Operating in urban environments often requires us to make decisions regarding pre-existing structures. The increase in city density has directly impacted the availability of space for developing new and independent constructions, sparking debates about what stance to take toward built heritage that has become obsolete—either due to deterioration or because it no longer meets the functional needs of the contemporary population. In cases where buildings have seriously deteriorated or new projects differ greatly from the spatial possibilities an old building can offer, preserving only the façade—as an exterior envelope, almost like a superficial element—can be seen as a partial solution that allows for the preservation, in part, of the urban character of a structure if it holds some public or cultural value. The controversy arises, certainly, from the lack of relationship or connection between the transformed interior and the preserved exterior.

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As much as walls, ceilings, and furniture pieces define the character and perception of an architectural project, doors play a critical role in building that style. Among all the doors used in houses, the front door is the first tangible element that homeowners and visitors will encounter, acting as the pivotal point where architecture greets the user. After all, first impressions are always important; and the entrance door is certainly one that can set the tone for the rest of the interior. However, choosing the right front door for a contemporary house can be difficult, especially with so many design possibilities. Therefore, before making that decision, it is crucial to know what those possibilities are – and how these can transform the front door into a design statement.

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The building on the corner of Suipacha and Paraguay Streets in the city of Buenos Aires, designed by the Spanish architect Antonio Bonet, established from its realization the basis to begin certain reflections on international modern architecture in the Argentinian context of the 1930s.