivity.
Where the circles connect, the canvas gives way to curtains of the same design, which can be opened or closed to provide entrances to the pavilion. Similarly, curtains in between each of the circles can be closed to separate each one into its own space or opened to join the entire pavilion into one large, continuous space.
Alongside the main pavilion are shopping areas where visitors can purchase highlighted books, as well as items related to beloved Dutch cartoon characters Miffy (or “Nijntje” to the Dutch) and Dikkie Dik. Here, visitors will also be able to pre-order the book bags that will be made from the pavilion’s canvas walls. In addition to literature, the pavilion acts as a platform for the best that Dutch design has to offer, with the logo for the Netherlands’ Guest of Honour position designed by Amsterdam-based graphic designer Thonik.
