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Sabrina Syed
Sabrina joined the Archdaily team as a News Intern on May 2017. A Part 1 graduate from the University of Edinburgh School of Architecture, Sabrina has experience as a speaker for TEDxEdinburgh and at Zaha Hadid Architects in London. She currently runs a student drawing platform VOLUME64 on her year out before returning to Edinburgh for her M.Arch in September.
Coined by Robert Venturi and Denise Scott Brown in Learning from Las Vegas, “Ducks” are buildings that project their meaning in a literal way [1]. No architectural metaphors here - they are exactly what they look like. Many emerged alongside interstate highways, a lone doughnut or dinosaur punctuating the road trip across America. Places like Las Vegas and Macau have built their identity in the kitsch and literal language of architecture – with the duck a strong contributor. Though they get relegated to one of the weird forays of the postmodern era, ducks still make current-day appearances (like the Chicago Apple Store’s recent Macbook roof). Are they fun, kitschy, or just plain ugly? Love them or hate them, ducks have a light-hearted presence in our architectural history. Below are 9 weird and wonderful examples of buildings that make no apologies for being exactly what they are:
Architectural research initiative Arch Out Loud has released the winners of the Tenancingo Square Mediascape international open-ideas competition aimed to engage architects with the topic of human trafficking. The competition challenged participants to reimagine the town square of Tenancingo, Mexico in response to the prevalent issues of sex trafficking existing in the area. “With proposals from both regional designers and designers from other parts of the world, the competition brought forth a large variety of approaches to an extremely sensitive, but immediate, societal problem” Arch Out Loud said in a statement. “Being the first architectural competition to address human and sex trafficking, Arch Out Loud hopes that the culmination of this exploration is only the beginning of the field’s examination of its’ role in the matter.”
MVRDV have broken ground on a 3,700 square meter creative office project in Amsterdam, Netherlands. Named “Salt,” the new flexible workspace is part of the Minervahaven port redevelopment located on the city’s harbor. Conceived as a response to the lack of flexible workspaces in Amsterdam, Salt aims to provide small, high-quality offices geared towards the demands of creative industries. The building contributes to Minervahaven’s ambition to redefine itself as the city’s new creative hub.
Architectural photographer Julien Lanoo is known for his storytelling. His documentary-style photographs of the built environment range from Adjaye Associates' Aishti Foundation, OMA’s CCTV and the Oslo Architecture Triennale to name a few. Now the photographer has released a short film: introducing Canadian-Ghanaian architect Akwasi McLaren as he tells the story behind building his eco-lodge in the Cape 3 Points region of Ghana. Broken down into 3 chapters, “Knowledge, Wisdom, and Understanding” follows McLaren’s journey from designing his parents’ hotel in Ghana as a student to building his beloved lodge on the beach, to his hopes of sharing the valuable skills of ecological building and craftsmanship to cities.
Taking a page from its own products, Chicago’s new flagship Apple Store will have what appears to be a MacBook-inspired roof topping its entrance. Videos from the Chicago Tribune and Twitter surfaced earlier last week detailing its roof installation complete with a white apple logo. The Foster + Partners design will offer unobstructed views towards the Chicago river as a tribute to Frank Lloyd Wright’s Prairie-style homes outside the city.
International architecture non-profit Shelter Global has just announced the winners of its third annual Dencity Competition, highlighting innovative solutions that will improve living conditions for over 1 billion slum dwellers worldwide. The goal of the competition is to foster new ideas on how to spread awareness and handle the growing density of unplanned cities .
Russian architecture office Blank Architects have won a competition to design the Rzhevskaya Metro Station in Moscow, Russia. The open international competition searched for proposals to design three stations along the capital’s new metro line: "Rzhevskaya," "Sheremetyevskaya," and "Stromynka." Blank Architects is one of three architecture offices winning proposals for each station, with AI Architects chosen to design "Sheremetyevskaya" station and Map Architects winning "Stromynka." Designed as a sequence of arches and topped with a transparent pavilion, the proposal creates a dialogue between monumental and light elements - a modern addition to the city’s architectural identity.
What makes the color black so enticing for architects? Projects made in black concrete are both striking and complex in their design and are gaining widespread appeal in contemporary projects, both public and private. What we don’t know is just how hard it is to create black concrete in the first place. We spoke with Attilio Panzeri & Partners who have mastered the craft - and here’s what we learned:
Powerhouse Company have won a competition to create a new mixed-use hub in Eindhoven, Netherlands. For the competition, Powerhouse teamed up with landscape architects ZUS and developer Amvest to design a trio of skyscrapers forming the winning proposal for a new urban plaza, called “District E”. The 70,000 square meter proposal will be located next to Eindhoven Station.
The Naomi Milhave Foundation have released OMA‘s first renders and drawings for their upcoming MPavilion which is set to take shape this fall in Melbourne, Austrailia. The counterpart to the Serpentine Gallery Pavilion in London, the MPavilion is now in its fourth year. Comprising static and dynamic elements, OMA’s proposal allows for multiple configurations that can generate unexpected programming, echoing the ideals of the typology of the amphitheater. Following the idea of the traditional amphitheater, OMA’s design will be “itself built to perform” as a space for public debate, design workshops, music and arts events.
The international Prix Versailles Committee has announced the recipients of its annual awards celebrating built commercial architecture. The awards were held at the UNESCO World Headquarters, with recipients hailing from 6 regions around the world. Chaired by the Mayor of Versailles François de Mazières, the international jury included architects Manuelle Gautrand, Toyo Ito, Wang Shu, and acclaimed chef Guy Laroche.
The 12 World Titles are awarded in 4 top categories: stores, shopping malls, hotels and restaurants. The winners were selected from a diverse range of 70 regional winners already present in the ceremony.
A team of architects from Florence, Italy have won CAMBOO’s bamboo design competition showcasing the material for its strong and sustainable construction qualities. Held in Phnom Penh, Cambodia, the CAMBOO festival sought to find an innovative design for a landmark pavilion as a centerpiece during the event. Architects Roberto Bologna, Fernando Barth, Chiara Moretti and Denny Pagliai beat out 125 entries with their winning “Hyperbamboo” pavilion, which was chosen for its “intelligent and well thought out use of bamboo as a construction material.”
Mecanoo and MAYU Architects+ have begun construction on the new Tainan Public Library in Taiwan. The joint proposal was selected as a winner of a competition by the Tainan City Government held in February 2016. The proposal’s program hosting people of all ages, combined with its distinctive stepped façade will serve as a key addition to Tainan's cultural landscape. The design has gone through revisions with updated drawings released by Mecanoo.
The world’s largest indoor waterfall is currently being built in Singapore’s new Jewel Changi Airport extension. Designed by Safdie Architects, the spheroid-shaped dome will be a new luxury lifestyle destination for one of the world’s busiest airports and is a feat of engineering and sustainability. At approximately 134,000 sqm in size, the Jewel offers a range of facilities including airport services, indoor gardens, shopping and leisure attractions – including a canopy park in the upper levels of the dome.The 40m-tall waterfall is designed by water design firm WET, whose commissions include the Bellagio fountains and Burj Khalifa. Dubbed the Rain Vortex, the ambitious cascade will be the centerpiece for the project’s “Forest Valley” urban garden.
NIKE has created a new experimental lab for running aficionados: the world’s first full-sized LEDracing track. Built as a pop-up in Manila, Philippines, the "Unlimited Stadium" coincided with the launch of their new LunarEpic running shoe. The 200m long figure-8 course follows the imprint of the running shoe, scaled up to a 100ft long footprint lighting up the heart of Manila.
Brazil-based architects Estudio Guto Requena, working with digital product studio D3, has launched an app that collects emotions to create a unique piece of jewelry. That, and some 3D-printed craftsmanship direct from the design you generate via their new app. Coined the Aura Pendant, the final product is an intricately woven golden pendant that can be gifted to yourself or a loved one.
Moscow-based architecture practice Meganom has unveiled their design for a supertall luxury skyscraper in Manhattan. The parcel, on 262 Fifth Avenue is located in the city’s NoMad neighborhood near Madison Square Park. The site owner, Israeli developer Boris Kuzinez from Five Points Development, submitted plans for the project in September 2016. Kuzinez and Meganom have previously worked together on several projects, including the award-winning Tsvetnoy Central Market in Moscow. 262 Fifth Avenue will be the debut project in the U.S. for both, and the skyscraper will be the tallest ever built by a Russian architect in America.
A team of local residents and architects in Hamburg’s neighborhood of St. Pauli have been granted planning permission for a proposal to repurpose a war bunker dating back from the 1940s. Coined Hilldegarden, the proposal seeks to create a “green mountain” garden atop the disused roof of the bunker along with a range of mixed-use projects that increase its height by several stories. “We are rebuilding what we inherit.” The project’s initiative states, “Adding something to history while dealing with it and thereby reshaping history itself.”
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