Humanity has become obsessed with breaking its limits, creating new records only to break them again and again. In fact, our cities’ skylines have always been defined by those in power during every period in history. At one point churches left their mark, followed by public institutions and in the last few decades, it's commercial skyscrapers that continue to stretch taller and taller.
For centuries, burial practices across various cultures have connected honoring the deceased to the earth, with cemeteries firmly grounded in the soil as a symbol of eternal peace. Yet, as discussed in one of our articles, No More Room for the Living or the Dead: Exploring the Future for Burials in Asia, land shortages in densely developed urban areas present significant challenges to traditional burial practices, especially as societies like Japan face an aging population. Given these spatial constraints, how can above-ground cemeteries and columbariums be designed to provide a dignified, tranquil resting place while respecting cultural values?
Water architecture has always been important throughout human history. From the aqueducts in ancient Rome to the grand canals of Venice, water has not only sustained life but also played an important role in shaping the urban environment. It has facilitated trade, nourished agricultural lands, and provided a sense of place and identity to different communities. Despite water's historical role, during the 20th century, many cities chose to bury their waterways underground, primarily for safety and hygiene reasons, as these channels often served as open sewers.
Further developing his collection of photographic series featuring architecture offices from around the world, Archmospheres photographer Marc Goodwin is now exploring workspaces in Taiwan. Among the included offices are well-known studios such as Fieldoffice Architects, an office whose output has significant cultural importance as they represent an example of Taiwanese Deconstructivist Architecture, in addition to other offices such as KRIS YAO | ARTECH, Divooe Zein Architects, and hii architects.
Milan Design Week stands as one of the most important events in the global design calendar, serving not only as a showcase of innovation but also as a catalyst for critical discourse and creative exchange. This year, the event unfolds with a multitude of exhibitions, installations, and talks happening throughout Milano during the week of April 15-21, 2024. By bringing together diverse voices, perspectives, and talents, Milan Design Week becomes relevant for architects and serves as a nexus for interdisciplinary dialogue. To help you better navigate the plethora of events, conferences, and installations, this article highlights the main venues hosting activities revenant for architects and designers, from the expansive trade fair Salone del Mobile in Rho Fiera to design districts across the city and unexpected locations hidden in Palazzo courtyards or reimagined industrial heritage sites.
On April 3, Taiwan was hit by a 7.4 magnitude earthquake, the strongest one in 25 years. According to the latest reports, nine people have been killed, and at least 900 others have been injured by damaged buildings and landslides on the island. The seism was centered off the eastern coast of Hualien County, severely damaging buildings, some leaning at severe angles. However, the country’s strict building codes, developed in the past two decades in response to the area’s intense seismic activity, have prevented even more extensive damage and loss of life.
Color plays a significant role in the world. Partly because of the significance attached to each hue, the use of color in architecture – especially in interiors – changes the ambiance of each project. In commercial establishments, color has a considerable influence on highlighting a given brand, and in homes, it can reflect the resident’s personality and complement the language adopted in the project. This exploration can take place directly in the tectonic object (architecture) through the surfaces that constitute the building, or it can take advantage of mobile elements, easily changeable.
For many, schools and kindergartens represent the first contact with public architecture. They, together with every educational facility, serve as the foundation for learning and knowledge dissemination, playing an important role in shaping the formative years of children and young adults. In consequence, these buildings need to respond to the needs of different age groups, while creating functional and flexible spaces for learning, but also for play and unstructured interaction. Light and ventilation needs contribute to the complexity of these architectural programs. However, designing educational facilities presents opportunities for innovation and creative expression, as they are required to adapt continuously to the changing needs of students and faculty while creating a conductive environment for learning.
The 18th annual Architecture Exhibition La Biennale Di Venezia is taking place from May to November under the theme of “The Laboratory of the Future”. This year, the Taiwanese Pavilion, organized by the Taiwan Museum of Fine Arts, announced that it will explore the intelligence embedded in surrounding landscapes. “Diachronic Apparatuses of Taiwan” displays how locals throughout Taiwanese history have used their intuition to shape their environment. Furthermore, the project also opens a dialogue about artificial and natural terrain to rediscover what we may learn from nature.
From Taiwan to the Netherlands to Uruguay, Jakub Sawosko has extensively been photographing concrete architecture all over the world and displaying them on Instagram as @sh_sh_welt.
